The Lonely City (33 page)

61
‘
He made a virtue
 . . .’:Victor Bockris,
Warhol:The Biography
, p. 137.

62
‘
Machines have less problems
 . . .’: Andy Warhol, ‘Pop Art: Cult of the Commonplace’,
TIME
, Vol. 81, No. 18, 3 May 1963.

62
‘
B is anybody
 . . .’: Andy Warhol,
The Philosophy of Andy Warhol
, p. 5.

63
‘
I guess I wanted to be
 . . .’: ibid., p. 22.

63
‘At the times in my life
 . . .’: ibid., p. 21.

65
‘
I need B because
 . . .’ ibid
.,
p. 5.

65
‘
finding it stunning and poignant
 . . .’: Stephen Shore,
The Velvet Years: Warhol’s Factory 1965–67
(Pavilion Books, 1995) p. 23.

66
‘
He was a little bit franker
 . . .’: ibid., p. 130.

67
‘
I didn’t get married
 . . .’: Andy Warhol,
The Philosophy of Andy Warhol
, p. 26.

68
‘
My guess is that it helped
 . . .’: Stephen Shore,
The Velvet Years,
p. 22.

68
‘
I don’t really feel
 . . .’: Gretchen Berg, ‘Andy Warhol: My True Story’, in Kenneth Goldsmith,
I’ll Be Your Mirror: Selected Andy Warhol Interviews 1962–1987
(Da Capo Press, 2004), p. 91.

68
‘
Andy was the worst
 . . .’: Mary Woronov,
Swimming Underground: My Years in the Warhol Factory
(Serpent’s Tail, 2004), p. 121.

69
‘
confidence in the stability
 . . .’: Rei Terada,‘Philosophical Self-Denial: Wittgenstein and the Fear of Public Language’,
Common Knowledge
, Vol. 8, Issue 3, Fall 2002, pp. 464–81.

71
‘
pure Ondine
 . . .’:Andy Warhol and Pat Hackett,
POPism
(Penguin, 2007 [1980]), p. 98.

71
‘
you
have
finished me off
 . . .’ Andy Warhol,
a, a novel
(Virgin, 2005 [1968]), p. 280.

72
‘
The only way to talk
 . . .’: ibid., p. 121.

73
‘
I’m making love to the tape recorder
 . . .’: ibid., p. 445.

73
‘
No, oh Della, please
 . . .’: ibid., p. 44.

73
‘
may I ask you
 . . .’: ibid., p. 53.

73
‘
Don’t you hate me
 . . .’: ibid., p. 256.

73
‘
Please shut it off
 . . .’: ibid., p. 264.

74
‘
The dialogue was straight
 . . .’: Warhol,
The Andy Warhol Diaries
, p. 406.

74
‘
How old are you
 . . .’: Andy Warhol,
a: a novel
, p. 342.

74
‘
SPF
—
Why do you avoid
 . . .’: ibid., p. 344.

76
‘
Prussian tactics
 . . .’: ibid., p. 389.

76
‘
Andy was the chief psychiatrist
 . . .’: Stephen Shore,
The Velvet Years
, p. 155.

77
‘
something – work or a feeling
 . . .’: Lynne Tillman, ‘The Last Words are Andy Warhol’,
Grey Room
, Vol. 21, Fall 2005, p. 40.

77
‘
Out of the garbage
 . . .’: Andy Warhol,
a, a novel
, p. 451.

79
‘
dominant, secure, self-confident
 . . .’:Valerie Solanas,
SCUM Manifesto
(Verso, 2004 [1971]), p. 70.

80
‘
SCUM is against the entire system
 . . .’: ibid., p. 76.

81
‘
Valerie Solanas was a loner
 . . .’: Avital Ronell, ibid., p. 9.

81
‘
It is a product
 . . .’: Mary Harron, in Breanne Fahs,
Valerie Solanas
(The Feminist Press, 2014), p. 61.

81
‘
SCUM Manifesto was
 . . .’: ibid., p. 71.

81
‘
A true community
 . . .’: Valerie Solanas,
SCUM Manifesto
, p. 49.

82
‘
to keep under your pillow
 . . .’: Breanne Fahs,
Valerie Solanas
, p. 99.

82
‘
dead serious
 . . .’: ibid., p. 87.

82
‘
Andy, will you
 . . .’: ibid., pp. 100–102.

85
‘
Toad
 . . .’: ibid., pp. 121–2.

86
‘
I felt horrible, horrible
 . . .’: Andy Warhol,
POPism
, pp. 343–5.

88
‘
Read my manifesto
 . . .’: Howard Smith,‘The Shot That Shattered The Velvet Underground’,
Village Voice
,Vol. XIII, No. 34, 6 June 1968.

88
‘
I’m a writer
 . . .’:
Daily News
, 4 June 1968.

89
‘
do it again
 . . .’: Andy Warhol,
POPism
, p. 361.

92
‘
glued-together
 . . .’: Andy Warhol, ibid., p. 358.

92
‘
It’s too hard to care
 . . .’: Gretchen Berg, ‘Andy Warhol: My True Story’, in Kenneth Goldsmith,
I’ll Be Your Mirror: Selected Andy Warhol Interviews 1962–1987,
p. 96.

92
‘
What I never
 . . .’: Andy Warhol,
POPism
, p. 359.

CHAPTER 4: IN LOVING HIM

100
‘
I’ve periodically
 . . .’: Cynthia Carr,
Fire in the Belly
, p. 133.

101
‘
In my home one could not
 . . .’: David Wojnarowicz,
Close to the Knives: A Memoir of Disintegration
(Vintage, 1991), p. 152.

103
‘
testing testing testing
 . . .’: ibid., p. 6.

105
‘
I did what I could
 . . .’: Tom Rauffenbart,
Rimbaud in New York
(Andrew Roth, 2004), p. 3.

106
‘
There was no way
 . . .’: David Wojnarowicz, Fales, Series 8A, ‘David Wojnarowicz Interviewed by Keith Davis’.

106
‘
I could barely speak
 . . .’: David Wojnarowicz,
Close to the Knives
, p. 228.

106
‘
My queerness
 . . .’: David Wojnarowicz, Fales, Series 7A, Box 9, Folder 2, ‘Biographical Dateline’.

107
‘
the sound of it
 . . .’: David Wojnarowicz,
Close to the Knives
, p. 105.

109
‘
things I’d always
 . . .’: David Wojnarowicz, ed. Amy Scholder,
In the Shadow of the American Dream
(Grove Press, 2000), p. 130.

109
‘
I want to create
 . . .’: ibid., p. 219.

110
‘
I found myself walking
 . . .’: ibid., p. 161.

110
‘
Although the Rimbaud
 . . .’:Tom Rauffenbart,
Rimbaud in New York
, p. 3.

113
‘
So simple, the appearance
 . . .’: David Wojnarowicz,
Close to the Knives
, p. 9.

114
‘
the solitude of two persons
 . . .’: David Wojnarowicz, unpublished journal entry, Fales, Series 1, Box 1, Folder 4, 26 September 1977.

117
‘
Our society is
 . . .’: Valerie Solanas,
SCUM Manifesto
, p. 48.

118
‘
a space at a libidinal
 . . .’: Samuel Delany,
The Motion of Light on Water
(Paladin, 1990), p. 202.

119
‘
What has happened
 . . .’: Samuel Delany,
Times Square Red, Times Square Blue
(New York University Press, 1999), p. 175.

120
‘
Of course, not all
 . . .’: Maggie Nelson,
The Art of Cruelty
(W. W. Norton & Co., 2011), p. 183.