Authors: K. J. Parker
Tags: #General, #Fiction, #Fantasy, #Science Fiction And Fantasy, #Epic, #Fantasy Fiction, #Fiction - Fantasy, #Fantasy - Epic, #English Science Fiction And Fantasy
He reached his office. It had no door; it'd be pointless, since it'd be open all the time. He dropped the sheaf of costings on his desk, glanced down at the notes left for him overnight. Cracks in the lining of number six furnace; that was bad, since cooling off number six meant damping down five and seven as well. Two of the big capstan lathes in the fifth aisle had shot their bearings and would need stripping right down to rebuild, out of action for two shifts and part of a third. Too much work, Falier told himself; too many shifts and not enough maintenance, and it'll only get worse as the pressure grows. A strong superintendent wouldn't stand for it, no matter what the politicians said. But was he going to tell Necessary Evil that they couldn't have their ten per cent productivity rise? Of course he wasn't. So the machines would wear out and seize, the firebricks would start to crack, output would fall when it should be rising and it'd all be his fault. But not today. And maybe it'd all be academic anyway. Maybe the savages would come and smash the factory to rubble with their home-made trebuchets before the authorities noticed the production slump. You've got to look on the bright side, haven't you?
He sat down in his chair (a Pattern Twenty-Nine, so it was perfectly joined, fitted and finished to within the exacting tolerances of its specification, but that still didn't mean it was comfortable) and tried to twist his mind round to charcoal reserves, but it had seized like a rusty bolt; too much force trying to shift it and it'd shear. He was my friend, he thought. And yes, I betrayed him, for love, but I always thought I knew him well. So why did he make the stupid thing?
A mechanical toy; to be precise, a quarter-size model of an old tramp, with a performing monkey on his shoulder. Turn the key twelve times widdershins, turn up the catch and the monkey danced an awkward, crabbed little dance, while the man's hand lifted up and down, holding a hat to catch coins in. The pattern number was sixty-seven; they were produced mainly for export to the old country, where real monkeys were commonplace and the people were, apparently, easily amused. He thought about that. Ziani would have made all the internal parts himself, but it didn't seem likely that he'd have gone to the trouble of making the castings for the heads, hands and so forth. He'd have had to start off by carving wooden patterns—highly dangerous as well as time-consuming and pointless, since the slightest difference would've marked the thing as an abomination, so clearly that anybody who'd seen the real thing would have noticed. Of course, he could have borrowed authentic castings and taken impressions of them to make his mould. But Ziani had never built a foundry at his home, had he? Surely not. It would have taken up far too much space, and the neighbours would've given him hell because of the smoke. Besides, there had been no mention of aberrant castings in the indictment at his trial. It followed, therefore, that he'd got hold of genuine castings from someone in the Toymakers'. That on its own should have aroused suspicion; what would an ordnance foreman want with toy components? But supposing he had someone who owed him a favour…
Correction. The shaped outside parts weren't solid castings, they were hollow and pressed out of thin brass sheet on a screw-mill. That made a bit more sense. No bother for someone in the Toymakers' shop to slip a few extra blanks into the mill when nobody was looking, so it wouldn't have to be a very big favour he'd been owed, as would be the case if the parts had been cast.
Falier smiled. When the war started to get serious, the Toymakers' had closed down their pressing and spinning shop. The heavy plant had been moved here, to the sheet-working section of the ordnance factory, and their operators reassigned; now they pressed elbow cops, greaves and tassets out of armour plate, and spun shield bosses and helmet crowns. In which case, the man who'd given Ziani the doll pressings must work here now, under the direction of Superintendent Falier…
An office runner appeared in the doorway, waiting to take the costings up to the Guildhall. Falier handed them over, and said, "And when you've done that…" (The boy's face fell.)
"I want you to fetch me the record cards on all the tin-bashers who came over from Toymakers' when they closed down the pressings shop. I expect they'll be in the personnel archive. East tower, fourth level. Get someone to help you if you can't understand the filing system."
