The Sea (3 page)

She put on a kettle of water to boil and fished in a pocket of her coat and brought out her spectacles and put them on, looping the string behind her neck. She began to weep, absent-mindedly, it might be, making no sound. I moved clumsily to embrace her but she drew back sharply.

"For heaven's sake don't fuss!" she snapped. "I'm only dying, after all." The kettle came to the boil and switched itself off and the seething water inside it settled down grumpily. I marvelled, not for the first time, at the cruel complacency of ordinary things. But no, not cruel, not complacent, only indifferent, as how could they be otherwise? Henceforth I would have to address things as they are, not as I might imagine them, for this was a new version of reality. I took up the teapot and the tea, making them rattle—my hands were shaking—but she said no, she had changed her mind, it was brandy she wanted, brandy, and a cigarette, she who did not smoke, and rarely drank. She gave me the dull glare of a defiant child, standing there by the table in her coat. Her tears had stopped. She took off her glasses and dropped them to hang below her throat on their string and rubbed at her eyes with the heels of her hands. I found the brandy bottle and tremblingly poured a measure into a tumbler, the bottle-neck and the rim of the glass chattering against each other like teeth. There were no cigarettes in the house, where was I to get cigarettes? She said it was no matter, she did not really want to smoke. The steel kettle shone, a slow furl of steam at its spout, vaguely suggestive of genie and lamp. Oh, grant me a wish, just the one.

"Take off your coat, at least," I said.

But why at least? What a business it is, the human discourse.

I gave her the glass of brandy and she stood holding it but did not drink. Light from the window behind me shone on the lenses of her spectacles where they hung at her collar bone, giving the eerie effect of another, miniature she standing close in front of her under her chin with eyes cast down. Abruptly she went slack and sat down heavily, extending her arms before her along the table in a strange, desperate-seeming gesture, as if in supplication to some unseen other seated opposite her in judgment. The tumbler in her hand knocked on the wood and splashed out half its contents. Helplessly I contemplated her. For a giddy second the notion seized me that I would never again be able to think of another word to say to her, that we would go on like this, in agonised inarticulacy, to the end. I bent and kissed the pale patch on the crown of her head the size of a sixpence where her dark hair whorled. She turned her face up to me briefly with a black look.

"You smell of hospitals," she said. "That should be me."

I took the tumbler from her hand and put it to my lips and drank at a draught what remained of the scorching brandy. I realised what the feeling was that had been besetting me since I had stepped that morning into the glassy glare of Mr. Todd's consulting rooms. It was embarrassment. Anna felt it as well, I was sure of it. Embarrassment, yes, a panic-stricken sense of not knowing what to say, where to look, how to behave, and something else, too, that was not quite anger but a sort of surly annoyance, a surly resentment at the predicament in which we grimly found ourselves. It was as if a secret had been imparted to us so dirty, so nasty, that we could hardly bear to remain in one another's company yet were unable to break free, each knowing the foul thing that the other knew and bound together by that very knowledge. From this day forward all would be dissembling. There would be no other way to live with death.

Still Anna sat erect there at the table, facing away from me, her arms extended and hands lying inert with palms upturned as if for something to be dropped into them.

"Well?" she said without turning. "What now?"

There goes the Colonel, creeping back to his room. That was a long session in the lav. Strangury, nice word. Mine is the one bedroom in the house which is, as Miss Vavasour puts it with a demure little moue,
en suite.
Also I have a
view,
or would have were it not for those blasted bungalows at the bottom of the garden. My bed is daunting, a stately, high-built, Italianate affair fit for a Doge, the headboard scrolled and polished like a Stradivarius. I must enquire of Miss V as to its provenance. This would have been the master bedroom when the Graces were here. In those days I never got further than the downstairs, except in my dreams.

I have just noticed today's date. It is a year exactly since that first visit Anna and I were forced to pay to Mr. Todd in his rooms. What a coincidence. Or not, perhaps; are there coincidences in Pluto's realm, amidst the trackless wastes of which I wander lost, a lyreless Orpheus? Twelve months, though! I should have kept a diary. My journal of the plague year.

