The Martini Shot (20 page)

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Authors: George Pelecanos

Tags: #Fiction, #Short Stories (Single Author), #Crime, #Mystery & Detective, #Private Investigators

BOOK: The Martini Shot
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They stood as I entered. The office was crowded for three, and I imagined that was the way they wanted me: uncomfortable.

“Dennis Mahoney,” said the white one, late thirties, a little overweight but not soft, with strawberry blond hair that screamed Gaelic, a nose brilliantly veined from drink, and cheeks cratered with the laughing reminder of an acned adolescence. He wore a Men's Wearhouse–grade suit with pleated slacks and a rep tie darkened with an oval of grease.

“Detective Gittens,” said the black one. “Joe.” His suit was a little more twenty-first century than his partner's. He wore a thick mustache, had a face dotted with raised moles, and deep brown, tired eyes. He was on the green side of fifty and wore no wedding ring.

Gittens was the sensible one, Mahoney the meat-eater.

All of this I noticed before I spoke to them. An eye for detail is helpful in my profession.

“Victor Ohanion,” I said, and shook their hands.

“Ohanion,” said Mahoney, brightly. “You must be Irish. Me, too.”

“I'm Armenian,” I said.

Mahoney's smile faded. I might as well have said I was an
A
-rab or, worse, a Muslim. I was raised Orthodox Christian but hadn't seen the inside of a church since I was an altar boy. I'd been wandering the wilderness for more than twenty years.

“Have a seat,” I said, gesturing to the couch. They did, and I took the chair behind my desk.

Gittens wasted no time.

GITTENS

We understand that you were friends with Skylar Branson.

 

OHANION

That's right.

 

GITTENS

In the last few days, did Mr. Branson say anything to you that would indicate he was in some sort of trouble?

 

OHANION

(beat)

No.

 

GITTENS

Was he acting peculiar in any way?

 

OHANION

Not that I recall.

 

MAHONEY

One of your crew members said he saw you two talking last night on set, and that it looked contentious.

 

OHANION

That would've been Lance. He's a bit of a drama queen. Likes to get into other people's business. The truth is, Skylar and I were just talking.

 

MAHONEY

What were you talking about?

 

OHANION

Designer shoes and handbags. Menstrual cramps. That sort of thing.

 

 

MAHONEY

You're a funny guy, Ohanion.

 

OHANION

I have moments.

 

GITTENS

For the record, where were you last night at the time of Mr. Branson's death?

 

OHANION

What time was that, exactly?

 

GITTENS

He was shot around three thirty a.m.

 

OHANION

I was in bed at my hotel. Sleeping.

 

GITTENS

You stay at the crew hotel?

 

OHANION

Correct.

 

GITTENS

Were you sleeping alone?

 

OHANION

Yes.

 

GITTENS

Do you have any idea why your friend was killed?

 

OHANION

My understanding was that he was robbed. Skylar didn't carry much cash on him. Could be that the gunman didn't like the small take, and shot him out of anger. That's the way it is in this town.

 

MAHONEY

Now you're going to tell us about our town. How long have you lived here, that you know so much?

 

OHANION

I've been here a few months.

 

MAHONEY

That long, huh? Bet you've done a few ride-alongs, too.

 

OHANION

I went on one. I watched your jump-out boys entrap some kid and put him in bracelets.

 

MAHONEY looks at GITTENS, then back at OHANION.

 

MAHONEY

One ride-along. That makes you some kind of law enforcement expert?

 

GITTENS

(sarcastic)

Give him a break, Dennis. The man
writes
about crime. He knows what he's talking about.

(to OHANION)

Looks like you make a good living at it, too. That's an expensive watch you got on your wrist.

 

OHANION makes no comment.

 

MAHONEY

I've watched your show. With all those pretty police and detectives. All the dirty ones, too. So many dirty police officers on our force. Who knew?

 

OHANION

It's a television show. Corrupt cops make good drama. We're not going for realism.

 

MAHONEY

Okay, then. Let's get real.

 

GITTENS leans forward.

 

GITTENS

Here's the thing, Mr. Ohanion. Maybe Mr. Branson was killed in the commission of a street robbery. Maybe. But we found some interesting items when we went through his hotel room. Do you know what I'm talking about?

 

OHANION

No, I don't.

 

GITTENS

There was a large amount of marijuana stashed in his room safe, along with a digital scale, distribution materials, and a ledger. It's safe to say that the pot wasn't for personal use.

 

OHANION folds his hands atop his desk and says nothing.

 

GITTENS

You don't seem surprised.

 

OHANION

People smoke marijuana. They like to get outside their heads.

 

GITTENS

I'm talking about the fact that your friend was a dealer.

 

OHANION

I don't know anything about that.

 

MAHONEY

I find that hard to believe.

 

OHANION

So?

 

OHANION looks MAHONEY over in a way that no man likes to be looked at. MAHONEY'S jaw gets tight. It looks like he's going to get up and go over the desk at OHANION.

 

GITTENS

(to MAHONEY, sotto voce)

Dennis.

(to OHANION)

You're protecting your friend's reputation. I get that. But it's not going to help us find his killer.

 

OHANION

You said there was a ledger.

 

MAHONEY

A notebook. Initials, with dollar amounts beside the initials, some crossed out, some not. We've got a list of your crew members, and we'll match the initials to those names. Then we'll talk to those people and see what we can find. You don't want to cooperate, fine. We'll figure it out on our own.

