The Swimming-Pool Library

I came home on the last train. Opposite me sat a couple of London Transport maintenance men, one small, fifty, decrepit, the other a severely handsome black of about thirty-five. Heavy canvas bags were tilted against their boots, their overalls open above their vests in the stale heat of the Underground. They were about to start work! I looked at them with a kind of swimming, drunken wonder, amazed at the thought of their inverted lives, of how their occupation depended on our travel, but could only be pursued, I saw it now, when we were not travelling. As we went home and sank into unconsciousness gangs of these men, with lamps and blow-lamps, and long-handled ratchet spanners, moved out along the tunnels; and wagons, not made to carry passengers, freakishly functional, rolled slowly and clangorously forwards from sidings unknown to the commuter. Such lonely, invisible work must bring on strange thoughts; the men who walked through every tunnel of the labyrinth, tapping the rails, must feel such reassurance seeing the lights of others at last approaching, voices calling out their friendly, technical patter. The black was looking at his
loosely cupped hands: he was very aloof, composed, with an air of massive, scarcely conscious competence—I felt more than respect, a kind of tenderness for him. I imagined his relief at getting home and taking his boots off and going to bed as the day brightened around the curtains and the noise of the streets built up outside. He turned his hands over and I saw the pale gold band of his wedding-ring.

All the gates but one at the station were closed and I, with two or three others, scuttled out as if being granted an unusual concession. Then there were the ten minutes to walk home. The drink made it seem closer, so that next day I would not remember the walk at all. And the idea of Arthur, too, which I had suppressed to make it all the more exciting when I recalled it, must have driven me along at quite a lick.

I was getting a taste for black names, West Indian names; they were a kind of time-travel, the words people whispered to their pillows, doodled on their copy-book margins, cried out in passion when my grandfather was young. I used to think these Edwardian names were the denial of romance: Archibald, Ernest, Lionel, Hubert were laughably stolid; they bespoke personalities unflecked by sex or malice. Yet only this year I had been with boys called just those staid things; and they were not staid boys. Nor was Arthur. His name was perhaps the least likely ever to have been young: it evoked for me the sunless complexion, unaired suiting, steel-rimmed glasses of a ledger clerk in a vanished age. Or had done so, before I found my beautiful, cocky, sluttish Arthur—an Arthur it was impossible to imagine old. His smooth face, with its huge black eyes and sexily weak chin, was always crossed by the light and shade of uncertainty, and met your gaze with the rootless self-confidence of youth.

Arthur was seventeen, and came from Stratford East. I had been out all that day, and when I was having dinner with my oldest friend James I nearly told him that I had this boy back home, but swallowed my words and glowed boozily with secret pleasure. James, besides, was a doctor, full of caution and common sense, and would have thought I was crazy to leave a virtual stranger in my home. In my stuffy, opinionated family, though,
there was a stubborn tradition of trust, and I had perhaps absorbed from my mother the habit of testing servants and window-cleaners by exposing them to temptation. I took a slightly creepy pleasure in imagining Arthur in the flat alone, absorbing its alien richness, looking at the pictures, concentrating of course on Whitehaven’s photograph of me in my little swimming-trunks, the shadow across my eyes … I was unable to feel anxiety about those electrical goods which are the general currency of burglaries—and I doubted if the valuable discs (the Rattle
Tristan
among them) would be to Arthur’s taste. He liked dance-music that was hot and cool—the kind that whipped and crooned across the dance-floor of the Shaft, where I had met him the night before.

He was watching television when I got in. The curtains were drawn, and he had dug out an old half-broken electric fire; it was extremely hot. He got up from his chair, smiling nervously. ‘I was just watching TV,’ he said. I took my jacket off, looking at him and surprised to find what he looked like. By remembering many times one or two of his details I had lost the overall hang of him. I wondered about all the work that must go into combing his hair into the narrow ridges that ran back from his forehead to the nape of his neck, where they ended in young tight pigtails, perhaps eight of them, only an inch long. I kissed him, my left hand sliding between his high, plump buttocks while with the other I stroked the back of his head. Oh, the ever-open softness of black lips; and the strange dryness of the knots of his pigtails, which crackled as I rolled them between my fingers, and seemed both dead and half-erect.

