The Corner (13 page)

How could it be otherwise? Day after goddamn day, the corner proves itself and, by extension, every idiot on the corner is proven as well. Touts, runners, fiends—they’re always where you expect them to be, stand-around-and-serve prophets of the new logic; they speak and you believe.

So when you go up to Fayette and Monroe and hear that your rap buddy just fell dead after slamming some Red Tops, you barely miss a
beat. Fuck it, the prophet tells you, he didn’t know how to shoot coke, not the way you do. Never mind that you were gunning with the dead man for a decade, never mind that you shared a hype with him a hundred times, never mind that he’s pounded on your chest to bring you back more than once, he ain’t shit now. Just another no-doping, skin-popping, scramble-shooting punk, says the corner. Nigger wasn’t serious like you; couldn’t handle the good shit. And you believe it; you want the Red Tops.

The corner prophet knows.

You go to court and the downtown judge gives you five years suspended, tells you you’re on supervised probation. Fuck that, says the prophet. If you report and then mess up, they can find you; if you don’t report, they ain’t got no record of you. And you, of course, do like the prophet says, thinking you’re getting over when you ain’t. A month or two later, you take a charge and they drag your ass from city jail to the downtown courthouse. The same prune-faced judge looks down at you, talking about how you’re in violation of probation, talking about how you’re gonna eat the whole five years. And you do the bit, come back from Hagerstown, go back up to the same corner and find that motherfucker. Yo, what up?

And the prophet just looks at you like you’re some kind of fool, talking about how you can get locked up for that shit, saying you should have reported.

And you don’t miss a beat. You nod your head in agreement because, the man’s a got-damn prophet; his shit has to be true. And when the next problem comes around, there you are again on the same corner, looking for more of the same.

“I’m saying, I can’t get rid of this hole, man,” you tell him, rolling up your sleeve to show a dime-sized crater. The prophet just shakes his head and a neophyte jumps into the lull, offering advice.

“Ain’t no hole, man,” says the newcomer. “That an abscess. You gotta get some ointment. Go to the emergency room, they got to give it to you. Clean it right up.”

“Fuck that,” you tell him. “I’m saying, you go there, you got to wait all day. Man, they don’t got no time for no niggers. See, what I’m saying, I can’t be doing that, man. I’m saying, this nigger got things to do.”

And, of course, the prophet finally steps up.

“Shit, you want to clean it up or what?” he asks.

“Yeah, what I’m saying …”

“Get yourself some eggs, two should do it,” the prophet says. “Boil
’em up in a pot ’til they hard. Then you gotta peel ’em real careful like. You want to get that thin skin, be under the shell? You know what I’m talking about, be under the shell?”

“Yeah, uh-huh.”

“You got to peel that off and stick it over the holes. Wrap it up in some gauze. Word up: two weeks. It be like these.”

The prophet shows you the back of his left hand. “Them the kind of scar you get.”

You’re not sure.

“Fuck it, I don’t give a shit if your motherfucking arm falls off,” says the prophet. “That’s on you.”

“No, I’m saying I ain’t heard about doing that. That’s all. I’m saying, it might work. You probably right.”

Two weeks and a dozen eggs later you’re pulling the gauze off your arm and, of course, the hole is now the size of a quarter. And when you go back to the corner prophet, he tells you he don’t know shit about eggs. Potatoes, he tells you. Boiled potatoes are the cure. For a moment or two, you shake your head and curse the prophet, but two hours later you’re pricing spuds at the Super Fresh, though in the end, you’ll say to hell with it. No time for boiling shit up or waiting around emergency rooms. The corner knows; you’re not about fixing the hole in your arm, you’re about that blast.

So you learn: The prophet never lies; he can’t be wrong. As it is for every other wandering animal, the watering hole is the only truth you can afford. It owns you, uses you, kicks your ass, robs your mind, and grinds your body down. But day after lonesome day, it gives you life.

For twenty on the hype, you believe.

Fat Curt lies still on a dirt-slicked mattress as the wind pushes through the cracks of the boarded-up windows, barely breaking stride before it rushes through the darkened rooms. All around him, the moans and coughs and curses of comrades scattered on makeshift bedrolls blend with groans from the boards and joists of Blue’s old house.

