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Authors: Judith Flanders

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The Times’
report of the trial presented all the evidence that had previously acquitted her as an indication of her guilt, and added that since the ‘murders’ she had also been implicated in ‘another charge of poisoning’. This was a reference to Newport’s baby, in whose remains Taylor had been unable to find any poison. The prosecution made no attempt to produce evidence that Mrs Chesham had ever had arsenic, or that any of the supposed victims had even died of arsenic, or any poison. The charge was no longer murder, but attempted murder, a tacit admission of the poverty of the prosecution’s case. The Treasury Solicitor phrased the official view discreetly: ‘The material testimony certainly is not so decisive of the cause of Death as could be wished.’ Taylor, however, was firm: ‘Morally speaking there can be little doubt of arsenic having been the cause of these. attacks.’ But even he admitted that ‘There is a want of … strong
medical proof.
That lack, however, did not prevent him testifying for the prosecution.

Sarah Chesham now had no legal representation. Her defence consisted of her stating that she had never had any poison, and that she had never killed anyone. The judge, in his summing-up, found the prosecution’s case ‘overpowering’, especially as Mrs Chesham had, he said, ‘confessed to having murdered two of her children’. Except that she hadn’t: she had said she was entirely innocent. But after three inquests, one magistrates’ hearing and four trials, this poor, exhausted woman was finally sentenced to death.
*

The piece of evidence that decided the jury was not a fact, but a rumour. It was reported, by
The Times
among other papers, that Sarah Chesham had been in league with Mary May. She hadn’t. They lived in different parts of Essex, and were not of the socio-economic level that travelled. But the name Mary May was enough. Three years before Mrs Chesham’s final trial, Mrs May had been accused of poisoning her half-brother, ‘Spratty’ Watts. The evidence was typical: Watts, who lived with his sister and her family in Wix, near Harwich, had died after Mrs May had taken a mysterious paper from a locked drawer. Also typically, he had died and been buried with no questions asked. Following local rumours, there was an exhumation. Taylor once more did the analysis, and found arsenic in his remains. Watts, who had been nearly fifty when he died, was found to have been insured by Mrs May with two burial clubs for a total of £9 or £10. She had insured him under the name of ‘William Constable’, and given his age as thirty-eight. A neighbour reported that Mrs May had said she was going to use the burial money to buy a horse and cart and turn higgler (an itinerant trader). One newspaper now rather over-excitedly reported that she had murdered fourteen of her sixteen children (she had two, both alive and well). The
Morning Chronicle
did not even trouble to itemize: Mrs May ‘is said to have been implicated in
all
the suspected cases [of murder]
more or less’
(my italics). The trial heard more of the same, and Mrs May was found guilty and executed in August 1848. In June 1851 the banns were read for the marriage of her widower to the neighbour who had testified that Mrs May had been looking forward to the burial-society money. However, May committed suicide the following month, shortly before his fiancée’s illegitimate child was baptized. Village life and village feuds had deep roots.

The real excitement, however, was that at the trial testimony was heard not only about Mrs May, but also about her sister, Hannah Southgate, who, it was suggested, was an assassin for discontented village wives. An inquest was opened on her first husband, Thomas Ham, and her ex-servant testified that Mrs Southgate had told her, ‘It’s a good job [he was dead], for I always hated him; he was a nasty little blackguard.’ Two months after that she married John Southgate. Her servant also added ominously that Mrs Southgate had had six children, of whom five were dead. Another witness testified to hearing Mrs Southgate and Mrs May talking before Ham’s death. Mrs May said, ‘If it was my husband I would give him a pill,’ and Mrs Southgate responded, ‘Yes, I’ll be d—d if I don’t give him a dose one of these days.’ Luckily for Mrs Southgate, she had money for a good barrister – possibly her second husband, described as a farmer, had both the cash and the intelligence to hire Mr Ballantine, an Old Bailey regular. He devastated the prosecution’s case. Under his cross-examination Mrs Southgate’s servant was forced to admit that, like Mrs Southgate, she too had had five children, of whom four were dead, and that Mrs Southgate had sacked her for theft and drunkenness. Thomas Ham’s mother, who had painted a picture of a virago who had beaten her son with a whip, less luridly acknowledged that Mrs Southgate had only attacked him after he got drunk and stole her money. And a third witness, who had heard Mrs May say, ‘If he were mine, I’m d—d if I wouldn’t give him a pill,’ was revealed to have been evicted from a cottage owned by Mrs Southgate’s father. Ballantine won a very rare acquittal for his client. In the one case where the defence could afford a good barrister, this cannot be coincidental.

