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Authors: Alan Hollinghurst

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‘How did it all end up?’

‘Oh, Scottie had him dismissed for drunkenness (he did put it away rather) so I took him on myself for a bit.
That
didn’t really work out, what with Taha in the house as well, so I farmed him out to a friend.’ His face clouded. ‘There was quite a lot of talk about it at the time. Of course in a way it helped being a Lord—the English have such a superstitious awe of the aristocracy. But it also had its disadvantages, in terms of gossip and what-have-you—the English having such prurient and priggish minds. As you will find out, my dear, when you succeed’—words which seemed to anticipate not only my succession but my success.

‘I suppose black people were comparatively rare then—in England.’

Charles half suppressed a burp of agreement. ‘There were a few seamen—they had a hostel out at Limehouse. I had some good friends there, brave, reckless fellows, many of them. There were jazz players in London, of course, who had quite a following. But I suppose most people in the country didn’t see a black person in all their lives. It was impossible to imagine the hatred that would be unleashed against them later on.’

‘You’ve seen a lot of that.’

‘You could say so.’ Charles nodded, staring fiercely at the carpet as if caught by some bitter and ironic memory. I started to speak but he cut across me: ‘There are times when I can’t think of my country without a kind of despairing shame. Something literally inexpressible, so I won’t bother to try and speechify about it.’

‘I know what you mean.’

‘Only last year out at Stepney there were hateful scenes—precisely hateful. Oh—National Front and their like, spraying their slogans all over the Boys’ Club, where, as you know, a lot of … non-whites go. Every day there were leaflets, just full of mindless hatred—I’m sorry to keep saying it. The horrific thing was that several of those boys were boys who used to come to the Club themselves. It’s the only time I’ve seen our excellent friend Bill get truly angry. He threw out a boy by main force, simply picked him up, carried him to the door and hurled him into the street. He’s as strong as an ox, old Bill. I remember the boy—but boy is too beautiful a word—had a Union Jack pinned to the back of his sort of coat, and Bill had torn it off, accidentally I think, as he ejected him, and was left scowling absolute thunder and holding it in his hand. I was very frightened as I’m not the man I was in a fight, but all being cowards in the bone these louts sidled away when they saw they had met their match. And I wondered to myself what on earth that flag could mean now.’ He paused, mouth agape. ‘We had an outstanding young Pakistani boy, a genius at badminton, who was horribly beaten up last winter—much worse even than you, knifed in the arm and also completely deafened in one ear. Those youngsters feel they have to go about in groups now. And then of course the police think they’re out to cause trouble.’

‘Will it ever get better,’ I said, hardly as a question.

Charles puffed helplessly. ‘I’m beginning to feel a kind of relief that I shan’t be around to find out.’

It was graceless of me to put Charles on the spot but I said I found it hard to reconcile his views on race with the film that Staines had made and he himself—according to Aldo—had paid for. But I did it with as much cheek and charm as possible. He was bemused.

‘I don’t think
race
comes into it, does it? I mean, Abdul is black and the others aren’t … but I don’t want any rot about that. Abdul loves doing that sort of thing—and he’s actually jolly good at it. He’s a pure exhibitionist at heart.’

‘I must say I was rather amazed by the whole affair—you know, seeing half the staff of a famous London Club about to copulate in front of the camera.’

‘I think you’ll find a good many of them do it—though not always on film, I agree. They’re a close little team, there at Wicks’s, and they like to do what I want. But then I got them all their jobs,’ he added. It was one of those moments when I had the feeling, chilling and flustering at the same time, that Charles was a dangerous man, a fixer and favouritiser. In the world beyond school, though, perhaps one could have what favourites one wanted.

‘Even so …’ I shrugged. ‘Do you have any idea what will happen to the film?’

‘Well, it’ll have to be edited and everything of course, which is actually frightfully difficult with blue films, the continuity, and putting the close-ups in the right place. We have some contacts—well, friends really, who do all the technical side. We made a few mistakes in the last one we did—filmed over several days so that the boys could come up with the goods, but then you found, if you had an eye for such things, that they’d somehow mysteriously changed their socks in the middle of a fuck or whatever.’

‘I didn’t realise this was such an established business—I’m astonished.’

‘This is our third,’ said Charles, with the personal satisfaction of the amateur. ‘Much the best. It should be ready quite soon; and then we’ll put it out to one or two of those little basement
cinemas in Soho where there are people we know. I don’t suppose you ever go to such places.’

So now my rather prickly line sprang back and snagged on my own moral woollies. I was embarrassed and laughed. ‘Well, yes, I have sometimes been to them.’

