The Night Circus (3 page)

“She should have named you Miranda,” the man called Prospero the Enchanter says to the girl with a chuckle. “I suppose she was not clever enough to think of it.”

The girl looks up at him again. Dark eyes narrow beneath her curls.

The teacup on the desk begins to shake. Ripples disrupt the calm surface as cracks tremble across the glaze, and then it collapses in shards of flowered porcelain. Cold tea pools in the saucer and drips onto the floor, leaving sticky trails along the polished wood.

The magician’s smile vanishes. He glances back at the desk with a frown, and the spilled tea begins seeping back up from the floor. The cracked and broken pieces stand and re-form themselves around the liquid until the cup sits complete once more, soft swirls of steam rising into the air.

The girl stares at the teacup, her eyes wide.

Hector Bowen takes his daughter’s face in his gloved hand, scrutinizing her expression for a moment before releasing her, his fingers leaving long red marks across her cheeks.

“You might be interesting,” he says.

The girl does not reply.

He makes several attempts to rename her in the following weeks, but she refuses to respond to anything but Celia.

*

SEVERAL MONTHS LATER
, once he decides she is ready, the magician writes a letter of his own. He includes no address, but it reaches its destination across the ocean nonetheless.

A Gentlemen’s Wager
LONDON, OCTOBER 1873

T
onight is the final performance of a very limited engagement. Prospero the Enchanter has not graced the London stage in some time, and the booking is for a single week of performances, with no matinees.

Tickets, though exorbitantly priced, sold out quite quickly, and the theater is so packed, many of the women keep their fans at hand to flutter against their décolletage, warding off the heavy heat that permeates the air despite the autumnal chill outside.

At one point in the evening, each of those fans suddenly becomes a small bird, until flocks of them loop the theater to uproarious applause. When each bird returns, falling into neatly folded fans on their respective owners’ laps, the applause only grows, though some are too stunned to clap, turning fans of feathers and lace over in their hands in wonder, no longer at all concerned about the heat.

The man in the grey suit sitting in the stage-left box does not applaud. Not for this, nor for a single trick throughout the evening. He watches the man upon the stage with a steady, scrutinizing gaze that never wavers through the entire duration of the performance. Not once does he raise his gloved hands to clap. He does not even lift an eyebrow at feats that elicit applause or gasps, or the occasional shriek of surprise, from the rest of the rapt audience.

After the performance has concluded, the man in the grey suit navigates the crush of patrons in the theater lobby with ease. He slips through a curtained door leading to the backstage dressing rooms unnoticed. Stagehands and dressers never so much as glance at him.

He raps on the door at the end of the hall with the silver tip of his cane.

The door swings open of its own accord, revealing a cluttered dressing room lined with mirrors, each reflecting a different view of Prospero.

His tailcoat has been tossed lazily over a velvet armchair, and his waistcoat hangs unbuttoned over his lace-edged shirt. The top hat which featured prominently in his performance sits on a hatstand nearby.

The man appeared younger on the stage, his age buried under the glare of the footlights and layers of makeup. The face in the mirrors is lined, the hair significantly greying. But there is something youthful in the grin that appears as he catches sight of the man standing in the doorway.

“You hated it, didn’t you?” he asks without turning away from the mirror, addressing the ghostly grey reflection. He wipes a thick residue of powder from his face with a handkerchief that might once have been white.

“It is a pleasure to see you too, Hector,” the man in the grey suit says, closing the door quietly behind him.

“You despised every minute, I can tell,” Hector Bowen says with a laugh. “I was watching you, don’t try to deny it.”

He turns and extends a hand the man in the grey suit does not accept. In response, Hector shrugs and waves his fingers dramatically in the direction of the opposite wall. The velvet armchair slides forward from a corner packed with trunks and scarves while the tailcoat floats up from it like a shadow, obediently hanging itself in a wardrobe.

“Sit, please,” Hector says. “It’s not as comfortable as the ones upstairs, I’m afraid.”