Unlike the excitement that surrounded the Essex poisoners, Eliza Joyce, the wife of a gardener in Boston, Lincolnshire, aroused little interest, local or national. In 1844, just before the May-Southgate story took off, Mrs Joyce had pleaded guilty to murdering her stepdaughter and her daughter; she had previously been charged and acquitted of murdering her stepson, but she now admitted to killing him and the two girls. It may be that the lack of interest reflected the lack of the elements that most of these murder cases included: promiscuity, money, wise women – there was not even any backbiting among her neighbours. Instead, when asked why she had committed the murders, Mrs Joyce replied simply: ‘I don’t know, except I thought it was such a thing to bring a family of children into this troublesome world.’ Perhaps this was too raw to be fun to read.

The stories of these sad, impoverished women were not much fun in general. There were no plays about them, and few waxwork exhibits - Madame Tussaud didn’t bother with any of them. A broadside after Mrs Chesham’s death said that ‘agents for Madame Tussaud’s Chamber of Horrors’ had tried to gain admission to the ‘dead-house’ to view her body, but no model of Mrs Chesham appears in the guidebooks to Madame Tussaud’s. Almost immediately after the first report came from Clavering, and long before her final trial, Sarah Chesham lent the name of her village to the villainess in Bulwer’s novel
Lucretia,
but for characterization and plot he relied on a vastly more upmarket murderer (see pp.253–4).

Punch
satirized the poison panic in the 1840s, not because it recognized that it was a media confection, but as part of a campaign to control access to poisons in order to stymie these poison rings. In 1849, during the height of the panic, it ran a mocking little playlet in dialogue form, in which a small girl asks Bottles, the chemist’s assistant, for ‘twopence-halfpenny’ of arsenic ‘to kill rats’. He replies, ‘Rats! - eh! Father belong to a burial club?’ If further reinforcement were needed, a cartoon (see following page) hammered away at the same theme.

As a result of newspaper agitation, and the trials of these women, in 1851 the Sale of Arsenic Act was passed, restricting the sale of the drug to those over twenty-one, and either known to the dispensing chemist, or vouched for by someone who was. Their names and addresses had to be recorded and the purchase signed for. If the purchase was for less than ten pounds of uncoloured arsenic (that is, for domestic rather than industrial use), a witness had to endorse the signature. Originally, it had been planned to restrict the sale of arsenic to adult males, but John Stuart Mill protested at this ‘gross insult to every woman … If the last two or three murderers had been men with red hair, as well might Parliament have rushed to pass an Act restricting all red haired men from buying or possessing deadly weapons.’ The clause was dropped. Yet even as it stood, the Act dealt only with arsenic, and only arsenic in its raw state; the drug was still utilized in many household goods that could be purchased with no restrictions.

By the 1860s, however,
Punch
had moved on. Now it mocked the huge readership that these grim deaths attracted, with a parody advertisement for a new magazine, to be entitled the
Sensation Times:
it would be,
Punch
promised, ‘devoted chiefly to … Harrowing the Mind, Making the Flesh Creep, Causing the Hair to Stand on End … and generally Unfitting the Public for the Prosaic Avocations of Life … Murder, of course, will have in these columns the foremost place … Arsenical Literature will find in these columns its best exponent, and all Poison Cases will be watched by a staff of special reporters who have been medically educated.’

