Read The Mistletoe Bride and Other Haunting Tales Online
Authors: Kate Mosse
Tags: #Anthology, #Short Story, #Ghost
CAST (in order of appearance)
MARION KNOWLES
– Headteacher
Has been Head of the 1500-student mixed comprehensive school – her old school – for fifteen years. This is her last year in charge, having opted for early retirement.
SUSAN WINSTON
– Counsellor
A contemporary of Marion’s – an old schoolfriend – she too returned to her old home town about ten years ago. She now works as a counsellor at the local Citizens Advice Bureau (CAB) office. Divorced, she has two daughters – one (Phoebe) is just going into her final year of university, the other (Emily) has just taken her A levels and is being presented with a prize this evening.
SARAH PETERS
– Dead Girl
Sarah Peters died in a road accident at the age of 18, in the autumn term of her upper sixth year at school. She cannot be seen or heard by the other characters on stage. She was a promising flautist and had auditioned for the Guildhall School of Music. She was best friend to Susan’s eldest daughter, Phoebe.
JULIE PETERS
– Parent Governor
Mother of Sarah, also a contemporary and schoolfriend of Marion and Susan. Once Susan’s closest friend, Julie works part time and is a regular churchgoer. Julie has two other children, two sons.
SCENE 1
Headteacher’s Office 6.30 p.m.
The scene opens with a spotlight on Marion, sitting at her desk with her back to the audience. The rest of the set is dark. She is looking at a photograph on her desk. She puts it down, then turns in her chair to face the audience.
MARION | There are moments – in the middle of a busy day or at the dusty tail-end of an autumn afternoon – when, just for an instant, everything stops. Time loses its step and falters. Then the past rushes in. Just in that moment, you see it all clearly, painted in vivid colours, the angles sharp. |
But there’s always something. One thing. The one mistake that, however hard we try, we cannot let go. That we brood about in the solitary small hours. ‘If only I had done this.’ ‘If only I had not done that.’ | |
If only . . . |
Marion looks around. As she does so, lights come up to reveal the whole office. When she speaks, it’s with her official voice.
(Picks up a piece of paper from the desk, the speech she’s going to give at tonight’s prize-giving)
| Ladies and gentlemen, blah, blah, blah. Welcome to this evening’s annual prize-giving. As many of you know, I was appointed Head here – my old school, as it happens – twelve years ago. ( |
| (Returns to reflection) |
A knock jolts Marion out of her reverie. She puts down the paper, stands up and straightens her skirt, takes a final glance around.
SCENE 2
MARION | Come in. |
Susan enters.
SUSAN | Oh God, am I the first? |
MARION | ( |
SUSAN | I’m not too early? |
MARION | No, no, not at all. I was just going over my speech. |
Marion submits to being air-kissed by Susan.
SUSAN | Making sure you go out on a high? |
MARION | Something of the kind. ( |
Susan hesitates, then replies with a touch of defiance.
SUSAN | White, please. Just a small one. |
Marion pours Susan a glass, and water for herself.
SUSAN | So, what’s the timetable for tonight? |
MARION | The usual, but with bells and whistles, since it’s my last one. We’ve got a girl, a flautist, going off to the Royal Academy in September who’s going to play Debussy’s ‘Syrinx’ |
SUSAN | It sounds lovely. You’re not having one? |
MARION | Maybe later. And then the choir has prepared something special. |
SUSAN | God, the choir! We were the tallest, so we were always made to stand at the back in concerts. |
MARION | You kept sticking your tongue out at someone in the orchestra. |
SUSAN | Just livening things up a bit! |
MARION | You were a terror! You could have been a prefect, top of the class, if you’d put your mind to it. If you hadn’t been so determined to be different. I was always surprised you and Julie were such good friends. |
SUSAN | Maybe it was because we were so different that we got on so well. There was no pressure, if you know what I mean, no competition between us. |
MARION | (Quietly) |
SUSAN | Well, it’s all in the past now. |
MARION | And so she married Paul, s |
SUSAN | Whereas I . . . |
MARION | (Finishing the thought) |
SUSAN | Konrad. Tall blond German junkie! |
MARION | Emily and Phoebe are both too level-headed for that! |
SUSAN | Unlike their mother, you mean. It’s odd, you know, but I feel quite at home here. |
MARION | Well you did spend rather a lot of time in this office! |
SUSAN | (Laughs) |
You think you’re going to miss it? Any regrets? | |
MARION | Of course I’ll miss it. Some of it. But, off the record, on balance I’ll be glad to go. I’ve done my time. We don’t teach properly any more, it’s all tests and more tests. We don’t equip them to think for themselves. |
Marion pulls herself up short, realising she’s going on.
