The Magician King (27 page)

Julia posted as ViciousCirce. They’d been a trio before she came along, but they were happy to accept her as one of them, and to make their never-ending conversations four-handed.

It was acceptable on FTB to take a thread private, if all parties agreed, and once in a while she and Asmo and Pouncy and Failstaff would recede into their own highly abstract world together. In those private threads they would get a little more concrete about their personal lives, though it was still considered gauche to drop any geo-specific details. That became part of the game, keeping their identities obscure, and another part of the game was constructing elaborate fictional biographies and résumés for each other. Julia did an FBI serial killer profile for each of the other three, complete with police sketches.

Another game they were fond of was called Series. It was simple: somebody would provide three words, or three numbers, or names, or molecules, or shapes, or whatever. Those were the first three terms in the series. Then you had to figure out what the next term in the series was, and what principle generated it. You wanted to make your series maximally difficult but still theoretically solvable, while also making sure there was only one possible solution, i.e., only one guiding principle that could be extrapolated from the three examples. Once the solution was cracked, second prize went to the first person who could iterate the series ten times.

FTB took over her life, and she let it. Sometimes even when she was offline it was as if FTB was running by itself in her head—her brain had spent so much time with these invisible personalities that they’d calved off little clones of themselves in her brain, pirate software versions of Asmo and Pouncy and Failstaff and all the others, that ran on Julia’s hardware. She wasn’t demented—she wasn’t!—it was just a game she played with herself. It was a little insane, but hey, whatever got you through, right? And everything else was going fine. She’d gained weight, stopped scratching herself, barely even bit her cuticles anymore. She hadn’t done the rainbow spell in ages. She knew she was obsessed, but it was turning out that she was the kind of person who needed to be obsessed with something, and she could have done a lot worse. God knows she had before.

She figured, let the fever run its course. It would break, and the patient would wake up clammy but clearheaded, and the fever dreams would fade. She’d head off to Stanford in the fall, get a new life, get some real-world, visible, analog friends. Wipe the slate clean.

But first she’d give it its head, let it run a little. Which is how Julia found herself late on a weekend afternoon in March wandering through Prospect Heights toward Bed-Stuy. She’d become a prodigious walker of late, because she needed some kind of exercise, and exposure to sunlight improved her mood. And she could take the Free Traders with her, not only in their capacity as spectral presences in her brain but as actual presences on her smartphone, for which Failstaff had ginned up a clever little app. (No iPhones, natch, Android only. The Free Traders were huge open-source snobs.) She strode the earth clad in the invisible armor of their virtual companionship.

Julia typed as she walked; she had developed a great facility in doing this, using her peripheral vision to weave around fire hydrants and dogshit land mines and other pedestrians. A key part of successfully being Julia, it seemed, was not giving a shit if you looked weird. Today she halflistened via the app’s text-to-speech feature while Pouncy and Asmodeus went back and forth on the validity of Hofstadter’s strange-loop theory of consciousness as derived from Gödel numbers, or something like that.

The other half of her consciousness, Hofstadterian or no, was deployed in looking at the front doors of the houses she passed. Specifically she was looking at the way they were divided up into square and rectangular panels of different sizes. Most of them were anyway. This was not on the face of it an overwhelmingly interesting activity; in fact she would have been hard-pressed to explain to anybody exactly why she was doing it. It was just that the doors had begun to remind her of a game of Series they’d played the other day.

Pouncy had offered up a geometrical puzzle, painstakingly executed in ASCII characters, consisting of simple patterns of squares on a small grid. It had turned out—Failstaff nailed it—that the patterns could be understood as successive states of a very simple cellular automaton, so simple that they could nut out the rules in their heads once they had the general idea. Or Failstaff could anyway.

The funny thing was, Julia fancied that as she walked she could spot sequences from the series in the different configurations of the doors she was passing. It seemed like if she kept going long enough she could always find the next term.

