The Modern Library In Search of Lost Time, Complete and Unabridged : 6-Book Bundle (119 page)

“That is just what I was thinking, after all.” M. de Charlus continued to walk up and down the room. Several minutes passed in this way, then after a few moments’ hesitation and several false starts, he swung sharply round and, in his earlier biting tone of voice, flung at me: “Good night, Monsieur!” and left the room.

After all the lofty sentiments which I had heard him express that evening, next day, which was the day of his departure, on the beach in the morning, as I was on my way down to bathe, when M. de Charlus came across to tell me that my grandmother was waiting for me to join her as soon as I left the water, I was greatly surprised to hear him say, pinching my neck as he spoke with a familiarity and a laugh that were frankly vulgar: “But he doesn’t care a fig for his old grandmother, does he, eh? Little rascal!”

“What, Monsieur! I adore her!”

“Monsieur,” he said stepping back a pace, and with a glacial air, “you are still young; you should profit by your youth to learn two things: first, to refrain from expressing sentiments that are too natural not to be taken for granted; and secondly not to rush into speech in reply to things that are said to you before you have penetrated their meaning. If you had taken this precaution a moment ago you would have saved yourself the appearance of speaking at cross-purposes like a deaf man, thereby adding a second absurdity to that of having anchors embroidered on your bathing-dress. I have lent you a book by Bergotte which I require. See that it is brought to me within the next hour by that head waiter with the absurd and inappropriate name, who, I suppose, is not in bed at this time of day. You make me realise that I was premature in speaking to you last night of the charms of youth. I should have done you a greater service had I pointed out to you its thoughtlessness, its inconsequence, and its want of comprehension. I hope, Monsieur, that this little douche will be no less salutary to you than your bathe. But don’t let me keep you standing: you may catch cold. Good day, Monsieur.”

No doubt he felt remorse for this speech, for some time later I received—in a morocco binding on the front of which was inlaid a panel of tooled leather representing in demi-relief a spray of forget-me-nots—the book which he had lent me, and which I had sent back to him, not by Aimé who was apparently off duty, but by the lift-boy.

M. de Charlus having gone, Robert and I were free at last to dine with Bloch. And I realised during this little party that the stories too readily admitted by our friend as funny were favourite stories of M. Bloch senior, and that the son’s “really remarkable person” was always one of his father’s friends whom he had so classified. There are a certain number of people whom we admire in our childhood, a father who is wittier than the rest of the family, a teacher who acquires credit in our eyes from the philosophy he reveals to us, a schoolfellow more advanced than we are (which was what Bloch had been to me) who despises the Musset of the
Espoir en Dieu
when we still admire it, and when we have reached Leconte or Claudel will be raving only about

to which he will add:

and of all the
Nuits
will remember only:

So, whenever we confidently admire anyone, we collect from him and quote with admiration sayings vastly inferior to the sort which, left to our own judgment, we would sternly reject, just as the writer of a novel puts into it, on the pretext that they are true, “witticisms” and characters which in the living context are like a dead weight, mere padding. Saint-Simon’s portraits, composed by himself evidently without any self-admiration, are admirable, whereas the strokes of wit of the clever people he knew which he cites as being delightful are frankly mediocre when they have not become meaningless. He would have scorned to invent what he reports as so acute or so colourful when said by Mme Cornuel or Louis XIV, a point which is to be remarked also in many other writers, and is capable of various interpretations, of which it is enough to note but one for the present: namely, that in the state of mind in which we “observe” we are a long way below the level to which we rise when we create.