“I cannot say I approve of such exhibitions,” the man in the grey suit says, taking off his gloves and dusting the chair with them before he sits. “Passing off manipulations as tricks and illusion. Charging admission.”

Hector tosses the powder-covered handkerchief onto a table littered with brushes and tins of greasepaint.

“Not a single person in that audience believes for a second that what I do up there is real,” he says, gesturing in the general direction of the stage. “That’s the beauty of it. Have you seen the contraptions these
magicians
build to accomplish the most mundane feats? They are a bunch of fish covered in feathers trying to convince the public they can fly, and I am simply a bird in their midst. The audience cannot tell the difference beyond knowing that I am better at it.”

“That does not make it any less frivolous an endeavor.”

“These people line up to be mystified,” Hector says. “I can mystify them easier than most. Seems a waste to let the opportunity pass by. Pays better than you might think, as well. Can I get you a drink? There are bottles hidden around here somewhere, though I’m not entirely sure there are glasses.” He attempts to sort through the contents of a table, pushing aside piles of newspapers and a birdless birdcage.

“No, thank you,” the man in the grey suit says, shifting in his chair and resting his hands on the handle of his cane. “I found your performance curious, and the reaction of your audience somewhat perplexing. You were lacking in precision.”

“Can’t be too good if I want them to believe I’m as fake as the rest of them,” Hector says with a laugh. “I thank you for coming and suffering through my show. I’m surprised you even turned up, I was beginning to give up hope. I’ve had that box reserved for you the entire week.”

“I do not often decline invitations. Your letter said you had a proposition for me.”

“I do, indeed!” Hector says, striking his hands together in a single sharp clap. “I was hoping you might be up for a game. It has been far too long since we’ve played. Though first, you must meet my new project.”

“I was under the impression that you had given up on teaching.”

“I had, but this was a singular opportunity I could not resist.” Hector walks over to a door mostly hidden by a long, standing mirror. “Celia, dearest,” he calls into the adjoining room before returning to his chair.

A moment later a small girl appears in the doorway, dressed too nicely for the chaotic shabbiness of the surroundings. All ribbons and lace, perfect as a shop-fresh doll save for a few unruly curls escaping her braids. She hesitates, hovering on the threshold, when she sees that her father is not alone.

“It’s all right, dearest. Come in, come in,” Hector says, beckoning her forward with a wave of his hand. “This is an associate of mine, no need to be shy.”

She takes a few steps closer and executes a perfect curtsey, the lace-trimmed hem of her dress sweeping over the worn floorboards.

“This is my daughter, Celia,” Hector says to the man in the grey suit, placing his hand on the girl’s head. “Celia, this is Alexander.”

“Pleased to meet you,” she says. Her voice is barely more than a whisper, and pitched lower than might be expected from a girl her size.

The man in the grey suit gives her a polite nod.

“I would like you to show this gentleman what you can do,” Hector says. He pulls a silver pocket watch on a long chain from his waistcoat and puts it on the table. “Go ahead.”

The girl’s eyes widen.

“You said I was not to do that in front of anyone,” she says. “You made me promise.”

“This gentleman is not just anyone,” Hector replies with a laugh.

“You said no exceptions,” Celia protests.

Her father’s smile fades. He takes her by the shoulders and looks her sternly in the eye.

“This is a very special case,” he says. “Please show this man what you can do, just like in your lessons.” He pushes her toward the table with the watch.

The girl nods gravely and shifts her attention to the watch, her hands clasped behind her back.

After a moment, the watch begins to rotate slowly, turning in circles on the surface of the table, trailing its chain behind in a spiral.

Then the watch lifts from the table, floating into the air and hovering as though it were suspended in water.

Hector looks to the man in the grey suit for a reaction.

“Impressive,” the man says. “But quite basic.”

Celia’s brow furrows over her dark eyes and the watch shatters, gears spilling out into the air.

“Celia,” her father says.

