The Italian Renaissance (60 page)
Read The Italian Renaissance Online
Authors: Peter Burke
Steinmann, E.,
Die Sixtinische Kapelle
, 2 vols. Munich: F. Bruckmann, 1905.
Stephens, J. N.,
The Fall of the Florentine Republic, 1512–1530
. Oxford: Clarendon Press, 1983.
Sterling, C.,
Still Life Painting: From Antiquity to the Present Time
. Paris: Pierre Tisné, 1959.
Stone, L., ‘Prosopography’,
Daedalus
(Winter 1971), pp. 46–73.
Straeten, E. van der (ed.),
La musique aux Pays-Bas
, vol. 6:
Les musiciens néerlandais en Italie
(1882). New York: Dover, 1969.
Strocchia, S., ‘Learning the virtues: convent schools and female culture in Renaissance Florence’, in
Women’s Education in Early Modern Europe
, ed. B. J. Whitehead, pp. 3–46. New York: Garland, 1999.
Strozzi, A. Macinghi negli,
Lettere di una gentildonna fiorentina del secolo xv ai figliuoli esuli.
Florence: Sansoni, 1877.
Summers, D.,
Michelangelo and the Language of Art
. Princeton, NJ: Princeton University Press, 1981.
Syson, L., and D. Thornton,
Objects of Virtue: Art in Renaissance Italy
. London: British Museum, 2001.
Tacchi Venturi, P.,
Storia della Compagnia di Gesù in Italia
,1
.
Rome: Segati, 1910.
Tafuri, M.,
Venice and the Renaissance
. Eng. trans., Cambridge, MA: MIT Press, 1989.
Tagliaferro, G., and B. Aikema,
Le botteghe di Tiziano
. Florence: Alinare 24 ore, 2009.
Talvacchia, B., ‘Raphael’s workshop and the development of a managerial style’, in
The Cambridge Companion to Raphael
, ed. M. Hall, pp. 167–85. Cambridge: Cambridge University Press, 2005.
—
Taking Positions: On the Erotic in Renaissance Culture
. Princeton, NJ: Princeton University Press, 1999.
Tavernor, R.,
On Alberti and the Art of Building
. New Haven, CT: Yale University Press, 1999.
—
Palladio and Palladianism
. London: Thames & Hudson, 1990.
Tenenti, A., ‘Luc’Antonio Giunti il giovane, stampatore e mercante’, in
Studi in onore di Armando Sapori
, pp. 1023–60. Milan: Cisalpino, 1957.
—
Naufrages, corsaires et assurances maritimes à Venise, 1592–1609
. Paris: SEVPEN, 1959.
Testa, F.,
Winckelmann e l’invenzione della storia dell’arte
. Bologna: Minerva, 1999.
Thieme, U., and F. Becker,
Allgemeines Lexikon der bildenden Künstler
, 37 vols. Leipzig: Seemann, 1907–50.
Thomas, A.,
The Painter’s Practice in Renaissance Tuscany
. Cambridge: Cambridge University Press, 1995.
—‘The workshop as the space of collaborative artistic production’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 415–30. Cambridge: Cambridge University Press, 2006.
Thomas, K. V.,
Religion and the Decline of Magic
. London: Weidenfeld & Nicolson, 1971.
Thorndike, L.,
History of Magic and Experimental Science
, 8 vols. New York: Macmillan, 1930–58.
Thornton, D.,
The Scholar in his Study
. New Haven, CT: Yale University Press, 1998.
Thornton, P.,
The Italian Renaissance Interior, 1400–1600
. London: Weidenfeld & Nicolson, 1991.
Tietze, H., ‘Master and workshop in the Venetian Renaissance’,
Parnassus
11 (1939), pp. 34–45.
Tietze-Conrat, E., ‘Marietta, fille du Tintoret’,
Gazette des Beaux Arts
76 (1934), pp. 258–62.
