Transition (5 page)

She sat bundled in a crumpled white sheet. Her hair, a brown-red spill of curls across her shoulders and along her slender
neck, formed a quiet nimbus around her tipped head. Her deep brown eyes looked almost black, reflecting the flickering candlelight
like some image of the consciousness that she had been speculating about. They looked perfectly still and steady. I could
see the minuscule spark of the flame reflected in them, see it occluded by her hand passing over it. She blinked slowly, almost
languorously.

I recalled that the eyes only see by moving; we can fasten our gaze on something and stare intently at it only because our
eyes are consumed with dozens of tiny involuntary movements each second. Hold something perfectly and genuinely still in our
field of vision and that very fixity makes it disappear.

“I love you,” I heard myself whisper.

She glanced up. “
What?”

Her hand stopped, poised over the flame. She jerked it away. “Ow!”

Madame d’Ortolan

In the main salon of the Café Atlantique – vast and echoing, with a ceiling lost in a layer of ancient-looking smoke stirred
by giant wobbling ceiling fans – there is a Jupla band playing to the mostly indifferent crowd packing the spaces between the
tables, which are variously set for eating, drinking and gaming. Stained-glass circular windows set high in the two gable
walls struggle along with globular yellow lamps the size of bathyspheres to illuminate the chaotic scenes below, where small,
sweating men wearing sandwich boards run up and down the aisles.

The pretty little Eurasian singer wears a vibrato collar and the snare drums are doubled, one set conventionally while the
other is poised upside down directly above, separated by about half a metre. As Madame d’Ortolan enters – her way cleared as
best he can by Christophe the chauffeur – the singer on the low stage midway along one long wall hits an especially high and
plangent note and uses the cable remote in her pocket to turn her collar to high speed. Batteries in the remote power up a
tiny motor attached to unbalanced weights within the device itself, making the collar burr against the girl’s throat just
over her voice box so that she produces a sort of staccato ululation impossible to achieve without such mechanical artifice.
The drummer has both sticks blurring in between the lower and upper snares, creating a crazed percussive accompaniment to
match.

“Your table, ma’am,” Christophe says, quickly dusting and polishing a seat with its back against the wall of a semicircular
booth set almost directly opposite the band. He called ahead from the car to book this small, neatly placed table and the
previous occupants are still arguing with elements of the management even as their half-finished drinks are being tidied away
by white-jacketed waiters.

Madame d’Ortolan eyes the seat sceptically, then sighs, smooths her skirt and sits, prim and upright while Christophe pushes
the chair in. She can see the one who is probably the Oh person making his way through the crowds towards her. He is dressed
like a peasant and has either a peasant’s skin tone or just that neither-one-thing-nor-the-other colour that Madame d’Ortolan
finds irritating. He arrives, stands in front of her, glancing at the towering presence of Christophe. He smiles at her, rubbing
his hands. He bows sinuously. “Madame.”

“Yes?”

“Aiman Q’ands. At your service.”

“Sit,” she tells him. She has already forgotten the name he has just spoken. To her he is still Oh. There is shouting beyond
the mouth of the alcove, where the table’s earlier occupants have noticed that their drinks have been tidied away. A waiter
flaps a pristine white tablecloth across the table, lets it settle and turns to take her order as the greasy-looking little
man sits. Christophe, standing greyly behind her, divides his time between looking suspiciously at the man who has just arrived
and looking suspiciously at the arguing punters, now in the first stages of being shooed away by the management and a couple
of bouncers who have just drifted up and who are even larger than Christophe.

Aiman Q’ands bows from a seated position. “Always a pleasure to see you—”

“I do not require your pleasantries,” Madame d’Ortolan tells him, “and you should not expect mine.” This one, she recalls,
surveying his smiling, shining, annoyingly anonymous coffee-coloured face, has always responded well to being kept thoroughly
in his place. She turns briefly to Christophe and glances at her shoulder; he lifts the cream jacket from her shoulders and
places it carefully over the back of her seat. She suspects that he lets his fingers linger just a fraction longer than fully
necessary as they touch her flesh through her silk blouse, and that he surreptitiously sniffs at her hair as he bends to her.
This is agreeable but distracting. “Still water,” she informs the waiter. “Bring it sealed. No ice.”

“Double espresso,” Aiman Q’ands says. He flaps the collar of his kameez. “And water; lots of ice.” He drums his fingers on
the table.