The boy nodded miserably and slouched away. All right, Falier said to himself, as his eye skipped off the charcoal dockets for the fifth time, maybe I can trace whoever got Ziani the pressings. So what? What do you want them for? Oh, I'm building a Sixty-Seven for my kid; she'd set her heart on one, and you know how much they cost. No, of course I won't mention your name if the shit hits the flywheel.
(Whoever the unknown donor was, he must've been wetting himself ever since Ziani was arrested. Aiding and abetting an abominator—well, he might get off that, if he pleaded ignorance of what Ziani was planning to do, and if he had good friends in the chapel hierarchy. But theft of Guild property, unauthorised supply, breach of trust; enough there to get a man ten years on the treadmills. It'd have to have been a very substantial favour, or else Ziani had known where a body was buried.) All that for a stupid doll; but if the kid really had set her heart on one, and if she was highly skilled at nagging and Ziani was soft enough, you could just about fool yourself into believing it. But he knew Moritsa. She'd never shown any interest in mechanical toys. Far more likely that she'd think something like a Sixty-Seven was sinister and scary, and burst into tears at the sight of one, rather than persecute her father until he made one for her. Put like that, it simply didn't make sense. Faced with the impenetrability of that conclusion, he turned away like a horse refusing a jump, and applied himself to charcoal reserves. What charcoal reserves?
They were, he realised once he'd unscrewed the figures, desperately short of the stuff, and it was essential. The only alternative was coal, a substance he knew very little about. It was scavenged off the beaches of some province of the old country, shipped across sporadically in huge barges; for three months after a barge convoy had docked, it was cheap and plentiful. Then it disappeared. Charcoal, on the other hand, came in once a month from some huge forest out the other side of the Cure Doce country. The supply was so reliable and the price so stable that nobody ever thought about it. The deliveries still came—an endless line of high, gaunt carts drawn by thin horses, always reaching the City in the early hours of the morning, so they could unload and go away before the streets clogged with traffic; so discreet and invisible, you could easily believe in the Charcoal Fairy—and the quantities and price were exactly the same as ever. That was the problem, since demand had doubled. They needed twice as much of the stuff, preferably at half the price. He paused, and tried to think clearly. Surely there were other forests, or could you only make it out of certain kinds of tree, or in certain places? Unlikely, but he didn't
know
. Besides, it wasn't his place to seek out new sources of supply. That was Exchequer's job, or Foreign Affairs (he had no idea whose responsibility it was, assuming it was anybody's; more likely, the charcoal people simply turned up each month as they'd always done, without anybody in the administration organising anything); his role in the great river of supply was to be held responsible for the fall in output when the charcoal ran out.
(I could write a memorandum, he thought. But who would I send it to?) He heard the sound of a boot-sole on the iron grating outside his door, and looked up. He saw a man he didn't know standing in the doorway; a round, soft, balding man in plain, clean clothes and thin boots, so obviously a Guildhall clerk. Nobody wore anything except steel toecaps in the factory.
"Yes?" he snapped.
"You're Falier."
The voice was mild but not weak. A senior clerk, then; although it was hard to believe that anybody of any importance in the clerical grades would come here himself, unannounced, soiling the soles of his fine shoes with oil and swarf from the factory floor. "That's right," Falier said. After a night in a chair followed by the depressing implications of the breakages list and the charcoal figures, he wasn't in the mood for Authority, and he guessed that anybody who climbed his stairs, even in fancy shoes, was somebody he could be rude to without getting into trouble.
"What do you want? Only I'm very busy."
"My name is Lucao Psellus."
Wonderful, Falier thought. I've just insulted the head of state. He jumped up out of his chair and tried to make his mouth work, but it wouldn't.
"Sorry to disturb you." Psellus took a step across the threshold, then stopped. "I know you must be rushed off your feet right now. If it's a particularly bad time…"
"No, really." Falier practically spat the words out. "Anything I can do, obviously. Please, sit down."
