The Namesake (27 page)

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Authors: Conor Fitzgerald

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BOOK: The Namesake
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‘Not only that,’ continued the manager, his voice trembling now, ‘he took two of our white towels and a bathrobe with him, when it is expressly written in large red letters on the door that they are not to be removed from the rooms.’

‘He’s still down there?’ asked Blume. ‘On the ledge?’

‘Yes, he is. Unless he’s taken off his bathrobe and dived into the water again. There’s a sign that says no swimming, dangerous currents, but if he can ignore our polite request about the towels, I suppose he’s not going to pay any attention to public notices. He’ll probably dash himself to pieces against the rocks. I’m calling the police.’

Blume pulled out his police badge, placed it on the counter between them, and tapped it with his forefinger, where ‘Commissario’ was written. ‘Before you do that,’ he said, ‘consider that this strange German and I have separate rooms.’

The manager looked at the badge, then picked it up and examined it closely. He looked back at Blume and, for the first time, noticed the fat document on the counter.

‘What is that?’

Blume made a show of checking that they were alone in the lobby, then opened the file, pointing at the German text. ‘These are files belonging to the German. He doesn’t know I have them.’

‘So you two are not . . .?’

‘I’m investigating him.’

‘Really? Sex crimes?’

Blume shook his head with great sadness and ambiguity.

‘It’s part of an operation. See the number on the back of the first page here? It’s an 06 number to a fax in Rome. It would be good if we could get this to them before the German finds out. The pages will have to be detached leaf by leaf before it can be faxed.’

‘That means he’ll find out,’ said the manager.

‘Can’t be helped,’ said Blume. ‘But once it’s been transmitted to Rome, there’s not much he can do about it. Of course, he mustn’t be allowed to see that you have this.’

‘No, I suppose that makes sense,’ said the manager.

‘Now, as I was about to explain to your beautiful daughter,’ Blume pulled out two fifties from his wallet and put them down on the counter, ‘I realize it will take time and effort, and then there’s the question of the phone bill.’

‘Oh, that,’ said the manager, waving a dismissive hand. ‘We pay a flat rate every two months. We could fax all night without paying a cent more.’

Blume slid the two fifties across the counter. ‘But it’s such a terrible waste of your time. And I am asking for discretion, too.’ He pulled out another two fifties. ‘That one’s for the towels and bathrobe, and to buy some drinks, dinner and ice cream for the lady and the children the German has offended.’

The manager eyed the money and said, ‘Luckily the fax is in the back room, so no one will see. My daughter could do it, if that’s OK, or is it too confidential?’

‘Absolutely fine. I was counting on it, because that way you can give her the two fifties as extra pocket money. The others, of course, are for your guests. I’m paying damages here, and you’re being very helpful.’

The manager hesitated, then, with a look of agony crossing his face, pushed the notes back towards Blume.

‘I am willing to help, but I cannot accept payment for my duties as an honest citizen.’

‘If I have to pick that money off the counter, I’ll charge you with bribery of a public official,’ said Blume.

The manager paled, and his hand froze over the bills, unsure whether to push them away, claw them back, or just let go.

‘I’m kidding,’ said Blume with a laugh.

The manager laughed, too.

‘But I insist,’ added Blume, pushing the notes at him and turning on his heel.

He guessed there was nothing of any use in the series of files being faxed to Rome. They could check if they wanted. The important thing was to seem to be doing something. He returned to his room to wait for Konrad. He opened the window and lay down on his bed, kicking off his shoes and then using his big toes to peel off one sock, then the other, and thought again about the torn Madonna.

His phone vibrated, but did not ring. He must have activated silent mode setting by mistake when he tried to answer it the first time. That would explain all the missed calls.

‘What are you sending us, Blume?’ asked Massimiliani, when he finally relented and answered.

‘Proof that Konrad Hoffmann is interested in the Ndrangheta,’ said Blume.

