Transition (53 page)

I have much to think about, I think.

The Philosopher

When Mr Kleist wakes up he is in some pain. His head hurts a lot. He feels drunk or hungover or both. He has a raging thirst.
He can’t breathe very well. This is because he is gagged, with tape. Starting to panic, he looks round. He is in a cellar
that he remembers from long ago. He is tied tightly to a central-heating unit.

A youthful figure in a woollen ski mask comes carefully down the stairs, holding a steaming kettle.

Mr Kleist starts trying to scream.

Madame d’Ortolan

Madame d’Ortolan – forcibly removed, much reduced, quite marooned – on her way to watch the eclipse in Lhasa, on what she is sure
will turn out to be another complete waste of time, looks out of the window to watch the crumpled grey, brown and green lands
of Tibet slide by. She misses Mr Kleist. Though there was never anything sexual between them, still she misses him.

Her current assistant and bodyguard is asleep on the seat across from her, snoring. He is extremely well built and fit, but
quite without an original thought or even observation in his pretty, thick-necked head.

She misses Christophe, the chauffeur, from the other Paris. That was entirely sexual. She breathes deeply, sucking oxygen
from the little mask attached to the train’s supply.

She is still thinking of Christophe when the door suddenly flies open. The man is in the compartment and swinging round to
face them – arms triangled out, fists closed round a long handgun – before her eyes have had time to fully widen or her mouth
can fully open.

The sleeping bodyguard never even wakes up. The closest he gets is that his snoring stops. The last expression on his face
is a mild frown. Then his brains are blown across his burly shoulder and onto the carriage window in a grey-red fan, the impact
of his head breaking the internal pane of the double-glazed window, spreading cracks like shattered ice.

Madame d’Ortolan flinches back, horrified, screaming, as some of the blood and brains spatters over her. The gunman kicks
the door shut, glances round the compartment.

Madame d’Ortolan cuts the scream off, turns to face him. She holds up one hand.

“Now just
wait
! Temudjin, if that’s you, I still have considerable resources, much to offer. I—”

He doesn’t say anything. He was only waiting for her to confirm who she was, and she’s done that now.

In the last second before she dies, Madame d’Ortolan realises what is about to happen and stops saying what she was starting
to say, instead carefully pronouncing just the one word: “Traitor.”

“Only to you, Theodora,” the gunman murmurs to herself, between the first and second head shots.

The Pitcher

Mike Esteros is sitting at the bar of the Commodore Hotel, Venice Beach, after yet another unsuccessful pitch. Technically
he doesn’t know it’s unsuccessful yet, but he’s developing a nose for these things and he’d put money on another rejection.
It’s starting to get him down. He still believes in the idea and he’s still sure it’ll get made one day, plus he knows that
attitude is everything in this business, he must remain positive – if he doesn’t believe in himself, why should anybody else? – but,
well, all the same.

The bar is quiet. He wouldn’t normally drink at this time of day. Maybe he needs to adjust the plot, make it more family-oriented.
Focus on the boy, on the father – son thing. Cute it up a little. A dusting of schmaltz. Never did any harm. Well, no real harm.
Maybe he’s been believing too much in the basic idea, assuming that because it’s so obvious to him what a beautiful, elegant
thing it is, it’ll be obvious to everybody else and they’ll be falling over themselves to green-light it and give him lots
of money.

And don’t forget Goldman’s Law: nobody knows anything. Nobody knows what will work. That’s why they make so many remakes and
Part Twos; what looks like lack of imagination is really down to too much, as paranoid execs visualise all the things that
could go wrong with a brand new, untested idea. Going with something containing elements that definitely worked in the past
removes some of the terrifying uncertainty.

What he’s got here is a radical, left-field idea. The central concept is almost too original for its own good. That’s why
it needs a generous helping of conventionality slathered over it. He’ll rework it, again. It’s not a prospect that fills him
with joy, frankly, but he guesses it has to be done and he has to struggle on. It’s worth it. He still believes in it. It’s
just a dream, but it’s a dream that could be made real and this is the place where that happens. Your dreams, of your idea
and your future self, your fortunes, get turned into reality here. He still loves this place, still believes in it, too.

A woman comes in and sits two seats away. She’s rangy and dark, dressed in jeans and shirt. She sees him looking and he says
Hi, asks if he can buy her a drink. She thinks about it, looks at him in a frankly evaluatory way and says okay. A beer. He
asks to join her and she says yes to that as well. She’s cute and friendly and smart, nice laugh. Just his type. A lawyer,
on a day off, just relaxing. Connie. They get to talking, have another beer each then decide they’re wasting the sunny day
and go for a walk along the boardwalk beneath the tall palms, watching the rollers rolling in, the skaters skating, the bladers
blading, the cyclists cycling, the walkers walking and the surfers, way in the distance, surfing. They sit in a little café
still within sight of the beach, then go for dinner in a little Vietnamese place a short walk away. He gives her the pitch
because she’s genuinely interested. She thinks it’s a great idea. It actually seems to make her thoughtful.