There was, then, embedded in my friend Bloch, a father Bloch who lagged forty years behind his son and told preposterous stories at which he laughed as loudly, inside my friend’s being, as did the real, visible, authentic Bloch senior, since to the laugh which the latter emitted, not without several times repeating the last word so that his audience might taste the full flavour of the story, was added the braying laugh with which the son never failed, at table, to greet his father’s anecdotes. Thus it came about that after saying the most intelligent things Bloch junior, manifesting the portion that he had inherited from his family, would tell us for the thirtieth time some of the gems which Bloch senior brought out only (together with his swallow-tail coat) on the solemn occasions on which Bloch junior brought someone to the house on whom it was worth while making an impression: one of his masters, a “chum” who had taken all the prizes, or, this evening, Saint-Loup and myself. For instance: “A military critic of great insight, who had brilliantly worked out, supporting them with infallible proofs, the reasons for which, in the Russo-Japanese war, the Japanese must inevitably be beaten and the Russians victorious,” or else: “He is an eminent gentleman who passes for a great financier in political circles and for a great politician in financial circles.” These stories were interchangeable with one about the Baron de Rothschild and one about Sir Rufus Israels, who were brought into the conversation in an equivocal manner which might let it be supposed that M. Bloch knew them personally.

I myself was taken in, and from the way in which M. Bloch spoke of Bergotte I assumed that he too was an old friend. In fact, all the famous people M. Bloch claimed to know he knew only “without actually knowing them,” from having seen them at a distance in the theatre or in the street. He imagined, moreover, that his own appearance, his name, his personality were not unknown to them, and that when they caught sight of him they had often to repress a furtive inclination to greet him. People in society, because they know men of talent in the flesh, because they have them to dinner in their houses, do not on that account understand them any better. But when one has lived to some extent in society, the silliness of its inhabitants makes one too desirous to live, makes one suppose too high a standard of intelligence, in the obscure circles in which people know only “without actually knowing.” I was to discover this when I introduced the topic of Bergotte.

M. Bloch was not alone in being a social success at home. My friend was even more so with his sisters, whom he continually twitted in hectoring tones, burying his face in his plate, and making them laugh until they cried. They had adopted their brother’s language, and spoke it fluently, as if it had been obligatory and the only form of speech that intelligent people could use. When we arrived, the eldest sister said to one of the younger ones: “Go, tell our sage father and our venerable mother!” “Whelps,” said Bloch, “I present to you the cavalier Saint-Loup, hurler of javelins, who is come for a few days from Doncières to the dwellings of polished stone, fruitful in horses.” And, since he was as vulgar as he was literate, his speech ended as a rule in some pleasantry of a less Homeric kind: “Come, draw closer your pepla with the fair clasps. What’s all this fandangle? Does your mother know you’re out?” And the misses Bloch collapsed in a tempest of laughter. I told their brother how much pleasure he had given me by recommending me to read Bergotte, whose books I had loved.

M. Bloch senior, who knew Bergotte only by sight, and Bergotte’s life only from what was common gossip, had a manner quite as indirect of making the acquaintance of his books, by the help of judgments that were by way of being literary. He lived in the world of approximations, where people salute in a void and criticise in error, a world where assurance, far from being tempered by ignorance and inaccuracy, is increased thereby. It is the propitious miracle of self-esteem that, since few of us can have brilliant connexions or profound attainments, those to whom they are denied still believe themselves to be the best endowed of men, because the optics of our social perspective make every grade of society seem the best to him who occupies it and who regards as less favoured than himself, ill-endowed, to be pitied, the greater men whom he names and calumniates without knowing them, judges and despises without understanding them. Even in cases where the multiplication of his modest personal advantages by self-esteem would not suffice to assure a man the share of happiness, superior to that accorded to others, which is essential to him, envy is always there to make up the balance. It is true that if envy finds expression in scornful phrases, we must translate “I have no wish to know him” by “I have no means of knowing him.” That is the intellectual meaning. But the emotional meaning is indeed, “I have no wish to know him.” The speaker knows that it is not true, but he does not, all the same, say it simply to deceive; he says it because it is what he feels, and that is sufficient to bridge the gulf, that is to say to make him happy.