At about three I woke and needed a pee. Dull, half-conscious though I was, my heart thumped as I came back into the room and saw Arthur asleep in the gentle lamplight that fell across the pillows, one arm sticking out awkwardly from under the duvet, as if to shield his eyes. I sat down and slid in beside him, observing him carefully, hovering over his face and catching again the childish smell of his breath. As I turned the light out, I felt him roll towards me, his huge hands digging under me almost as if he wanted to carry me away. I embraced him, and he gripped me more tightly, clung to me as if in danger. I murmured ‘Baby’ several times before I realised he was still asleep.

My life was in a strange way that summer, the last summer of
its kind there was ever to be. I was riding high on sex and self-esteem—it was my time, my
belle époque
—but all the while with a faint flicker of calamity, like flames around a photograph, something seen out of the corner of the eye. I wasn’t in work—oh, not a tale of hardship, or a victim of recession, not even, I hope, a part of a statistic. I had put myself out of work deliberately, or at least knowingly. I was beckoned on by having too much money, I belonged to that tiny proportion of the populace that indeed owns almost everything. I’d surrendered to the prospect of doing nothing, though it kept me busy enough.

For nearly two years I’d been on the staff of the Cubitt
Dictionary of Architecture
, a grandiose project afflicted by delay and bad feeling. Its editor was a friend of my Oxford tutor, who was worried at my drifting unopposed into the routine of bars and clubs, saw me swamped with unwholesome leisure, and put in a word—one of those mere suggestions which, touching a nerve of guilt, take the force of a command. And so I had found myself turning up each day at St James’s Square and sitting in a little back office, disguising my hangover as a kind of wincing, aesthetic abstraction, and knocking box-folders of research material into shape.

Volume One was to cover A to D, and I was allowed to work on some of the subjects that interested me most—the Adams, Lord Burlington, Colen Campbell. I edited the essays of repetitive pundits, was sent out to the British Library or Sir John Soane’s Museum to find plans and engravings; smaller subjects I was allowed to write up myself: I turned in an exemplary article on Coade Stone vases. But the Dictionary was a crackpot affair, a mismanaged business, an Escorial that turned into a Fonthill the longer we worked on it. I rang people up and there were parties from six till eight—which meant going on, and then some drunken supper and then, as often as not, the Shaft and acts in which the influence of the orders, the dome, the portico, could scarcely be discerned.

After I left Cubitts I felt hilarious relief at being no longer a cross between a professor and an office-boy—someone whose presence was explained as much by his name as by his interest in the arts. At the same time there was a slight sad missing of the slipshod office routine, the explanation over the first foul coffee
of just where I’d taken whom, and what he was like in every particular. It was the sort of world that made you a character, and would happily, stodgily keep you one for life. And there was the subject too—the orders, the dome, the portico, the straight lines and the curved, which spoke to me, and meant more to me than they do to some.

I slipped away from Arthur next day and walked in the Park—it was perhaps the straight lines of its avenues that exerted some calming attraction over me. As a child, on visits to Marden, my grandfather’s house, days had been marked by walks along the great beech ride which ran unswervingly for miles over hilly country and gave out at a ha-ha and a high empty field. Away to the left you could make out in winter the chicken-coops and outside privies of a village that had once been part of the estate. Then we turned round, and came home, my sister and I, spoilt by my grandparents, feeling decidedly noble and aloof. It was not until years later that I came to understand how recent and synthetic this nobility was—the house itself bought up cheap after the war, half ruined by use as an officers’ training school, and then as a military hospital.

Today was one of those April days, still and overcast, that felt pregnant with some immense idea, and suggested, as I roamed across from one perspective to another, that this was merely a doldrums, and would last only until something else was ready to happen. Perhaps it was simply summer, and the certainty of warmth, the world all out of doors, drinking in the open air. The trees were budding, and that odd inside-out logic was evolving whereby the Park, just at the time it becomes hot and popular, shuts itself off from the outside world of buildings and traffic with the shady density of its foliage. But I felt the threat too of some realisation about life, something obscurely disagreeable and perhaps deserved.