She blushes at the sharpness of his tone and mumbles an apology. The gears float back to the watch, settling into place until the watch is complete again, hands ticking the seconds forward as though nothing had happened.

“Now that is a bit more impressive,” the man in the grey suit admits. “But she has a temper.”

“She’s young,” Hector says, patting the top of Celia’s head and ignoring her frown. “This is with not even a year of study, by the time she’s grown she will be incomparable.”

“I could take any child off the street and teach them as much. Incomparable is a matter of your personal opinion, and easily disproved.”

“Ha!” Hector exclaims. “Then you are willing to play.”

The man in the grey suit hesitates only a moment before he nods.

“Something a bit more complex than last time, and yes, I may be interested,” he says. “Possibly.”

“Of course it will be more complex!” Hector says. “I have a natural talent to play with. I’m not wagering
that
for anything simple.”

“Natural talent is a questionable phenomenon. Inclination perhaps, but innate ability is extremely rare.”

“She’s my own child, of course she has innate ability.”

“You admit she has had lessons,” the man in the grey suit says. “How can you be certain?”

“Celia, when did you start your lessons?” Hector asks, without looking at her.

“March,” she answers.

“What year, dearest?” Hector adds.

“This year,” she says, as though this is a particularly stupid question.

“Eight months of lessons,” Hector clarifies. “At barely six years of age. If I recall correctly, you sometimes start your own students a bit younger than that. Celia is clearly more advanced than she would be if she did not have natural ability. She could levitate that watch on her first try.”

The man in the grey suit turns his attention to Celia.

“You broke that by accident, did you not?” he asks, nodding at the watch sitting on the table.

Celia frowns and gives him the tiniest of nods.

“She has remarkable control for one so young,” he remarks to Hector. “But such a temper is always an unfortunate variable. It can lead to impulsive behavior.”

“She’ll either grow out of it or learn to control it. It’s a minor issue.”

The man in the grey suit keeps his eyes on the girl, but addresses Hector when he speaks. To Celia’s ears, the sounds no longer resolve into words, and she frowns as her father’s responses take on the same muddled quality.

“You would wager your own child?”

“She won’t lose,” Hector says. “I suggest you find a student you can tolerate parting with, if you do not already have one to spare.”

“I assume her mother has no opinion on the matter?”

“You assume correctly.”

The man in the grey suit considers the girl for some time before he speaks again, and still, she does not comprehend the words.

“I understand your confidence in her ability, though I encourage you to at least consider the possibility that she could be lost, should the competition not play out in her favor. I will find a player to truly challenge her. Otherwise there is no reason for me to agree to participate. Her victory cannot be guaranteed.”

“That is a risk I am willing to take,” Hector says without even glancing at his daughter. “If you would like to make it official here and now, go right ahead.”

The man in the grey suit looks back at Celia, and when he speaks she understands the words once more.

“Very well,” he says with a nod.

“He made me not hear right,” Celia whispers when her father turns to her.

“I know, dearest, and it wasn’t very polite,” Hector says as he guides her closer to the chair, where the man scrutinizes her with eyes that are almost as light and grey as his suit.

“Have you always been able to do such things?” he asks her, looking back at the watch again.

Celia nods.

“My  …  my momma said I was the devil’s child,” she says quietly.

The man in the grey suit leans forward and whispers something in her ear, too low for her father to overhear. A small smile brightens her face.

“Hold out your right hand,” he says, leaning back in his chair. Celia immediately puts out her hand, palm up, unsure of what to expect. But the man in the grey suit does not place anything in her open palm. Instead, he turns her hand over and removes a silver ring from his pinkie. He slides it onto her ring finger, though it is too loose for her slim fingers, keeping his other hand around her wrist.

She is opening her mouth to state the obvious fact that the ring, though very pretty, does not fit, when she realizes that it is shrinking on her hand.

Her momentary glee at the adjustment is crushed by the pain that follows as the ring continues to close around her finger, the metal burning into her skin. She tries to pull away but the man in the grey suit keeps his hand firmly around her wrist.