Hard soldiering in a hard winter. Curt sheds the tatter of blankets and clothing that have covered him through a February night, throwaways and giveaways layered one atop another for enough warmth to keep the old heart pumping. Curt gropes for his cane, finding it at the edge of the mattress. He plants the rubber tip into the weathered floorboard and slowly shifts his weight forward. He grabs the middle of the
cane with his left hand and, with a long grunt, pries himself up and out. Swollen hands grip the walking stick as he fights off a wave of vertigo; swollen feet pad between a sprawl of bodies in the front room.

“Hey Curt.”

“Hey.”

Pimp props himself against a bare wall.

“What time is it?”

Pimp asking the time, like he’s got somewhere to be. Curt shakes his head: “Time to get on out there.”

Curt stumbles down the narrow corridor and through a sea of trash in the stripped-bare kitchen, heading for the back door. He leans down on his cane to make an exit through the broken-out bottom panels, doing a sideways limbo to get to the morning sunlight in the back alley. Hungry is out there already, his head bandaged from his latest misadventure with a New York dealer.

“He up here yet?”

Hungry shakes his head, a loose flap of white gauze fluttering in the wind. Not yet. Curt’s up and out, but you can’t punch the clock without a package.

He makes his way up the alley and out onto Monroe, but the early morning sun is lost in the shadow of the rowhouses on the east side of the street. So he canes his way down to Fayette Street, crossing over to the grocery and finding some pavement warmed by the day. The Korean is sweeping around the store entrance and Curt mumbles a greeting. The Korean nods, then waits, broom in hand, too polite to ask Curt to move. Curt senses this and returns the favor, stepping to the other side of the corner but still staying with the sun.

There he stands for the next hour or so, rooted on the corner that he has known his whole life, waiting for the rising tide of the day to pick him up and carry him along. Brothers-in-arms slide out of the alley, squinting in the sunlight, hunting up the morning’s first Newport and telling the early-bird customers to hang in there, to go around the block once or twice more until things pick up.

Curt watches Eggy Daddy and Pimp drift up to the corner: Eggy, looking no worse for the wear, pretty good considering; Pimp, now stick-thin from the Bug. Bryan follows them out of the alley carrying the piss bucket, dumping a night’s fill into the gutter, then returning the metal pail to Blue’s back door.

From the other direction, Bread saunters up smiling, looking a bit
warmer than the rest. Bread still has a key to his mother’s back door down the hill on Fayette, a warrior living all for the corner but keeping that one last connection to the world left behind, sleeping in his mother’s basement when the winter chill is on. Still, Curt gives Bread some due as a soldier, because the man’s been out here forever, as long as Curt even. He’s forty-six and a legendary fixture, running and gunning dope at Monroe and Fayette since the corner lampposts were twigs.

“You look like a frog,” he tells Curt.

“Yeah,” Curt agrees. “Layin’ down, the fluid come up and swell my face.”

“Yeah, you swole all right.”

“Makes my eyes pop out and shit,” Curt grunts. “Like a got-damn bullfrog.”

“Maybe I get Charlene to come past an’ kiss you,” says Bread, nodding at the tired form of Charlene Mack across the street. “You be a prince then.”

“Sheeeet,” says Curt, laughing aloud, a joyous rumble welling up in his dry throat and bursting out. Bread laughs, too, delighted to have put pleasure on his old friend’s face. Making people smile is Bread’s best game, really. He doesn’t tout or sell much; nor is Bread one to go off the corner to boost or burglarize. Instead, he gets most of his dope because people like him, because he genuinely makes them want to share their blast.

“So what’s up?”

“Either they late or I’m early.”

There are enough of them now—prospective touts and lookouts—to open shop, as well as a handful of hungry fiends waiting listlessly at the entrance to Vine Street. Curt’s brother, Dennis, is across the street by the liquor store, bumming a smoke from Scalio. And just down the block is Smitty, collecting aluminum cans in a plastic bag, singing in his pitch-perfect tenor.

One after the other, the dealers drift in—Gee, Shamrock, Dred, Nitty, Tiny—and assess the labor pool. They find their hires, set their wages, and ante up the day’s first installment—the up-front blast to get the corner crew alive and working. Curt goes with Dred today; he’ll do some touting, maybe even work from his own ground stash on Vine Street.

