The London Train (29 page)

– It was Robert, Frankie said excitedly as soon as he was gone. – The text was from Robert.

– What does he say?

– He says he’s all right, that’s all. But at least we know he hasn’t been kidnapped or knocked down or lost his memory or anything. Text him now on your phone, ask him where he is.

After Cora had texted, they waited for more communication, but none came. They were subdued, as well as relieved, by the assurance that Robert was all right, wherever he was; their crisis had subsided. They ate Frankie’s soup with the expensive bread from the organic shop. Cora found coffee, and boiled the kettle. Apart from the coffee, and the milk and butter Frankie had bought, there wasn’t much else in Robert’s fridge: a tube of tomato purée and a square of Cheddar drying out, ancient jars of mustard and pickle that dated surely from when it was her kitchen. Frankie said she would take the children home in a taxi after supper, there didn’t seem much point in staying on any longer; Cora said she would sleep over in the flat, just in case.

– Just in case what? Come back with us. I don’t like the idea of you all on your own in here. Although you’ll probably get a better night’s sleep.

Once she had imagined it, Cora wanted to have time to herself in the flat: alone, she might be able to find any signs Robert had left behind him. She could sleep in the spare room. Frankie was spooning soup into Magnus in his pushchair; Cora, on her hands and knees under the table, was sweeping breadcrumbs into the dustpan.

– Were you praying that Robert was all right? she asked Frankie, sitting back on her haunches with the brush in her hand. – I mean really praying to God, not just the usual phrase that people use.

Opening her mouth wide and making baby noises to encourage Magnus, Frankie was wary. – Do you hate that idea?

– No, I don’t hate it. I’d hate it if I did it, because it would be fake. But I suppose if you believe in it, praying is what you’re bound to do.

– Not in the sense of asking for favours, like asking for a bike for Christmas. Otherwise the believers would win all the football matches. Believing would just be a kind of cheating.

These comic-book illustrations – bikes and football matches – made Cora think Frankie sounded like a vicar already, evasive and jollying.

– So you’re not allowed to ask God to bring Robert back?

– You can ask God to keep him safe. That’s not the same. You know he might not.

– Then what’s the point? Johnny demanded reasonably.

– Believing doesn’t make everything all right, you know. It just fills out the way things are, it expresses our longings.

Frankie was thinking there was something newly intransigent in Cora’s expression as she knelt there with the dustpan, tickling Magnus’s feet with the brush so that he lifted them delightedly, distracting him from his soup. She was losing her old resplendence – she was restless and too thin. She was wearing more make-up than she ever used to. Cora said that she just didn’t feel what Frankie felt. She had used to feel it sometimes, but now when she reached for it, nothing was there. Although she said this as though she regretted it, Frankie could also hear a kind of triumph: who could want false consolations, once you had seen past them?

Then unexpectedly Cora put her head in Frankie’s lap for an awkward, odd moment. The gesture was enigmatic – afterwards, Frankie blamed herself terribly that she hadn’t responded to it, and she searched in herself for hidden reasons. She had been taken by surprise; but she should have stroked Cora’s hair at least. Of course she had been feeding Magnus, holding the bowl in one hand and the spoon in the other. But she could easily have put the bowl down. She had only laughed, disconcerted. It didn’t matter how much you thought about charity, and thought you were prepared for the way the requirement for charity would present itself, you missed the occasion when it actually flowered in your own lap, you even recoiled from it. In the next moment, as though it had only been a joke, Cora picked herself up and got on with the sweeping.

She went downstairs to see them off in their taxi. As soon as it turned a corner and she was left alone in the street, Cora regretted staying, and was reluctant to go back inside. The flat was full with Robert’s absence. She took off her shoes so as not to make any sound, walking from room to room as if she might surprise something; for a long time she didn’t switch on the lights. From the window of the bedroom they used to sleep in, looking along the gardens to the park, she watched a last brooding storm-light, mauve and silver, drain from behind a magisterial horse chestnut. The night outside completed, she turned back to the interior darkness, asking herself what she was doing here. She had no business trying to find where Robert was, now that they knew he wasn’t hurt, or dead. He and she were no longer connected. It was wholly understandable that he had called Frankie, but hadn’t wanted to respond to the text that Cora sent. Reluctantly she went round putting on the lamps, hands remembering where to find each switch as easily as if she still lived here. The place flared into visibility. She tidied the mantelpiece, put back the chairs. In the last months of her living here, disenchanted, these remnants of an elegant older London hadn’t seemed gentle or nostalgic to her, more like the command centre of an ageing imperium, sclerotic and corrupt. Yet Robert wasn’t corrupt.

