The War of Art (9 page)

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Authors: Steven Pressfield

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BOOK: The War of Art
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LIFE AND DEATH
 
Remember the movie
Billy Jack
starring Tom Laughlin? The film and its sequels have long since decamped to cable, but Tom Laughlin is still very much around. In addition to his movie work, he’s a lecturer and author and a Jungian-schooled psychologist whose specialty is working with people who have been diagnosed with cancer. Tom Laughlin teaches and leads workshops; here’s a paraphrase of something I heard him say:
 
The moment a person learns he’s got terminal cancer, a profound shift takes place in his psyche. At one stroke in the doctor’s office he becomes aware of what really matters to him. Things that sixty seconds earlier had seemed all-important suddenly appear meaningless, while people and concerns that he had till then dismissed at once take on supreme importance.
 
Maybe, he realizes, working this weekend on that big deal at the office isn’t all that vital. Maybe it’s more important to fly cross-country for his grandson’s graduation. Maybe it isn’t so crucial that he have the last word in the fight with his wife. Maybe instead he should tell her how much she means to him and how deeply he has always loved her.
 
Other thoughts occur to the patient diagnosed as terminal. What about that gift he had for music? What became of the passion he once felt to work with the sick and the homeless? Why do these unlived lives return now with such power and poignancy?
 
Faced with our imminent extinction, Tom Laughlin believes, all assumptions are called into question. What does our life mean? Have we lived it right? Are there vital acts we’ve left unperformed, crucial words unspoken? Is it too late?
 
Tom Laughlin draws a diagram of the psyche, a Jungian-derived model that looks something like this:
The Ego, Jung tells us, is that part of the psyche that we think of as “I.” Our conscious intelligence. Our everyday brain that thinks, plans and runs the show of our day-to-day life.
 
The Self, as Jung defined it, is a greater entity, which includes the Ego but also incorporates the Personal and Collective Unconscious. Dreams and intuitions come from the Self. The archetypes of the unconscious dwell there. It is, Jung believed, the sphere of the soul.
 
What happens in that instant when we learn we may soon die, Tom Laughlin contends, is that the seat of our consciousness shifts.
 
It moves from the Ego to the Self.
 
The world is entirely new, viewed from the Self. At once we discern what’s really important. Superficial concerns fall away, replaced by a deeper, more profoundly-grounded perspective.
 
This is how Tom Laughlin’s foundation battles cancer. He counsels his clients not just to make that shift mentally but to live it out in their lives. He supports the housewife in resuming her career in social work, urges the businessman to return to the violin, assists the Vietnam vet to write his novel.
 
Miraculously, cancers go into remission. People recover. Is it possible, Tom Laughlin asks, that the disease itself evolved as a consequence of actions taken (or not taken) in our lives? Could our unlived lives have exacted their vengeance upon us in the form of cancer? And if they did, can we cure ourselves, now, by living these lives out?
 
THE EGO AND THE SELF
 
Here’s what I think. I think angels make their home in the Self, while Resistance has its seat in the Ego.
 
The fight is between the two.
 
The Self wishes to create, to evolve. The Ego likes things just the way they are.
 
What is the Ego, anyway? Since this is my book, I’ll define it my way.
 
The Ego is that part of the psyche that believes in material existence.
 
The Ego’s job is to take care of business in the real world. It’s an important job. We couldn’t last a day without it. But there are worlds other than the real world, and this is where the Ego runs into trouble.
 
Here’s what the Ego believes:
 
1)
Death is real
.
The Ego believes that our existence is defined by our physical flesh. When the body dies, we die. There is no life beyond life.
 
2)
Time and space are real
.
The Ego is analog. It believes that to get from A to Z we have to pass through B, C, and D. To get from breakfast to supper we have to live the whole day.
 
3)
Every individual is different and separate from every other.
The Ego believes that I am distinct from you. The twain cannot meet. I can hurt you and it won’t hurt me.
 
4)
The predominant impulse of life is self-preservation
.
Because our existence is physical and thus vulnerable to innumerable evils, we live and act out of fear in all we do. It is wise, the Ego believes, to have children to carry on our line when we die, to achieve great things that will live after us, and to buckle our seat belts.
 
5)
There is no God
.
No sphere exists except the physical and no rules apply except those of the material world.
 
These are the principles the Ego lives by. They are sound solid principles.
 
Here’s what the Self believes:
 
1)
Death is an illusion
.
The soul endures and evolves through infinite manifestations.
 
2)
Time and space are illusions
.
Time and space operate only in the physical sphere, and even here, don’t apply to dreams, visions, transports. In other dimensions we move “swift as thought” and inhabit multiple planes simultaneously.
 
3)
All beings are one
.
If I hurt you, I hurt myself.
 
4)
The supreme emotion is love
.
Union and mutual assistance are the imperatives of life. We are all in this together.
 
5)
God is all there is
.
Everything that is, is God in one form or another. God, the divine ground, is that in which we live and move and have our being. Infinite planes of reality exist, all created by, sustained by and infused by the spirit of God.
 
EXPERIENCING THE SELF
 
Have you ever wondered why the slang terms for intoxication are so demolition-oriented? Stoned, smashed, hammered. It’s because they’re talking about the Ego. It’s the Ego that gets blasted, waxed, plastered. We demolish the Ego to get to the Self.
 
The margins of the Self touch upon the Divine Ground. Meaning the Mystery, the Void, the source of Infinite Wisdom and Consciousness.
 
