The Kite Runner (3 page)

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Authors: Khaled Hosseini

Tags: #Drama

BOOK: The Kite Runner
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"Yes, Baba jan," I muttered, marveling, not for the first time, at how badly Baba could sting me with so few words. We'd had a fleeting good moment—it wasn't often Baba talked to me, let alone on his lap—and I'd been a fool to waste it.

"Good," Baba said, but his eyes wondered. "Now, no matter what the mullah teaches, there is only one sin, only one. And that is theft. Every other sin is a variation of theft. Do you understand that?"

"No, Baba jan," I said, desperately wishing I did. I didn't want to disappoint him again.

Baba heaved a sigh of impatience. That stung too, because he was not an impatient man. I remembered all the times he didn't come home until after dark, all the times I ate dinner alone. I'd ask Ali where Baba was, when he was coming home, though I knew full well he was at the construction site, overlooking this, supervising that. Didn't that take patience? I already hated all the kids he was building the orphanage for; sometimes I wished they'd all died along with their parents.

"When you kill a man, you steal a life," Baba said. "You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness. Do you see?"

I did. When Baba was six, a thief walked into my grandfather's house in the middle of the night. My grandfather, a respected judge, confronted him, but the thief stabbed him in the throat, killing him instantly—and robbing Baba of a father. The townspeople caught the killer just before noon the next day; he turned out to be a wanderer from the Kunduz region. They hanged him from the branch of an oak tree with still two hours to go before afternoon prayer. It was Rahim Khan, not Baba, who had told me that story. I was always learning things about Baba from other people.

"There is no act more wretched than stealing, Amir," Baba said. "A man who takes what's not his to take, be it a life or a loaf of
naan
... I spit on such a man. And if I ever cross paths with him, God help him. Do you understand?"

I found the idea of Baba clobbering a thief both exhilarating and terribly frightening. "Yes, Baba."

"If there's a God out there, then I would hope he has more important things to attend to than my drinking scotch or eating pork. Now, hop down. All this talk about sin has made me thirsty again."

I watched him fill his glass at the bar and wondered how much time would pass before we talked again the way we just had. Because the truth of it was, I always felt like Baba hated me a little. And why not? After all, I
had
killed his beloved wife, his beautiful princess, hadn't I? The least I could have done was to have had the decency to have turned out a little more like him. But I hadn't turned out like him. Not at all.

 

IN SCHOOL, we used to play a game called
Sherjangi
, or "Battle of the Poems." The Farsi teacher moderated it and it went something like this: You recited a verse from a poem and your opponent had sixty seconds to reply with a verse that began with the same letter that ended yours. Everyone in my class wanted me on their team, because by the time I was eleven, I could recite dozens of verses from Khayyam, Hãfez, or Rumi's famous
Masnawi
. One time, I took on the whole class and won. I told Baba about it later that night, but he just nodded, muttered, "Good."

That was how I escaped my father's aloofness, in my dead mother's books. That and Hassan, of course. I read everything, Rumi, Hãfez, Saadi, Victor Hugo, Jules Verne, Mark Twain, Ian Fleming. When I had finished my mother's books—not the boring history ones, I was never much into those, but the novels, the epics—I started spending my allowance on books. I bought one a week from the bookstore near Cinema Park, and stored them in cardboard boxes when I ran out of shelf room.

Of course, marrying a poet was one thing, but fathering a son who preferred burying his face in poetry books to hunting... well, that wasn't how Baba had envisioned it, I suppose. Real men didn't read poetry—and God forbid they should ever write it! Real men—real boys—played soccer just as Baba had when he had been young. Now
that
was something to be passionate about. In 1970, Baba took a break from the construction of the orphanage and flew to Tehran for a month to watch the World Cup games on television, since at the time Afghanistan didn't have TVs yet. He signed me up for soccer teams to stir the same passion in me. But I was pathetic, a blundering liability to my own team, always in the way of an opportune pass or unwittingly blocking an open lane. I shambled about the field on scraggy legs, squalled for passes that never came my way. And the harder I tried, waving my arms over my head frantically and screeching, "I'm open! I'm open!" the more I went ignored. But Baba wouldn't give up. When it became abundantly clear that I hadn't inherited a shred of his athletic talents, he settled for trying to turn me into a passionate spectator. Certainly I could manage that, couldn't I? I faked interest for as long as possible. I cheered with him when Kabul's team scored against Kandahar and yelped insults at the referee when he called a penalty against our team. But Baba sensed my lack of genuine interest and resigned himself to the bleak fact that his son was never going to either play or watch soccer.

