The Turnaround (18 page)

Like many teenage boys who have found serious trouble, he felt that the sun would never shine on his side of the street again. Back at home, he listened to his Blue Öyster Cult album incessantly, returning to the song “Then Came the Last Days of May” over and over again.
Three good buddies were laughin and smokin / In the back of a rented Ford. / They couldn’t know they weren’t going far.
It seemed to have been written for him and his friends.

Except in the presence of legal authorities, Alex had little further contact with Pete Whitten. Pete’s father had forbidden him to socialize with Alex, and their few phone conversations were awkward and filled with blocks of silence. Pete would be off to an out-of-state university the following summer, unaltered by the event, as neither he nor Alex had been charged with crimes. Alex understood that their friendship was done.

For Alex, the strangest aspect of the aftermath was returning to school. He felt that his face was ugly and frightening, though of course his perception of it was far worse than the reality. His eye drooped severely at the corner, and the scar tissue around it was waxy. It would never go unnoticed, but it was far from horrific; in a way, he just looked permanently sad. He broke up with Karen, assuming she would no longer be attracted to him. One day, in the E wing hall, a kid named Bobby Cohen innocently said, “Hey, man, I heard you got jumped by some black dudes,” and Alex grabbed him by the shirt and threw him up against the lockers. The boy had said nothing wrong, but Alex had been looking for an excuse to explode.

He grew more sullen every day. He was not a tough kid, but he acquired a reputation as a badass simply because he had been involved in a racial incident in which one of his friends was shot and killed. The black kids at his high school, numbering about thirty in a population of five hundred, stopped speaking to him. He had been friendly with a few of them before the incident, mostly through interaction on the outdoor basketball court near the teachers’ parking lot, but that would be no more. A group of greasers, the last of their breed, reached out to him, thinking he shared their racial biases. They called themselves, unimaginatively, the White Masters, and he rejected them. His aim was to get through his senior year with his head down. He was racked with guilt over Billy’s death and desired no new friends. He wanted to be alone.

Working for his father, in its way, kept him human. The customers, readers of the
Washington Post
and the
Evening Star,
certainly knew of his involvement in the event. Some shunned him, but the majority of them were polite. Inez, typically, made no mention of the incident and sometimes chuckled, as if she knew something about him that he did not, as he passed by her colds station. Whatever they were feeling, Junior and Paulette kept it to themselves. The hardest part for Alex was facing Darlene for the first time. But thankfully, Darlene was kind.

“Does it hurt?” she said, putting out her hand and touching her fingers to the scar, the only person outside his doctors and mother to do so.

“Not anymore,” said Alex. “Listen . . .”

“You don’t have to talk about it. It hurt me when I read about you in the newspaper, I can’t lie. But part of that was knowing that you were hurtin, too. Look, anyone can get into the wrong car. Because that’s all it was. That’s all it
had
to be. Alex, I
know
you. So you don’t have to say one more word.”

Sometimes after work they’d sit in the darkened store past closing time. His father had gone, having handed Alex the key. The two of them would quietly talk and listen to music from the portable eight-track deck Darlene carried with her to and from the job. Marvin Gaye, the Isley Brothers, and Curtis Mayfield, most memorably the tape called
Curtis,
with the cover photo of the man sitting casually in his lemon yellow suit. Timeless songs like “The Other Side of Town,” “The Makings of You,” “We the People Who Are Darker Than Blue,” Curtis’s beautiful falsetto and his dreamy arrangements playing softly in the shop as two teenagers spoke to each other about teenage things, sometimes holding hands but never going past that, the two of them friends.

