The Damiano Series (33 page)

Read The Damiano Series Online

Authors: R. A. MacAvoy

BOOK: The Damiano Series
3.71Mb size Format: txt, pdf, ePub

Despite the passage of seasons and the bitterness with which Saara and the Italian had fought on this very hill one day, killing two loves together (or maybe three), Saara remembered Damiano as he had knelt in the snow before her, weeping over the body of a little dog, and so she refrained.

Besides, the dark immaterial eyes with their sad questions trusted her and depended upon her, and Saara had been a mother.

And the most important reason that Saara did not evict her strange tenant was the same reason for which she courted the attentions of this unmannerly goat. She was lonely. For the first time in twenty years and more Saara was lonely.

She flipped onto her belly again and used her hands to thrust herself off the earth, snapping her feet up under her. The goat also sprang up with a startled bleat, flailing her broomstick legs in all directions. Sunlight kissed the top of Saara's nose—already slightly burned with such kisses—and polished her shoulders.

Once upright she stood still, panting. Suddenly she flinched, though nothing but sun and soft wind had touched her. At the peak of her irritation with the voice in her head, a realization had come to her. It was Damiano himself who was making her so unaccountably lonely. It was he whom she wanted to see: this son of a bad lineage, who had ripped her soul apart, and who afterward had spared no more than ten minutes out of his affairs to come and repair the damage he had done.

Leaving her with a burden it was his own business to bear: a voice inaudible and dark eyes unseen. It was Saara's immaterial baby, and would never grow up. After a year and more its longing for Damiano had become her own.

She ought to find him, she thought, and make him take it back. Whether he would take it or not, still she would be able to see the fellow again, and to discover what he was doing. For a moment she was quite intrigued, imagining where the dark boy (“boy” she called him always in her thoughts, to remind herself that she was no girl) might have gone to, and what strange languages he might be speaking, to what strange men. And women.

She had every right to seek him out, for he was a witch born, and so one of her kind.

For a few minutes Saara played with the idea of finding Damiano, but then uncertainty rose in her mind. It whispered to her that if Damiano had a matching desire to see her, this would have been plain in the regard of those dark eyes that looked at her through the darkest hours of night. If he thought of her as often as she thought of him, then surely she would know it, holding his soul as she did. But the eyes stared without seeming to know what they saw, and the voice which accompanied the eyes never spoke her name. It seemed to Saara that all the caring in this strange bond was on her side.

And even if Damiano would welcome her… even if time had changed his unpredictable Italian mind… to search him out through all the plains and ranges of the West would be an arduous task. It could be done, certainly, by a witch as experienced and learned as she was. But though Saara was powerful, she was a woman of the northern emptiness. She was disturbed by throngs of people, and the close dirt of cities disgusted her. And at bottom she was afraid of such a journey: most of all afraid of another meeting with Guillermo Delstrego's son.

Why should she want to visit Damiano anyway—a witch born with command in his voice and a mind that might learn wisdom, who had maimed himself, throwing away wisdom and birthright together? That denial was inexplicable: an act of perversion. So what if Damiano played the lute and sang a pretty song or two? Any Lappish witch could sing, and Damiano's southern songs had no power in them (save over the heart, perhaps. Save over the heart).

He was nothing but a moonchild, twin to the hopeless presence he had left Saara to tend. There were no signs he would grow into a full man. Without a single soul, he could not.

All this Saara repeated to herself, letting the long-sought doe goat wander off among the birches. If she reasoned long enough, surely she could talk herself out of a long journey that must only have disappointment at the end of it.

But as she reflected, her criticism became something else entirely. It became a certainty as strong as presage: a certainty that Damiano as she had last seen him (a creature neither boy nor grown man, splashing carelessly over the marshy fields) was all the Damiano there was destined to be. She shuddered in the sun. Whether foresight or merely foreboding, this certainty caused her surprising pain. Saara sat wretchedly in the grass, undecided about her journey and about her own feelings, but reflecting in how many ways men disorder the lives of women.