It was just a goofy mental exercise. Sometimes the pattern was in wood, sometimes in glass, or a wrought-iron gate. Once it was in cinder blocks in a blocked-up window, which was cheating, but it was weird how often she found it. She started setting rules for herself—she would stop walking if it took her more than a block to find the next term in the series, then it had to be within a block and on the same side of the street, and so on—but the right pattern always turned up just in time. She wasn’t sure if this was a significant discovery or not, but she felt a compulsion to see how long she could keep it going. She could imagine the acidity of the sarcasm Pouncy would slather all over her if she told the others what she was doing. It would be seriously corrosive, pH 0 sarcasm.

It was all working out very neatly though. The only difference between her and Pouncy’s cellular automata was that hers was running backward—the rules were being applied in reverse, so it was winding back down to its initial state. That was another reason she kept walking: the series was finite. It would be over soon, whatever happened. Once she got lost for a block, but then she realized she’d munged the transformation, and once she fixed it then sure enough, there it was, an old wooden door with inset panels, three of them slightly lighter in color to pick out the right configuration. It was a will-o’-the-wisp leading her onward, farther into the perilous marsh of Bed-Stuy, deeper into a dreamlike, hypnagogic state.

A small but vigilant sector of Julia’s brain wasn’t that stoked about how far into Bed-Stuy she was getting. Row houses were giving way to vacant lots and chop shops and half-built apartment houses that the recession had killed off before they were finished. She had about an hour before dark, and it was no longer possible to tell herself that some of the houses were boarded up because they were undergoing very ambitious gut renovations, because those houses weren’t being renovated, they were crack houses. But it wouldn’t be long before she found the door that corresponded to Pouncy’s starting configuration, and then the series would be at an end—which is to say, at its beginning—and she could turn around and head back to Park Slope.

And sure enough, just past Throop (pronounced “troop”) Avenue, there it was. It was not a pretty house, but it wasn’t a crack house, either. It was a two-story lime-green clapboard house with an antique rabbit-ears antenna on top and a surly gang of aluminum garbage cans in the cracked cement yard out front. The front door was an eight-paned glass affair. One pane, the top left corner, had been punched out and plastic-wrapped, thereby completing the series.

And that was that. It was finished. The sight of that final pattern, the initial state, released Julia from the spell. The dream logic had iterated itself out. She looked around like a sleepwalker awakened, wondering where the hell she was, exactly. Somebody was still babbling in her ear in a computer-generated voice about Hofstadter. Exhaustion broke over her in a wave. She must have walked for miles, and the sun was setting. She sat down on the stoop.

She needed a ride home. A car service would be expensive, but being mugged and/or assaulted would be even more expensive. Plus she felt like she would literally drop in her tracks if she had to take another step. She killed the FTB app and took out her earbuds, and the voices died away. Silence. Reality.

Behind her she heard the door open. She got up again and held up a hand—okay, okay, she was going. She didn’t suppose that a lecture on cellular automata would really pass for an excuse for trespassing with the residents of some random lime-green shitbox house on Throop Avenue.

But the guy in the door wasn’t shooing her away. He was a white guy, owlish-looking, maybe thirty, in a vintage blazer and jeans and an insta-annoying porkpie hat.

He just looked at her, assessing. Behind him she could see other people in the house, sitting and standing, chatting and moping, and doing things with their hands. Only they didn’t have anything in their hands. A weird acid-green light flared for a second in the doorway, from somewhere she couldn’t see, like there was welding going on in there. Somebody gave an ironic cheer. The air absolutely reeked of magic. You could barely breathe, it was so thick.

Julia squatted down on her haunches on the sidewalk, like a toddler, and put her head in her hands and laughed and cried at the same time. She felt like she was going to pass out or throw up or go insane. She had tried to walk away from the disaster, to run away from it, she really, truly had. She’d broken her staff and drowned her book and sworn off magic forever. She’d moved on and left no forwarding address. But it hadn’t been enough. Magic had come looking for her. She hadn’t run far enough or fast enough, or hid herself well enough, and the disaster had tracked her down and it had found her. It wasn’t going to let her go.

