The Serpent and the Moon: Two Rivals for the Love of a Renaissance King (56 page)

BOOK: The Serpent and the Moon: Two Rivals for the Love of a Renaissance King
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L’Estoile, Pierre de.
Registre-journal du règne de Henri III
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Louise de Savoie.
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. Paris: Guyot frères, 1851.

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L’Heptaméron
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———.
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. Text of the edition of 1547. Introduction, notes, and glossary by Félix Frank. Paris: Librairie des Bibliophiles, 1873.

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. Vol. 4.
À la Grande Sénéchale
. Edited by Georges Guiffrey and Jean Plattard. Paris: Schemit, 1929.

Martin, Graham. “The Death of Henry II of France: A Sporting Death and Postmortem.”
ANZ Journal of Surgery
71 (2001): 318–20.

Mary Queen of Scots.
Letters of Mary Stuart, Queen of Scotland, Selected from the “Recueil des Lettres de Marie Stuart,” Together with the Chronological Summary of Events During the Reign of the Queen of Scotland, by Prince Alexander Labanoff
. Translated, with Notes and Introduction, by William Turnbull. London: Charles Dolman, 1845.

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The Women of the Renaissance: A Study of Feminism
. Translated by George Herbert Ely. London: Sonnenschein & Co., 1901.

McLeod, Glenda K., ed.
The Reception of Christine de Pizan from the Fifteenth Through the Nineteenth Centuries: Visitors to the City
. Lewiston, N.Y.: The Edwin Mellen Press, 1991.

Médicis, Catherine de’.
Lettres de Catherine de Médicis
. Paris: Imprimerie nationale, 1880–1943.

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Memoirs of Sir James Melville of Halhill 1535–1617
. Edited and with an introduction by A. Francis Steuart. London: George Routledge & Sons, Ltd. 1929.

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Histoire de France au seizième siècle
. Paris: Librairie classiques de L. Hachette, 1835.

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. Paris: La Nouvelle Edition, 1944.

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. Edited by Pierre Brind’amour. Geneva: Librairie Droz, 1996.

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. Paris: Flammarion, 1958.

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The Moon Mistress: Diane de Poitiers
. London: George G. Harrap and Co., Ltd., 1931.

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Revue Historique
(1877): 84–120.

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Oeuvres
. Edited by J. F. Malgaigne. Paris: J. B. Baillière, 1840–1841.

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. Paris: Foucault, 1821.

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The Treasure of the City of Ladies; or, The Book of the Three Virtues (“La Trésor de la cité des dames”)
. Translated and edited by Sarah Lawson. London: Penguin, 1985.

Poésies de François Ier, Louise de Savoie, Marguerite et correspondence intime du roi avec Diane de Poitiers
. Paris: Champollion-Figeac, 1847.

Rabutin, François.
Commentaires des dernières guerres en la Gaule Belgique entre Henry second de ce nom, Très chréstien Roy de France, & Charles cinquiesme Empereur, & Phillipes son fils, Roy d’Espaigne
. Paris: Nicolas Chesneau, 1574.

Relations des ambassadeurs vénitiens sur les affaires de France au XVIe siècle
. Edited and translated by N. M. Tommaseo. Paris: Imprimerie royalle, 1838; together with the
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. Edited in Italian by E. Alberi. Florence, 1839–1863.

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. London: HarperCollins, 2001.

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Catherine de Médici and the Lost Revolution
. London: George G. Harrap and Co., Ltd., 1937.

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2 (1972): 391–418.

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Histoire et Description du château d’Anet
. Paris: printed for the author by D. Jouaust, 1875.

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. Paris: de R-Estienne [n.d.].

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. New York: Van Nostrand Reinhold Company, 1977.

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. Edited by Michaud. Paris: Guyot frères, 1851.

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1548. Tempe, Ariz.: Medieval and Renaissance Texts and Studies, 1997.

Seeley, Grace H.
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. New York and London: D. Appleton-Century, 1936.

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. Edinburgh: W. Paterson, 1886.

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The Girlhood of Mary Queen of Scots from Her Landing in France in August 1548 to Her Departure from France in August 1561
. London: Hodder and Stoughton, 1908.

Sutherland, N. M. “Catherine de Medici: The Legend of the Wicked Italian Queen.”
The Sixteenth Century Journal
9ii (1978): 45–56.

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Diana de Poitiers
. Paris: La Palatine, 1955.

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Histoire de Monsieur de Thou, de choses arrivées de son temps
. Translated into French by P. Du Ryer. Paris: Augustin Courbé, 1659.

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Le Cardinal François de Tournon, Homme d’État, Diplomate, Mécène et Humaniste, 1489–1562
. Paris: E. de Boccard, 1951.

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. London: Green, Longman & Roberts, 1861.

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. La Haye: Adrien Moetjens, 1687.

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. Moulins: Crépin-Leblond, 1935.

Voulté, Jean [Jean Visagier].
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. Fond français no. 883, folio 38;
Hendescayllaborum
Libri III. Paris: S. de Colines, 1538.

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Modern Language Notes
31 (1916): 129–35.