Tillyard, E. M. W.,
The Elizabethan World Picture
. London: Chatto & Windus, 1943.
Tinagli, P.,
Women in Italian Renaissance Art
:
Gender, Representation, Identity
. Manchester: Manchester University Press, 1997.
Tinctoris, J.,
De arte contrapuncti
(1477). Eng. trans. in
Musicological Studies and Documents
5. Rome, 1961.
Tirosh-Rothschild, H., ‘Jewish culture in Renaissance Italy’,
Italia
9 (1990), pp. 63–96.
Tolnay, C.,
Michelangelo
, 5 vols. Princeton, NJ: Princeton University Press, 1943–60.
Tomlinson, G.,
Music in Renaissance Magic: Toward a Historiography of Others
. Chicago: University of Chicago Press, 1993.
Toscano, B., ‘The history of art and the forms of the religious life’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 2, pp. 260–325. Cambridge: Polity, 1994.
Toynbee, A.,
A Study of History
, vol. 9:
Contacts between Civilizations in Time
. Oxford: Oxford University Press, 1954.
Trachtenberg, M.,
Dominion of the Eye: Urbanism, Art and Power in Early Modern Florence
. Cambridge: Cambridge University Press, 1997.
Trexler, R., ‘Charity and the defence of urban elites in the Italian com-munes’, in
The Rich, the Well Born and the Powerful
, ed. F. C. Jaher, pp. 64–105. Urbana: University of Illinois Press, 1973.
—‘Florentine religious experience: the sacred image’,
Studies in the Renaissance
19 (1972), pp. 7–41.
—
Public Life in Renaissance Florence
. New York: Academic Press, 1980.
Trinkaus, C.,
In our Image and Likeness
, 2 vols. London: Constable, 1970.
Trovato, P.,
Con ogni diligenza corretto: la stampa e le revisioni editoriali dei testi letterari italiani (1470–1570)
. Bologna: Il Mulino, 1991.
Turner, A. R.,
The Vision of Landscape in Renaissance Italy
. Princeton, NJ: Princeton University Press, 1966.
Turner, J. (ed.),
The Dictionary of Art
, 34 vols. London: Macmillan, 1990.
Urquizar Herrera, A.,
Coleccionismo y nobleza
:
signos de distinción social en la Andalucía del Renacimiento
. Madrid: Marcial Pons, 2007.
Usmiani, M. A., ‘Marko Marulić’,
Harvard Slavic Studies
3 (1957), pp. 1–48.
Valeriano, G. P.,
De litteratorum infelicitate
(1620). Eng. trans. as
Pierio Valeriano on the Ill Fortune of Learned Men
. Ann Arbor: University of Michigan Press, 1999.
Varchi, B.,
Due lezioni.
Florence, 1549.
Vasari, G.,
Der Literarische Nachlass
, 2 vols. Munich: Müller, 1923.
—Vite
, ed. P. Barocchi and R. Bettarini, 6 vols. Florence, 1966–87. Eng. trans. as
Lives of the Most Eminent Painters, Sculptors, and Architects
. London: Macmillan, 1912–15.
Veen, H. T. van,
Cosimo I de’ Medici and his Self-Representation in
Florentine Art and Culture
.
Eng. trans., Cambridge: Cambridge University Press, 2006.
Venezian, S. (1921)
Olimpo da Sassoferrato
. Bologna: Zanichelli, 1921.
Ventura, A.,
Nobiltà e popolo nella società veneta del quattrocento e cinqucento
. Bari: Laterza, 1964.
Verde, A.,
Lo studio fiorentino
, 3 vols. Florence: Istituto nazionale di studi sul Rinascimento, 1973.
Verdon, T., and J. Henderson (eds),
Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento
. Syracuse, NY: Syracuse University Press, 1990.
Vespasiano da Bisticci,
Vite di uomini illustri
. Eng. trans., as
Lives of Illustrious Men of the 15th Century
. London: Routledge, 1926.
