Read The Vampire Lestat Online
Authors: Anne Rice
Of course I told myself that it was important to go south to Egypt, that
Egypt was a land of ancient grandeur and timeless marvels, that Egypt would enchant me and make me forget the things happening in Paris which I was powerless to change.
But there was a connection in my mind. Egypt, more than any other land the world over, was a place in love with death.
Finally Gabrielle came like a spirit out of the Arabian desert, and together we set sail.
I
T WAS
almost a month before we reached Cairo, and when I found my belongings waiting for me in the European hostelry there was a strange package there.
I recognized Eleni’s writing immediately, but I could not think why she would send me a package and I stared at the thing for a full quarter of an hour, my mind as blank as it had ever been.
There was not a word from Roget.
Why hasn’t Roget written to me, I thought. What is this package? Why is it here?
At last I realized that for an hour I had been sitting in a room with a lot of trunks and packing cases and staring at a package and that Gabrielle, who had not seen fit to vanish yet, was merely watching me.
“Would you go out?” I whispered.
“If you wish,” she said.
It was important to open this, yes, to open it and find out what it was. Yet it seemed just as important for me to look around the barren little room and imagine that it was a room in a village inn in the Auvergne.
“I had a dream about you,” I said aloud, glancing at the package. “I dreamed that we were moving through the world together, you and I, and we were both serene and strong. I dreamed we fed on the evildoer as Marius had done, and as we looked about ourselves we felt awe and sorrow at the mysteries we beheld. But we were strong. We would go on forever. And we talked. ‘Our conversation’ went on and on.”
I tore back the wrapping and saw the case of the Stradivarius violin.
I went to say something again, just to myself, but my throat closed. And my mind couldn’t carry out the words on its own. I reached for the letter which had slipped to one side over the polished wood.
It has come to the worst, as I feared. Our Oldest Friend, maddened by the excesses of Our Violinist, finally imprisoned him in your old residence. And though his violin was given him in his cell, his hands were taken away.
But understand that with us, such appendages can always be restored.
And the appendages in question were kept safe by Our Oldest Friend, who allowed our wounded one no sustenance for five nights.
Finally, after the entire troupe had prevailed upon Our Oldest Friend to release N. and give back to him all that was his, it was done.
But N., maddened by the pain and the starvation—for this can alter the temperament completely—slipped into unbreakable silence and remained so for a considerable length of time.
At last he came to us and spoke only to tell us that in the manner of a mortal he had put in order his business affairs. A stack of freshly written plays was ours to have. And we must call together for him somewhere in the countryside the ancient Sabbat with its customary blaze. If we did not, then he should make the theater his funeral pyre.
Our Oldest Friend solemnly granted his wish and you have never seen such a Sabbat as this, for I think we looked all the more hellish in our wigs and fine clothes, our black ruffled vampire dancing costumes, forming the old circle, singing with an actor’s bravado the old chants.
“We should have done it on the boulevard,” he said. “But here, send this on to my maker,” and he put the violin in my hands. We began to dance, all of us, to induce the customary frenzy, and I think we were never more moved, never more in terror, never more sad. He went into the flames.
I know how this news will affect you. But understand we did all that we could to prevent what occurred. Our Oldest Friend was bitter and grieved. And I think you should know that when we returned to Paris, we discovered that N. had ordered the theater to be named officially the Theater of the Vampires and these words had already been painted on the front. As his best plays have always included vampires and werewolves and other such supernatural creatures, the public thinks the new title very amusing, and no one has moved to change it. It is merely clever in the Paris of these times.
Hours later when I finally went down the stairs into the street, I saw a pale and lovely ghost in the shadows—image of the young French explorer in soiled white linen and brown leather boots, straw hat down over the eyes.
I knew who she was, of course, and that we had once loved each other, she and I, but it seemed for the moment to be something I could scarce remember, or truly believe.