Watson, Francis Leslie.
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. London: Hutchinson & Co., 1934.

Wells, Charlotte. “Leeches on the Body Politic: Xenophobia and Witchcraft in Early Modern French Political Thought.”
French Historical Studies
22 (1999): 351–77.

Wiley, W. L. “Brantôme’s Interest in Languages and Literature.”
Modern Language Notes
65 (1950): 331–36.

Williams, H. Noel.
Henri II: His Court and Times
. London: Methuen and Co., Ltd., 1910.

Young, George Frederick.
The Medici
. Vols. I and II. New York: E. P. Dutton, 1911.

Manuscripts in the Bibliothèque Nationale, Paris

Letter from Henri II to Diane, fonds français no. 2.991, folio 9.

Letter from Henri II to Diane, fonds français no. 3.143, folios 2, 4, 5.

Poems by Henri II to Diane, fonds français no. 3.143, folios 6, 7, 8.

Receuil de poésies
, fonds français no. 883, folio 38.


Testament de dame Diane de Poitiers, duchesse de Valentinois, facit le jour des Roys à Limours, l’an 1564
,” fonds français no. 3.902, folio 107.

Manuscripts at Saint-Germain-des-Prés

Letters, nos. 1781/2, from the Cardinal de Lorraine.

Illustration Credits

page 9
  
Pope Clement VII (1478–1534) Marries Catherine de’ Medici (1519–1589) with Henri II of France (1519–1559), by Giorgio Vasari. [“Sala di Clementi VII,” Palazzo Vecchio (Palazzo della Signorina), Florence/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 12
  
Medallion portrait of Pierre de Bourdeille (1540–1614) Abbot of Brantôme (engraving) (black and white photo), French School (17c). (Private Collection/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 14
  
The Medici arms. (Private Collection)
page 16
  
Anne de France (de Beaujeu), right wing of the Bourbon Altarpiece (detail) c. 1498, by the Master of Moulins (Jean Hey). (Moulins Cathedral, Allier, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 21
  
Portrait of Louis XII
. French School, 16c. (Musée des Beaux-Arts, Angers, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 25
  
A French couple on horseback. 16c. (Bibliothèque nationale de France)
page 26
  
Leaving for the Hunt
(tapestry). French School, 16c. (Musée Nationale du Moyen Age et des Thermes de Cluny, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 31
  
View of château d’Amboise
, by Charles Claude Pyne. (Victoria & Albert Museum, London, UK/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 32
  
The coronation sword of the kings of France, belonging to Charlemagne, shown with scabbard. (Musée du Louvre, Paris, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 33
  
The “hand of justice,” from the Treasury of Saint-Denis. (Musée du Louvre, Paris, France/Peter Willi/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 34
  
Marguerite de Navarre
, by Jean Clouet. (Private Collection)
page 35
  
Mary Tudor and Charles Brandon, Duke of Suffolk
. (Private Collection/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 36
  
The royal Salamander, symbol of François I, from the château de Blois. (Private Collection)
page 39
  
Louis de Brézé
. (Private Collection)
page 45
  
Homage to Louise de Savoie at Amiens in 1518, from
Les Chants Royaux
, engraving by A. Godard. French School, 16c. (Private Collection/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 51
  
The ermine of Brittany, symbol of Queen Claude. (Private Collection)
page 54
  
Château de Blois
, by Thomas Shotter Boys. (© Yale Center for British Art, Paul Mellon Collection, USA/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 60
  
Fontainebleau: Galerie François I. (Château de Fontainebleau, Seine-et-Marne, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 61
  
Gold saltcellar, or
saliera
, made for François I by Benvenuto Cellini. (Kunsthistorisches Museum, Vienna, Austria/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 63
  
Antoine Macault Presents His Translation to François I (1494–1547) from “Books I, II and III” by Diodorus Siculus. c. 1532 (vellum). French School, 16c. (Musée Condé, Chantilly, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 69
  
A jousting scene from
The Book of Hours
, Workshop of Gerart Horenbout and Simon Bening. (British Library, London, UK/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 72
  
Henry VIII
, School of Hans Holbein. (Ackerman and Johnson Ltd., London, UK/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 74
  
Portrait presumed to be Charles de Bourbon, Studio of Clouet. (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 77
  
Jean de Poitiers (d. 1539) Lord of Saint-Vallier (pencil on paper) by Clouet (16c.) (studio of). (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 81
  
View of the château de Loches
. French School, 17c. (Bibliothèque Nationale, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 88
  
Portrait of Queen Claude (1499–1524) (oil on panel 16c, French), by Corneille de Lyons (c. 1500–1575). (Pushkin Museum, Moscow, Russia/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 105
  
Suleiman the Magnificent
. (Private Collection)
page 121
  
View of the château de Saint-Germain-en-Laye
, by Israel Silvestre the Younger. (Musée de la Ville de Paris, Musée Carnavalet, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 122
  
Henri d’Albret, King of Navarre, Presenting a marguerite to Marguerite, Sister of François I
. French School, 16c. (The Stapleton Collection, UK/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 135
  
