Read The Mistletoe Bride and Other Haunting Tales Online
Authors: Kate Mosse
Tags: #Anthology, #Short Story, #Ghost
SCENE 11
Susan’s voice is heard in the corridor outside.
SUSAN | (Offstage) |
Susan comes smiling into the room, then stops dead when she sees Marion and Julie.
SUSAN | I’m sorry. I didn’t mean to barge in. I just wanted to . . . |
Marion beckons her in. Julie gets up. She doesn’t want Susan to see her upset.
JULIE | I’m just leaving. |
SUSAN | No. Don’t go on my account. |
MARION | I don’t think either of you should go. |
Suddenly, both realise Marion has engineered the whole evening. They turn on her.
JULIE | (Accusingly) |
SUSAN | I can’t believe you thought this would be a good idea. What did you think, Marion, that we could just forget the last three years? For old time’s sake? |
MARION | (Steadfast) |
JULIE | See if what? What, Marion? If you can bring Sarah back? See if we can gloss over the fact that she |
SUSAN | (At breaking point) |
JULIE | (Interrupting) |
SUSAN | That’s not true. I was in hospital for— |
JULIE | (Not listening) |
SUSAN | One glass. I wasn’t over the limit. |
JULIE | (Twisting the crucifix at her neck between her fingers.) |
SUSAN | That was then. A few months, that’s all. Never again. Never since then. |
MARION | Julie . . . |
JULIE | (Ignoring Marion) |
MARION | You know it wouldn’t. The coroner was quite clear that there was nothing Susan could have done. You heard him say it. |
SUSAN | (Wearily) |
MARION | Look. In one way or another, we all feel responsible. |
JULIE | (Interrupting) |
MARION | Matt swerved and lost control and he died. Like Sarah, he died and left you with no one to blame. Julie, I’m only saying that if you could accept it was an accident, that it wasn’t Susan’s fault, then perhaps |
JULIE | (Turning on her) |
SUSAN | (Simultaneously) |
MARION | (Simultaneously) |
JULIE | (Turning on Marion) |
MARION | He wasn’t. Not by then. |
JULIE | There was plenty you could have done. There are rules about that sort of thing, a relationship between a pupil and a teacher. Aren’t there? |
MARION | (Deliberately) |
JULIE | No. You chose not to. For reasons of your own, you chose to do nothing. And because of you – and you |
Marion tries to put her hand on Julie’s arm.
JULIE | Don’t. |
SCENE 12
SARAH | I really loved him, Mum. He was amazing. We’d got it all worked out. I’d get my A levels out the way, then go to college – Guildhall, fingers crossed – and he’d get a job in London. It’d be perfect. |
But, I loved you too, Mum. I never meant for this to happen. Love you. |
SCENE 13
Action resumes. Julie looks at the space where Sarah was standing, as if she heard her.
JULIE | Sarah said she’d done her homework, and was going over to Phoebe’s. |
I waited for her to come back. Angry – and then worried. Oh, not really. Just like you do. It started to rain really hard and I – I didn’t know where she was, I didn’t know. | |
It was easier to hate you than to hate myself. To make it your fault. Somebody else’s fault. There was a part of me that was actually pleased when Phoebe became ill – depressed – because it seemed only fair. Such evil thoughts. And this did – does – nothing. God doesn’t help. All those prayers I say don’t help me to make sense of things. Just words. They don’t help me to accept or forgive. |
Susan leans over and touches Julie’s arm. This time, she does not shrug her off. Susan holds the position a moment, then withdraws her hand.
SUSAN | I relive that night over and over in my mind. If only I hadn’t gone to that party. If only I’d stayed here with Phoebe. If only it hadn’t been me behind the wheel. If only. |
MARION | (An echo of her earlier speech) |
JULIE | (Weary) |
MARION | (Quietly) |
All three fall silent for a moment. Sarah looks at each of them in turn.
SUSAN | (To Julie) |
JULIE | (Catches her breath) |
SUSAN | I understand. |
JULIE | It wasn’t your fault. I do know that. |
SUSAN | Can you forgive me? That it was me? |
JULIE | I don’t know. I don’t know. |
Slowly, the light fades, leaving only a spotlight on the photograph on the desk for a few seconds. For a moment, Sarah’s face is visible backstage centre, as if watching over the older women. She is smiling. Then, fade to black.
I’d like to thank everyone at LAW, ILA and Inkwell Management who give such expert advice and care – in particular Alice Saunders, Nicki Kennedy, Sam Edenborough and Mark Lucas, for his endless time, good company . . . and
those
electronic notes!
At Orion, there’s a wonderful team of hard working, enthusiastic, energetic people – too many to name everyone – but special mention must go to Jon Wood, Genevieve Pegg, Eleanor Dryden, Laura Gerrard, Anthony Keates, Gaby Young, copy editor Liz Hatherell, the fantastic sales forces (both inhouse and on the road), the art department and Rohan Eason for his beautiful and atmospheric illustrations. Last, but by no means least, the force of nature that is Susan Lamb!
I’m also very appreciative of the support of my publishers all over the world – especially Isabelle Laffont at Lattès, Annette Weber at Droemer-Knaur, Cathrine Bakke Bolin at Gyldendal, Rachel Kahan at Morrow (for Governors Island and much else), Frederika van Traa at Unieboek – and everyone at Hachette Australia, Hachette New Zealand, Hachette Canada and Jonathan Ball in South Africa.
I’d like to thank the following publishers for their permission to use the following quotations: W.W.Norton for lines from ‘Dispossessions’ by Jane Cooper, Yale University Press for lines from ‘A Bride’s Hours’ by Jean Valentine and Faber and Faber for lines from ‘Church Going’ by Philip Larkin and ‘The Dry Salvages’ by T.S. Eliot.
Finally, as always, my love and gratitude to my family and friends who are patient and always proud, despite the number of hours I spend hidden away and avoiding the washing up! My mother Barbara and my mother-in-law Rosie, but most of all Greg, Martha and Felix. I couldn’t do it – any of it – without you.
Fiction
THE LANGUEDOC TRILOGY
Labyrinth
Sepulchre
Citadel
Eskimo Kissing
Crucifix Lane
The Winter Ghosts
Non-Fiction
Becoming a Mother
The House: Behind the Scenes at the
Royal Opera House, Covent Garden
Chichester Festival Theatre at Fifty
Plays
Syrinx
Endpapers
Dodger
AN ORION EBOOK
First published in Great Britain in 2013 by Orion Books
This ebook first published in 2013 by Orion Books
Copyright © Mosse Associates Ltd 2013
Illustrations © Rohan Daniel Eason 2013