Dreams come from the Self. Ideas come from the Self. When we meditate we access the Self. When we fast, when we pray, when we go on a vision quest, it’s the Self we’re seeking. When the dervish whirls, when the yogi chants, when the sadhu mutilates his flesh; when penitents crawl a hundred miles on their knees, when Native Americans pierce themselves in the Sun Dance, when suburban kids take Ecstasy and dance all night at a rave, they’re seeking the Self. When we deliberately alter our consciousness in any way, we’re trying to find the Self. When the alcoholic collapses in the gutter, that voice that tells him, “I’ll save you,” comes from the Self.
 
The Self is our deepest being.
 
The Self is united to God.
 
The Self is incapable of falsehood.
 
The Self, like the Divine Ground that permeates it, is ever-growing and ever-evolving.
 
The Self speaks for the future.
 
That’s why the Ego hates it.
 
The Ego hates the Self because when we seat our consciousness in the Self, we put the ego out of business.
 
The Ego doesn’t want us to evolve. The Ego runs the show right now. It likes things just the way they are.
 
The instinct that pulls us toward art is the impulse to evolve, to learn, to heighten and elevate our consciousness. The Ego hates this. Because the more awake we become, the less we need the Ego.
 
The Ego hates it when the awakening writer sits down at the typewriter.
 
The Ego hates it when the aspiring painter steps up before the easel.
 
The Ego hates it because it knows that these souls are awakening to a call, and that that call comes from a plane nobler than the material one and from a source deeper and more powerful than the physical.
 
The Ego hates the prophet and the visionary because they propel the race upward. The Ego hated Socrates and Jesus, Luther and Galileo, Lincoln and JFK and Martin Luther King.
 
The Ego hates artists because they are the pathfinders and bearers of the future, because each one dares, in James Joyce’s phrase, to “forge in the smithy of my soul the uncreated conscience of my race.”
 
Such evolution is life-threatening to the Ego. It reacts accordingly. It summons its cunning, marshals its troops.
 
The Ego produces Resistance and attacks the awakening artist.
 
FEAR
 
Resistance feeds on fear. We experience Resistance as fear. But fear of what?
 
Fear of the consequences of following our heart. Fear of bankruptcy, fear of poverty, fear of insolvency. Fear of groveling when we try to make it on our own, and of groveling when we give up and come crawling back to where we started. Fear of being selfish, of being rotten wives or disloyal husbands; fear of failing to support our families, of sacrificing their dreams for ours. Fear of betraying our race, our ’hood, our homies. Fear of failure. Fear of being ridiculous. Fear of throwing away the education, the training, the preparation that those we love have sacrificed so much for, that we ourselves have worked our butts off for. Fear of launching into the void, of hurtling too far out there; fear of passing some point of no return, beyond which we cannot recant, cannot reverse, cannot rescind, but must live with this cocked-up choice for the rest of our lives. Fear of madness. Fear of insanity. Fear of death.
 
These are serious fears. But they’re not the real fear. Not the Master Fear, the Mother of all Fears that’s so close to us that even when we verbalize it we don’t believe it.
 
Fear That We Will Succeed.
 
That we can access the powers we secretly know we possess.
 
That we can become the person we sense in our hearts we truly are.
 
This is the most terrifying prospect a human being can face, because it ejects him at one go (he imagines) from all the tribal inclusions his psyche is wired for and has been for fifty million years.
 
We fear discovering that we are more than we think we are. More than our parents/children/teachers think we are. We fear that we actually possess the talent that our still, small voice tells us. That we actually have the guts, the perseverance, the capacity. We fear that we truly can steer our ship, plant our flag, reach our Promised Land. We fear this because, if it’s true, then we become estranged from all we know. We pass through a membrane. We become monsters and monstrous.
 
We know that if we embrace our ideals, we must prove worthy of them. And that scares the hell out of us. What will become of us? We will lose our friends and family, who will no longer recognize us. We will wind up alone, in the cold void of starry space, with nothing and no one to hold on to.
 
Of course this is exactly what happens. But here’s the trick. We wind up in space, but not alone. Instead we are tapped into an unquenchable, undepletable, inexhaustible
source of wisdom, consciousness, companionship. Yeah, we lose friends. But we find friends too, in places we never thought to look. And they’re better friends, truer friends. And we’re better and truer to them.
 
Do you believe me?
 
THE AUTHENTIC SELF
 
Do you have kids?
 
T
hen you know that not one of them popped out as tabula rasa, a blank slate. Each came into this world with a distinct and unique personality, an identity so set that you can fling stardust and great balls of fire at it and not morph it by one micro-dot. Each kid was who he was. Even identical twins, constituted of the exact same genetic material, were radically different from Day One and always would be.
 
Personally I’m with Wordsworth:
 
Our birth is but a sleep and a forgetting:
The soul that rises with us, our life’s star,
Hath had elsewhere its setting,
And cometh from afar:
Not in entire forgetfulness,
And not in utter nakedness,
But trailing clouds of glory do we come,
From God who is our home.
 
In other words, none of us are born as passive generic blobs waiting for the world to stamp its imprint on us. Instead we show up possessing already a highly refined and individuated soul.
 
Another way of thinking of it is this: We’re not born with unlimited choices.
 
We can’t be anything we want to be.
 
We come into this world with a specific, personal destiny. We have a job to do, a calling to enact, a self to become. We are who we are from the cradle, and we’re stuck with it.
 
Our job in this lifetime is not to shape ourselves into some ideal we imagine we ought to be, but to find out who we already are and become it.
 
If we were born to paint, it’s our job to become a painter.
 
If we were born to raise and nurture children, it’s our job to become a mother.
 
If we were born to overthrow the order of ignorance and injustice of the world, it’s our job to realize it and get down to business.

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