(beat)

Branson had a girlfriend on the crew. What was her name again?

 

OHANION

You know her name. It's Laura Flanagan. She works in the wardrobe department.

 

MAHONEY

Right.

 

OHANION turns to GITTENS, ignoring MAHONEY.

 

OHANION

Detective Gittens, despite what you might think of Skylar, he was a good guy. Hard worker, always looked out for his crew. Do you know what I mean?

 

GITTENS

Sure.

 

OHANION

His parents are coming into town. I wouldn't want this thing you found to deplete him in their minds.

 

GITTENS

I'm not an idiot. I have kids my own self. We're not going to mention what we found in his room to his folks, unless it's absolutely necessary.

 

OHANION

Thank you.

 

MAHONEY stands.

 

MAHONEY

One more thing, Ohanion…

 

OHANION

Don't leave town?

 

MAHONEY walks from the room, red-faced. GITTENS places his business card on the desk, shoots OHANION a look, shakes his head, and exits.

 

ON OHANION, unmoved.

When I was a teenager, growing up in a multiethnic neighborhood just outside the city, my friends and I had an adversarial relationship with the law. Though all of us got high, none of us were into anything that had violence attached to it. Many of the guys I knew or ran with got busted at one time or another for marijuana possession, or low-level distribution, and paid a price. Some got put into the system and never recovered.

The cops in my hometown were devious about it. They hid in the woods, waiting for kids to light up. They arrested kids and turned them into snitches. The younger police on the drug squad posed as buyers and jacked kids up like that. The black and Hispanic kids suffered worse than the whites. They were pulled over more frequently in their cars, were handcuffed and sat down on the curb in the dead of winter, and were assigned disinterested public defenders when it came time to go to trial. They didn't have a chance.

Six months ago, I went back home to visit my mother. A curfew on teenagers had recently been enacted in that part of the county, and there had been some complaints that minority kids would be unfairly singled out. The chief of police wrote an editorial in the local newspaper defending the curfew, saying no particular race or ethnic group would be targeted, claiming that his young police officers were of an enlightened generation who didn't “see color.” When I read that, I laughed out loud.

Gittens was all right; maybe Mahoney was, too. But it didn't matter to me. I was nearly forty years old, a long way from my youth, and still, because of what I'd experienced growing up, I didn't trust police. I wasn't about to talk to them about my friend.

  

That night, I drove downriver to a part of town that was once a low-income, borderline dangerous district and was now a burgeoning neighborhood of newly arrived college graduates, folk resurgents, visual artists, and film production crew who were trying to make a living year-round.

Laura Flanagan lived in an old narrow-and-deep house with two young women who worked as prop and wardrobe assistants on other productions. I parked my rental on the street near one of the city's ubiquitous neighborhood markets and walked to her house. Skylar's electrics and rigging gaffers were grouped on the front lawn, and there were many people, some from our crew and some I didn't recognize, standing on Laura's porch and seated on her front stoop. They were drinking beer, wine, and liquor, playing guitar and percussion instruments, and passing around weed. Marijuana wasn't legal in this city, but its use was tolerated. The police had bigger issues to contend with here, like murder, rape, and internal corruption.

It was an impromptu wake of sorts and I moved into the crowd. I took a pull off a bottle of Jack that was offered to me, then grabbed a beer from a cooler. I could see that people were getting twisted in the go-to-hell way that is common after an unexpected death. We had a six a.m. call in the morning. It would be a rough day for those who were going hard at it.

I found Laura inside her house, a typical artist's lair, illuminated by candles and Christmas lights. Fish netting had been strung from the ceiling, and magazine photos were taped to the walls. Marijuana and cigarette smoke hung heavy in the room, where Laura sat on her couch, talking to friends. She was wearing her aviators, a loose flannel shirt, skinny jeans, and checkerboard Vans.

Laura stood as I approached. She came into my arms unsteady and we embraced. I held her tightly and for a long while. Her tears were hot on my face as she pressed her cheek against mine.

“It's gonna be okay, Laura.”

“You think so, Vic?” Her tone was odd.

“Sit with your friends. I'll talk to you in a little bit, when the crowd thins out.”

She went back to the couch. Out in the front yard I joined up with Skylar's crew, who were standing around, quietly getting wasted. They were telling stories and sharing memories about their beloved boss. The talk went from Skylar to counterpunches and defensive stances, firearms they'd recently purchased at shows, and back to Skylar. They were gun enthusiasts to a man, and Skylar, a martial artist, had gotten them into a regular training regimen at a local dojo. Though they weren't the show-muscle type, and none had flat stomachs, all of them were work-strong and knew how to go with their hands. They'd be hard to hurt. I pitied anyone who looked at them the wrong way tonight.

  

After midnight, Laura and I sat down on the edge of her bed and talked. Her twin mattress lay on the floor, separated from a roommate's bed by a curtain strung across the room. It wasn't the ideal spot to converse, but it was the only place in the house where we could find some privacy. I wanted to get to her before she got too sloppy, and it didn't seem that any of the visitors would be leaving anytime soon.

“The detectives spoke to you today?” I said.

“Yes. They asked me if I knew anything about Skylar's marijuana operation. That's what they called it: an operation.”

“They found his stash in his hotel room. His scale and the ledger book, too. They're going to match the crew list names with the initials in the ledger.”

“Why?”

“They're going to talk to people on the crew who you and Skylar were selling weed to. They're trying to determine if Skylar's murder was a random robbery or if it had something to do with his side business.”

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