‘I think they’re jolly good value,’ Charles went on in candid, reasonable tones. ‘I mean, you pay your what is it, fiver, and nine times out of ten you’ll see something that really takes your fancy.’

‘I confess I go to them more for the off-screen entertainment,’ I archly bragged.

‘Ah yes … well …’

‘In fact, I first got off with my current friend in a cinema in Frith Street. He was very shy afterwards about admitting that it had been him—in the dark, you know. He’s a very shy boy, actually, but in those places people seem to lose their inhibitions.’ Charles was not paying attention, and perhaps I shouldn’t have been telling this story. I still wasn’t wholly sure it had been Phil that I had felt up that day in the basement of the Brutus. Blushing, abstruse, he would not, when I put it to him, confirm or deny it. If it had been him, then he seemed to want it forgotten; if not, then he showed an odd readiness to be incorporated into some half-apprehended fantasy of my own. If it had been him, that squalid and exaggerated little episode must alter my understanding of him, open up the faintly sickening possibility of there being another Phil, whom I could not account for. He might have been at the Brutus at this very moment—or at the Bona or the Honcho or the Stud …

‘It’s always gone on, of course,’ Charles recalled. ‘We had little private bars, sex clubs really, in Soho before the war, very secret. And my Uncle Edmund had fantastic tales of places and sort of gay societies in Regent’s Park—a century ago now, before Oscar Wilde and all that—with beautiful working boys dressed as girls and what-have-you. Uncle Ned was a character …’ Charles sat beaming.

‘I’m always forgetting how sexy the past must have been—it’s the clothes or something.’

‘Oh, it was unbelievably sexy—much more so than nowadays. I’m not against Gay Lib and all that, of course, William, but it
has taken a lot of the fun out of it, a lot of the
frisson.
I think the 1880s must have been an ideal time, with brothels full of off-duty soldiers, and luscious young dukes chasing after barrow-boys. Even in the Twenties and Thirties, which were quite wild in their way, it was still kind of underground, we operated on a constantly shifting code, and it was so extraordinarily moving and exciting when that spurt of recognition came, like the flare of a match! No one’s ever really written about it, I know what you mean, sex somehow becomes farcical in the past,’ Charles looked at me very tenderly. ‘Perhaps you will, my dear.’

‘Are you finished, my Lord?’ Graham was enquiring in his complaisant
basso.

‘Graham, yes, yes. Do clear away. And William, I must give you just before you go something else to read.’ I hopped up, alert to these covert stage directions in Charles’s talk, and helped him up too. He shuffled round his chair, and looked about for whatever it was. I was convinced he knew where to find it, and had politely and theatrically introduced this air of uncertainty. He handed me a document of several pages, the size of a pamphlet of poems, bound in black shot silk boards and tied legalistically with pink ribbon. ‘Don’t read it now,’ he cautioned. ‘Read it when you get home.’

Graham had gone out with the tray, and we followed a few moments afterwards, Charles’s hand on my shoulder. ‘Thanks so much,’ I said.

‘Thank you, my dear.’ He leant on me and—which he had never done before—kissed me on the cheek. I clumsily patted him on the back.

On my way home I stopped at the Corry for a swim. It was that transitional half-hour before six o’clock, and the last of the afternoon customers—oldsters, college boys, the unemployed—were combing their hair and wringing out their trunks as the evening crowd, the workers, began to pour in and down the stairs. In twenty minutes every locker would be taken, and those who had been held up in traffic, late for their fitness classes or for a squash booking fast elapsing, would come cantering through the swing doors flushed and swearing. Like restaurants and Underground stations the Corry had its times of day, and to come in on a weekday afternoon or a Sunday evening was to find it in the
unhindered possession of a small number of people—like a school at half-term, when only the masters and those boys who live abroad are left. The pool, the gym, the handball court had the grateful calm of places only briefly reprieved from habitual clamour. As I arrived the calm was yielding fast.

I took advantage of the crowd, and of the need I always felt on leaving Charles to be childish and naughty. In the showers were a gaggle of Italian kids, in London on a language course. The Club often played host to these groups, and though their bored ragging was a nuisance in the pool the members by some unspoken agreement forgave them everything for their sleek brown bodies, the tiny wet leaves of their swimwear and all their posturing and tossing back of curls. I halted under a fizzing nozzle before going down to the pool and looked them over frankly. It was impossible, with my opera-goer’s Italian, to understand what they were saying, but as they took notice of me I heard their chatter sprinkled with
cazzo … cazzo
, slurred, whispered and then called aloud, almost chanted, so that they fell about in coarse, lazy giggles at their audacity.