For by now the panic had long faded. By the time Eliza Foxall and Mary Anne Scrafton were charged with attempting to murder Henry Foxall in Durham in 1887, no one was much interested. The Foxalls had been unhappily married for two years, and after Foxall was taken ill, a friend of his wife took a letter to the police. Mrs Scrafton, a fortune teller, had written to Mrs Foxall: ‘I know that if the dose was strong enough it will do for him. You did not say in your letter if he was ill; but I do not think it will be long, and then you will be free.’ Mrs Foxall admitted that she had paid Mrs Scrafton 5s. for a charm ‘to put him away’: if she placed her shoes in the shape of a T before bed, refrained from eating between ten o’clock and midnight, and didn’t speak after 11.45, ‘all would be right’. She was sentenced to five years, Mrs Scrafton to seven, harsh enough punishments for putting your shoes in a T, but compared to the poison-panic sentences four decades earlier, this response to supposed working-class poisoners was almost lenient.

Middle-class poisoners, however, could expect different treatment.

*
Bernard Knight, a Home Office pathologist and professor of forensic pathology, doubts very much that any of Marshall’s tests would indicate the presence of arsenic.

*
This kind of defence was not unusual. Five years before Eliza Fenning’s trial, the defence speech for Elizabeth Hinchcliff, a fourteen-year-old servant accused of attempting to poison her mistress and two others (again, there were no deaths), was, in toto: ‘My mistress ill used me.’ She was found guilty and sentenced to death, but unlike Eliza the jury added a recommendation of mercy ‘on account of her age, and her parents being honest people’.

*
Silvester has been described by a modern historian as a notoriously prejudiced judge even in an age of prejudiced trials; he was also generally thought to exchange favourable verdicts for sexual favours. Even the Morning Chronicle, as fervent a believer as Silvester in law and order over the rights of citizens, acknowledged that he was not ‘peculiarly calculated to inspire respect for the judicial office’.

*
Watkins disregarded social

*
It is hard to bear in mind quite how unrespectable appearing without a hat was. Had the man not been in livery, his hatlessness might have suggested that he was a beggar; dressed as he was, it might perhaps be used to indicate that he was drunk – there would be few other reasons for a respectably employed person to go hatless.

*
This is the only ship I have found named for a murderer (or attempted murderer). That it refers to this Eliza Fenning is almost beyond doubt: a name-search through the British Library’s nineteenth-century British Newspapers database, which at the time of the search contained near-complete runs of forty-six newspaper titles, produced no other Eliza Fennings.


Opera-goers will recognize that the French original was also the basis for Rossini’s La Gazza Ladra, or The Thieving Magpie, which premiered at La Scala in 1817, and at the Haymarket Theatre in London in 1821.

*
It was this sort of melodrama that Jerome K. Jerome so sweetly mocked in the 1880s. He warned the melodrama villain about that risky last scene: ‘In nine cases out of ten you would get off scot free but for this idiotic custom of yours [returning to the scene of the crime]. Do keep away from the place. Go abroad, or to the seaside when the last act begins, and stop there till it is over.’ He also gave a list of rules of melodrama-land, which apply to Charlotte Hayden as well as many other melodramas:

‘That if a man dies, without leaving a will, then all his property goes to the nearest villain.

‘That the accidental loss of the three and sixpenny copy of a marriage certificate annuls the marriage.

‘That the evidence of one prejudiced witness, of shady antecedents, is quite sufficient to convict the most stainless and irreproachable gentleman of crimes for the committal of which he could have had no possible motive.

‘But that this evidence may be rebutted, years afterwards, and the conviction quashed without further trial by the unsupported statement of the comic man.’

 

*
Dickens remembered this two decades later. In Little Dorrit, when Merdle, the crooked financier, commits suicide, his butler says, ’… that is very unpleasant to the feelings of one in my position, as calculated to awaken prejudice; and I should wish to leave immediately’.

*
Courvoisier’s legal representation was provided by Sir George Beaumont, the art patron whose paintings were a foundational gift to the National Gallery: his butler was Courvoisier’s uncle.

*
No one saw this type of voyeurism as anything to be ashamed of: in Bleak House the three female heroines all pop their heads round a door to see where the mysterious Nemo died; in Mrs Braddon’s One Life, One Love, a daughter even makes a detour to see the room where her own father was killed.


Landseer did have a breakdown at this time, but less sensational triggers might have included a decade of overwork and the death of his mother a few months previously. Later in life he had no evil memories of these sessions: ‘I like murders,’ he said simply.