SUSAN | But you’ve made such a success of it, Marion. I’m so proud of you. |
MARION | (Marion goes to desk to pick up photo. Tone lightens) |
SUSAN | My God, we look so young. I remember that day. |
MARION | You, me and Julie. |
SUSAN | Yes. You, of course, had organised the whole thing like a military operation. Made us trudge up Bury Hill, lugging a whole load of picnic stuff with us. |
MARION | You complained most of the time. |
SUSAN | (Quietly) |
SCENE 3
Each of Sarah’s soliloquies is delivered with her visible on stage. Unless specified, other characters do not react to her presence and remain motionless on stage.
SARAH | She knew, Miss Knowles. She knew and she did nothing. She saw us, you see, walking by the river. October. Not holding hands, or anything. Just talking, but she called me in to her office the next day. Came straight out with it. That Matt – Mr Grahame, she called him – was a teacher and I was a pupil and that was that. The fact that Matt was only a student teacher and wasn’t even working at my school any more . . . He was a musician really. A pianist. Really good. |
Anyway, she told me to think about the damage it might do to his reputation. And what my mum would say – Miss Knowles and my mum and Phoebe’s mum, Susan – they all went to school together a million years ago. She said Mum didn’t believe in that kind of thing. | |
Then she said she knew what it was like to be young. Yeah, right! She would turn a blind eye, she said, provided she had my word that the | |
But I couldn’t give her my word because Matt was amazing. So totally amazing. | |
So, you see, I couldn’t promise I wouldn’t see him again, because well, without Matt, there wouldn’t be any point. I was happy. Really happy. And, it was weird, but Miss Knowles never mentioned it again, well not until the funeral. But by then it was too late. |
SCENE 4
Action resumes as if there had been no interruption. Susan is still holding photograph.
SUSAN | Wasn’t this the day you announced your aim was to write a guidebook to the walks of Sussex? The only problem, you had to do them all first! |
MARION | And I still haven’t done even half of them. Life got in the way. Hence getting out of here while I still have it in me. |
SUSAN | Before your knees give out. |
MARION | As you say, before my knees give out. |
Susan, how are things? | |
SUSAN | Things have been very busy at work. |
MARION | (Quietly) |
SUSAN | I know you didn’t. |
MARION | So? |
SUSAN | Not now. This is your night. |
MARION | But I’d rather— |
SUSAN | Really, Marion. I don’t want to talk about it. |
MARION | So how is the world of counselling? |
SUSAN | Fabulous! Mostly debt and bankruptcy counselling, these days. Very depressing. |
MARION | And that’s why I wanted to talk to you— |
SUSAN | (Continuing her train of thought) |
MARION | (Accepting she’s again missed her moment) |
SUSAN | Who knows? Trying to get a job in this climate, not easy. |
MARION | I’m sure she’ll be fine. |
SUSAN | Phoebe’s more fragile than she looks. She’s been fine at uni – well, once she found her feet – but I worry she’ll run into difficulties again. Not cope. |
MARION | It was a long time ago, Susan. |
SUSAN | Three years. Hardly any time. |
MARION | Long time for a teenage girl. |