When I got back to the flat I was half expecting Phil to be there, and remembered as I slouched sulkily and randily around the kitchen taking a glass of Scotch in great hot nips that he had arranged a couple of nights ‘off’ to see some South African friends, and, tomorrow, to go to a leaving party at the ‘Embassy’. In the sitting-room, remote control in hand, I tripped from channel to channel on the TV, trying to find something attractive in the personnel of various sitcoms and panel games. Abandoning that forlorn pursuit, I put on the beginning of Act Three of
Siegfried
and conducted it wildly, with great tuggings at the cellos and stabbings at the horns, but without, after five minutes or so, having made myself feel the faintest interest in it. It was in a reluctant mood that I finally settled down at my writing-desk to read Charles’s precious document. When I untied it I found it to be, unlike anything else of his I had seen, an elegant fair copy, from which a compositor could easily have set type.

Although it would have been allowed, I did not keep a journal over those six months. From the start I saw that what
I wanted to say, although ‘hereafter, in a better world than this’ it might find other readers and do its good, would have brought nothing but scorn and salacity at the time. And later, long after the start, when I thought writing might earn some slight remission of my solitude and pent-up thoughts, I shunned it, mistrusted it like one of those friends to whom one is drawn and drawn again and yet each time comes away cheapened, wasted or over-indulged. My journal has always, since my childhood, been my close, silent and retentive friend, so close that when I lied to it I suffered inwardly from its mute reproach. Now, though, it seemed to hold out the invitation to something shameful—self-pity, and, worse, the exposure of my narrow, treadmill circuit of memories and longings.

There was too my catastrophic change of station. I had fallen, and though my fall was brought about by a conspiracy, by a calculated spasm of malevolence, its effect on me at first was like that of some terrible physical accident, after which no ordinary thoughtless action could be the same again. The fall had its beginning in that very fast, dazed and escorted plunge from the dock after the sentence had been given, down and down the stone stairs from the courtroom to the cells. I had the illusion—so active is the faculty of metaphor at moments of crisis—of being flung, chained, into water: of a need to hold my breath. In a sense I kept on holding it for half a year.

Chaps did keep journals there—little Joe his childlike weekly jottings for his wife eventually to see, ‘Barmy’ Barnes his notebooks of visions and apocalypses—but they were licensed by their childishness and barminess; whereas I had been violently removed from my rightful lettered habitat, and as an invisible and inner protest refused to write a syllable. Now that I am home again I may write a few pages, merely to attest to what happened—and perhaps to feel my way towards recovery, to patch up my for ever damaged understanding with the world.

One thing I notice already is that since leaving prison I have had long and logical dreams of being back in it, just as when I was in it I dreamt insistently and raptly of happy days
long before and also of a day—now, as it might be—when I had been released, and various longed-for things would happen, or promise to happen. Dreams had a powerful and sapping hold on me there. I am the sort of sleeper who has always dreamt richly, so perhaps I should have been prepared for the futile mornings, sewing mail-bags, filling infinite time with that cruel simulacrum of work, but whelmed under in the world of last night’s voyagings, their mood of ripeness and reciprocation. These—and other waking wishes—had such supremacy over the prison’s abstract, cretinous routines that to tell the story of those months with any truthfulness would be to talk of dreams. When, after evening Association—at some infantile early hour—we were sent to our cells, I gained a kind of confidence from the certainty that another world was waiting, a certainty, if you like, of uncertainty, the only part of my life whose goings-on were subject to nobody’s control. The prisoner dreams of freedom: to dream is to be free.

Perhaps the strangest dream I had was one which recalled the evening of my arrest. The frequency with which it recurred could of course be explained by the frequency with which I anyway dwelt on those few crucial minutes. What puzzled me was the variations on the actual events. Always the sequence began with my leaving a group of friends and walking off briskly and excitedly, as I had done, towards the cottage. Which cottage it was, however, altered from night to night, much as it did, of course, in my actual routine. Sometimes I would make for the merry little Yorkshire Stingo, sometimes for the more dangerous shadowy dankness of Hill Place. Sometimes I would find myself going out to Hammersmith, intent on one of those picaresque ‘Lyric’ evenings; and this involved a cab, or bus or train, inevitably subject to diversions, wilful misunderstandings by the driver, or bodies on the line. Even if I was only walking a few hundred yards to a spot in Soho or that ever-fruitful market-barrow, the Down Street Station Gents, I was liable to lose my way or to be caught up in other business, other people’s demands, which only served to increase the frustrated urgency of my quest. Often I would arrive at the correct location to find that the cottage had disappeared, or been
closed down and turned into a highly respectable shop. And in reality the places that I sought had in some cases long been closed or demolished. Down Street was shut up before the war; and the station at the British Museum, although I recall no lavatory there, was another imaginary rendezvous, that now is an abandoned Stygian siding; so that my dream dissolved one nostalgia in another, and showed how all closures, all endings, give warning of closures, greater yet, to come.