There was, of course, only the one chair, and he was standing directly in front of it. Given the size of the office, he'd have to leave the room to give Psellus enough space to squeeze in behind the desk, and then come back in again. Psellus stayed where he was and pretended not to have heard him. It was a moment of great tact, but Falier couldn't really appreciate it. He felt as though he was sharing his office with a tiger.
"If you can spare me a few minutes," Psellus went on, "before the start of the first shift, there are a few questions I'd like to ask you."
Was he asking permission? Would it actually be possible for Falier to say, No, go away? Not really. "Yes please," he heard himself say.
"About a personal matter, really."
That didn't make much sense. "Yes?"
"About your wife."
Oh, he thought; and instead of mere panic, he felt fear. "What can I…?"
"Perhaps we can talk outside, on the landing," Psellus said. "It's a little cramped in here for two people."
Falier wasn't quite sure he could walk. His legs felt weak, and the joints seemed frail under his weight. He had to lean on the desk with his hand to get as far as the door.
"Splendid work you're doing here, by the way," Psellus said, sounding like he meant it. "I realise it must be terribly difficult, with the demands we're making on you and the problems with supply."
"Oh, it's…" Falier suddenly couldn't think of anything to say.
"Materials must be specially frustrating," Psellus went on, looking straight ahead, along the gallery towards the frames of the five giant drop-hammers they used for drawing down armour plate. "All my fault, of course. I've given priority to food shipments, so there just aren't the ships or the carts to carry iron or fuel. It's a wretched business, but I don't really have any choice in the matter. Our food reserves are deplorably low, and there's no telling how long we've got before the enemy arrive and cut us off from Lonazep. In fact, I'm surprised they haven't done so already. If there's anything I can do about getting materials, of course, you only have to ask."
Oh well, Falier thought, and said, "Charcoal."
"Yes?"
"We're getting very low." He spoke as though he'd just been running; the words were too big for his throat. "I don't actually know where it comes from…"
"There's a syndicate," Psellus answered crisply. "They have a long-standing contract with the charcoal-burners of the Hobec—don't ask me where that is because I haven't a clue. Actually, I asked the Cure Doce ambassador only the other day, and I don't think he knew either. But it's quite some way away. The convoys take six weeks to get here, longer if there's heavy rain. The impression I get is that we buy everything they produce; there simply aren't enough of them to make any more, and if there were, they don't have any more carts. The syndicate asked them quite some time ago if they could increase production, but they didn't sound very keen on the idea. Why bother, was their attitude; why take on more men and build more carts when we're quite happy as we are?" He shook his head with mildly exaggerated sadness. "That's foreigners for you," he said, "they simply don't think like us. Imagine putting happiness before expansion. But anyway, even if we could induce them to change their whole way of life, it'd be months before we saw the benefit; and quite possibly, if we asked them, they'd take bitter offence and refuse to deal with us at all."
He stopped talking, and Falier groped for something to fill the silence. "I see" was the best he could do.
"Meanwhile," Psellus went on, "I've been making enquiries. You know, I do find it odd that nobody ever seems to have considered this before. Even if there wasn't a war, it strikes me as… well, curious, that we've been quite happy all this time to rely on a single limited source of supply for something as essential as charcoal. Anyway, it seems that they used to burn charcoal in northern Eremia, decent quantities, enough for their own use, and they could have produced more if they'd had any call for it. But that's no good to us, obviously. I'm told there are colliers in the old country, and they have wholesalers there with their own ships, for making bulk deliveries up and down the coast. If we can get in touch with them, we'll make them a better offer. But as to when all this might start happening…" He shrugged. "The tiresome thing is, we're having to do so many new things, we're making it all up as we go along, and there's really no
time
…" He stopped, and sighed; he'd been thinking aloud, Falier realised. "But that's not your problem," he said. "Nobody can expect you to work steel without fuel. All I can ask of you is that you do the best you can with what you've got, and it seems to me you're doing just that. For which," he added with a smile, "thank you."