As for the trial, Alex’s part in it was minimal. He had been coached by the state’s attorney, a prosecutor named Ira Sanborn, but on the stand there was little for him to relate. He hadn’t seen the actual shooting. He hadn’t
seen
the young man who’d ruined his face. He could only describe the sounds, sensations, and words he had heard. On the cross-examination, the defense attorney assigned to the case, a young man named Arthur Furioso, attempted to paint Alex and Pete as young racists who were ultimately responsible for the murder by putting the event into play, but Sanborn provided enough character witnesses to refute his claim. To the jury, there was the fact of a murdered teenager and the sight of Alex’s face. Also, there had never been any question as to who had pulled the trigger. The older of the two brothers, James Monroe, had confessed to the shooting hours after the incident occurred. He, his younger brother, Raymond, and their friend Charles Baker, who had admitted to the beating of Alex, were charged with murder, assault with intent, and multiple gun offenses. The only question, Sanborn told the Pappas family in private, would be the final degree of the murder charge and whether Raymond Monroe and Charles Baker would also be convicted and serve time.

Alex, sitting in front of the computer screen, got out of the
Post
site without reading the last article in the archives. He typed “Heathrow Heights” and the word “murder” into a search engine and eventually found a site that sold partial transcripts of trials going back fifty years. Using his credit card to pay the access fee of four dollars and ninety-five cents, he printed a document that read
“State of Maryland v. James Ernest Monroe,
” along with the case number and date, a Judge Conners presiding.

Alex Pappas moved the crane neck of a desk lamp toward him. He sat back and read the document.

On a hot summer day, three boys drove into the Heathrow Heights area of Montgomery County and, “on a lark,” threw a cherry pie and yelled a racial epithet at three young black men standing on the street outside Nunzio’s market. The court document described their action as a “perverted form of entertainment.” One of the occupants of the vehicle, Peter Whitten, testified that the plan was initiated by the driver, William Cachoris (the third occupant, Alexander Pappas, testified that he could not recall who had decided to drive into Heathrow Heights). After the pie was thrown and the epithet delivered, Cachoris attempted to drive the vehicle away but came to a dead end and was forced to turn the car around. At this time Peter Whitten left the vehicle on foot and escaped into the woods and down the railroad tracks. Cachoris and the remaining passenger, Pappas, drove back up the road, which was now blocked by the three young men. Cachoris got out of the car and tried to reason with the young men, asking, “Can’t we work this out?” One of the young men punched him in the face, knocking out a tooth and loosening several others. Alexander Pappas attempted to escape on foot but was captured and assaulted, resulting in serious injuries to his body and face. One of the young men then produced a pistol and shot William Cachoris in the back, the bullet puncturing his lung and heart. He was pronounced dead at the scene.

Police arrived and locked down the neighborhood. A woman, her name deleted from the document, had been watching from the window inside Nunzio’s market at the time of the shooting, and told the store manager to call the police. Upon questioning, she described the young men who had been involved in the crime but claimed she could not identify them. Upon further, more intense questioning, she recalled the names of the young men.

Police raided the home of Ernest and Almeda Monroe, who were both at work, and arrested their sons, James and Raymond Monroe, without resistance. They found a cheap .38 pistol in the dresser drawer of the older brother. The woman in Nunzio’s had described the shooter as a tall young man wearing a T-shirt with numbers hand-printed upon it. James Monroe, when the police found him, was wearing the shirt. It appeared to be stained with blood. At this time, James Monroe admitted to firing the gun that killed William Cachoris. Ballistics tests would later match the bullet to the gun.

Police next arrested Charles Baker at the residence of his mother, Carlotta Baker, an unemployed, unmarried hairdresser. Later, at the police station, Charles Baker confessed to the assault on Alexander Pappas.

Alex felt blood move slowly to his face as he read on.

At the trial, Baker testified against James Monroe in exchange for a dropping of the murder charge and a reduced sentence, provided he pleaded guilty to the assault charge. In accordance with the terms of the prearranged deal, the state would then recommend a sentence for Baker of less than one year. In court, on the stand, Baker said, “James shot the boy,” and pointed James Monroe out for the jury. Furioso, the defense attorney, asked Baker about his deal, which he readily described, and then asked him if the police had coerced his confession in any way. He said, “The police bought me a bottle of Sneaky Pete. I drank it, but that ain’t what made me talk. My conscience was bothering me.” Furioso moved for a mistrial on the grounds of bribery, but Judge Conners found his reasoning weak and unjustified, and his motion was denied.