I enter the narrow, half-dark space—again certain that there will be something for me there, but always uncertain what. In the dream it is only the acrid, medicinal scent that is missing—but the excitement from which it is almost indistinguishable survives. It is a smell as remote as can be from supposedly aphrodisiac perfumes, but its effect on me is electrifying. I unbutton at once, or in the dream remove most or even all of my clothes; my mood is optimistic and youthful—and my body too puts off half a lifetime of weight and care.

After a few moments a handsome young man comes in, his eyes obscured by the brim of his hat; or the lightbulb in its wire cage is behind him, so that he is a figure of promising darkness. I realise that of course I had seen him in the street on my way here, and had had the impression that he returned my glance. He must have followed me in.

He stands well back from the wall and the gutter as he eases his bladder, his penis is preternaturally visible and his attitude encourages me to look at it. Sometimes he seems to drop his trousers round his knees or to undo a wide fly with buttons up both sides, like a sailor’s. In the light of day I can discern elements of many people in him, some of whom he may for a few seconds become, so that I whisper in welcome ‘O Timmy’ or ‘O Robert’ or ‘Stanley!’ At each moment he embodies a conviction of happiness, of a danger overcome. His penis is not quite that of any of the ghosts of whom he is compounded: it is not either large or small, thick or thin, pale or dark, but has an ideal quality, startling me like some work of art which, seen for the first time, outwits thought and senses and strikes in an instant at the heart.

He puts his arms around my neck, and I lick his face and
push back his hat, squashing it down urchin-like on his springy black curls. His features are serious and beautiful with lust. We two-step backwards into what is no longer simply the cottage but a light-filled space whose walls alter or roll away like ingenious stage machinery in a transformation scene. We make love in the drying-room at Winchester, or in a white-tiled institutional bathroom, or the white house at Talodi, bare of my scraps of furniture and revealed in all its harmonious vacancy: simple places whose very emptiness prompts desire. In one version we are in a beach shelter of poles and canvas—the sides, luminous as screens of shadow-plays, thrum in the wind, while overhead tiny white clouds are blown across the radiant blue.

In another version, of course, it is not like this. I enter the lavatory and within a few seconds hear the click of metal-tipped shoes approaching the doorway, and look casually across at the young man who takes his place next to me. He is so gorgeously beautiful, in American jeans and a flying-jacket, that I can hardly believe, as he vigorously shakes his prick and with his other hand pushes back his lustrous hair, that his act is aimed at me, a man of twice his age, an old gent in an old Gents. In a cottage one takes what one is given, and is thankful; but nonetheless I am fifty-four—I hesitate before such golden opportunities. I am looking down intently, paying no attention, though my heart is racing, and then I hear other footsteps outside. I have missed my chance. But oddly the footsteps stop, recede, and then after a few seconds start back again. Somebody is waiting there. I glance quickly at the young man and his thick erection, and find he is looking at me steadily. I take a deep breath, and my heart sinks like a stone as I realise I am about to be robbed, more, perhaps badly beaten. If I try to leave I will be caught between the lovely boy—whom I see now for what he is, a steely young thug, perhaps the very one there has been talk of lately in the pubs—and his companion nervily keeping watch outside.

It is a horrifying moment, and I button up hastily and step back, all my instinct being to preserve myself as far as possible from the physical and moral outrage which almost
visibly gathers itself to strike. There is a thumping silence, and the light of the one lamp across the wet tiled floor seems conscious that it will illuminate this and many other atrocities, just as it will go on shining through days and months of sudden speechless lusts, and all the intervening hours of silent emptiness. The boy, seeing I have begun to escape, himself adjusts his dress, but says nothing to me. As I go out at an ungainly scuttle he is behind me, almost beside me, and I see the other man, in a dark overcoat, step forward and look interrogatively past me. The boy lets out a little affirmative grunt, the man raises his hand to my lapel and speaks: ‘Excuse me, sir …’ but I am slipping past him, dreading to become involved in their insults and sarcasms. It is only a second later when I hear a car approaching and make for the opening in the bushes, beginning or meaning to cry out, that I slam full length to the ground, my arm is jerked behind my back, the boy is astride over me, and the man in the coat says: ‘We are police officers. You are under arrest.’