Vicentino, N.,
L’antica musica
. Venice, 1555.
Vida, M. G.,
The De arte poetica
(1527). Eng. trans., New York: Columbia University Press, 1976.
Voltaire,
Essai sur les moeurs
(1756), 2 vols. Paris: Garnier, 1963.
Wackernagel, M.,
The World of the Florentine Renaissance Artist
. Eng. trans. Alison Luchs. Princeton, NJ: Princeton University Press, 1981.
Waley, D.,
The Italian City-Republics.
2nd edn, London: Longman, 1978.
Walker, D. P.,
Spiritual and Demonic Magic from Ficino to Campanella
. London: Warburg Institute, 1958.
Wallace, W. E.,
Michelangelo at San Lorenzo: The Genius as Entrepreneur
. Cambridge: Cambridge University Press, 1994.
—‘Michelangelo’s assistants in the Sistine Chapel’,
Gazette des Beaux-Arts
110 (1987), pp. 203–16.
Walser, E.,
Gesammelte Studien zur Geistesgeschichte der Renaissance
. Basel: B. Schwabe, 1932.
Warburg, A.,
The Renewal of Pagan Antiquity
. Eng. trans., Los Angeles: Getty Center, 1999.
Warkentin, G., and C. Podruchny (eds),
Decentring the Renaissance: Canada and Europe in Multidisciplinary Perspective, 1500–1700
. Toronto: University of Toronto Press, 2001.
Warnke, M.,
The Court Artist
. Eng. trans., Cambridge: Cambridge University Press, 1993.
Warren, J., ‘Bronzes’, in
At Home in Renaissance Italy
, ed. M. Ajmar-Wollheim and F. Dennis, pp. 294–305. London: V&A, 2006.
Weber, M.,
Economy and Society
. Eng. trans., New York: Bedminster Press, 1968.
Weinberg, B.,
A History of Literary Criticism in the Italian Renaissance
, 2 vols. Chicago: University of Chicago Press, 1961.
Weinstein, D., ‘The myth of Florence’, in
Florentine Studies
, ed. N. Rubinstein, pp. 15–44. London: Faber, 1968.
—
Savonarola and Florence
. Princeton, NJ: Princeton University Press, 1970.
—
Savonarola: The Rise and Fall of a Renaissance Prophet
. New Haven, CT: Yale University Press, 2011.
Weise, G.,
L’ideale eroico del Rinascimento
, 2 vols. Naples: Edizioni scientifiche italiane, 1961–5.
—‘
Maniera
und
Pellegrino
’,
Romanistisches Jahrbuch
3 (1950), pp. 321–403.
Weisinger, H., ‘The English origins of the sociological interpretation of the Renaissance’,
Journal of the History of Ideas
11 (1950), pp. 321–38.
Weiss, R.,
The Renaissance Discovery of Classical Antiquity
. Oxford: Blackwell, 1969.
Weissman, R., ‘Reconstructing Renaissance sociology’, in
Persons in Groups
, ed. R. Trexler, pp. 39–46. Binghamton, NY: Center for Medieval and Early Renaissance Studies, 1985.
—
Ritual Brotherhood in Renaissance Florence
. New York: Academic Press, 1982.
—‘Taking patronage seriously: Mediterranean values and Renaissance society’, in
Patronage, Art and Society in Renaissance Italy
, ed. F.
W. Kent and P. Simons, pp. 25–45. Oxford: Oxford University Press, 1987.
Welch, E. S.,
Art and Authority in Renaissance Milan
. New Haven, CT: Yale University Press, 1995.
—
Art and Society in Italy 1350–1500
. Oxford: Oxford University Press, 1997.
—‘The process of Sforza patronage’,
Renaissance Studies
3 (1989), pp. 370–86.