James Monroe was found guilty of manslaughter in the first degree, assault, and multiple gun charges. Baker drew a conviction for assault with intent to maim. The younger brother, Raymond Monroe, was acquitted of all charges.

Alex dropped the trial document and returned to the
Washington Post
archives, where he brought up the last recorded story on the event. It described the sentencing of James Monroe.

At a hearing before the sentencing, Furioso handed the judge a petition that had been signed by more than one hundred residents of Heathrow Heights, pleading leniency and declaring that William Cachoris, Peter Whitten, and Alexander Pappas had enacted a “racially motivated aggression” against their “peaceful community and its citizens” that had directly caused the shooting. Judge Conners stated that he would take the petition under consideration. But at the sentencing, he rejected the notion that the circumstances of the “prank” should be given any weight. “William Cachoris and his friends made a bad decision that day, a very stupid and hurtful decision . . . but in no way does their foolishness excuse the taking of a human life.” Conners went on to say, “This kind of thing goes on in the county all the time. We all put up with racial nonsense. I see it in my own neighborhood, and there is never any retribution of this kind.” The
Post
reported a rising murmur in the courtroom, perhaps a reaction of incredulity, as it was known that Conners lived in Bethesda, one of the whitest and most affluent areas of Montgomery County.

Judge Conners sentenced James Monroe to ten years in prison on the manslaughter charges. He would be eligible for parole in two and one half years. In addition, Conners sentenced Monroe to two years in prison for the assault charges and three years on the gun charges. These sentences would run concurrently with the sentence for manslaughter. Baker received the agreed sentence of less than one year. Defense attorney Furioso vowed to appeal. There were no further stories related to the case listed in the archives of the
Washington Post.

Alex Pappas sat for a while longer, moving a finger in the dust that had settled on the computer table, making a line and another line through it that formed a cross. He switched off the lamp, went to the front door of the house, checked the lock, and left a light on for Johnny, who was at a movie with a friend. Upstairs, he passed Gus’s room but did not go inside.

Alex had convinced himself that Gus’s death had been random. On the last day of Gus’s life, the driver of the Humvee he was riding in had taken one road rather than another, and on the road he’d taken was a makeshift bomb hidden underneath debris. Did God send the driver of the Humvee down that road? Alex could not believe this. God gave us life; after that, he neither protected nor harmed us. We were on our own. But what about sin? There had to be punishment for sin.

Alex could have gotten out of the Torino that day. Alex could have demanded that Billy stop the car. He knew that what they were about to do was wrong. He’d let it happen. Because of his inaction, many lives had been broken. Two young men had gone to prison. Billy was dead. Gus was dead, too.

Alex undressed and got into bed. Vicki stirred beside him. Alex touched his hand to her shoulder and squeezed it.

“Vicki?”

“What?” she said, her eyes still closed.

“I’m going to call that man,” said Alex.

“Go to sleep.”

Alex extinguished the bedside light. But he didn’t go to sleep.

Fifteen

J
AMES MONROE’S apartment was very small. Its single main room held a double bed, a cheap dresser, a couple of chairs, a television set on a stand, and a compact stereo on a wire cart. Monroe could barely turn around in the kitchen. When he sat on the toilet in the bathroom, he had to keep his arms in tight or they would touch the walls.

James Monroe and Charles Baker sat close to each other in the room’s two chairs. Both of them were drinking beer. Monroe was watching television, and Baker was talking.

Monroe did not particularly care for the show they were watching. It was the autopsy series set in Miami, and he didn’t believe one thing about it. But it was easier to watch the show than give his full attention to Baker.

“Now Red gonna shoot someone,” said Baker. “In his designer suit and sunglasses. You know that’s some bullshit, too.”

“What is?”

“I’m talkin about crime scene investigators drawing their guns out and shootin people. You know that shit don’t never happen. Even real police don’t pull their guns out, most times. But Red here, he kills a motherfucker with his gun every week. With that pretty head of hair he got, blowin in the breeze.”