 

Chapter 1

The grass showed two colors, like a riffled deck of cards. All the early marguerites bobbed in waves, up and down the hills. Each hill had an oak or two, while the wealthier elevations also possessed orchards of apple or plum—bare-branched, but with twigs swollen purple, pregnant with Easter's bloom. Brambles crawled over the fields and on to the single trodden road. Even these brambles wore a charming infant green, and their withy limbs sprawled thornless. The sky was a cool washed blue, spittled with inconsequent clouds.

This landscape was Provence in high morning during the third month of the year. Nothing ill could be said about it, except that mornings had been warmer in spring, and mornings had been a bit drier. But this springtime would doubtless produce warmer and drier mornings in its own time.

So much was of nature. As for the man-made element which completes a landscape, there was available nothing but three roofless huts by the road (each with blue light shining out through the windows, clean as an empty mind) and a trundling green wagon with two young men on the seat, pulled by a black horse.

There was one other presence in the landscape, one which was neither quite artifactual nor quite a part of nature. That was a bundle that lay hidden in the long reeds spawned of a rivulet running between two hills. The bundle consisted of four human bodies, tied together with rope and lying damply dead. They had been there for two weeks, and the thrusting horsetails had grown around them closely, forcing themselves into the linen shirtsleeve, between the wooden button and the hand-darned hole, and along the mutely gaping lips. The bodies were blackish, but since it was only March, there were few flies buzzing.

These blindly ambitious reeds stood to the west of the road, and since the wind was blowing from the east, not even the nodding horse was aware he had passed a green charnel.

This was an impressive horse: not a destrier or battle charger (that close cousin to a plow horse) but a lean, light horse built for speed and cities, built for races down graded boulevards with the vendors all up and down the course selling ypocras and squares of marchpane. It had movement, this horse, as was evident by the way it lifted up its front feet just one razor cut before its back feet overstrode them. It had elegance, as it proclaimed in its clean, glistening throatlatch, its ironic black eye and supple crest. By its lean dished head and serpentine neck-set, one could see the horse carried Arab blood. By its size of bone, and the untrustworthy set of its eye, it was part Barb. It was a tall animal, deep-chested and long of shoulder. It was a horse to produce wagers.

And it seemed not only to be bred for races, but to be in training for them, for it was thin as a twist of black iron, and its head snaked left and right with energy, snapping its poor harness of rope.

But it was not, of course, training for any such thing, for racehorses do not train by pulling wagons.

This wagon, like the knotted-together harness, did not fit the quality of the animal that pulled it. The harness was made up from bits and pieces: some of leather, some twine, some of velvet ribbon. The wagon (theoretically green) had a number of side-slats which had never been painted and were different in length and cut from one another, as well as from the green boards. Along with these went places on the vehicle's high sides and back which offered excellent visibility into the interior. The wagon was nearly empty and made a great deal of noise as its wooden wheels rolled over the earth.

The driver of this rolling drum was as black of hair and eye as his horse, and his skin was burned dark, as though the man had been in the elements all winter. This impression was furthered by his woolen tunic, which was colored too delicate a rose to be a product of the dyer's art. In fact, this color had been produced in the same manner as the wearer's tan. This young man was as thin as his horse, and he, too, possessed some degree of elegance and movement (though not of the sort to cause men to wager money). Like his horse, he was tall but not wide, and like his horse he nodded. But where the animal nodded to his own hooves' rhythm, the driver appeared to nod asleep.

“You know he shouldn't oughta
do
that.” The still younger fellow beside the driver spoke in coarse North Italian. This one's hair was red, knife-trimmed and carefully finger-curled. He wore a dagged jerkin of too many colors to list. He was, if such a thing is possible, thinner than either the horse or the driver beside him. He infused his few words with a degree of rancor impossible for the casual listener to understand, unless the listener first knows that these two travelers were really close friends, who had spent too much time in close company with one another.

The driver of the wagon sat blinking for a moment, as though he were translating his companion's words from a foreign language. His eyes were fixed glassily on the gelding's swishing croup. He was thinking in a passive and random fashion about goats.