My months in the Scrubs were a kind of desert in time: beyond their strict and ascetic routines they were featureless, and it is hard in retrospect to know what one did on any day or even in any month. I had had, of course, some experience of deserts, even a taste for them, and knew how to fall back, like a camel on its fat, on an inner reserve of fantasy and contemplation. I was a kind of ruminant there. Even so, it did not turn out in quite the way that—in the first numbed and degraded hours—I had imagined it would. Indeed, for several weeks the time rushed by, and it was really only in the final month, when freedom grew palpably close, that every minute took on a crabwise, cunctatory manner, came near to stalling altogether. I was haunted then by an image, a visionary impression of young spring greenery—birches and aspens—quickened by breeze but seen as if through frosted glass, blurred and silent. But by then a real atrocity had happened, something more than my freedom had been taken away from me.

My early days there called on my resilience. It was like being pitched again into the Gothic and arcane world of
school, learning again to absorb or deflect the vengeful energies which governed it. But a difference soon emerged, for while the schoolboys were bound to struggle for supremacy, and in doing so to align themselves with authority, thus becoming educated and socially orthodox at once, we in the prison were joined by our unorthodoxy: we were all social outcasts. The effects of this were often ambiguous. Many of the distinctions of the outside world survived: respect for class, disgust at certain violent or inhumane crimes, and the ostracising of those who had been convicted of them. But at the same time, since we were all criminals, a layer of social pretence had been removed. There could be no question of pretending one was not a lover of men; and since many of the inmates of my wing were sex criminals—or ‘nonces’ in the nonce-word of the place—there was between us a curiously sustaining mood of sympathy and understanding. Of course guilt and shame were not magically annulled by this, but a goodish number of us—by no means all first offenders—had been caught for soliciting or conspiring to perform indecent acts, or for some intimacy (often fervently reciprocated) with underage boys. And many of the prisoners themselves, of course, were little more than children, old enough only to know the dictates of their hearts and to be sent to prison. The place was fuller than it ever had been with our people, as a direct result of the current brutal purges, and many were the tales of treachery and deceit, of bribed and lying witnesses, and false friends turning Queen’s Evidence, and going free. Such tales circulated constantly among us—and I added my own mite to this worn and speaking currency.

My case, on account I suppose of my title, had been the subject of more talk than most—though nothing like as much as that of Lord Montagu, which shows all the signs of iniquity and hypocrisy evident in the handling of my arrest and prosecution, but wickedly aggravated by police corruption. In the prison my fellows felt sure that we two must be acquainted, and imagined us, I think, swopping young men’s phone numbers in the bar of the House of Lords. It was hard to convince them that not all peers—just
as not all queers—know each other. Even so it appears that his case—and in its little way mine—are doing some good: even the decorous British, with their distrust of the life of instinct, their pleasure in conformity, are saying that enough is enough. Some of them, even, are saying that a man’s private life is his own affair, and that the law must be changed.

My dim lavatorial notoriety became in the prison a kind of glamour, and helped me, as I looked about and learnt the faces and moods of the men, to make friends. Covert gestures of kindness saved me from trouble, or explained the punctilio of some futile but unavoidable chore. Matchboxes and half-cigarettes were slipped to me as we jostled together for Association. Warnings were given of the foibles of particular screws. And so the nonce-world, which became my world, closed about me, offered me its pitiful comforts, and began to reveal its depths—now murky, now surprisingly coralline and clear.

My guide and companion in this was a young man I met after a week or so, a well set-up, rather tongue-tied little chap called Bill Hawkins. I had noticed him early on, and was not surprised to find that he spent a lot of time in the gym: he had a fine torso and packed shoulders. We played a few games of draughts together on my first Sunday evening. He clearly wanted to talk to me, but was uncertain how to go about it, so I drew him out. It transpired that he had been for over a year the lover of a teenage boy who trained at the sports club in Highbury where Bill was employed. They saw each other every day, and were blissfully happy, though Alec, as the boy was called, avoided his old friends and caused concern to his parents by his singular behaviour. Twice Bill and Alec went to Brighton and spent the weekend in a guesthouse owned by a friend of the sports club manager: if anyone asked questions they were to pretend to be brothers, for Bill himself was only eighteen, and Alec was a couple of years younger. After a while, though, Alec became more distant, and it soon became clear that he was involved with another man. Bill, in all the torments of first love, took precipitately to drink, and would make a nuisance
of himself banging on the door of Alec’s parents’ house. Then foolish, intimate letters were written: and found, by the parents. They showed them to Alec’s new friend, an insurance salesman with a Riley whom they, in a fine hypocritical fashion, considered more suitable and respectable than poor, passionate, uncontrollable Bill. Together the salesman and the parents took the letters to the police. Bill, when questioned, did nothing to conceal his feelings. He was sent down for eighteen months with hard labour.

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