‘Well, that was pretty well established once his colleagues spotted him leaving the home of an Ndrangheta boss, don’t you think?’

‘Fine, then,’ said Blume. ‘Proof he’s no expert on the Society, despite having met the boss of an important
locale
in Germany. He’s learning the rudiments of Ndrangheta history and ceremonies. I don’t consider myself a real expert, but I do know that it is a cardinal sin for any member to carry about information on the mysteries and secrets of the Society, so take this as proof he has not been inducted into it. Or maybe he’s doing a double bluff, but I just don’t see it. Konrad is not operating on behalf of the Ndrangheta. I am sure of it.’

‘How did you manage to get these files from him?’

‘I took them. He doesn’t know yet, but he will.’

‘I suppose that’s good work, then. Anything else?’

Blume thought about the torn image of the Madonna, and couldn’t bring himself to tell Massimiliani about it until he himself had a clearer idea. He’d talk to Konrad and see what he could find out. He realized he wanted to give Konrad a chance to explain before reporting to Massimiliani.

‘No, nothing else at this point,’ he said.

‘Keep up the good work,’ said Massimiliani. ‘I think we may be about to learn something this end about Hoffmann and his motivations. I’ll let you know as soon as I hear.’

Blume dropped the phone by his side, put his hands behind his head and closed his eyes, trying to work out Massimiliani’s tone. The waves broke against sharp rocks at a regular rhythm forty metres below. Far away, seagulls were kicking up a terrible fuss.

A cooling air swirled around his feet, and he flexed his toes, pulled his trousers up to free his ankles, pulled his polo up, and lay there with his stomach bare. Lovely. It would be nice to have Caterina here now, but it was nice, too, maybe nicer, to be all alone on a large smooth white bed. He could stretch out in an X-shape and catch more of the air coming in, along with the distant noise of people shouting, motorbikes, or maybe outboard motors. The seagulls had stopped their clamour, a plane was passing high overhead, and some insects were clicking and chattering near the window. He flipped the pillow over to the cool side, pressed it against the back of his neck.

 

Damned phone. It was still under his hand, he picked it up – no, it was the one beside the bed. He rolled over, realizing the air had darkened considerably and grown cooler and wetter. ‘Pronto?’

‘Room 17.’

‘Huh?’

‘I’ll meet you there,’ said the manager, his voiced hushed with boyish excitement. ‘You’ll see. I’ve sent my daughter down to you. She’ll be there any moment.’

Someone knocked gently on the door, and Blume jumped out of bed and opened the door.

‘My father said to give you this.’ She handed him a neat stack of A4 paper. ‘And to go down to Room 17 immediately. Down those steps.’

The manager was waiting in the corridor below. ‘The German is not back yet but it’s getting dark. He’ll be here any moment,’ he said. He stopped outside Room 17 and opened the door. Beaming from ear to ear at his own cleverness, he then placed the spiral-bound notes in Blume’s hands. ‘I managed to get them all back into the spine. My fax machine is also a photocopier, so I thought I could copy them for you as I sent them, see? Then you can put this back in his room and the German will be none the wiser.’

Not bad, thought Blume, though he did not like the idea of the hotel manager being in too much on this, and definitely did not want him to watch as he opened Konrad’s suitcase and slipped the document back in. He nodded, took the file and closed the door in the eager manager’s face.

The manager knocked immediately.

‘No,’ said Blume. ‘You can’t come in here.’

The manager’s voice, hoarse with panic and excitement, came from behind the door. ‘The German’s walking up the steps. I just caught a glimpse of him. He’ll come in the door at the end of the corridor. It’ll take him only seconds . . . He’s going to catch us . . . Wait.’

Blume heard the manager move away from the door and his footfalls pounding down the corridor. He took his time even so, placing the document carefully in the position he remembered finding it. If Konrad walked in, well, it would be embarrassing, that was all. He closed the suitcase, walked quickly to the door, surveyed the room once more.

He slipped out of the room as the manager came running up the hall, breathless.