—
Shopping in the Renaissance: Consumer Culture in Italy, 1300–1550
. New Haven, CT: Yale University Press, 2005.
—‘Women as patrons and clients in the courts of quattrocento Italy’, in
Women in Italian Renaissance Culture and Society
, ed. L. Panizza, pp. 18–34. Oxford: European Humanities Research Centre, 2000.
Wellek, R.,
Concepts of Criticism
. New Haven, CT: Yale University Press, 1963.
Wendorff, R.,
Zeit und Kultur
. 2nd edn, Opladen: Westdeutscher Verlag, 1980.
Westfall, C. W.,
In this Most Perfect Paradise: Alberti, Nicholas V and the Invention of Conscious Urban Planning in Rome, 1447–55.
University Park: Pennsylvania State University Press, 1974.
Wilde, J., ‘The hall of the Great Council of Florence’, in
Renaissance Art
, ed. C. Gilbert, pp. 92–132. New York: Harper & Row, 1970.
Williams, R.,
Culture and Society, 1780–1950
. London: Chatto & Windus, 1958.
—
Keywords: A Vocabulary of Culture and Society
. London: Croom Helm, 1976.
—
The Long Revolution
. 2nd edn, Harmondsworth: Penguin 1965.
—
Marxism and Literature
. Oxford: Oxford University Press, 1977.
Williamson, G. C. (ed. and trans.),
The Anonimo: Notes on Pictures and Works of Art in Italy
. London: Bell, 1903.
Wilson, N. G.,
From Byzantium to Italy: Greek Studies in the Italian Renaissance
. London: Duckworth, 1992.
Winckelmann, J. J.,
Geschichte der Kunst des Altertums
(1764). Eng. trans., London: Low, 1881.
Wind, E.,
Bellini’s Feast of the Gods
. Cambridge, MA: Harvard University Press, 1948.
—
Giorgione’s Tempestà
. Oxford: Clarendon Press, 1969.
Die Sixtinische Kapelle
, 2 vols. Munich: F. Bruckmann, 1905.
Stephens, J. N.,
The Fall of the Florentine Republic, 1512–1530
. Oxford: Clarendon Press, 1983.
Sterling, C.,
Still Life Painting: From Antiquity to the Present Time
. Paris: Pierre Tisné, 1959.
Stone, L., ‘Prosopography’,
Daedalus
(Winter 1971), pp. 46–73.
Straeten, E. van der (ed.),
La musique aux Pays-Bas
, vol. 6:
Les musiciens néerlandais en Italie
(1882). New York: Dover, 1969.
Strocchia, S., ‘Learning the virtues: convent schools and female culture in Renaissance Florence’, in
Women’s Education in Early Modern Europe
, ed. B. J. Whitehead, pp. 3–46. New York: Garland, 1999.
Strozzi, A. Macinghi negli,
Lettere di una gentildonna fiorentina del secolo xv ai figliuoli esuli.
Florence: Sansoni, 1877.
Summers, D.,
Michelangelo and the Language of Art
. Princeton, NJ: Princeton University Press, 1981.
Syson, L., and D. Thornton,
Objects of Virtue: Art in Renaissance Italy
. London: British Museum, 2001.
Tacchi Venturi, P.,
Storia della Compagnia di Gesù in Italia
,1
.
Rome: Segati, 1910.
Tafuri, M.,
Venice and the Renaissance
. Eng. trans., Cambridge, MA: MIT Press, 1989.
Tagliaferro, G., and B. Aikema,
Le botteghe di Tiziano
. Florence: Alinare 24 ore, 2009.
Talvacchia, B., ‘Raphael’s workshop and the development of a managerial style’, in
The Cambridge Companion to Raphael
, ed. M. Hall, pp. 167–85. Cambridge: Cambridge University Press, 2005.
—
Taking Positions: On the Erotic in Renaissance Culture
. Princeton, NJ: Princeton University Press, 1999.