A dream it was that drew me here. In it, I was walking along a country road, that was all. It was in winter, at dusk, or else it was a strange sort of dimly radiant night, the sort of night that there is only in dreams, and a wet snow was falling. I was determinedly on my way somewhere, going home, it seemed, although I did not know what or where exactly home might be. There was open land to my right, flat and undistinguished with not a house or hovel in sight, and to my left a deep line of darkly louring trees bordering the road. The branches were not bare despite the season, and the thick, almost black leaves drooped in masses, laden with snow that had turned to soft, translucent
ice.
Something had broken down, a car, no, a bicycle, a boy's bicycle, for as well as being the age I am now I was a boy as well, a big awkward boy, yes, and on my way home, it must have been home, or somewhere that had been home, once, and that I would recognise again, when I got there. I had hours of walking to do but I did not mind that, for this was a journey of surpassing but inexplicable importance, one that I must make and was bound to complete. I was calm in myself, quite calm, and confident, too, despite not knowing rightly where I was going except that I was going home. I was alone on the road. The snow which had been slowly drifting down all day was unmarked by tracks of any kind, tyre, boot or hoof, for no one had passed this way and no one would. There was something the matter with my foot, the left one, I must have injured it, but long ago, for it was not painful, though at every step I had to throw it out awkwardly in a sort of half-circle, and this hindered me, not seriously but seriously enough. I felt compassion for myself, that is to say the dreamer that I was felt compassion for the self being dreamed, this poor lummox going along dauntlessly in the snow at fall of day with only the road ahead of him and no promise of homecoming. That was all there was in the dream. The journey did not end, I arrived nowhere, and nothing happened. I was just walking there, bereft and stalwart, endlessly trudging through the snow and the wintry gloaming. But I woke into the murk of dawn not as I usually do these days, with the sense of having been flayed of yet another layer of protective skin during the night, but with the conviction that something had been achieved, or at least initiated. Immediately then, and for the first time in I do not know how long, I thought of Ballyless and the house there on Station Road, and the Graces, and Chloe Grace, I cannot think why, and it was as if I had stepped suddenly out of the dark into a splash of pale, salt-washed sunlight. It endured only a minute, less than a minute, that

happy lightsomeness, but it told me what to do, and where I must go.

I first saw her, Chloe Grace, on the beach. It was a bright, wind-worried day and the Graces were settled in a shallow recess scooped into the dunes by wind and tides to which their somewhat raffish presence lent a suggestion of the proscenium. They were impressively equipped, with a faded length of striped canvas strung between poles to keep chill breezes off, and folding chairs and a little folding table, and a straw hamper as big as a small suitcase containing bottles and vacuum flasks and tins of sandwiches and biscuits; they even had real tea cups, with saucers. This was a part of the beach that was tacitly reserved for residents of the Golf Hotel, the lawn of which ended just behind the dunes, and indignant stares were being directed at these heedlessly interloping villa people with their smart beach furniture and their bottles of wine, stares which the Graces if they noticed them ignored. Mr. Grace, Carlo Grace, Daddy, was wearing shorts again, and a candy-striped blazer over a chest that was bare save for two big tufts of tight curls in the shape of a miniature pair of widespread fuzzy wings. I had never before encountered nor, I think, have I encountered since, anyone so fascinatingly hairy. On his head was clamped a canvas hat like a child's upturned sand bucket. He was sitting on one of the folding chairs, holding a newspaper open before him and at the same time managing to smoke a cigarette, despite the stiff wafts of wind coming in from the sea. The blond boy, the swinger on the gate—it was Myles, I may as well give him his name—was crouched at his father's feet, pouting moodily and delving in the sand with a jagged piece of sea-polished driftwood. Some way behind them, in the shelter of the dune wall, a girl, or young woman, was kneeling on the sand, wrapped in a big red towel, under the cover of which she was trying vexedly to wriggle herself free of what would turn out to be a wet bathing suit. She was markedly pale and soulful of expression, with a long, slender face and very . black, heavy hair. I noticed that she kept glancing, resentfully, as it seemed, at the back of Carlo Grace's head. I noticed too that the boy Myles was keeping sidelong watch, in the evident hope, which I shared, that the girl's protective towel would slip. She could hardly be his sister, then.

