The Loser's Guide to Life and Love
Read The Loser's Guide to Life and Love Online
Authors: A. E. Cannon
A Novel
For Betsy Burton, with affection and respect
I want to acknowledge the help given me by the following individualsâ
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My gifted editor, Catherine Onder, who whipped Ed (a.k.a. Sergio) into shape;
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My agent, Tracey Adams, for taking me on and finding the best of all possible homes for my manuscript;
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My great friend Louise Plummer, for shoring me up when the waters turned rough;
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My coworkers at The King's English Bookshop, for inspiring me with their smarts;
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My brother Jimmy, for not giving up hope;
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My second oldest son, Alec, who taught me how to say thanks in Portuguese;
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My oldest son, Phil, who slicked back his hair and gave me the idea;
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My best friend of thirty summers and counting, Ken Cannonâ
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Without these grand people this book would have never seen the light of day (let alone a midsummer's eve).
The poet's eye, in a fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And, as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.
âWilliam Shakespeare,
A Midsummer Night's Dream
On June 21st
You and a guest of your choice are invited to attend
A Midsummer Eve's Celebration
From dusk to dawn at the midnight-blue, mosaic-covered house of Ali and his Warrior Princess
1001 Fourth Avenue
In the City
Beneath the Moon
“You look like a total dork, Ed,” says my eight-year-old sister, the Lovely and Talented Maggie McIff, as I prepare to go to work at Reel Life Movies.
She has looked up from her unnaturally large pile of nude Barbie dolls long enough to make this encouraging observation, and as I catch a glimpse of myself in the entryway mirror, I have to agree (silently) that she is right. Let me make this quick director's note, however: Even if you were a movie star, you TOO would look like a dork if you were required to wear shiny wingtips, black tuxedo pants, a red cummerbund, a white frilly shirt, and snappy red bow tie to work. Reel Life employees are supposed to look like old-fashioned ushers at a place like
Grauman's Chinese Theatre in Hollywood, although most of our customers say we look like Chippendale dancers.
Just not as chiseled.
It also does not help that I have to wear a former Reel Life employee's name tag because my boss (that would be the incredibly intimidating Ali) hasn't made me a new one even though I've been working for three weeks now. The strange thing is that Ali is usually all over this kind of detail. Everybody knows he's the most organized and efficient manager in the whole entire history of the video and DVD rental industry.
Makes you wonder what's going on, doesn't it?
Anyway, my friend and fellow coworker Scout Arrington helped me land the job because she knows I love movies as much as she does. In fact, here's a confession: I want to make movies of my own one day.
DO NOT LAUGH.
It could happen. I could be the next Steven Spielberg. Somebody has to be.
Right now, however, I am just an ordinary, boring sixteen-year-old guy named Ed McIff with a name tag that says “Sergio.”
Sergio?
Scout says “Sergio” sounds like the name of a romantic male lead in a daytime soap.
“Well, that would definitely make me the Anti-Sergio,”
I tell her, because (frankly) I am NOT the kind of guy women have fantasies about. For one thing, I'm short.
“Tom Cruise isn't that big of a guy,” my mom always says. I love how she tries to avoid using the word “short.”
“Yeah,” I tell her in return, “but he compensates by being Tom Cruise.” Not that anyone really wants to BE Tom Cruise anymore now that he's a crazy couch jumper. But whatever.
I check the entryway mirror one more time. Yup. I'm still short.
“You usually look like a dork,” the Lovely and Talented Maggie McIff adds for clarification purposes, “but tonight you look dorkier than usual because your hair is sticking up.” She serenely braids beads into the hair of one of her bare-naked Barbie dolls.
“Thank you very much,” I say. “Now how would YOU like it if I borrowed Quark's junior chemistry set and blew up all your Barbie dolls while you're asleep tonight?”
Quark (short for Quentin Andrews O'Rourke) is our next-door neighbor. We're exactly the same ageâwe were even born on the same day and used to have our birthday parties together when we were littleâbut that's where the resemblance ends. He's a brainiac who goes to a private high school for certified geniuses somewhere out in Sandy, a community south of Salt Lake City, where we live.
Quark is also a genius who happens to look EXACTLY like Brad Pitt, in spite of the fact that he a) rarely combs his hair and b) gets mixed up when it comes to putting on matching clothes. He's freakishly tall, though, so I guess you could say he looks like Brad Pitt would if B. P. were suffering from some rare movie-star glandular disorder.
