The Mephisto Club (16 page)

TWENTY-ONE

Maura stood on the ice-glazed sidewalk, gazing up at the Beacon Hill residence where the windows were invitingly aglow. Firelight flickered in the front parlor, just as it had on the night she’d first stepped through the door, lured by the dancing flames, by the promise of a cup of coffee. Tonight what drew her up the steps was curiosity, about a man who both intrigued her and, she had to admit, frightened her a little. She rang the bell and heard it chime inside, echoing through rooms she had yet to see. She expected the manservant to answer the bell and was startled when Anthony Sansone himself opened the door.

“I wasn’t sure you’d actually come,” he said as she stepped inside.

“Neither was I,” she admitted.

“The others will be arriving later. I thought it’d be nice for the two of us to talk first, alone.” He helped her off with her coat and pushed open the secret panel to reveal the closet. In this man’s house, the walls themselves hid surprises. “So why did you decide to come after all?”

“You said we had common interests. I want to know what you mean by that.”

He hung up her coat and turned, a looming figure dressed in black, his face burnished in gold from the firelight. “Evil,” he said. “That’s what we have in common. We’ve both seen it up close. We’ve looked into its face, smelled its breath. And felt it staring back at us.”

“A lot of people have seen it.”

“But you’ve known it on a deeply personal level.”

“You’re talking about my mother again.”

“Joyce tells me that no one’s yet been able to tally all of Amalthea’s victims.”

“I haven’t followed that investigation. I’ve stayed out of it. The last time I saw Amalthea was in July, and I have no plans to ever visit her again.”

“Ignoring evil doesn’t make it go away. It’s still there, still part of your life—”

“Not part of mine.”

“—right down to your DNA.”

“An accident of birth. We’re not our parents.”

“But on some level, Maura, your mother’s crimes must weigh down on you. They must make you wonder.”

“Whether I’m a monster, too?”

“
Do
you wonder that?”

She paused, acutely aware of how intently he was watching her. “I’m nothing like my mother. If anything, I’m her polar opposite. Look at the career I’ve chosen, the work I do.”

“A form of atonement?”

“I have nothing to atone for.”

“Yet you’ve chosen to work on behalf of victims. And justice. Not everyone makes that choice, or does it as well and as fiercely as you do. That’s why I invited you tonight.” He opened the door to the next room. “That’s why I want to show you something.”

She followed him into a wood-paneled dining room, where the massive table was already set for dinner. Five place settings, she noted, surveying the crystal stemware and gleaming china edged in cobalt and gold. Here was another fireplace, with flames dancing in the hearth, but the cavernous room with its twelve-foot ceiling was on the chilly side, and she was glad she’d kept on her cashmere sweater.

“First, a glass of wine?” he asked, holding up a bottle of Cabernet.

“Yes. Thank you.”

He poured and handed her the glass, but she scarcely glanced at it; she was focused instead on the portraits hanging on the walls. A gallery of faces, both men and women, gazed through the patina of centuries.

“These are only a few,” he said. “The portraits my family managed to procure over the years. Some are modern copies, some are mere representations of what we think they looked like. But a few of these portraits are original. As these people must have appeared in life.” He crossed the room to stand before one portrait in particular. It was of a young woman with luminous dark eyes, her black hair gently gathered at the nape of her neck. Her face was a pale oval, and in that dim and firelit room, her skin seemed translucent and so alive that Maura could almost imagine the throb of a pulse in that white neck. The young woman was partly turned toward the artist, her burgundy gown glinting with gold threads, her gaze direct and unafraid.

“Her name was Isabella,” said Sansone. “This was painted a month before her marriage. The portrait required quite a bit of restoration. There were scorch marks on the canvas. It was lucky to survive the fire that destroyed her home.”

“She’s beautiful.”

“Yes, she was. To her great misfortune.”

Maura frowned at him. “Why?”

“She was married to Nicolo Contini, a Venetian nobleman. By all accounts it was a very happy marriage, until”—he paused—“until Antonino Sansone destroyed their lives.”

She looked at him in surprise. “That’s the man in the portrait? In the other room?”