It is hot in Paris and hotter still in the Café Atlantique; the leisurely spinning ceiling fans are largely decorative. The
small sweating men wearing the sandwich boards – which advertise today’s specials and the services of various bookmakers, lawyers,
pawnbrokers, bail-bond companies and brothels as well as conveying the latest headlines and sports results – are there principally
to create cooling draughts as they pelt up and down the aisles. They are surprisingly effective. Aiman Q’ands squirms in his
seat, looking up and all around. His hands knead each other. He seems incapable of sitting still and is making Madame d’Ortolan
feel even warmer. “Fan, Christophe,” she says over her shoulder. With a snap, a large lacy black fan is deployed and starts
to move air gently past her face.

Aiman Q’ands sits forward, eyes glistening. “Madame, may I say—”

“No, you may not,” Madame d’Ortolan tells him. She glances about her with a look of some distaste. “We shall keep this to
the minimum.”

Q’ands looks hurt. He sits back, looking down. “Madame, do you find me so repellent?”

As though she spared the wretch a thought at all! “Don’t be absurd,” she tells him. “I simply have no great desire to be here,”
she says, a glance taking in the smokily cavernous space. “Aside from all else, these crowds are, perversely, highly attractive
to bombers.”

“Christians?” Q’ands says, looking mildly surprised and also looking round.

“Of course Christians, you idiot!”

Q’ands shakes his head ruefully and tuts. “The religion of brotherly love. So sad.”

Just for a moment Madame d’Ortolan thinks he might be trying to make fun of her. You can never be sure in how much detail
these
passerines
remember previous encounters with things, events or people. Could he be baiting her? She quickly dismisses the thought. “The
religion of zealotry,” she informs him testily. “The religion that loves its martyrs, the religion of the doctrine of Original
Sin, so that blowing even babies to smithereens is justifiable because they too are sinners.” She jerks her head and makes
a sort of dry spitting sound. “A religion made for terrorism.”

She can see what might be a small smile on Q’ands’s unpleasantly glowing face and can feel perspiration starting to gather
on her brow. She leans forward and lowers her voice. “Are you properly ambiented? Have you fully embedded here yet?” she asks.
“Any idiot ought to know this. Do you?”

“I know what I know, ma’am,” he says quietly, for all the world as though trying to be mysterious. Meanwhile one leg is bouncing
up and down as though he is trying to follow the beat of the Jupla band. The fellow is preposterous!

“Well, know that I wish to waste no further time here.” She glances up at Christophe, then has, annoyingly, to clear her throat
loudly because he seems distracted by the Eurasian waif warbling on stage. Her chauffeur collects himself, follows her gaze
as it flicks to the man seated opposite and, sticking his free hand into his grey tunic, produces what looks like a cigar
tube and hands it to Q’ands.

He looks at it sadly and then places it in his chest satchel. “Also,” Q’ands says, “I am almost out of—”

“There are supplies for a dozen journeys in there,” Madame d’Ortolan tells him. “We’re not stupid. We can count.”

He shrugs. “My apologies for so obviously inconveniencing you.” He sounds hurt. He stands up and runs a hand through his wiry
brown hair. As he turns to look out into the body of the salon, a sandwich-board man races past, clacking. The resultant breeze
makes Q’ands’s salwar kameez flutter. “… See if I can intercept my coffee…”

“Sit down!” she snaps.

He turns back. “But you said—”

“Sit!”

He sits, looking still more wounded.

“There are certain instructions specific to this matter which have not been written down,” she says. Q’ands looks appropriately
surprised. She is already finding the way his expression seems to reflect his internal state so immediately and accurately
extremely vexing. Worryingly unprofessional, too, if he’s like this with everybody. Has he finally gone off the rails? How
vexing if her long campaign to destabilise the fellow has finally succeeded just when she needs him at his most implacably
efficient.

“Indeed?” he says. He looks mystified. Madame d’Ortolan half expects a cartoon thought-bubble bearing a big question mark
to appear above his head.

“Indeed,” she tells him. “The written orders mention some names and actions that you may find surprising. Nevertheless, these
instructions have been subject to particularly careful scrutiny at the highest level, by not one or two but several sufficiently
security-cleared individuals and you may be assured that there is no mistake. Regarding the final action you are instructed
to pursue in each case, ignore that course of action as written in your orders. Each of the subjects concerned is
not
to be forcibly transitioned; they are all to be elided. Killed. Expeditiously. Do you understand?”