At last he answered. “It doesn't matter, Gaspare. The worst he will do is unravel the ribbons, and then I can tie them up again.” The black horse chose this moment to give a particularly doglike shake, which freed the singletree end of a length of rope and sent it snapping over his back. At this sudden attack he bolted forward, and his passengers skidded into the hard back of the hard wagon seat. Hard.

“Poor Festilligambe,” muttered Damiano. “He was never meant to pull a load. And he has little enough to please him these days, lean as he is.” The dark young man was suddenly stricken with a desire to gather leaves and twigs for the gelding, although he knew quite well that horses don't eat leaves and twigs.

When one's companion smarts under a weight of self-pity, it is not a good idea to send one's condolence in other directions. It does not promote the peace.

“Poor Festilligambe!” hiccoughed Gaspare. “Festilligambe? He alone among us…” Emotion choked the boy, and his face grew as red as his hair. “If I could live on the grass by the road, I'd have no more complaints.”

Gaspare's face was singular in its parts. His nose had an aquiline height of bridge and narrowness along its length which any man of birth might have been proud to call his own. His eyes were large and soulful and his complexion was milk and (more usually) roses. His mouth was mobile.

Yet in all these features there was no harmony, but rather constant war, for the nose was too long and sharp for the shape of his face and the eyes were too big for anyone's face, and his mouth—well, since it was never without a word, a twitch or a grimace, it was very hard to say anything about Gaspare's mouth.

He was just fourteen, and he hadn't had a good dinner in far too long.

“Nebuchadnezzar did,” replied the dark youth, referring to the possibility of living on grass. His voice was distant, his less ambitious but more proportionate features almost slack. “Or it is said that he did. But I don't recall that he was happy eating grass.”

Gaspare swelled. “I'm not happy, eating nothing!” Out of sulks he yanked a lock of hair that tumbled over his right ear. The spit curl went limp. His finger coiled it again, tighter. The boy's head looked heavy, as will a round child-face that has grown too thin over its bones. Both his leanness and the dandified clothing he affected made Gaspare appear older than he was. Consequently his tempers seemed more scandalous.

Damiano lifted one eyebrow. His form was also drawn out by fortune. In fact, he looked almost consumptive, with his face reduced to dark eyes he could hardly hold open and a red mouth that yawned.
“Hein?
My friend, I'm sorry. I would like to eat, too. But don't begrudge the horse his horseness; if he had to eat bread we'd have been carrying our goods on our backs all the way from the Piedmont.”

Gaspare could say nothing to this, and so was made even unhappier.

Even in March, the warmth of noonday made wool itchy. Young Gaspare scraped his bottom against the seat, first right, then left. He was an unusually sensitive boy, both in spirit and in skin, and since he was also an unusually poor one, his sensitivities were an affliction to him.

“Surely in such lovely countryside, we'll find a town soon,” said Damiano, though the forced heartiness of his reply betrayed a lack of skill at lying. “Or perhaps an abbey, where we may be fed without having to put on a show.”

“Or a rich penitent on pilgrimage,” Gaspare continued for him. “. . . strewing gold coins. Or a road leading up to heaven, white as milk, with angels beside it ranked like poplar trees—angels playing flageolets and cornemuse, but the angels will be made of cake, of course, and the pipes all of breadsticks, and at the top of the road will be a piazza paved with bricks of sweet cakes, and a gate of crystallized honey.

“By the gate will stand Saint Pietro, dressed like a serving man, with a napkin over one arm and a wine cup in each hand, bowing and smiling. He will not stop us, but will thrust a cup lovingly into our hands. Then the sky will be all around us, floating with white-clothed banquet tables like so many clouds, and piled on each of them olives, puddings, pies, sweet and peppered frumenties…”

“I despise frumenties,” murmured the driver, rousing a bit. The black gelding had maneuvered the wagon so far to the left of the road that his hooves scythed the bright and turgid grasses, and now he reached down for them in full rebellion. Damiano's eyes stayed open long enough for him to pull the reins right.

Other books

Legion by Dan Abnett
Grave by Turner, Joan Frances
Unnatural Souls by Linda Foster
Taking Heart by Gray, June, Wilette Youkey
Plenilune by Jennifer Freitag
Suzanne Robinson by The Engagement-1