The London Train (30 page)

She didn’t sleep well in the spare bed, although the mattress was expensive, better than the one in Cardiff. Her dreams were shallow, and she woke up several times to lights crawling across the ceiling as cars passed in the street. It was strange then to realise where she was, and why she was here. In the dark, Robert’s having gone missing seemed less explicable, more ominous; horrible possibilities unravelled in her thoughts until eventually they drifted into dreams again. She was relieved when it was morning and she could get up. After her shower, she poured the milk down the sink and tidied away any signs of her occupation of the flat, dropping rubbish in a bin outside. Then she bought breakfast in a steamy café in Paddington, ringing Annette to tell her she would be back at work on Monday morning.

She had no idea in her head except getting the next train back to Cardiff. Obediently she waited under the oracle of the departure boards, showed her ticket and found her seat when the time came. Rain blew against the train window, and Cora couldn’t concentrate on the
Guardian
she had bought. She had the book of Iranian stories with her too: she had put them in her bag at the last minute, thinking she didn’t want Damon to find them if he came back. But she couldn’t read those either, she couldn’t read anything. Travelling away from London on a Friday always had a gravitational inevitability, like machinery winding down into torpor for the weekend: every nerve in her seemed set against this. She imagined the book, with its significance beyond itself, smouldering in the dark, jumbled in among her pyjamas and sponge bag and yesterday’s underwear. Then she stood up abruptly when the train pulled into Bristol Parkway, pulling her bag and umbrella from the overhead rack, hurrying off, asking at Information when there was a train to Tiverton.

It matched her mood that Parkway was hardly a real place at all, hardly a building: bolted together out of steel at some point on a map, outside the city. Time wore away in the perfunctory waiting room, or stalking up and down the platform. For some reason she had fixated on the idea that Robert might be wherever Bar was; though it wasn’t any business of hers any longer, she told herself, whether he was or not. By the time she arrived in Tiverton it was afternoon and grey, though not actually raining. The station was outside the town. She thought about telephoning Bar to warn her she was coming, then changed her mind. A taxi driver looked at the address and explained that this wasn’t in Tiverton at all, but half an hour’s ride away; Cora said she didn’t care how much it cost, and took out more money from the cash point. En route she involved herself, with genuine sympathy, in the taxi driver’s feud with his son-in-law, the tussle over the grandchildren, their wronged mother, the son-in-law’s jealousy, indefensible after his own transgression. The taxi burrowed into a countryside thickly green, intricately settled, mostly wealthy. Big fields swept up to woods crowning round, wide hills. They had to stop on several occasions to consult a map, then to ask at a pub.

At the moment of paying and parting, pulled up on the gravel outside the house that was supposed to be Bar’s – a shabby early-Victorian box, dark under trees, distinctive in just how blank it was, with half its shutters closed, a muddy concrete forecourt piled with junk, an old bed frame, bikes, a rusting harrow – they were suddenly too intimate, and couldn’t look one another in the eye. Cora muddled her percentages, tipping what she thought was generously much, realising too late it was too little. In her flurry, she forgot to ask the driver to wait for her, in case there was no one at home. As the noise of the retreating car subsided, her mood sank and she felt herself absurd. The house was obviously empty. She had imagined finding a thriving stables, or a farm. Even if it wasn’t empty, she had no business here. She had penetrated to the heart of nothing. Robert and Bar had been out of touch for years, why had she ever thought he would have her up-to-date address?

Anyway, now that she had come, she might as well try the door: broad, black paint flaking, at the top of a couple of stone steps set with an iron boot scraper muddy with scrapings, flanked by damp pillars. A bell pull yanked on dead air, so she used the knocker. There was an old Vauxhall estate, she noticed then while she waited, parked beside an overgrown yew hedge, stained, spattered with needles and berries, but not derelict, though it was hardly the gleaming four-by-four she had prepared for. Just as she gave up – and prepared to face the idiotic consequences of her impulse, coming here – footsteps sounded beyond the door, and then it swung open. Behind the woman who peered out, hostile, a rectangle of daylight from the doorway was reflected in a gilt-framed mirror at the back of a dim hallway. A weakly lit energy-saving bulb dangled at the end of its flex, unshaded. An old dog plodded out of the dimness, dutifully roused from sleep.