He nodded. “My distinguished ancestor. Oh, he was able to justify all his actions in the name of rooting out the Devil. The church sanctioned it all—the torture, the bloodletting, the burnings at the stake. The Venetians in particular were quite expert at torture and creative at devising ever more brutal instruments to extract confessions. No matter how outlandish the accusations, a few hours in the dungeon with Monsignore Sansone would make almost anyone plead guilty to his charges. Whether the accusation was practicing witchcraft, or casting spells against your neighbors, or consorting with the Devil, confessing to any and all of it was the only way to make the pain stop, to be granted the mercy of death. Which, in itself, was not so merciful, since most of them were burned alive.” He gazed around the room, at the portraits. The faces of the dead. “All these people you see here suffered at his hand. Men, women, children—he made no distinction. It’s said he awakened each day, eager for the task, that he cheerfully fortified himself with a hearty morning meal of bread and meat. Then he’d don his blood-splattered robes and go to work, rooting out heretics. On the street outside, even through thick stone walls, passersby could hear the screams.”

Maura’s gaze circled the room, taking in the faces of the doomed, and she imagined these same faces bruised and contorted in pain. How long had they resisted? How long had they clung to the hope of escape, a chance to live?

“Antonino defeated them all,” he said. “Except for one.” His gaze was back on the woman with the luminous eyes.

“Isabella survived?”

“Oh, no. No one survived his attentions. Like all the others, she died. But she was never conquered.”

“She refused to confess?”

“Or submit. She had only to implicate her husband. Renounce him, accuse him of sorcery, and she might have lived. Because what Antonino really wanted wasn’t her confession. He wanted Isabella herself.”

Her beauty was her misfortune.
That’s what he’d meant.

“A year and a month,” he said. “That’s how long she survived in a cell without heat, without light. Every day, another session with her torturer.” He looked at Maura. “I’ve seen the instruments from those times. I can’t imagine any version of Hell that could be worse.”

“And he never defeated her?”

“She resisted until the end. Even when they took away her newborn baby. Even when they crushed her hands, scourged the skin from her back, wrenched apart her joints. Every brutality was meticulously recorded in Antonino’s personal journals.”

“You’ve actually seen those journals?”

“Yes. They’ve been passed down through our family. They’re stored in a vault now, with other unpleasant heirlooms from that era.”

“What a horrible legacy.”

“That’s what I meant when I told you we had common interests, common concerns. We both inherited poisoned blood.”

Her gaze was back on Isabella’s face, and suddenly she registered something that he had said only moments ago.
They took away her newborn baby.

She looked at him. “You said she had a baby in prison.”

“Yes. A son.”

“What happened to him?”

“He was placed in the care of a local convent, where he was raised.”

“But he was the son of a heretic. Why was he allowed to live?”

“Because of who his father was.”

She looked at him with stunned comprehension. “Antonino Sansone?”

He nodded. “The boy was born eleven months into his mother’s imprisonment.”

A child of rape,
she thought.
So this is the Sansone bloodline. It goes back to the child of a doomed woman.

And a monster.

She gazed around the room at the other portraits. “I don’t think I’d want these portraits hanging in my home.”

“You think it’s morbid.”

“Every day, I’d be reminded. I’d be haunted by how they died.”

“So you’d hide them in a closet? Avoid even looking at them, the way you avoid thinking about your mother?”

She stiffened. “I have no reason to think about her. She has no part in my life.”

“But she does. And you
do
think about her, don’t you? You can’t avoid it.”

“I sure as hell don’t hang her portrait in my living room.” She set down her wineglass on the table. “This is a bizarre form of ancestor worship you’re practicing. Displaying the family torturer in the front parlor, like some kind of icon, someone you’re proud of. And here in the dining room, you keep a gallery of his victims. All these faces staring at you, like a trophy collection. It’s the kind of thing a—”

A hunter would display.

She paused, staring down at her empty glass, aware of the silence in the house. Five place settings were on the table, yet she was the only guest who’d arrived, perhaps the only guest who’d actually been invited.