Later they walk on the beach in the light of a half-moon, then sit, and there’s some kissing and a modest amount of fooling
around, though she’s already told him she doesn’t go any further on a first date. Him too, he tells her, though strictly speaking
that’s nonsense of course and he guesses that she guesses this but doesn’t seem to care.

She takes his hands in hers and says, “Michael, what if I said I had access to a lot of money. Money that I think you could
use. Money I’d like you to use.”

He laughs. “I’d… think this was too good to be true. You come into a bar, we leave it together, then here we are kissing in
the moonlight and now you’re telling me you’re rich?” He shakes his head. “I wouldn’t write this. I wouldn’t dare. You serious?”

“The money would not be for making your script into a film, however.”

“Oh? Well, I’m crushed. What, then?”

“It would be so that you could become a shadow chaser. It would be so that you can travel the world going to particular places
on the tracks of eclipses and looking for people who seem a little overdressed, for RVs with dark windows, for rented villas
where the locals haven’t seen the residents, for yachts where nobody appears on deck.”

He stares at her for a while. “Hell, girl. You serious about
that
?”

“Also, you will need a new identity. There are people who would like to make you disappear. One of them was going to try to
do this today. We passed her on the boardwalk earlier.”

He looks around. “Is this a joke? Where’s the camera?”

“No joke, Michael.” She puts her hands round his wrists, encircling them as near as she can. “Now, I am going to bring you
back, but let me show how they would make you disappear.”

… “Holy shit.”

Adrian

Adrian is left disoriented and slightly paranoid by it all. He gets back to dear old Blighty and, thoroughly rattled, begins
to sell everything up. Handily, he manages to offload almost all he owns just days before Lehman Brothers collapses and the
entirety of international finance falls flailing off the first of several cliffs. He immediately decides this is a sign of
his invincible superiority and flawless luck. He also decides to live where his money is – with the Forth International Bank – so
buys a villa on Grand Cayman in the Cayman Islands, south of Cuba.

The Cayman Islands are a proper tropical paradise with aquamarine crystal waters and palm trees and golden beaches and everything,
but they are very prone to hurricanes. In the summer of 2009 Adrian hears there’s a big one on the way. Most of the rich just
jet off to somewhere more congenial for a few days but he decides he’d like to experience a proper hurricane, because he is
invincible, after all.

Just as well; he discovers that the villa was flooded in the last Category 5 and so, after some problems finding anybody still
around and doing the jobs they’re fucking being paid to do, he hires an ancient walk-through delivery van from a friend and
loads all the stuff he can carry from the villa into it: televisions, computers, hi-fis, scuba gear, rugs, pieces of designer
furniture, some Benin bronzes, a couple of full-size replica terracotta warriors, various paintings and so on. It’s exhausting,
but he’s sure it’ll be worth it. He parks up on higher ground, behind a sturdy-looking water tower just outside George Town,
and sits there through the night, the winds shrieking around him and the truck, laden though it is, shaking and bouncing on
its shot, overloaded springs.

The face of one of the terracotta warriors, standing right behind his seat, looks inscrutably over his shoulder throughout
the night, either angel of death or guardian angel – Adrian can’t decide which. The disturbing thing is that the company making
the replicas let you specify what you wanted their faces to look like, and Adrian chose his own face for both, so there’s
basically a stony-faced version of himself standing right behind his seat the whole time.

The water tower makes some terrible groaning noises during the night and scares him half to death, but it doesn’t fall down
and survives intact.

In the afternoon of the next day, when the hurricane has passed, he drives the beaten-up van back along the leaf- and wreckage-strewn
road to discover the villa is intact and unflooded; almost undamaged. His luck has held yet again and he is still invincible.
He grins, reaches behind him and pats the cheek of the terracotta warrior: guardian angel, then. But on the way down to the
villa, whooping and hollering, he loses control of the truck and it slams into a ditch.

All his possessions in the back come sliding forward and crush him to death.

Bisquitine

Bisquitine remains Empress of all she surveys, just as she always has been.

The Transitionary

All right, I lied about the quiet and normal life bit. So I’m unreliable. And there was no deer, or fox, or any other form
of wildlife involved. What there was, was me; briefly inside his head as he drove away. Long enough to unfasten the bastard’s
seat belt and tug hard on the steering wheel before dancing back out of his head again an instant before the crash.

It was as long as I could have stayed in there anyway, and it hurt, plus it wore me out for days.

But it’s a start.

THE END