– Barbara?

– Yes.

– It’s Cora. Robert’s wife. I’m so sorry. I know this is awful, turning up here without warning. Can I talk to you?

She couldn’t tell how Bar reacted to her announcing herself. Cora would not have recognised Bar if she hadn’t been braced to see her. She looked nothing like her old photographs: she had bulked out, which made her seem shorter, and her long hair, turning grey, had thickened and coarsened. Incongruously girlishly, it was pulled back from her face at the temples and tied on top of her head in a floppy ribbon, like Alice in Wonderland. Only the long nose and disdainful slight squint were traces of the old sporty urgency: around them her face had sagged into ambiguously expressive folds. Swags of flesh under her eyes were thunder-coloured – she looked older than fifty. She was wearing a filthy linen smock over jeans, and held up a piece of toast and marmalade out of the dog’s way. Cora had not calculated for her turning out eccentric: her hope wilted, and she wondered if she had energy for any struggle with Bar. She had imagined deflecting a will resilient and bright and impervious.

Bar persisted, planted stubbornly in the doorway. – I haven’t even started work yet. You know, I guard my work time very fiercely.

– I should have called from the station. I’m sorry, this was a stupid idea. It’s all my fault. And now I’ve let my taxi go. I’m a complete idiot. If you give me the number for a local firm, I’ll call another cab.

She thought that if she could get inside the house she’d know whether Robert was around. Bar sighed theatrically, frowning, taking a bite of toast. – Now you’re here, you might as well see the stuff, I suppose. D’you want coffee? I just made a pot. I like it strong, I warn you.

What stuff? Cora wondered.

Following through the house after Bar and the dog – several rooms, then a passage, then a cold kitchen – Cora could only take in that its neglect and chaos were gargantuan, and that it was furnished with wonders to match: a carved sideboard vast as a ship, a glass case of stuffed hummingbirds, a jukebox (‘my husband’s, it works’), baronial fireplace, stone angel, rotten Union Jack hanging in rags from a ceiling. There were bikes in better condition than the ones outside, a big telly, a PlayStation, child-drawings stuck up with Blu-tack. Walls and shelves were crammed with art, night-dark Victorian oils (cows in a river? horses?) alongside expressionism, collages, a ceramic torso in fetish gear. Cora’s own displays of art at home appeared to her at once as what they were, primly bourgeois. Everywhere smelled of dog. On the kitchen table there was an open bottle of brandy alongside a packet of sliced bread and a full cafetière.

– Not as bad as it looks, Barbara said. – Just a swig in my coffee, to get me started. Want some? I ought to work normal hours, but in the day I just stall miserably, I only get going when everybody else is in bed. Afternoons in the studio I tinker around, tidy up, decide whether to scrape off everything I’ve done the night before. Until my son gets home.

She was cranky and rather barking and abrupt, but her performance of her character was unapologetic as if it was often required of her to produce it, even exaggerate it. Cora said yes to the brandy. Barbara’s hands were bleached pink, thick-fingered, with naked nails. The coffee was thick and bitter, Cora spooned sugar into it. – You’ve got a son? That’s nice. How old is he? Do you have any other children?

– Only Noggin – who’s Noah really. He’s nine. Ten, ten of course. Christ, if you make those sort of mistakes at the school gate, they alert social services. That’s why I usually send my husband to pick him up.

– So you’re a painter, then.

Puzzling, Barbara peered at her more closely, finishing her toast. – If you’re not sure, what are you doing here?

– I’m Robert’s wife. I’m looking for him.

– How disappointing. I thought you were going to buy a picture. My agent had mentioned she was sending someone, I assumed you were them. Robert who? You’re not a
wronged
wife, are you? She gave a shout of laughter. – I haven’t had one of those come calling for a long time. I warn you, Gummo bites, if anything turns nasty. We’ve had a whole succession of dogs, named after the Marx Brothers. The name’s got nothing to do with her missing any teeth.

– I’m not wronged, Cora said.

She explained which Robert she meant.

– God almighty: that Robert! But I haven’t seen him in years. So you’re
Cora
! But didn’t you bugger off? Someone told me you had.