I think I wanted to say something mean to her, to wound her and drive her away. But when she came up beside me and walked with me, I didn’t say anything. I merely gave the letter to her so that we didn’t have to talk.
And she read it and put it away, and then she had her arm around me again the way she used to long ago, and we were walking together through the black streets.
Smell of death and cooking fires, of sand and camel dung. Egypt smell. Smell of a place that has been the same for six thousand years.
“What can I do for you, my darling?” she whispered.
“Nothing,” I said.
It was I who did it, I who seduced him, made him what he was, and left him there. It was I who subverted the path his life might have taken. And so in dark obscurity, removed from its human course, it comes to this.
L
ATER
she stood silent as I wrote my message to Marius on an ancient temple wall. I told about the end of Nicolas, the violinist of the Theater of the Vampires, and I carved my words deep as any ancient Egyptian craftsman might have done. Epitaph for Nicki, a milestone in oblivion, which none might ever read or understand.
I
T WAS
strange to have her there. Strange to have her staying with me hour by hour.
“You won’t go back to France, will you?” she asked me finally. “You won’t go back on account of what he’s done?”
“The hands?” I asked her. “The cutting off of the hands?”
She looked at me and her face smoothed out as if some shock had robbed it of expression. But she knew. She had read the letter. What shocked her? The way I said it perhaps.
“You thought I would go back to get revenge?”
She nodded uncertainly. She didn’t want to put the idea in my head.
“How could I do that?” I said. “It would be hypocrisy, wouldn’t it, when I left Nicolas there counting on them all to do whatever had to be done?”
The changes in her face were too subtle to describe. I didn’t like to see her feel so much. It wasn’t like her.
“The fact is, the little monster was trying to help when he did it, don’t you think, when he cut off the hands. It must have been a lot of trouble to him, really, when he could have burnt up Nicki so easily without a backward glance.”
She nodded, but she looked miserable, and as luck would have it, beautiful, too. “I rather thought so,” she said. “But I didn’t think you would agree.”
“Oh, I’m monster enough to understand it,” I said. “Do you remember
what you told me years ago, before we ever left home? You said it the very day that he came up the mountain with the merchants to give me the red cloak. You said that his father was so angry with him for his violin playing that he was threatening to break his hands. Do you think we find our destiny somehow, no matter what happens? I mean, do you think that even as immortals we follow some path that was already marked for us when we were alive? Imagine it, the coven master cut off his hands.”
I
T WAS
clear in the nights that followed that she didn’t want to leave me alone. And I sensed that she would have stayed on account of Nicki’s death, no matter where we were. But it made a difference that we were in Egypt. It helped that she loved these ruins and these monuments as she had loved none before.
Maybe people had to be dead six thousand years for her to love them. I thought of saying that to her, teasing her with it a little, but the thought merely came and went. These monuments were as old as the mountains she loved. The Nile had coursed through the imagination of man since the dawn of recorded time.
We scaled the pyramids together, we climbed into the arms of the giant Sphinx. We pored over inscriptions on ancient stone fragments. We studied the mummies one could buy from thieves for a pittance, bits of old jewelry, pottery, glass. We let the water of the river move through our fingers, and we hunted the tiny streets of Cairo together, and we went into the brothels to sit back on the pillows and watch the boys dance and hear the musicians play a heated erotic music that drowned out for a little while the sound of a violin that was always in my head.
I found myself rising and dancing wildly to these exotic sounds, imitating the undulations of those who urged me on, as I lost all sense of time or reason in the wail of the horns, the strumming of the lutes.
Gabrielle sat still, smiling, with the brim of her soiled white straw hat over her eyes. We did not talk to each other anymore. She was just some pale and feline beauty, cheek smudged with dirt, who drifted through the endless night at my side. Her coat cinched by a thick leather belt, her hair in a braid down her back, she walked with a queen’s posture and a vampire’s languor, the curve of her cheek luminous in the darkness, her small mouth a blur of rose red. Lovely and soon to be gone again, no doubt.