I remember one time Baba took me to the yearly
Buzkashi
tournament that took place on the first day of spring, New Year's Day. Buzkashi was, and still is, Afghanistan's national passion. A
chapandaz
, a highly skilled horseman usually patronized by rich aficionados, has to snatch a goat or cattle carcass from the midst of a melee, carry that carcass with him around the stadium at full gallop, and drop it in a scoring circle while a team of other
chapandaz
chases him and does everything in its power—kick, claw, whip, punch—to snatch the carcass from him. That day, the crowd roared with excitement as the horsemen on the field bellowed their battle cries and jostled for the carcass in a cloud of dust. The earth trembled with the clatter of hooves. We watched from the upper bleachers as riders pounded past us at full gallop, yipping and yelling, foam flying from their horses' mouths.

At one point Baba pointed to someone. "Amir, do you see that man sitting up there with those other men around him?"

I did.

"That's Henry Kissinger."

"Oh," I said. I didn't know who Henry Kissinger was, and I might have asked. But at the moment, I watched with horror as one of the
chapandaz
fell off his saddle and was trampled under a score of hooves. His body was tossed and hurled in the stampede like a rag doll, finally rolling to a stop when the melee moved on. He twitched once and lay motionless, his legs bent at unnatural angles, a pool of his blood soaking through the sand.

I began to cry.

I cried all the way back home. I remember how Baba's hands clenched around the steering wheel. Clenched and unclenched. Mostly, I will never forget Baba's valiant efforts to conceal the disgusted look on his face as he drove in silence.

Later that night, I was passing by my father's study when I overheard him speaking to Rahim Khan. I pressed my ear to the closed door.

"—grateful that he's healthy," Rahim Khan was saying.

"I know, I know. But he's always buried in those books or shuffling around the house like he's lost in some dream."

"And?"

"I wasn't like that." Baba sounded frustrated, almost angry.

Rahim Khan laughed. "Children aren't coloring books. You don't get to fill them with your favorite colors."

"I'm telling you," Baba said, "I wasn't like that at all, and neither were any of the kids I grew up with."

"You know, sometimes you are the most self-centered man I know," Rahim Khan said. He was the only person I knew who could get away with saying something like that to Baba.

"It has nothing to do with that."

"Nay?"

"Nay."

"Then what?"

I heard the leather of Baba's seat creaking as he shifted on it. I closed my eyes, pressed my ear even harder against the door, wanting to hear, not wanting to hear. "Sometimes I look out this window and I see him playing on the street with the neighborhood boys. I see how they push him around, take his toys from him, give him a shove here, a whack there. And, you know, he never fights back. Never. He just... drops his head and..."

"So he's not violent," Rahim Khan said.

"That's not what I mean, Rahim, and you know it," Baba shot back. "There is something missing in that boy."

"Yes, a mean streak."

"Self-defense has nothing to do with meanness. You know what always happens when the neighborhood boys tease him? Hassan steps in and fends them off. I've seen it with my own eyes. And when they come home, I say to him, 'How did Hassan get that scrape on his face?' And he says, 'He fell down.' I'm telling you, Rahim, there is something missing in that boy."

"You just need to let him find his way," Rahim Khan said.

"And where is he headed?" Baba said. "A boy who won't stand up for himself becomes a man who can't stand up to anything."

"As usual you're oversimplifying."

"I don't think so."

"You're angry because you're afraid he'll never take over the business for you."

"Now who's oversimplifying?" Baba said. "Look, I know there's a fondness between you and him and I'm happy about that. Envious, but happy. I mean that. He needs someone who...understands him, because God knows I don't. But something about Amir troubles me in a way that I can't express. It's like..." I could see him searching, reaching for the right words. He lowered his voice, but I heard him anyway. "If I hadn't seen the doctor pull him out of my wife with my own eyes, I'd never believe he's my son."