Mrs. Grace came up the beach. She had been in the sea and was wearing a black swimsuit, tight and darkly lustrous as sealskin, and over it a sort of wraparound skirt made of some diaphanous stuff, held at the waist with a single button and billowing open with each step she took to reveal her bare, tanned, rather thick but shapely legs. She stopped in front of her husband and pushed her white-rimmed sunglasses up into her hair and waited through the beat that he allowed to pass before he lowered the newspaper and looked up at her, lifting his hand that held the cigarette and shading his eyes against the salt-sharpened light. She said something and he put his head on one side and shrugged, and smiled, showing numerous small white even teeth. Behind him the girl, still under the towel, discarded her bathing suit that she had freed herself of at last and, turning her back, sat down on the sand with her legs flexed and made the towel into a tent around herself and rested her forehead on her knees, and Myles drove his stick into the sand with disappointed force.

So there they were, the Graces: Carlo Grace and his wife Constance, their son Myles, the girl or young woman who I was sure was not the girl I had heard laughing in the house that first day, with all their things around them, their folding chairs and tea cups and tumblers of white wine, and Connie Grace's revealing skirt and her husband's funny hat and newspaper and cigarette, and Myles's stick, and the girl's swimsuit, lying where she had tossed it, limply wadded and stuck along one wet edge with a fringe of sand, like something thrown up drowned out of the sea. I do not know for how long Chloe had been standing on the dune before she jumped. She may have been there all that time, watching me watching the others. She was first a silhouette, with the sun behind her making a shining helmet of her short-cropped hair. Then she lifted her arms and with her knees pressed together launched herself off the dune wall. The air made the legs of her shorts balloon briefly. She was barefoot, and landed on her heels, sending up a shower of sand. The girl under the towel—Rose, give her a name too, poor Rosie—uttered a little shriek of fright. Chloe wobbled, her arms still lifted and her heels in the sand, and it seemed she would fall over or at least sit down hard, but instead she kept her balance, and smiled sideways spitefully at Rose who had sand in her eyes and was making a fish face and shaking her head and blinking.
"Chlo-e!"
Mrs. Grace said, a reproving wail, but Chloe ignored her and came forward and knelt in the sand beside her brother and tried to wrest the stick from him. I was lying on my stomach on a towel with my cheeks propped on my hands, pretending to read a book. Chloe knew I was looking at her and seemed not to care. What age were we, ten, eleven? Say

eleven, it will do. Her chest was as flat as Myles's, her hips were no wider than mine. She wore a white singlet over her shorts. Her sun-bleached hair was almost white. Myles, who had been battling to keep his stick, snatched it free of her grasp at last and hit her with it on the knuckles and she said
"Owl"
and struck him in the breastbone with a small, pointed fist.

"Listen to this advertisement," her father said to no one in particular, and read aloud, laughing, from the newspaper.
"Live ferrets required as Venetian blind salesmen. Must be car drivers. Apply box twenty~three."
He laughed again, and coughed, and, coughing, laughed. "Live ferrets!" he cried. "Oh, my."

How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance. It must be the muffling effect of so much sand. Although I cannot say when I have had occasion to hear a gun or guns being fired.

Mrs. Grace poured wine for herself, tasted it, grimaced, and sat down in a folding chair and crossed one firm leg on the other, her beach shoe dangling. Rose was getting dressed fum-blingly under her towel. Now it was Chloe's turn to draw her knees up to her chest—is it a thing all girls do, or did, at least, sitting that way in the shape of a zed fallen over on its front?— and hold her feet in her hands. Myles poked her in the side with his stick. "Daddy," she said with listless irritation, "tell him to stop." Her father went on reading. Connie Grace's dangling shoe was jiggling in time to some rhythm in her head. The sand around me with the sun strong on it gave off its mysterious, catty smell. Out on the bay a white sail shivered and flipped to leeward and for a second the world tilted. Someone away down the beach was calling to someone else. Children.