*
‘Bailey’ may have been Richard Bailey, sentenced to death the previous year for the attempted murder of his wife. There were four ‘R. Gould’s who were found guilty at the Old Bailey alone in the previous twelve months, but none for murder.

*
This was reported everywhere, and did much to contribute to the banning of Jack Sheppard plays. The Times said that Courvoisier himself ‘declared that he was indebted for the idea of committing this atrocious crime to Jack Sheppard’. A fortnight later, however, the paper printed a letter from Harrison Ainsworth, Jack Sheppard’s author, who indignantly rejected the entire story: ‘I have taken means to ascertain the correctness of this report, and I find it utterly without foundation.’ The following day, a Sheriff of London and Middlesex wrote to the Morning Chronicle contradicting Ainsworth, and a bad- tempered yes-he-did, no-he-didn’t correspondence followed. The result, however, was that both the newspapers and the authorities began to attribute a swathe of crimes to the influence of fictional boy-bandits.

*
Before the discovery of anti-convulsant drugs, frequent seizures led to progressive brain damage.

*
It is not clear if she had legal representation. At the assize court, her counsel asked the judge if the money that had been found on her when she was arrested could be used for her defence. The judge asked if there was any evidence that she had been paid her wages; on hearing that there was not, he ruled that ’She has been in the service of Miss Jefferies but a very short time. I do not see that the money can be applicable to her defence.’ There is no indication whether the counsel withdrew for lack of funds. Possibly her parents managed to find the requisite sum.

*
Workhouse servants got lower wages than any other: they had no ‘character’, no references from other respectable middle-class people, and they had also lived in institutions, often for their whole lives, so they had no knowledge of how to run a middle-class house.

*
There is, of course, a danger of overreading particular situations and cases onto fictional characters, and the link between Charley and the following case is perhaps too slight on its own; but the connection with Guster in the same novel makes the resemblance at least worth remarking on, if not stressing.

*
A greyhound was named for Maria Marten, but to my knowledge no horse.

*
At the time of this Royal Commission, Stephen was a successful barrister, had published The General View of the Criminal Laws of England (1863), and was also a contributor to the Saturday Review and the Pall Mall Gazette. He would later become a High Court judge, and he worked closely on the legislation for the creation of a court of appeal.

*
This makes Lankester sound a bit mad. The Middlesex magistrates had refused to fund his plans to promote improved health and social care; his inflated figure may have been an attempt to make it impossible for them to withhold the money. If for nothing else, Lankester should be remembered as the parish official who supported John Snow in 1849, when he isolated the Broad Street pump as the source of the cholera ravaging the district. Lankester persuaded his fellow vestrymen to pay for a ‘cholera committee’ to investigate the results of an epidemiological report he commissioned, and also his own microscopic examination of the contaminated water.

*
I have only found this one report of her ‘confession’; that it appears in The Times, which had a long history of fabricated reports of criminals, suggests it may not be true. I include it simply because no other motive was ever ascribed to her.

*
‘Cocks’, or false stories, in broadsides were not uncommon. They are usually recognizable from the lack of specific detail – the names of towns, or gaols – or the extreme nature of the claim, such as ‘The Life of the Man that was Hanged, but is now Alive’. Sometimes real people were the starting point. Mayhew reported that a patterer had told him that he ‘had twice put the Duke of Wellington to death, once by a fall from his horse, and the other time by a “sudden and myst-erious” death … He had twice performed the same mortal office for Louis Phillipe … each death … by the hands of an assassin; “one was stabbing, and the other a shot from a distance”. He once thought of poisoning the Pope, but was afraid of the street Irish.’

*
Taylor’s convictions of secret poisoning frequently overrode scientific evidence. In 1849 he testified at the trial of Mary Ann Geering, who was accused of administering arsenic to her son. The local doctor gave evidence that he had prescribed mercury pills. Taylor, having performed an analysis of the remains, agreed that the corpse was full of mercury, but not arsenic, but he was convinced all the same that the man had died of secretly administered arsenic, rather than doctor-prescribed mercury.

*
She was given no rest even in death. After her execution her body was returned to her family, who sent it back to Clavering for burial. The vicar refused to conduct the service, so her body was placed in a temporary grave, from which it was promptly stolen. I have found no report of what happened after that.

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