– We’re separated, Cora said. The word seemed carping and finicky, as she used it. – But because he’s gone missing, I’ve got involved in trying to find him. I don’t know why I thought he might be here.

– Nor do I. What do you mean, ‘missing’?

Cora explained. A copy of the
Telegraph
was still in its polythene packet on the breakfast table. Barbara tore it open while Cora was talking, laid it flat while she spread another piece of cold toast, turned through the pages noisily.

– Oh look, here it is, she said. – Poor old Bingo.

– Bingo?

– Robert, Bobby, Bobby Bingo. There’s even a picture of him. Calls for his resignation. ‘Lax regime,’ it says. What nonsense. It’s a miracle these places don’t go up in flames more often, if they’re so full of terrorists. Nothing about him having done a runner.

There was also the usual picture of the dead man. Robert in his photograph was on his way into the inquiry, so it must have been taken within the last few weeks. Cora searched the picture for any signs of distress; but he was remote from her, competent, locked up inside his public role, only glancing accidentally and obliquely towards the camera. Smiling, he was passing some remark to a colleague – it made him look blithely insensible to the seriousness of the case.

– He’s kept more hair than some of my old boyfriends, Barbara said. – I used to think he’d get awfully stuffy, if he stayed on in the Service too long. Has he got stuffy? Is that why you’re separated?

– No, said Cora stiffly, – nothing like that. Robert’s got a very independent mind. I can’t imagine why he’s disappeared. It’s not like him: even if this inquiry’s blown things out of all proportion. He takes everything in his stride. What would he be afraid of? He would face things out.

– Anyway, he isn’t here.

– I made a stupid mistake.

Bar suggested that Cora might as well see her pictures, now she’d come. Perhaps she hoped she could still make a sale. She was completely stony broke, she said – they were in danger of having the house repossessed. Her husband was a landscape artist, away at present working on a commission on Fair Isle, building a causeway. Photographs of a row of stakes in shallow water, a path of white stones winding round a hill, must be his work. Bar’s studio was in a long attic conversion, cleaner and brighter than the rest of the house. Cora was ready to dislike the pictures, but they weren’t what she had expected, less forthright, more fantastic: skirts and petticoats of real cloth were dipped in pinkish-yellow plaster and then embedded in a dark paint surface where they dried to caked stiffness. Touches of over-painting added what might have been embroidery, or rusty bloodstains. How surprising that this brusque, barking woman was making art about femininity, which Cora thought of as her prerogative. Bar seemed to forget Cora had only come to the house to look for Robert, and talked about processes as if she must be fascinated.

Cora said she hadn’t known Bar was an artist, Robert had never mentioned it.

– For years I mucked around, not doing anything seriously. Then, would you believe, the same month I was signed by Hyman’s, I discovered I was up the duff. Hell! Talk about a late developer.

Cora was suffering, she was crushed. This was the world Robert really belonged to; where they all had nicknames for one another – Bingo and Bobs and Bar. Everything they did came to have importance somehow, even if they started out in life caring only for horses and hunt balls. Bar was vague about prices, but found a list from an old exhibition, where they were way out of Cora’s reach. If Bar asked her what she did, she thought she wouldn’t mention the library, she would say that she taught literature.

With a yelp Barbara remembered Noggin.

– Do I smell of brandy? They think I’m the mother from hell. Also, that I’m old enough to be his grandmother. They’ve probably already got their eye on a suitable foster family.

She offered to take Cora to the station, if she didn’t mind going via the school, which was in the next village. Cora was grateful, wanting only to escape. Gummo curled up behind the front passenger seat, diffusing a bad smell like old cooked vegetables into the close quarters of the car. Bar drove fast, braking violently in the single-lane roads when she met anything coming the other way, cursing and reversing expertly. Cora had to open her window. Then after all they were early, and had to sit waiting outside the school in a queue of parked cars, because Bar couldn’t face the playground.

– It’s a ghastly microcosm, isn’t it?

Cora said she wouldn’t know, she didn’t have children.

– Well out of it. Other parents look to see if you’re using the wrong washing powder, or giving your children laudanum to make them sleep. If only I could get my hands on some. Nog’s out of control because his dad’s not here. He rampages. I’m lucky if he’s in bed before midnight. And I can’t get started on my work till he’s out of the way.