 

THE NEXT MORNING, as he was preparing my breakfast, Hassan asked if something was bothering me. I snapped at him, told him to mind his own business.

Rahim Khan had been wrong about the mean streak thing.

FOUR

 

In 1933, the year Baba was born and the year Zahir Shah began his forty-year reign of Afghanistan, two brothers, young men from a wealthy and reputable family in Kabul, got behind the wheel of their father's Ford roadster. High on hashish and
mast
on French wine, they struck and killed a Hazara husband and wife on the road to Paghman. The police brought the somewhat contrite young men and the dead couple's five-year-old orphan boy before my grandfather, who was a highly regarded judge and a man of impeccable reputation. After hearing the brothers' account and their father's plea for mercy, my grandfather ordered the two young men to go to Kandahar at once and enlist in the army for one year—this despite the fact that their family had somehow managed to obtain them exemptions from the draft. Their father argued, but not too vehemently, and in the end, everyone agreed that the punishment had been perhaps harsh but fair. As for the orphan, my grandfather adopted him into his own household, and told the other servants to tutor him, but to be kind to him. That boy was Ali.

Ali and Baba grew up together as childhood playmates—at least until polio crippled Ali's leg—just like Hassan and I grew up a generation later. Baba was always telling us about the mischief he and Ali used to cause, and Ali would shake his head and say, "But, Agha sahib, tell them who was the architect of the mischief and who the poor laborer?" Baba would laugh and throw his arm around Ali.

But in none of his stories did Baba ever refer to Ali as his friend.

The curious thing was, I never thought of Hassan and me as friends either. Not in the usual sense, anyhow. Never mind that we taught each other to ride a bicycle with no hands, or to build a fully functional homemade camera out of a cardboard box. Never mind that we spent entire winters flying kites, running kites. Never mind that to me, the face of Afghanistan is that of a boy with a thin-boned frame, a shaved head, and low-set ears, a boy with a Chinese doll face perpetually lit by a harelipped smile.

Never mind any of those things. Because history isn't easy to overcome. Neither is religion. In the end, I was a Pashtun and he was a Hazara, I was Sunni and he was Shi'a, and nothing was ever going to change that. Nothing.

But we were kids who had learned to crawl together, and no history, ethnicity, society, or religion was going to change that either. I spent most of the first twelve years of my life playing with Hassan. Sometimes, my entire childhood seems like one long lazy summer day with Hassan, chasing each other between tangles of trees in my father's yard, playing hide-and-seek, cops and robbers, cowboys and Indians, insect torture—with our crowning achievement undeniably the time we plucked the stinger off a bee and tied a string around the poor thing to yank it back every time it took flight.

We chased the
Kochi
, the nomads who passed through Kabul on their way to the mountains of the north. We would hear their caravans approaching our neighborhood, the mewling of their sheep, the
baa
ing of their goats, the jingle of bells around their camels' necks. We'd run outside to watch the caravan plod through our street, men with dusty, weather-beaten faces and women dressed in long, colorful shawls, beads, and silver bracelets around their wrists and ankles. We hurled pebbles at their goats. We squirted water on their mules. I'd make Hassan sit on the Wall of Ailing Corn and fire pebbles with his slingshot at the camels' rears.

We saw our first Western together,
Rio Bravo
with John Wayne, at the Cinema Park, across the street from my favorite bookstore. I remember begging Baba to take us to Iran so we could meet John Wayne. Baba burst out in gales of his deepthroated laughter—a sound not unlike a truck engine revving up—and, when he could talk again, explained to us the concept of voice dubbing. Hassan and I were stunned. Dazed. John Wayne didn't really speak Farsi and he wasn't Iranian! He was American, just like the friendly, longhaired men and women we always saw hanging around in Kabul, dressed in their tattered, brightly colored shirts. We saw
Rio Bravo
three times, but we saw our favorite Western,
The Magnificent Seven
, thirteen times. With each viewing, we cried at the end when the Mexican kids buried Charles Bronson—who, as it turned out, wasn't Iranian either.

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