Tilt (63 page)

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Authors: Ellen Hopkins

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“she” and contemplate pink dresses—
makes everything completely real.
Dr. Ortega comes in to discuss what
the ultrasound shows—a healthy
little girl with all her parts in all
the right places. And while I keep
nodding my head, I’m only half
listening. I keep looking at the printout
they gave me of my daughter
in
utero
at twenty-one weeks. I think
she looks like a girl, and imagine
what she’ll look like when she’s born.
Will she have dark hair like Dylan’s?
Blue eyes like mine? Will she have
perfect pitch and sing soprano, or
will she pitch a perfect softball?
She moves inside me—a dragonfly.
I Get Dressed
Take a totally necessary pee.
Clutching the grainy photograph
of my baby, I am about to leave
when someone says,
Hello.
Mikayla, right?
It’s Mrs. Trask.
I’ve only seen her a couple of times.
The last was at her daughter’s wake.
She is thin. Pale. Drawn. “Oh, hello.
Yes, I’m Mikayla. How are you?”
She shrugs.
Okay. It’s been a hard
few weeks, but it’s getting a little
better. I miss her terribly, of course.
I can’t even imagine having such
a sick child, let alone dealing with
her death. “I’m so sorry about Shelby.”
Thank you. And . . .
For the first time,
she notices my condition.
Looks
like congratulations are in order?
That makes me smile. “Depends
on who you’re asking. I just had
my ultrasound. It’s—she’s—a girl.”
I offer the printout like it’s great
treasure and she takes it the same
way.
She
is
a girl. Wow. This reminds
me of when I got Shelby’s ultrasound
results. I so wanted a little girl,
and I was nervous she’d be a boy.
I tried for eleven years . . .
She sputters
a little, but continues,
It was the happiest
day of my life.
Her eyes fill with tears,
and she wipes them with one hand,
returns the photo with the other.
Well,
congratulations. To you. And whoever.
I Drive Home
Caught in a tornado
of confusion. Life
isn’t fair. Why me?
Why did I get pregnant
with a baby girl no one
wants? I mean, I think
I want her, but maybe
I don’t. Not if I have to
raise her alone. Why me,
when women like Mrs.
Trask try for years to
get pregnant. Hope for
years to have a little girl.
And then they succeed,
only to lose that daughter
to a fatal illness? Total
suckage. I’m having a girl.
I have the pic to prove
it. But who can I share
it with? No one cares
but me. Not even her
daddy. Not my friends.
Not my parents or my
grandparents. Life isn’t fair.
Kristy

Life Isn’t Fair

I

have Dylan back. But look
at the circumstances. It wasn’t
because he came to his senses,
decided what he felt for Mikayla
was more lust than love. He still

wanted

her when he dumped her. The only
reason he left was because
he knocked her up and, despite
his demands, she refused to take
the easy way out. I never expected

to

respect her. If circumstances
were different, I might even like
her, and learning the truth
has made me like Dylan a lot less.
It would be so much easier if I could

gloat.

Instead, on an almost cellular
level, I kind of want to get even
for her. “Pussy” doesn’t cover it.
Dylan is a major asshole.

Shane

Ducking for Cover

Lately, that’s what it feels like
I’m doing. Hiding out. Getting by.
Just barely. I’m faking my way
through school. Most of my teachers
don’t care. They’re just hanging in there
long enough to qualify for a pension.
But one or two have noticed
how I show up for class physically,
though I’m not really present at all.
Ms. Luther, my creative writing
teacher, keeps using the
D
word.
D
, for depression. I suppose that has
a lot to do with the poetry I keep
handing in. On time. As assigned.
The problem is, she lets us choose
what we want to write about. Death
figures prominently in mine. Death,
externally, and death internally.
And Also Death as a Character
This is one of the poems she liked:
Death waits impatiently
outside my door. We are betrothed
and he wants to set a date.
It will be a marriage of shadow
and light, matrimony in sepia.
Death waltzes on my lawn—
a delicate dance meant for two.
But I’m not sure of the steps,
and I don’t want to look like a fool.
So I watch from behind the glass.
Death calls to me in breathless
whispers. Coaxing. Coaxing.
His voice is soothing, and when
he hums, his song is a lullaby.
I close my eyes. And listen.
She Gave Me an A
On that one. But then she called me in
for a private talk. When I got there,
copies of my poems were on her desk.
I’m mandated by law to report what I see
as a possible—probable—problem.
Beyond that, I like you, Shane, and
I just want to make sure you’re okay.
Yeah, yeah, I know she meant well.
That she’s
worried
about me. But somehow
it just pisses me off. So, now I’m sitting
here, seething, waiting for my counselor,

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