It was about to start all over again.

D
uring everything that followed, all the time while he nearly got creamed by a vaporetto as he swam to shore, while he dragged himself up some ancient stone steps out of the water (the Grand Canal was well-appointed with means of egress for those who fell or flung themselves into it) and trudged back to Josh’s palazzo alone—Josh having had his hands full keeping Poppy out of the clutches of the carabinieri, who showed up shortly after Quentin went under—Quentin’s mind was on fire with the only piece of useful information the dragon had given him: that there was still a way back to Fillory. They weren’t going to get the button, but he could let go of that now, because there was a way back. If they could just figure out what the dragon meant.

He thought about it while he rinsed off salt and oil and heavy-metal particles and worse in a half-hour shower at high temperature and high pressure and washed his hair three times and dried off and finally tossed his ruined clothes, his beloved Fillorian clothes, his royal clothes, into the trash and crawled into bed. The first door, the dragon had said. The first door. The first door. What did it mean?

Of course there were other words in there to think about. There was a lot to take away from that brief conversation. The old gods were returning. Something about being a hero. All definitely important. Of paramount importance. But the first door: that was the action item. He had the scent. He was going to do it, he was going to follow the clues, and get them out of here and back where they belonged. He was going to be a hero, damn it all, whatever the dragon said. He would lose whatever he had to lose, if that’s what it took to win.

Poppy woke him up the next morning at seven. It was like Christmas morning for her. She was just so excited, and she’d waited as long as she could. She wasn’t even jealous. She’d already had three cappuccinos, and she’d brought him one. Australians. He thought she was going to start bouncing on his bed.

They all worked through the possibilities together over breakfast.

“The first door,” Josh said. “So it’s some primal, like, door. Like Stonehenge.”

“Stonehenge is a calendar,” Poppy said. “It’s not a door.”

In the course of general orientation Poppy had almost incidentally been brought up to speed on the existence of Fillory. Irritatingly, she took it in stride, the way she did everything else. She was interested in it from an intellectual point of view. She assimilated the information. But it didn’t set her imagination burning the way it had Quentin’s.

“Maybe it’s like a time-lock. Like on a vault.”

“Dude!” Quentin said. “Forget Stonehenge! It must be something in Venice, like a sea-gate or something.”

“Venice is a port. That’s a kind of door. A portal. The whole city is a door.”

“Yeah, but the first?”

“Or it’s a metaphorical door,” Poppy said. “The Bible or something. Like in Dan Brown.”

“You know, I bet it’s something about the pyramids,” Josh said.

“It means the Chatwins’ house,” Julia said.

The conversation stopped.

“What do you mean?” Poppy said.

“Their aunt’s house. In Cornwall. Where they discovered Fillory. That was the first door.”

It was nice to see Poppy beaten to the punch for once.

“But how do you know?” Poppy asked.

“I know,” Julia said. Quentin hoped that she wouldn’t say what she was about to say next, but she said it anyway. “I can feel it.”

“What do you mean, feel it?” Poppy said.

“Why do you care?” Julia said.

“Because I’m curious.”

Quentin intervened. Julia seemed to have taken an instinctive, prickly dislike to Poppy.

“It makes sense. What’s the first way people got into Fillory? Through the Chatwins’ house. The clock in the back hall.”

“I don’t know,” Josh said. He rubbed his round stubbly chin. “I thought you could never get in the same way twice. And anyway, Martin Chatwin was a little kid. That’s fine for him, but no way I could fit through the door of a grandfather clock. Not even you could.”

“All right,” Quentin said. “Sure, but—”

“Plus it was supposed to be a personal invitation, specific to the Chatwins,” Josh went on. “Like, those particular kids were particularly awesome in some way, so Ember summoned them so they could use their awesome personal qualities to fix shit in Fillory.”