Tavernor, R.,
On Alberti and the Art of Building
. New Haven, CT: Yale University Press, 1999.
—
Palladio and Palladianism
. London: Thames & Hudson, 1990.
Tenenti, A., ‘Luc’Antonio Giunti il giovane, stampatore e mercante’, in
Studi in onore di Armando Sapori
, pp. 1023–60. Milan: Cisalpino, 1957.
—
Naufrages, corsaires et assurances maritimes à Venise, 1592–1609
. Paris: SEVPEN, 1959.
Testa, F.,
Winckelmann e l’invenzione della storia dell’arte
. Bologna: Minerva, 1999.
Thieme, U., and F. Becker,
Allgemeines Lexikon der bildenden Künstler
, 37 vols. Leipzig: Seemann, 1907–50.
Thomas, A.,
The Painter’s Practice in Renaissance Tuscany
. Cambridge: Cambridge University Press, 1995.
—‘The workshop as the space of collaborative artistic production’, in
Renaissance Florence: A Social History
, ed. R. J. Crum and J. T. Paoletti, pp. 415–30. Cambridge: Cambridge University Press, 2006.
Thomas, K. V.,
Religion and the Decline of Magic
. London: Weidenfeld & Nicolson, 1971.
Thorndike, L.,
History of Magic and Experimental Science
, 8 vols. New York: Macmillan, 1930–58.
Thornton, D.,
The Scholar in his Study
. New Haven, CT: Yale University Press, 1998.
Thornton, P.,
The Italian Renaissance Interior, 1400–1600
. London: Weidenfeld & Nicolson, 1991.
Tietze, H., ‘Master and workshop in the Venetian Renaissance’,
Parnassus
11 (1939), pp. 34–45.
Tietze-Conrat, E., ‘Marietta, fille du Tintoret’,
Gazette des Beaux Arts
76 (1934), pp. 258–62.
Tillyard, E. M. W.,
The Elizabethan World Picture
. London: Chatto & Windus, 1943.
Tinagli, P.,
Women in Italian Renaissance Art
:
Gender, Representation, Identity
. Manchester: Manchester University Press, 1997.
Tinctoris, J.,
De arte contrapuncti
(1477). Eng. trans. in
Musicological Studies and Documents
5. Rome, 1961.
Tirosh-Rothschild, H., ‘Jewish culture in Renaissance Italy’,
Italia
9 (1990), pp. 63–96.
Tolnay, C.,
Michelangelo
, 5 vols. Princeton, NJ: Princeton University Press, 1943–60.
Tomlinson, G.,
Music in Renaissance Magic: Toward a Historiography of Others
. Chicago: University of Chicago Press, 1993.
Toscano, B., ‘The history of art and the forms of the religious life’, Eng. trans. in
History of Italian Art
, ed. P. Burke, 2 vols, vol. 2, pp. 260–325. Cambridge: Polity, 1994.
Toynbee, A.,
A Study of History
, vol. 9:
Contacts between Civilizations in Time
. Oxford: Oxford University Press, 1954.
Trachtenberg, M.,
Dominion of the Eye: Urbanism, Art and Power in Early Modern Florence
. Cambridge: Cambridge University Press, 1997.
Trexler, R., ‘Charity and the defence of urban elites in the Italian com-munes’, in
The Rich, the Well Born and the Powerful
, ed. F. C. Jaher, pp. 64–105. Urbana: University of Illinois Press, 1973.
—‘Florentine religious experience: the sacred image’,
Studies in the Renaissance
19 (1972), pp. 7–41.
—
Public Life in Renaissance Florence
. New York: Academic Press, 1980.
Trinkaus, C.,
In our Image and Likeness
, 2 vols. London: Constable, 1970.
Trovato, P.,
Con ogni diligenza corretto: la stampa e le revisioni editoriali dei testi letterari italiani (1470–1570)
. Bologna: Il Mulino, 1991.