Quark, however, has absolutely no idea that he's good-looking, and he wouldn't care anyway, because Quark lives for the thrill of scientific investigation.
The Lovely and Talented's big eyes grow bigger.
“You wouldn't dare blow up my Barbies,” she cries, gathering them up like a mother hen gathering up her chicks. Or however that cliché goes.
“Do not push me,” I warn her, looking into the mirror one last time. “I'm one of those walking human time bombs”âspeaking of clichés!â“ready to explode.”
“It's almost six,” Mom calls to me from the kitchen. “Time to be at work, Ed.”
“I'm on my way,” I shout back.
“See you laterâ¦
Sergio
,” she trills at me. Then she bursts into gales of maniacal laughter, not unlike a mad scientist.
Is it just me, or do you also think this is unnatural behavior in a female parent? Isn't there a federal law on the books that says mothers are not allowed to laugh at vulnerable male children when they are
required to wear stupid clothing to work?
There should be.
I open our ordinary, boring front door and let myself out into another ordinary, boring summer night.
On my way to work (I'm driving my mother's highly pathetic vintage Geo), I write the following script in my head, which is something I like to do when things get slow. I'm thinking this might make an interesting documentary for PBS. What's your opinion?
The Ordinary, Boring Life of a Typical American Youth Called Ed
Being an (un) original screenplay by Ed McIff
The camera zooms in on an average sixteen-year-old American boy wearing flannel boxers and sitting on a bar stool, wondering if he should start working out at the gym with his friend Scout. This intense mental activity has left him feeling somewhat weak. Also hungry.
ANNOUNCER GUY:
(who sounds like Prince Charles, only snootier)
Greetings to all our highly intelligent viewers at home! Today we are going to meet an average sixteen-year-old American lad. You there, laddie!
ED:
(looking around to see where the strange voice is coming from as he does his best Robert De Niro imitation)
Are you talking to me? Are YOU talking to ME?
ANNOUNCER GUY:
Indeed, I am! Your name, please?
ED:
Ed McIff.
ANNOUNCER GUY:
Tell us something about yourself, Ed.
ED:
Well, there's not a lot to tellâ
ANNOUNCER GUY:
Come now! You don't want to disappoint our broad-minded and politically correct viewers who support this and other programs on their local public television stations, do you?
ED:
I don't know. I never thought about it before.
ANNOUNCER GUY:
Why don't you share some of your likes and dislikes with us? For instance, what foreign country have you most enjoyed visiting?
ED:
Does Disneyland count?
ANNOUNCER GUY:
(sounding annoyed although still polite)
Let's try this again, shall we? What's your favorite Shakespearean play?
ED:
To tell you the truth, I think Shakespeare is kind of lame. All those goofy plays about people passing themselves off as other people. Pretty stupid, don't you think?
ANNOUNCER GUY:
(sounding huffy and no longer polite)
Well! This is certainly going nowhere in a very big hurry. All right then, Mr. McIff. I've got a request that surely even YOU can handle. Describe your typical summer day for us.
ED:
Okay. I wake up about eleven or twelve, because I stayed up late working at Reel Life the night before with Scout and Ali and sometimes T. Monroe Menlove. Then I go into the kitchen and pour myself a big bowl of cold cereal.
Lucky Charms.
After I eat, I sit on the couch in my boxers and flip through television talk shows for a while so I can watch big, trashy girls fight with each other while their tattoo-covered boyfriends look on.
After that I shower, get dressed, and go to my neighbor Quark's house for the afternoon, where I play video games while he tells me about the exciting moon phenomena he observed through his trusty telescope the night before. Quark knows more about the moon than even real live astronauts do.
Anyway, after that I come back home and bug my sister, Maggie, and after that I change into my work clothes and go to Reel Life, where I work until two a.m.
ANNOUNCER GUY:
And that's it? That's all you do, day after day after day?
ED:
Well, sometimes I have Cap'n Crunch with crunchberries for breakfast. I love crunchberries. And of course I change my boxers every morning because that's just the kind of guy I am!
(Ed says this part with obvious pride.)
ANNOUNCER GUY:
You seriously mean to tell us you have nothing else in your life? No girlfriends?
ED:
Whoa! Wait a minute! No need to get personal, pal. It's tough to get out and meet girls when you're a short guy who works nights in a frilly girly-man shirt.
ANNOUNCER GUY:
Mr. McIff, did anybody ever tell you you're a loser?
Cut!
Okay. You're absolutely right. A script like this will never fly on PBS. A script about Sergio, on the other hand, just might be the ticket.