She flinched as he brushed her arm and reached for her empty glass. He turned to refill it, and she stared at his back, at the outline of muscles beneath the black turtleneck shirt. Then he turned to face her, wineglass held out. She took it, but did not sip, though her throat had suddenly gone dry.

“Do you know why these portraits are here?” he asked quietly.

“I just find it…strange.”

“I grew up with them. They hung in my father’s house, and in
his
father’s house. So did the portrait of Antonino, but always in a separate room. Always in a place of prominence.”

“Like an altar.”

“In a way.”

“You honor that man? The torturer?”

“We keep his memory alive. We never allow ourselves to forget who—and what—he was.”

“Why?”

“Because this is our responsibility. A sacred duty the Sansones accepted generations ago, starting with Isabella’s son.”

“The child born in prison.”

He nodded. “By the time Vittorio reached adulthood, Monsignore Sansone was dead. But his reputation as a monster had spread, and the Sansone name was no longer an advantage, but rather a curse. Vittorio could have fled from his own name, denied his own bloodline. Instead he did quite the opposite. He embraced the Sansone name, as well as the burden.”

“You talked about a sacred duty. What sort of duty?”

“Vittorio took a vow to atone for what his father did. If you look at our family crest, you’ll see the words:
Sed libera nos a malo.
”

Latin. She frowned at him. “Deliver us from evil.”

“That’s right.”

“And what, exactly, are Sansones expected to do?”

“Hunt the Devil, Dr. Isles. That’s what we do.”

For a moment she didn’t respond.
He can’t possibly be serious,
she thought, but his gaze was absolutely steady.

“You mean figuratively, of course,” she finally said.

“I know you don’t believe he actually exists.”

“Satan?” She couldn’t help but laugh.

“People have no trouble believing that God exists,” he said.

“That’s why it’s called
faith.
It requires no proof, because there is none.”

“If one believes in the light, one has to believe in the darkness as well.”

“But you’re talking about a supernatural being.”

“I’m talking about evil, distilled to its purest form. Manifested in the shape of real flesh-and-blood creatures, walking among us. This isn’t about the impulsive kill, the jealous husband who’s gone over the edge, or the scared soldier who mows down an unarmed enemy. I’m talking about something entirely different. People who
look
human, but are the farthest thing from it.”

“Demons?”

“If you want to call them that.”

“And you really believe they exist, these monsters or demons or whatever you call them?”

“I know they do,” he said quietly.

The ringing of the doorbell startled her. She glanced toward the front parlor, but Sansone made no move to answer the bell. She heard footsteps, and then the butler’s voice speaking in the foyer.

“Good evening, Mrs. Felway. May I take your coat?”

“I’m a little bit late, Jeremy. Sorry.”

“Mr. Stark and Dr. O’Donnell haven’t arrived yet, either.”

“Not yet? Well, I feel better then.”

“Mr. Sansone and Dr. Isles are in the dining room, if you’d like to join them.”

“God, I could really use a drink.”

The woman who swept into the room was as tall as a man and looked just as formidable, her square shoulders emphasized by a tweed blazer with leather epaulets. Although her hair was streaked with silver, she moved with the vigor of youth and the assurance of authority. She didn’t hesitate, but crossed straight to Maura.

“You must be Dr. Isles,” she said, and gave Maura a matter-of-fact handshake. “Edwina Felway.”

Sansone handed the woman a glass of wine. “How’re the roads out there, Winnie?”

“Treacherous.” She took a sip. “I’m surprised Ollie isn’t here already.”

“It’s just eight o’clock now. He’s coming with Joyce.”

Edwina’s gaze was on Maura. Her eyes were direct, even intrusive. “Has there been any progress on the case?”

“We haven’t talked about that,” said Sansone.

“Really? But it’s the one thing on all our minds.”

“I can’t discuss it,” said Maura. “I’m sure you understand why.”

Edwina looked at Sansone. “You mean she hasn’t agreed yet?”

“Agreed to what?” asked Maura.

“To join our group, Dr. Isles.”

“Winnie, you’re a bit premature. I haven’t fully explained—”

“The Mephisto Foundation?” said Maura. “Is that what you’re talking about?”