Self-centredness thus enabling every human being to see the universe spread out in descending tiers beneath himself who is its lord, M. Bloch afforded himself the luxury of being a pitiless one when in the morning, as he drank his chocolate, seeing Bergotte’s signature at the foot of an article in the newspaper which he had scarcely opened, he disdainfully granted him a hearing which was soon cut short, pronounced sentence upon him, and gave himself the comforting pleasure of repeating after every mouthful of the scalding brew: “That fellow Bergotte has become unreadable. My word, what a bore the brute can be. I really must stop my subscription. It’s such a rigmarole—stodgy stuff!” And he helped himself to another slice of bread.

This illusory importance of M. Bloch senior did, however, extend some little way beyond the radius of his own perceptions. In the first place his children regarded him as a superior person. Children have always a tendency either to depreciate or to exalt their parents, and to a good son his father is always the best of fathers, quite apart from any objective reasons there may be for admiring him. Now, such reasons were not altogether lacking in the case of M. Bloch, who was an educated man, shrewd, affectionate towards his family. In his most intimate circle they were all the more proud of him because if, in “society,” people are judged, in accordance with a standard scale which is incidentally absurd and a series of false but fixed rules, by comparison with the aggregate of all the other fashionable people, in the subdivisions of middle-class life on the other hand, dinner parties and family reunions turn upon certain people who are pronounced agreeable and amusing but who in “society” would not survive a second evening. Moreover in this social environment where the artificial values of the aristocracy do not exist, their place is taken by even more stupid distinctions. Thus it was that in his family circle, and even to a fairly remote degree of consanguinity, an alleged similarity in his way of wearing his moustache and in the bridge of his nose led to M. Bloch’s being called “the Duc d’Aumale’s double.” (In the world of club bell-hops, is not the one who wears his cap on one side and his tunic tightly buttoned so as to give himself the appearance, he imagines, of a foreign officer, also a personage of a sort to his colleagues?)

The resemblance was of the faintest, but it seemed almost to confer a title. Whenever he was mentioned, it was always: “Bloch? Which one? The Duc d’Aumale?” as people say “Princesse Murat? Which one? The Queen (of Naples)?” And together with certain other minor indications it combined to give him, in the eyes of the cousinhood, an acknowledged claim to distinction. Not going to the lengths of having a carriage of his own, M. Bloch used on special occasions to hire an open victoria with a pair of horses from the Company, and would drive through the Bois de Boulogne, reclining indolently, two fingers on his temple, two others under his chin, and if people who did not know him concluded that he was an “old humbug,” they were convinced in the family that in point of elegance Uncle Solomon could have taught Gramont-Caderousse a thing or two. He was one of those people who when they die, because for years they have shared a table in a restaurant on the boulevard with its editor, are described in the social column of the
Radical
as “well known Paris figures.” M. Bloch told Saint-Loup and me that Bergotte knew so well why he, M. Bloch, always cut him, that as soon as he caught sight of him, at the theatre or in the club, he avoided his eye. Saint-Loup blushed, for it occurred to him that this club could not be the Jockey, of which his father had been president. On the other hand it must be a fairly exclusive club, for M. Bloch had said that Bergotte would never have got into it if he had come up now. So it was not without the fear that he might be “underrating his adversary” that Saint-Loup asked whether the club in question were that of the Rue Royale, which was considered “degrading” by his own family, and to which he knew that certain Jews were admitted. “No,” replied M. Bloch in a tone at once careless, proud and ashamed, “it is a small club, but far more agreeable: the Ganaches. We’re very strict there, don’t you know.” “Isn’t Sir Rufus Israels the president?” Bloch junior asked his father, so as to give him the opportunity for a glorious lie, unaware that the financier had not the
same eminence in Saint-Loup’s eyes as in his. The fact of the matter was that the Ganaches club boasted not Sir Rufus Israels but one of his staff. But as this man was on the best of terms with his employer, he had at his disposal a stock of the financier’s cards, and would give one to M. Bloch whenever he wished to travel on a line of which Sir Rufus was a director, so that old Bloch was able to say: “I’m just going round to the Club to ask for a letter of introduction from Sir Rufus.” And the card enabled him to dazzle the guards on the trains.