‘I pulled hard at the door so he couldn’t open it from the outside. Really hard like it was locked, not like someone was pulling it. He’ll have gone up the cliff path to get in, and then he’ll come down the stairs . . . that’s him. Quick, we can get out here.’

He ran down the corridor again. Blume followed reluctantly, and they exited the door the manager had been blocking. They ascended the steps back up to the parking area, past the camper van, and back into the hotel. The daughter and her father exchanging theatrical glances, Blume went back down to his room, dissatisfied.

Konrad had been willing to leave the documents unattended for hours. It wasn’t unreasonable to conclude that he didn’t care too much if they were discovered, which meant they had no real importance. Or, at the risk of being too Freudian, it meant Konrad unconsciously wanted them discovered. Maybe he wanted someone to stop him. But from doing what?

31

Positano

 

 

A few minutes later, Konrad, his raw neck and head sticking out of the white cotton bathrobe, knocked on the door to announce, much to Blume’s surprise, that he had made reservations for dinner. He said he would take a quick shower and meet him in the lobby in fifteen minutes.

‘Where are we going?’

‘A place called I Partenopei,’ said Konrad, making a good job of the pronunciation. ‘Recommended by the hotel manager who looks at me funny.’ Konrad lowered his voice, ‘
Schwul
, definitely. Despite the daughter.’

Blume went up to the lobby to wait where the manager, full of solicitation and goodwill, immediately informed him he had ordered them a cab, even though it was only ten minutes on foot.

‘Far too dangerous that road in the dark,’ the manager said.

The taxi turned out to have a fixed rate. Fifteen euros there and back. ‘Call here when you want him to come down and pick you up.’

‘That’s not a taxi,’ said Blume.

‘Not exactly,’ agreed the manager. ‘It’s a sort of courtesy car for some of the hotels on this side of the headland.’

‘A courtesy car is free.’

‘I’ll pay, of course,’ said the manager quickly. ‘It’s not as if you haven’t already been generous.’

‘I’ll get the German to pay. He can pay for dinner, too.’

Konrad arrived wearing a wide-collar paisley-design shirt, a crumpled linen jacket and drainpipe black jeans. Adidas running shoes and a powerful stench of Denim aftershave or something else that belonged to the 1970s completed his get-up. His hair, still wet, was sleeked back into a ducktail.

The restaurant was perched on a rocky outcrop overlooking the harbour. Looking down, Blume could see their table reflected in the dark water and the waiter coming towards them like a black shadow moving just beneath the surface. Running the length of the wall was a fish tank with crabs and lobsters, the pincers disabled by plastic cuffs, and red reef mullets, ready to be netted and fried without needing to be gutted.

They ate well, but mostly in silence. Konrad, who said swimming had made him hungry, announced that from the point of view of toxins, he had more confidence in the produce of the sea than the land. He had swordfish steaks. Blume, being adventurous, went for aubergine with chocolate and peppered mussels, and they both chose
acqua pazza
as their first course.

The restaurant was full for a Monday night. Blume glanced at the swarthy bulky men sucking at their fingers and reaching across each other as they stretched to help themselves from central platters of fish. At another table a woman bedecked in gold jewels and wearing a white tracksuit was explaining to the waiter that the roly-poly kid in the blue football strip of Napoli sulking beside her had coeliac disease and would die if any pasta passed his mouth, but he could, and did, eat meat and fried potatoes, though he might possibly be allergic to fish. Five youths at another table, all in tracksuits, drank limoncello and kept a careful eye on Konrad and Blume.

‘I’m glad to see you do eat,’ said Blume. ‘You even seem to be enjoying yourself.’

‘There is something liberating about this place.’

‘This restaurant, the Amalfi coast, or southern Italy?’

‘All together. I am not a romantic anarchist. I am, after all, a policeman. But there is great freedom in the absence of rules. And I feel like we have travelled a great distance, even though it was only a few hours from Rome this morning. That seems so long ago.’

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