But later for that. Right now, it’s back into Blue’s, all of them moving down the alley like cattle, heading back into the vacant rowhouse where Rita is already up, candle burning bright, adding to the daylight that
streams from the gaps in the plywood boards. Strips of cloth are laid out on a battered wooden table; bottle caps, matches, and fresh water surrounded by dozens of dead-bent cigarette butts—a surgical amphitheater for the doctoring to come. And, of course, almost everyone but Rita is impatient, some jostling for a better position in the queue. Curt brings Bread along with him, and the two wait their turn quietly. Skinny Pimp, too, doesn’t bicker; he’s in the corner on a dirty bedroll, feeling a little too weak to stand around forever holding his place in line.

“Who next?”

“Naw … me.”

But Rita imposes her calm on the group. She’s the medicine woman, the tribal herbalist, the mother hen that all of them come to see. In every way that matters, she’s a professional—with a few weeks of nursing classes somewhere in her history—and she expects her clientele to act accordingly.

“Hold your horses,” she tells them.

Those willing and able to hit themselves go off to do just that. The rest wait their turn at Rita’s table in the front room: some because they’re not handy with a needle; others because their veins have retreated to portions of their bodies that can be reached only by a second party; others still because Rita is simply that good. From one end of the room to the other, they gear up, prepping the flesh for the doctor’s grand rounds. This one rubs his neck to get the juices going; that one drops his pants for a shot in the ass; the next soul ties up his arm and slaps at cratered skin, searching for a passage home.

“What’s working for you?” Rita asks, consulting with the patients as every good doctor does, asking them how they’re getting off lately and where the blood still flows. She probes amid old graveyards of tracks and scabs, feeling her way through the terrain like a dowser hunting water. And then, at last, she’s in and they’re on, the pinkish cloud rising into the syringe as bottom-line proof.

Rita Hale rarely blows a shot, rarely leaves the dope and coke in a knotted, puffing lump under the skin, veinless and trapped—the wasted-time-and-money mark of an amateur. Nor does she cheat—a fact that truly marks her as special—because the search for an honest shooting gallery doctor can be as exhausting as the quest for an honest auto mechanic. Her line of work is crowded with those who can’t resist taking advantage of the helpless, but Rita will never pluck a patient. She’s not about watering them down, or switching bottle caps, or blowing B-and-Q in their veins.
There are shooting galleries in which the desperate and the naive are used and abused by the house staff. In such places, a newcomer asking for help getting on will get plenty of attention from a veteran. The old-timer will take the chump’s tool and tell him to turn his head, the better to see that ripe vein bulging in his neck. And then, with a practiced motion too quick for the eye to follow, he’s dropped the rube’s hard-won dope in his pocket and come out with an empty breakaway. So the new-comer gets blasted with nothing more than the sting of cold air or maybe water. Rubbing a swollen bubble of skin, he’ll start to bitch. But the old-timer will stand pat, shaking his head. Feel that bubble, he tells him. You feel that? That’s your shit. Told you don’t move, but you turned your head and see there, you blew your shot.

There’s no such sleight-of-hand with Rita. She’s not only good with a spike, she’s willing to earn her keep. And why cheat? For plying her trade honestly, Rita gets more dope than God. Almost everyone who comes to Blue’s ends up giving her a share of the hype, so that more than anyone in the neighborhood, Rita Hale lives the dope fiend’s purest fantasy—thirty, sometimes forty shots a day—so many that she’s reached that point where she no longer knows how it feels to want or need a blast. It’s a symbiotic relationship: The patients bring whatever the doctor wants and the doctor is always in.

Medicinal work may have saved Rita from the daily travail of the corner world, but her ability to find a vein is a double-edged sword. She’s become an essential service at Blue’s, the only working appliance in the gutted rowhouse, and so, she’s cursed with far too much coke and dope.

A few years back, Rita was among the most beautiful girls in the neighborhood; every man along Fayette Street remembers the curve of her figure, the symmetry of her face, the charm and humor that she brought to any conversation. Rita was something then, but for her the needle wasn’t a part-time adventure. She didn’t cast the straight world aside lightly; she hurled it down. Rita loved dope, and when she learned to doctor, there was nothing that could stop her. Within months, her hands and feet were as cruelly bloated as Fat Curt’s, her skin, cratered and scabbed. But still she kept on until her left upper arm was little more than raw, rotting flesh, the stench strong enough to fill every room of the shooting gallery. A few of the fiends—Curt and Eggy, to name two—tried to warn her, to convince her to go to Bon Secours and give it a rest before she got gangrene. But the others, driven by self-interest, said nothing. Twenty-four, seven, they lined up at her table, though some
offered pirated antibiotics and back-street remedies along with her share of the dope and coke.