Treasured Writings of Kahlil Gibran (32 page)

Selma Karamy was the one who taught me to worship beauty by the example of her own beauty and revealed to me the secret of love by her affection; she was the one who first sang to me the poetry of real life.

Every young man remembers his first love and tries to recapture that strange hour, the memory of which changes his deepest feeling and makes him so happy in spite of all the bitterness of its mystery.

In every young man's life there is a “Selma” who appears to him suddenly while in the spring of life and transforms his solitude into happy moments and fills the silence of his nights with music.

I was deeply engrossed in thought and contemplation and seeking to understand the meaning of nature and the revelation of books and scriptures when I heard
LOVE
whispered into my ears through Selma's lips. My life was a coma, empty like that of Adam's in Paradise, when I saw Selma standing before me like a column of light. She was the Eve of my heart who filled it with secrets and wonders and made me understand the meaning of life.

The first Eve led Adam out of Paradise by her own will, while Selma made me enter willingly into the paradise of pure love and virtue by her sweetness and love; but what happened to the first man also happened to me, and the fiery sword which chased Adam out of Paradise was like the one which frightened me by its glittering edge and forced me away from the paradise of my love without having disobeyed any order or tasted the fruit of the forbidden tree.

Today, after many years have passed, I have nothing left out of that beautiful dream except painful memories flapping like invisible wings around me, filling the depths of my heart with sorrow, and bringing tears to my eyes; and my beloved, beautiful Selma, is dead and nothing is left to commemorate her except my broken heart and a tomb surrounded by cypress trees. That tomb and this heart are all that is left to bear witness of Selma.

The silence that guards the tomb does not reveal God's secret in the obscurity of the coffin, and the rustling of the branches whose roots suck the body's elements do not tell the mysteries of the grave, but the agonized sighs of my heart announce to the living the drama which love, beauty, and death have performed.

Oh, friends of my youth who are scattered in the city of Beirut, when you pass by that cemetery near the pine forest, enter it silently and walk slowly so the tramping of your feet will not disturb the slumber of the dead, and stop humbly by Selma's tomb and greet the earth that encloses her corpse and mention my name with a deep sigh and say to yourself, “Here, all the hopes of Gibran, who is living as a prisoner of love beyond the seas, were buried. On this spot he lost his happiness, drained his tears, and forgot his smile.”

By that tomb grows Gibran's sorrow together with the cypress trees, and above the tomb his spirit flickers every night commemorating Selma, joining the branches of the trees in sorrowful wailing, mourning and lamenting the going of Selma, who, yesterday, was a beautiful tune on the lips of life and today is a silent secret in the bosom of the earth.

Oh, comrades of my youth! I appeal to you in the names of those virgins whom your hearts have loved, to lay a wreath of flowers on the forsaken tomb of my beloved, for the flowers you lay on Selma's tomb are like falling drops of dew from the eyes of dawn on the leaves of a withering rose.

S
ILENT
S
ORROW

Y NEIGHBORS, you remember the dawn of youth with pleasure and regret its passing; but I remember it like a prisoner who recalls the bars and shackles of his jail. You speak of those years between infancy and youth as a golden era free from confinement and cares, but I call those years an era of silent sorrow which dropped as a seed into my heart and grew with it and could find no outlet to the world of knowledge and wisdom until love came and opened the heart's doors and lighted its corners. Love provided me with a tongue and tears. You people remember the gardens and orchids and the meeting places and street corners that witnessed your games and heard your innocent whispering; and I remember, too, the beautiful spot in North Lebanon. Every time I close my eyes I see those valleys full of magic and dignity and those mountains covered with glory and greatness trying to reach the sky. Every time I shut my ears to the clamor of the city I hear the murmur of the rivulets and the rustling of the branches. All those beauties which I speak of now and which I long to see, as a child longs for his mother's breast, wounded my spirit, imprisoned in the darkness of youth, as a falcon suffers in its cage when it sees a flock of birds flying freely in the spacious sky. Those valleys and hills fired my imagination, but bitter thoughts wove round my heart a net of hopelessness.