Q’ands’s eyes widen. “I am to ignore my written orders?”

“In that one detail, yes.”

“
Detail?”
The fellow looks aghast, though probably more at the choice of word than the terminal severity of the action proposed.

“In writing,” Madame d’Ortolan explains patiently, “you are instructed to find the individuals named, close with them and
take them away. The spoken amendment I am giving you now is to do all the above, except you are to kill them rather than kidnap
them.”

“So that’s an order?”

“Yes. That is an order.”

“But—”

“The written orders issue from my office,” Madame d’Ortolan tells him, her voice acidic. “This verbal order is also from me,
has also been appropriately vetted and approved, and post-dates the written orders. What about this sequence of events is
difficult for you to comprehend?”

There is a hurt silence while the waiter delivers their order. When he goes, Q’ands says, “Well, I take it the verbal orders
will be confirmed by written—”

“Certainly not! Don’t be an idiot! There are reasons why this is being handled in this manner.” Madame d’Ortolan sits forward,
lowers her voice and softens it a little. “The Council,” she tells him, head tipped towards him, drawing him in, “even the
Concern itself, is under threat, don’t you see? This must be done. These actions must be carried out. They may seem extreme,
but then so is the threat.”

He looks unconvinced.

She sits back. “Just obey your orders, Q’ands. All of them.” She watches as Christophe unseals her bottle of water, wipes
her glass with a fresh handkerchief and pours. She drinks a little. Q’ands looks most unhappy, but drinks his espresso, finishing
it with indecent haste in a couple of tossed-back gulps. She has a sudden unbidden, unwelcome and unpleasant vision of his
lovemaking being similarly abrupt and curtailed now. Where once, of course, he had been quite pleasantly proficient. She pushes
the memory away as something best forgotten and nods beyond the booth. “
Now
you may go.”

He rises, gives a cursory bow and turns away.

Madame d’Ortolan says, “A moment.”

He sighs as he looks back at her. “Yes?”

“What did you say your name was?”

“Q’ands, ma’am.”

“Well, Q’ands,
do
you understand?”

His jaw works as though he is trying to control himself. “Of course,” he says, voice clipped. “I understand.”

She favours him with an icy smile. “As you might guess, this is altogether of particular importance to us, Q’ands. It is what
one might term a high-tariff matter. The highest. The rewards for success will be as lavish as the sanctions for failure will—”

“Oh, madame,” he says loudly, holding out one hand to her, his voice pitched somewhere between exasperation and what certainly
sounds like genuine insult. “Spare me.” He turns and leaves with a shake of his head, disappearing into the tumult.

Madame d’Ortolan is quite shocked.

The Philosopher

My father was a brute, my mother was a saint. Dad was a big, powerful man. He was what they used to call free with his fists.
In school he was kept back a year and hence was always the biggest boy in his class. Big enough to intimidate the teachers
sometimes. Eventually he was thrown out for breaking another pupil’s jaw. According to him, it was a boy, a bully, from a
couple of years above him. It was twenty years later and he was dead before we found out it had actually been a girl in his
own class.

He always wanted to be a policeman but he kept failing the entry exams. He worked in the prison service until he was thrown
out for being too violent. Feel free to make your own jokes.

My mother had a very strict religious upbringing. Her parents were members of a small sect called The First Church of Christ
The Redeemer Our Lord’s Chosen People. Once I suggested that they had more words in their title than they did members. It
was the only time she hit me. She was proud that she didn’t sleep with my father until after they were married, on the day
she turned eighteen. I think she just wanted to be free of her parents and all their restrictions and rules. They always had
a lot of rules. Before they could be wed dad had to promise the elders of the church and our local minister that he would
have all his children raised strictly in the ways of the Church, though he only did this so that he could wash his hands of
his parental responsibilities. He had as little to do with me as he could while I was growing up. He’d usually be reading
his paper, lips moving silently, or listening to music on his headphones, humming loudly and out of tune. If I tried to attract
his attention he’d put his paper down, scowling, and tell me to talk to my mother, or just glare at me without turning his
music down and stab a finger first at me and then at the door. He liked country and western music, the more sentimental the
better.