She turned on the computer in his study and googled his name, but got only the routine link to the department. Letters, opened and unopened, lay around everywhere, but there was nothing personal or even interesting that she could see, only bills and bank statements and junk mail. There were no messages on the answerphone except a couple from Elizabeth, and one from Frankie. Slipping her hands inside Robert’s jacket pockets in the wardrobe, she didn’t even know what she was looking for; finding nothing, she opened drawers and went through them. He must have been taking his clothes to a laundry, the shirts were beautifully ironed. She couldn’t tell whether anything was missing. At the bottom of one drawer, underneath his socks, was the little black-bordered packet of his dead father’s rings, and a supermarket bag with her letters inside – the ones she had written from Leeds so many years ago, out of such childish certainty. Even the sight of her own handwriting on the envelopes repelled her, and she shoved them back in their bag and out of sight. She would have liked to throw them away or shred them, but they didn’t seem hers to dispose of, she hardly felt connected to the girl who wrote them.

It had occurred to her naturally to wonder whether Robert could be reacting because he’d found out somehow about Paul; but the idea shamed her as soon as it presented itself. Robert wouldn’t be overthrown by sex, any more than he cried in restaurants. Anyway, when she thought about it now, she believed that Robert had always known: not all the details, but that there had been something. He might even have worked it out, about the miscarriage. It was part of her character, she thought, grinding upon herself in condemnation, to think of whatever had happened to Robert now as if it must have to do with her. Of course it didn’t. She shouldn’t even be here, inside his privacy, poking around in it.

Her phone rang and she answered eagerly, but it was only Frankie, checking she was OK. – You could still come over.

– No, I’m really fine here, I’m thinking.

– That’s what worries me.

– Constructively. But I haven’t found anything.

Cora said she thought she’d go back to Cardiff in the morning, if nothing had happened, and Frankie agreed that now they knew he was all right, there was no point in Cora hanging round. As she talked to Frankie, standing at the dining table, Cora was flicking through Robert’s bulging ancient leather address book, which was losing its pages and so fragile it wasn’t surprising he hadn’t taken it with him wherever he’d gone. If he’d wanted addresses from it he’d have copied them out – he used to do that. Idly she turned the pages over and found Bar: Barbara. An original Norfolk address had been crossed out, who knew when, replaced with one in Tiverton, Devon. Cora said goodbye to Frankie and put Bar’s address and number into her own phone, hardly knowing why she did it. Then she poured herself some of Robert’s whisky and curled up in his chair to watch the news, smelling his hair on the upholstery.

An item on the report on the removal-centre fire came low down the programme running order; someone from the Refugee Council was asked to comment. Was there any embarrassment for the government in the contents of the report? There ought to be, the woman said, if people read between the lines of the report, if they went inside these places, to see for themselves how men and women had to live, in the midst of plenty in a rich country, deprived of their hope. There ought to be embarrassment for all of us. She spoke about the Iranian who died, and they showed a blurry black and white photograph of someone surely too young: handsome, bearded, the photograph flattening black hair and white flesh into stark contrast, making the eyes black smudges. Cora had remembered that the man was middle-aged; according to Robert, in the last years he had drunk too much and suffered from ill health, he had let himself go. Which could have happened anywhere. Everywhere people grew old, if they didn’t die.

Checking to see if there were sheets on the bed in the spare room, Cora saw the same photograph, reproduced on the back cover of a paperback pressed open on the bedside table. The bed was made up; under the cover roughly pulled across, the sheets were rumpled and the pillow dented. Glancing in this room earlier, in her search around the flat, she hadn’t taken in that it had been used; it was always the space least stamped with their occupation, carved off the end of the sitting room running across the front of the house, furnished merely for use when they had guests, neutral as a nice hotel. Robert must have been sleeping in here, and he had been reading the Iranian’s collection of stories. He could have found the book on AbeBooks, where Cora hadn’t thought of looking for it; for the first time she got hold of the writer’s name properly, seeing it spelled out. No wonder he had looked too young in his picture on television; weren’t these stories published in the Eighties? Picking the book up, she sank down onto the side of the bed, starting in on the page where Robert had left off. Beginning in the middle of the story, it was impossible to pick up what was at stake, except that it wasn’t what Cora had expected: not passionate protests over life under tyranny (which tyranny anyway? she had for a moment to mentally run over dates), but a man who seemed to be quarrelling with his wife, about her mother. The writing was on an intimate scale: deadpan and absurd, comic. It was rather dry, in a sparse terse style, without atmospherics, or much description of people or places. Cora was relieved; she had expected the stories to accuse her of her privilege, living in the indifferent west. After reading a couple of pages she put the book down again for later, when she went to bed.

