Read THE OVERTON WINDOW Online
Authors: Glenn Beck
ALSO BY GLENN BECK
FICTION
The Christmas Sweater
The Christmas Sweater: A Picture Book
NONFICTION
Arguing With Idiots: How to Stop Small Minds and Big Government
Glenn Beck’s Common Sense:
The Case Against an Out-of-Control Government, Inspired by Thomas Paine
An Inconvenient Book: Real Solutions to the World’s Biggest Problems
The Real America: Messages from the Heart and Heartland
GLENN BECK
with contributions from
Kevin Balfe, Emily Bestler, and Jack Henderson
THRESHOLD EDITIONS-MERCURY RADIO ARTS
A Division of Simon & Schuster, Inc.
1230 Avenue of the Americas
New York, NY 10020
www.SimonandSchuster.com
This book is a work of fiction. Names, characters, places, and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons living or dead is entirely coincidental.
Copyright © 2010 by Mercury Radio Arts, Inc.
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Threshold Editions Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020
First Threshold Editions/Mercury Radio Arts hardcover edition June 2010
THRESHOLD EDITIONS and colophon are trademarks of Simon & Schuster, Inc.
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Designed by Joy O’Meara
Manufactured in the United States of America
1 3 5 7 9 1 0 8 6 4 2
ISBN 978-1-4391-8430-1DEDICATION
ISBN 978-1-4391-9011-1 (ebook)
Faith:
To David Barton, a man who knows that the answers were left everywhere in plain sight by our Founders.
Hope:
To Marcus Luttrell, a man who has shown us all what it really takes to never quit.
Charity:
To Jon Huntsman, Sr., the man I hope to be someday. You are a giant in a world that seems increasingly small.
Never give up, never give in.ACKNOWLEDGMENTS
S
pecial thanks to …
All of the
VIEWERS, LISTENERS, AND READERS,
including the Glenn Beck
INSIDERS.
We’re not racist and we’re not violent … we’re just not silent anymore.
All my
PARENTS;
my wife,
TANIA;
and my wonderful
CHILDREN
for their continued love and support, even when I’m up at 3 a.m. working on projects like this one.
CHRIS BALFE, KEVIN BALFE, STU BURGUIERE, JOE KERRY, PAT GRAY,
and all of the other remarkable people behind the scenes at
MERCURY RADIO ARTS
for never laughing at my ideas (at least not to my face).
JACK HENDERSON
for pouring his heart and soul into this project. And to Jack’s wife,
LORI,
for letting him.
EMILY BESTLER,
a world-class editor and, more important, a world-class person. Thanks for getting what this is really all about. And to
LOUISE BURKE, MITCHELL IVERS, CAROLYN REIDY, LIZ PERL,
ANTHONY ZICCARDI,
and everyone else at
SIMON & SCHUSTER
for continuing to help turn my dreams into reality.
PATRICIA BALFE,
for sharing her love of thrillers and mysteries with all of us. I realize I’m no David Baldacci or Robert Parker, but I still hope this book costs you some precious sleep.
Everyone at
PREMIERE
and
CLEAR CHANNEL,
including
MARK MAYS, JOHN HOGAN, CHARLIE RAHILLY, DAN YUKELSON, JULIE TALBOTT,
and
DAN METTER,
who have helped bring the radio program to more listeners then we’ve ever had before.
All of my friends at
FOX NEWS,
including
ROGER AILES, BILL SHINE, SUZANNE SCOTT, JOEL CHEATWOOD, TIFFANY SIEGEL, BILL O’REILLY, NEIL CAVUTO,
along with my extraordinary
STAFF
that has helped me purchase almost every chalkboard in the greater New York City area.
My agent,
GEORGE HILTZIK,
who “doesn’t do content” yet still loves to give me his opinion on every piece of content we create.
All of my friends, partners and coworkers who support me both personally and professionally, including
KRAIG KITCHIN, BRIAN GLICKLICH, MATTHEW HILTZIK, JOSH RAFFEL, JON HUNTSMAN SR., DUANE WARD, STEVE SCHEFFER, DOM THEODORE, SCOTT BAKER, RICHARD PAUL EVANS, GEORGE LANGE, RUSSELL M. BALLARD,
along with
ALLEN, CAM, AMY, MARY
and the whole team at
ISDANER.
EVERYONE ELSE
who has fallen victim to my ADD—sorry, I focused on this page for as long as I could.
I
’ve been a fan of thrillers for many years. While nonfiction books aim to enlighten, the goal of most thrillers is to entertain. But there is a category of novels that do both: “faction”—completely fictional books with plots rooted in fact, and that is the category I strived for with
The Overton Window.
As you become immersed in the story, certain scenes and characters will likely feel familiar to you. That is intentional, as this story takes place during a time in American history very much like the one we find ourselves living in now. But while many of the facts embedded in the plot are true (see the afterword for details), the scenarios I create as a result of those facts, along with the way things are tied together and the conclusions that are drawn, are entirely fictional.