Marguerite de Navarre presenting the
Heptaméron
to Anne de Pisseleu, duchesse d’Etampes
, from
La Coche, ou le Débat d’Amour
. French School, 16c. (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 143
  
Portrait of Catherine de’ Medici (1519–1589), facsimile of a 16th century drawing appearing in
Portraits of the Most Famous Personalities of the 16th Century
, by P. G. Niel, Paris, 1848 (graphite on paper). French School, 19c. (Bibliothèque des Arts Décoratifs, Paris, France/Archives Charnet/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 145
  
Ippolito de’ Medici
, by Tiziano Vecellio (Titian). (Palazzo Pitti, Florence, Italy/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 154
  
Dauphin François de France
, by Corneille de Lyon. (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 162
  
Catherine de’ Medici Riding Sidesaddle
. (Bibliothèque nationale de France)
page 164
  
Anne de Pisseleu, duchesse d’Etampes
, Studio of Clouet. (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 175
  
A game of “real tennis”: detail from
David and Bathsheba
. Flemish School, 16c. (Marylebone Cricket Club, London, UK/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 178
  
Quartering in the Place de Grève. (© ND/Roger-Viollet)
page 215
  

LeBalafré,” duc de Guise
. (Bibliothèque nationale de France)
page 222
  
A Court Jester
. French School, 16c. (Bibliothèque nationale de France/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 244
  
Diane of France or of Valois (1538–1619), Duchess of Angoulême (oil on panel). French School, 16c. (Musée de la Ville de Paris, Musée Carnavalet, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 245
  
Portrait of Cardinal Charles de Lorraine (1525–1574) c. 1555 (red chalk and pencil on paper). School of François Clouet. (Musée Condé, Chantilly, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 250
  
Diane’s symbols with motto. (Private Collection)
page 252
  
Ceramic plate with “HD.” (Private Collection)
page 256
  
Method of burning those condemned by the Inquisition. Flemish School, 16c. (Bibliothèque nationale de France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 259
  
Crowned “H” resting on crescent moon. (Private Collection)
page 259
  
Diane’s symbol. (Private Collection)
page 259
  
Diane’s symbol. (Private Collection)
page 262
  
François II as Dauphin
, by Léonard Limousin. (Musée du Louvre, Paris, France/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 268
  
Three intertwined crescent moons and the motto “
Donee totum impleat orbem
.” (Private Collection)
page 269
  
Joint signature of Diane de Poitiers and Henri II. (Private Collection)
page 273
  
The Fountain of the Innocents, c. 1547 (photo) Jean Goujon (1510–1567) and Pierre Lescot (1515–1578). (Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 274
  
“HD” with
delta
. (Private Collection)
page 282
  
Château de Chaumont
. (Private Collection)
page 284
  
Anet: Window catch with three entwined crescents. (Private Collection)
page 291
  
Diane de Poitiers at Her Bath
, by François Clouet. (Kress Collection, Washington, D.C., USA/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 292
  
Diane de Poitiers (1499–1566) as Diana the Huntress (oil on canvas). Fontainebleau School, 16c. (Musée de la Venerie, Senlis, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 294
  
Anet: Existing façade. (Private Collection)
page 295
  
Anet: Casement window showing “HD” cipher. (Private Collection)
page 296
  
Anet. (Châteaux de Versailles et de Trianon, France)
page 297
  
Anet: Marble chimneypiece in the shape of a tomb. (Private Collection)
page 299
  
Ceiling design for the château d’Anet, with Diane’s symbols. (Private Collection)
page 300
  
Anet: Diane’s carved bedhead. (Private Collection)
page 301
  
Nymph of Fontainebleau
(bronze), by Benvenuto Cellini. (Musée du Louvre, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 302
  
Anet: Pediment of portico with bronze hounds, part of the famous clock. (Private Collection)
page 314
  
Marie de Guise
, by Corneille de Lyon. (Scottish National Portrait Gallery, Edinburgh, Scotland/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 331
  
Diane de Poitiers’ signature. (Private Collection)
page 336
  
Henri II and Catherine de’ Medici
, Anon. (Private Collection)
page 339
  
Mary, Queen of Scots
. French School, 16c. (Musée de la Ville de Paris, Musée Carnavalet, Paris, France/Lauros/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 354
  
Tournament at which Henri Receives a Fatal Wound
, 30
June 1559
, by Jacques Tortorel. (Location unknown/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 358
  
The Death of Henri II
, by J. J. Perrissin. (Private Collection/Archives Charmet/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 362
  
“HD” and “HC” ciphers. (Private Collection)
page 369
  
The chapel at Anet. (Private Collection)

Color insert

page 1
  
François I Receiving a Painting of the Holy Family by Raphael
, by Anicet-Charles Lemonnier. (Musée des Beaux-Arts, Rouen, France/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 1
  
The Battle of Marignano
, by Alexander-Evariste Fragonard. (Château de Versailles, France/Giraudon/The Bridgeman Art Library/
www.bridgeman.co.uk
)
page 2
  
The Emperor Charles V on Horseback
, by Tiziano Vecellio (Titian). (Museo del Prado, Madrid, Spain/The Bridgeman Art Library/
www.bridgeman.co.uk
)

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