Turner, A. R.,
The Vision of Landscape in Renaissance Italy
. Princeton, NJ: Princeton University Press, 1966.
Turner, J. (ed.),
The Dictionary of Art
, 34 vols. London: Macmillan, 1990.
Urquizar Herrera, A.,
Coleccionismo y nobleza
:
signos de distinción social en la Andalucía del Renacimiento
. Madrid: Marcial Pons, 2007.
Usmiani, M. A., ‘Marko Marulić’,
Harvard Slavic Studies
3 (1957), pp. 1–48.
Valeriano, G. P.,
De litteratorum infelicitate
(1620). Eng. trans. as
Pierio Valeriano on the Ill Fortune of Learned Men
. Ann Arbor: University of Michigan Press, 1999.
Varchi, B.,
Due lezioni.
Florence, 1549.
Vasari, G.,
Der Literarische Nachlass
, 2 vols. Munich: Müller, 1923.
—Vite
, ed. P. Barocchi and R. Bettarini, 6 vols. Florence, 1966–87. Eng. trans. as
Lives of the Most Eminent Painters, Sculptors, and Architects
. London: Macmillan, 1912–15.
Veen, H. T. van,
Cosimo I de’ Medici and his Self-Representation in
Florentine Art and Culture
.
Eng. trans., Cambridge: Cambridge University Press, 2006.
Venezian, S. (1921)
Olimpo da Sassoferrato
. Bologna: Zanichelli, 1921.
Ventura, A.,
Nobiltà e popolo nella società veneta del quattrocento e cinqucento
. Bari: Laterza, 1964.
Verde, A.,
Lo studio fiorentino
, 3 vols. Florence: Istituto nazionale di studi sul Rinascimento, 1973.
Verdon, T., and J. Henderson (eds),
Christianity and the Renaissance: Image and Religious Imagination in the Quattrocento
. Syracuse, NY: Syracuse University Press, 1990.
Vespasiano da Bisticci,
Vite di uomini illustri
. Eng. trans., as
Lives of Illustrious Men of the 15th Century
. London: Routledge, 1926.
Vicentino, N.,
L’antica musica
. Venice, 1555.
Vida, M. G.,
The De arte poetica
(1527). Eng. trans., New York: Columbia University Press, 1976.
Voltaire,
Essai sur les moeurs
(1756), 2 vols. Paris: Garnier, 1963.
Wackernagel, M.,
The World of the Florentine Renaissance Artist
. Eng. trans. Alison Luchs. Princeton, NJ: Princeton University Press, 1981.
Waley, D.,
The Italian City-Republics.
2nd edn, London: Longman, 1978.
Walker, D. P.,
Spiritual and Demonic Magic from Ficino to Campanella
. London: Warburg Institute, 1958.
Wallace, W. E.,
Michelangelo at San Lorenzo: The Genius as Entrepreneur
. Cambridge: Cambridge University Press, 1994.
—‘Michelangelo’s assistants in the Sistine Chapel’,
Gazette des Beaux-Arts
110 (1987), pp. 203–16.
Walser, E.,
Gesammelte Studien zur Geistesgeschichte der Renaissance
. Basel: B. Schwabe, 1932.
Warburg, A.,
The Renewal of Pagan Antiquity
. Eng. trans., Los Angeles: Getty Center, 1999.
Warkentin, G., and C. Podruchny (eds),
Decentring the Renaissance: Canada and Europe in Multidisciplinary Perspective, 1500–1700
. Toronto: University of Toronto Press, 2001.
Warnke, M.,
The Court Artist
. Eng. trans., Cambridge: Cambridge University Press, 1993.
Warren, J., ‘Bronzes’, in
At Home in Renaissance Italy
, ed. M. Ajmar-Wollheim and F. Dennis, pp. 294–305. London: V&A, 2006.
Weber, M.,
Economy and Society
. Eng. trans., New York: Bedminster Press, 1968.