Every time I went to the fields I returned disappointed, without understanding the cause of my disappointment. Every time I looked at the gray sky I felt my heart contract. Every time I heard the singing of the birds and babbling of the spring I suffered without understanding the reason for my suffering. It is said that unsophistication makes a man empty and that emptiness makes him carefree. It may be true among those who were born dead and who exist like frozen corpses; but the sensitive boy who feels much and knows little is the most unfortunate creature under the sun, because he is torn by two forces. The first force elevates him and shows him the beauty of existence through a cloud of dreams; the second ties him down to the earth and fills his eyes with dust and overpowers him with fears and darkness.

Solitude has soft, silky hands, but with strong fingers it grasps the heart and makes it ache with sorrow. Solitude is the ally of sorrow as well as a companion of spiritual exaltation.

The boy's soul undergoing the buffeting of sorrow is like a white lily just unfolding. It trembles before the breeze and opens its heart to daybreak and folds its leaves back when the shadow of night comes. If that boy does not have diversion or friends or companions in his games, his life will be like a narrow prison in which he sees nothing but spider-webs and hears nothing but the crawling of insects.

That sorrow which obsessed me during my youth was not caused by lack of amusement, because I could have had it; neither from lack of friends, because I could have found them. That sorrow was caused by an inward ailment which made me love solitude. It killed in me the inclination for games and amusement. It removed from my shoulders the wings of youth and made me like a pond of water between mountains which reflects in its calm surface the shadows of ghosts and the colors of clouds and trees, but cannot find an outlet by which to pass singing to the sea.

Thus was my life before I attained the age of eighteen. That year is like a mountain peak in my life, for it awakened knowledge in me and made me understand the vicissitudes of mankind. In that year I was reborn and unless a person is born again his life will remain like a blank sheet in the book of existence. In that year, I saw the angels of Heaven looking at me through the eyes of a beautiful woman. I also saw the devils of hell raging in the heart of an evil man. He who does not see the angels and devils in the beauty and malice of life will be far removed from knowledge, and his spirit will be empty of affection.

T
HE
H
AND OF
D
ESTINY

N THE SPRING OF that wonderful year, I was in Beirut. The gardens were full of Nisan flowers and the earth was carpeted with green grass, all like a secret of earth revealed to Heaven. The orange trees and apple trees, looking like houris or brides sent by nature to inspire poets and excite the imagination, were wearing white garments of perfumed blossoms.

Spring is beautiful everywhere, but it is most beautiful in Lebanon. It is a spirit that roams round the earth but hovers over Lebanon, conversing with kings and prophets, singing with the rivers the songs of Solomon, and repeating with the Holy Cedars of Lebanon the memory of ancient glory. Beirut, free from the mud of winter and the dust of summer, is like a bride in the spring, or like a mermaid sitting by the side of a brook drying her smooth skin in the rays of the sun.

One day, in the month of Nisan, I went to visit a friend whose home was at some distance from the glamorous city. As we were conversing, a dignified man of about sixty-five entered the house. As I rose to greet him, my friend introduced him to me as Farris Effandi Karamy and then gave him my name with flattering words. The old man looked at me a moment, touching his forehead with the ends of his fingers as if he were trying to regain his memory. Then he smilingly approached me, saying, “You are the son of a very dear friend of mine, and I am happy to see that friend in your person.”

Much affected by his words, I was attracted to him like a bird whose instinct leads him to his nest before the coming of the tempest. As we sat down, he told us about his friendship with my father, recalling the time which they spent together. An old man likes to return in memory to the days of his youth like a stranger who longs to go back to his own country. He delights to tell stories of the past like a poet who takes pleasure in reciting his best poem. He lives spiritually in the past because the present passes swiftly, and the future seems to him an approach to the oblivion of the grave. An hour full of old memories passed like the shadows of the trees over the grass. When Farris Effandi started to leave, he put his left hand on my shoulder and shook my right hand, saying, “I have not seen your father for twenty years. I hope you will take his place in frequent visits to my house.” I promised gratefully to do my duty toward a dear friend of my father.

When the old man left the house, I asked my friend to tell me more about him. He said, “I do not know any other man in Beirut whose wealth has made him kind and whose kindness has made him wealthy. He is one of the few who come to this world and leave it without harming any one, but people of that kind are usually miserable and oppressed because they are not clever enough to save themselves from the crookedness of others. Farris Effandi has one daughter whose character is similar to his and whose beauty and gracefulness are beyond description, and she will also be miserable because her father's wealth is placing her already at the edge of a horrible precipice.”