Scout and I like to wonder about the mysterious former employee Sergio, whose badge I wear and whom no oneânot even T. Monroe Menlove, who's been at Reel Life foreverâseems to remember. Who was he? Why did he leave Reel Life? Where is he now? Making up things about Sergio is one of our favorite pastimes.
“I think his extremely wealthy family in Brazil must have called and said it was time for him to come home,” Scout always starts off.
“To oversee their vast plantation,” I say.
“Because they miss him and need him, and they're tired of him traveling all over the globe,” she says.
“Surfing off the coast of Australia,” I say.
“Hunting tigers in India,” she says.
“Racing Formula One cars and frolicking with topless princesses in Monaco,” I say.
“Riding camels in Egypt,” she says.
“Hiking in the Himalayas,” I say.
“Working at Reel Life in Salt Lake City just because
he feels like slumming for a while,” she says.
“And how does Sergio react to the news that he must return to the family plantation in Brazil?” I ask.
“He stays calm. Sergio is always cool, even in the face of disappointment. Or danger,” says Scout.
“In fact, Sergio laughs in the face of danger,” I point out. “Ha! Ha! Ha!”
“He laughs, it's true. But he does not sweat. Sergio never sweats,” she says.
“And even if he did, it would be a completely good kind of sweat,” I say.
“A very manly sweat,” says Scout.
Then Scout and I look at each other and laugh, which causes T. Monroe (our resident born-again Christian) to remind us that the Lord disapproves of light-mindedness.
Sergio. Sergio. Wherefore art thou Sergio?
I switch my hands on the steering wheel of my mother's Geo (the real Sergio wouldn't be caught dead driving this car, BTW) and smile to myself.
Man, how good would it feel to be Sergio?
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“Late!” Ali booms at me as I sail through the door of Reel Life. He's standing with his arms folded across his chest like the world's hugest genie. “Third time this month, baby.”
He's probably glaring at me, but it's hard to tell because Ali always wears black wraparound sunglasses. Even inside. Even at night.
I make a quick apology, experiencing my usual feelings for Ali of respect and total mind-numbing fear. At six feet ten inches and three hundred pounds of granite-solid muscle, Ali is a Tower of Terror. Rumor has it that he goes to Vegas and picks up a little extra cash now and then as an ultimate fighter.
He's never been beaten, people say. The man's a legend. A freakin' myth.
I join Scout at the checkout station, and she lands a friendly punch on my arm.
“Slacker! I think you're just trying to get yourself fired so you won't have to invite someone to Ali's Midsummer Eve's party.”
I groan.
“Hey, relax. You're not required to bring a date.” Scout starts stacking a truckload of DVDs someone has just returned. “Ali says you can bring anybody you want toâa friend, a family member, a complete stranger if necessary. T. Monroe is taking his mother.”
“Excuse me,” I say, “but who wants to be like T. Monroe? Anyway, I already invited Quark to go with me.” I sigh. You would too, if you were me and Quark was your date.
Here's the deal. Ali and his girlfriend, the Warrior Princess, throw a huge, very famous party every June 21. They invite everybody they know with the request that all guests bring someone. It's supposed to be the best party ever. Even T. Monroe, who's absolutely no fun at
all, goes slack-jawed with joy whenever he remembers last year's party.
So I've been invited to Ali's costume ball because I'm a new employee here at Reel Life. Only I don't really want to go. Here are my reasons.
First, Ali makes me nervous. I always feel like he's
testing
me somehow, and while I don't think I've exactly failed this mysterious test yet, I'm pretty sure I haven't passed it, either.
Second, I don't know what to do for a costume.
Third, I can see myself showing up with Quark and finding out that everybody else there really does have a date. Ha! Gotcha again, McIff, they'll all say.
“Who did you invite, Scout?” I want to know.
“No one yet.” She shrugs, not worried.
“Too bad we can't take each other to the party,” I joke.
Now here comes the weird part. Scout blushes.
“Sorry if I scared you,” I add in a hurry.
Scout waves this away but doesn't say anything, which makes me feel even worse. You know things are bad when one of your best friends doesn't want to be seen in public at a party with you.
I glance over at Ali, who is busy in the other checkout stand entertaining some customersâan older woman with two little girls in pink and orange dresses with paper flowers in their blue-black hair. Ali is full of secret smiles
and shifty moves as he performs one of his many magic tricks. This time he asks for the woman's driver's license. She hands it over to him and he makes it disappear into thin air.