Yet she remained with me even when I leased, a lavish little dwelling, once the house of a Mameluke lord, with gorgeously tiled floors and elaborate tentwork hanging from its ceilings. She even helped me fill the courtyard with bougainvillea and palms and every kind of tropical plant until it
was a verdant little jungle. She brought in the caged parrots and finches and brilliant canaries herself.
She even nodded now and then sympathetically when I murmured there were no letters from Paris, and I was frantic for news.
Why hadn’t Roget written to me? Had Paris erupted into riots and mayhem? Well, it would never touch my distant provincial family, would it? But had something happened to Roget? Why didn’t he write?
She asked me to go upriver with her. I wanted to wait for letters, to question the English travelers. But I agreed. After all, it was rather remarkable really that she wanted me to come with her. She was caring for me in her own way.
I knew she’d taken to dressing in fresh white linen frock coats and breeches only to please me. For me, she brushed out her long hair.
But it did not matter at all. I was sinking. I could feel it. I was drifting through the world as if it were a dream.
It seemed very natural and reasonable that around me I should see a landscape that looked exactly as it had thousands of years ago when artists painted it on the walls of royal tombs. Natural that the palm trees in the moonlight should look exactly as they looked then. Natural that the peasant should draw his water from the river in the same manner as he had done then. And the cows he watered were the same too.
Visions of the world when the world had been new.
Had Marius ever stood in these sands?
We wandered through the giant temple of Ramses, enchanted by the millions upon millions of tiny pictures cut into the walls. I kept thinking of Osiris, but the little figures were strangers. We prowled the ruins of Luxor. We lay in the riverboat together under the stars.
On our way back to Cairo when we came to the great Colossi of Memnon, she told in a passionate whisper how Roman emperors had journeyed to marvel at these statues just as we did now.
“They were ancient in the times of the Caesars,” she said, as we rode our camels through the cool sands.
The wind was not so bad as it could have been on this night. We could see the immense stone figures clearly against the deep blue sky. Faces blasted away, they seemed nevertheless to stare forward, mute witnesses to the passage of time, whose stillness made me sad and afraid.
I felt the same wonder I had known before the pyramids. Ancient gods, ancient mysteries. It made the chills rise. And yet what were these figures now but faceless sentinels, rulers of an endless waste?
“Marius,” I whispered to myself. “Have you seen these? Will any one of us endure so long?”
But my reverie was broken by Gabrielle. She wanted to dismount and walk the rest of the way to the statues. I was game for it, though I didn’t really know what to do with the big smelly stubborn camels, how to make them kneel down and all that.
She did it. And she left them waiting for us, and we walked through the sand.
“Come with me into Africa, into the jungles,” she said. Her face was grave, her voice unusually soft.
I didn’t answer for a moment. Something in her manner alarmed me. Or at least it seemed I should have been alarmed.
I should have heard a sound as sharp as the morning chime of Hell’s Bells.
I didn’t want to go into the jungles of Africa. And she knew I didn’t. I was anxiously awaiting news of my family from Roget, and I had it in my mind to seek the cities of the Orient, to wander through India into China and on to Japan.
“I understand the existence you’ve chosen,” she said. “And I’ve come to admire the perseverance with which you pursue it, you must know that.”
“I might say the same of you,” I said a little bitterly.
She stopped.
We were as near to the colossal statues as one should get, I suppose. And the only thing that saved them from overwhelming me was that there was nothing near at hand to put them in scale. The sky overhead was as immense as they were, and the sands endless, and the stars countless and brilliant and rising forever overhead.
“Lestat,” she said slowly, measuring her words, “I am asking you to try, only once, to move through the world as I do.”
The moon shone full on her, but the hat shadowed her small angular white face.
“Forget the house in Cairo,” she said suddenly, dropping her voice as if in respect for the importance of what she said. “Abandon all your valuables, your clothes, the things that link you with civilization. Come south with me, up the river into Africa. Travel with me as I travel.”