Weinberg, B.,
A History of Literary Criticism in the Italian Renaissance
, 2 vols. Chicago: University of Chicago Press, 1961.
Weinstein, D., ‘The myth of Florence’, in
Florentine Studies
, ed. N. Rubinstein, pp. 15–44. London: Faber, 1968.
—
Savonarola and Florence
. Princeton, NJ: Princeton University Press, 1970.
—
Savonarola: The Rise and Fall of a Renaissance Prophet
. New Haven, CT: Yale University Press, 2011.
Weise, G.,
L’ideale eroico del Rinascimento
, 2 vols. Naples: Edizioni scientifiche italiane, 1961–5.
—‘
Maniera
und
Pellegrino
’,
Romanistisches Jahrbuch
3 (1950), pp. 321–403.
Weisinger, H., ‘The English origins of the sociological interpretation of the Renaissance’,
Journal of the History of Ideas
11 (1950), pp. 321–38.
Weiss, R.,
The Renaissance Discovery of Classical Antiquity
. Oxford: Blackwell, 1969.
Weissman, R., ‘Reconstructing Renaissance sociology’, in
Persons in Groups
, ed. R. Trexler, pp. 39–46. Binghamton, NY: Center for Medieval and Early Renaissance Studies, 1985.
—
Ritual Brotherhood in Renaissance Florence
. New York: Academic Press, 1982.
—‘Taking patronage seriously: Mediterranean values and Renaissance society’, in
Patronage, Art and Society in Renaissance Italy
, ed. F.
W. Kent and P. Simons, pp. 25–45. Oxford: Oxford University Press, 1987.
Welch, E. S.,
Art and Authority in Renaissance Milan
. New Haven, CT: Yale University Press, 1995.
—
Art and Society in Italy 1350–1500
. Oxford: Oxford University Press, 1997.
—‘The process of Sforza patronage’,
Renaissance Studies
3 (1989), pp. 370–86.
—
Shopping in the Renaissance: Consumer Culture in Italy, 1300–1550
. New Haven, CT: Yale University Press, 2005.
—‘Women as patrons and clients in the courts of quattrocento Italy’, in
Women in Italian Renaissance Culture and Society
, ed. L. Panizza, pp. 18–34. Oxford: European Humanities Research Centre, 2000.
Wellek, R.,
Concepts of Criticism
. New Haven, CT: Yale University Press, 1963.
Wendorff, R.,
Zeit und Kultur
. 2nd edn, Opladen: Westdeutscher Verlag, 1980.
Westfall, C. W.,
In this Most Perfect Paradise: Alberti, Nicholas V and the Invention of Conscious Urban Planning in Rome, 1447–55.
University Park: Pennsylvania State University Press, 1974.
Wilde, J., ‘The hall of the Great Council of Florence’, in
Renaissance Art
, ed. C. Gilbert, pp. 92–132. New York: Harper & Row, 1970.
Williams, R.,
Culture and Society, 1780–1950
. London: Chatto & Windus, 1958.
—
Keywords: A Vocabulary of Culture and Society
. London: Croom Helm, 1976.
—
The Long Revolution
. 2nd edn, Harmondsworth: Penguin 1965.
—
Marxism and Literature
. Oxford: Oxford University Press, 1977.
Williamson, G. C. (ed. and trans.),
The Anonimo: Notes on Pictures and Works of Art in Italy
. London: Bell, 1903.
Wilson, N. G.,
From Byzantium to Italy: Greek Studies in the Italian Renaissance
. London: Duckworth, 1992.
Winckelmann, J. J.,
Geschichte der Kunst des Altertums
(1764). Eng. trans., London: Low, 1881.
Wind, E.,
Bellini’s Feast of the Gods
. Cambridge, MA: Harvard University Press, 1948.
—
Giorgione’s Tempestà
. Oxford: Clarendon Press, 1969.
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