Could she sleep in Robert’s sheets, or should she change them? She put her head down experimentally, from her sitting position, on the pillow he had used. From her new position she could see through the window out to where the branches of a lime tree agitated, seemingly without sound, against a street lamp diffusing its cold light mistily. Robert might have watched this; like her, he had preferred to sleep with curtains and blinds not drawn, windows open. It would be comforting to sleep inside his shape, in the untidy bed, and he need never know she’d done it. He must have taken refuge in this room, from their old lives crowding the rest of the flat; he had not wanted to sleep in their marriage bed. Cora understood all that. Her phone bleeped, and she started up to answer it: but it was only a text from her friend Valerie, saying she had got them tickets for
Orfeo
.

Cora hadn’t ever met Bar. When first she had fixated on Robert all those years ago, she had interrogated Frankie about her brother and found out that there was a girlfriend, off and on, but that she was not – in his siblings’ opinion – satisfactory. Frankie said this before she ever knew Cora wanted him. Bar was a bit of a family joke, she had explained: the daughter of friends of their parents, very county. She rode in point-to-point, drank with the men though she couldn’t stand feminists, and sometimes wore a flat cap like a jockey. When they were children, Robert and Bar had apparently always been paired up together, like head boy and head girl, because they were strong and sane and knew how machinery worked.

– I’m afraid of him settling with Bar eventually, Frankie had said, – out of sheer kindness.

Robert at Frankie’s graduation had been patiently bored, and at first Cora had watched him because he was unexpected, with his clumsy bear-shamble and courteous, impenetrable reserve. Frankie and her sister Oona were a noisy, clever show, by contrast. Robert was remote, yet a light flared from inside a dark cave when something amused him. He wouldn’t even have seen that Cora noticed him: his nature wasn’t put on for anyone to watch. When he took the two girls out to dinner after graduation with a few of their friends, and paid for it all, he was the gravitational centre of their shrilling and planning and tearful parting, without saying much himself, except that he had talked at some point to Cora about his own degree in anthropology, and how he couldn’t think of a better preparation for politics.

Cora asked what Bar looked like, and Frankie tried to explain how she wasn’t pretty, but sexy nonetheless. – You can see why people like her.

– The flat cap.

– Horsey. No, not horsey, that’s cheap. Staggy. Stag at bay: bony head, and rolling eyes, backing off if you get too near her, treading sideways. Not that I’ve ever seen a stag at bay, except in paintings. She looks like one of those paintings.

Cora had written to Robert the day after she met him at graduation, asking if she could visit him in Whitehall, pretending she was interested in the Civil Service. He had written back helpfully, offering to take her out for lunch. Later, she had seen photographs of Bar, though not many: Robert wasn’t the photograph type. He hadn’t bothered to get rid of Bar’s photos either, only put them away out of decency in the drawers of his desk once he had broken with her: including an old studio portrait of her in a frame, which she must have given him. Cora wasn’t exactly jealous of these pictures, but she had searched for them and studied them when Robert wasn’t around, to work out what their relationship had been. If she interrogated Robert about it, he wouldn’t give her anything to go on (‘she was an old friend of the family’). Bar in the photographs was blurry, blonde, lean-jawed, urgent: on a yacht, on a horse, on Robert’s arm in an improbably glittering ball gown, slit to the thigh, in which she was somehow more sporting than tarty. If Frankie hadn’t suggested it, Cora would never have thought of a stag, but it was true Bar was nervy and leggy, and with a slight cast in one eye, not unattractive. Only in the portrait – done when she was very young – was she revealed as her mythic self, in ardently dreamy profile, gazing into the black of the studio background. Cora had felt about this picture as poignantly as if Bar had been dead.