The Collected Works of Chogyam Trungpa: Volume Three: 3 (38 page)

Read The Collected Works of Chogyam Trungpa: Volume Three: 3 Online

Authors: Chögyam Trungpa

Tags: #Tibetan Buddhism

BOOK: The Collected Works of Chogyam Trungpa: Volume Three: 3
5.4Mb size Format: txt, pdf, ePub

In fact, a person always finds when he begins to practice meditation that all sorts of problems are brought out. Any hidden aspects of your personality are brought out into the open, for the simple reason that for the first time you are allowing yourself to see your state of mind as it is. For the first time you are not evaluating your thoughts.

One begins to appreciate more and more the beauty of simplicity. You actually do things for the first time
completely.
Just breathing or walking or whatever the technique may be, you just start doing it and working along with it very simply. Complications become transparent complications rather than solidified ones. So the first step in dealing with ego is to begin with a very simple way of dealing with thoughts. Not dealing with them in the sense of quieting them down, but just see their transparent quality.

Sitting meditation needs to be combined with an awareness practice in everyday life. In awareness practice you begin to feel the aftereffects of sitting meditation. Your simple relationship with breathing and your simple relationship with thoughts continues. And every situation of life becomes a simple relationship—a simple relationship with the kitchen sink, a simple relationship with your car, a simple relationship with your father, mother, children. Of course this is not to say that a person suddenly is transformed into a saint. Familiar irritations are still there of course, but they are simple irritations, transparent irritations.

Little domestic things may not seem to be important or meaningful, but dealing with them in a very simple way is extremely valuable and helpful. If a person is able to perceive the simplicity as it is, then meditation becomes twenty-four-hour-a-day work. One begins to experience a tremendous sense of space because one does not have to watch oneself in a very heavy-handed way. Rather you are the recipient of the situation. Of course you may still comment upon and watch this process, but when you sit in meditation you just are; you do not use the breath or any other techniques. You are getting into the grip of something. Finally you do not need a translator anymore, a watcher anymore. Then the language is understood properly.

M
INDFULNESS AND
A
WARENESS

Meditation is working with our speed, our restlessness, our constant busyness. Meditation provides space or ground in which restlessness might function, might have room to be restless, might relax by being restless. If we do not interfere with restlessness, then restlessness becomes part of the space. We do not control or attack the desire to catch our next tail.

Meditation practice is not a matter of trying to produce a hypnotic state of mind or create a sense of restfulness. Trying to achieve a restful state of mind reflects a mentality of poverty. Seeking a restful state of mind, one is on guard against restlessness. There is a constant sense of paranoia and limitation. We feel a need to be on guard against the sudden fits of passion or aggression which might take us over, make us lose control. This guarding process limits the scope of the mind by not accepting whatever comes.

Instead, meditation should reflect a mentality of richness in the sense of using everything that occurs in the state of mind. Thus, if we provide enough room for restlessness so that it might function within the space, then the energy ceases to be restless because it can trust itself fundamentally. Meditation is giving a huge, luscious meadow to a restless cow. The cow might be restless for a while in its huge meadow, but at some stage, because there is so much space, the restlessness becomes irrelevant. So the cow eats and eats and eats and relaxes and falls asleep.

Acknowledging restlessness, identifying with it, requires mindfulness, whereas providing a luscious meadow, a big space for the restless cow requires awareness. So mindfulness and awareness always complement each other. Mindfulness is the process of relating with individual situations directly, precisely, definitely. You communicate or connect with problematic situations or irritating situations in a simple way. There is ignorance, there is restlessness, there is passion, there is aggression. They need not be praised or condemned. They are just regarded as fits. They are conditioned situations, but they could be seen accurately and precisely by the unconditioned mindfulness. Mindfulness is like a microscope; it is neither an offensive nor a defensive weapon in relation to the germs we observe through it. The function of the microscope is just to clearly present what is there. Mindfulness need not refer to the past or the future; it is fully in the now. At the same time it is an active mind involved in dualistic perceptions, for it is necessary in the beginning to use that kind of discriminating judgment.

Awareness is seeing the discovery of mindfulness. We do not have to dispose of or keep the contents of mind. The precision of mindfulness could be left as it is because it has its own environment, its own space. We do not have to make decisions to throw it away or keep it as a treasure. Thus awareness is another step toward choicelessness in situations. The Sanskrit word for awareness is
smriti,
which means “recognition,” “recollection.” Recollection not in the sense of remembering the past but in the sense of recognizing the product of mindfulness. The mindfulness provides some ground, some room for recognition of aggression, passion, and so on. Mindfulness provides the topic or the terms or the words, and awareness is the grammar which goes around and correctly locates the terms. Having experienced the precision of mindfulness, we might ask the question of ourselves, “What should I do with that? What can I do next?” And awareness reassures us that we do not really have to do anything with it but can leave it in its own natural place. It is like discovering a beautiful flower in the jungle; shall we pick the flower and bring it home or shall we let the flower stay in the jungle? Awareness says leave the flower in the jungle, since it is the natural place for that plant to grow. So awareness is the willingness not to cling to the discoveries of mindfulness, and mindfulness is just precision; things are what they are. Mindfulness is the vanguard of awareness. We flash on a situation and then diffuse that one-pointedness into awareness.

So mindfulness and awareness work together to bring acceptance of living situations as they are. We need not regard life as worth boycotting or indulging in. Life situations are the food of awareness and mindfulness; we cannot meditate without the depressions and excitement that go on in life. We wear out the shoe of samsara by walking on it through the practice of meditation. The combination of mindfulness and awareness maintains the journey, so meditation practice or spiritual development depends upon samsara. From the aerial point of view, we could say that there need not be samsara or nirvana, that making the journey is useless. But since we are on the ground, making the journey is extraordinarily useful.

B
OREDOM

We must use the human body as an analogy to describe the development of ego. In this analogy, the fundamental dualism, feeling, impulse, and concepts are like the bones of the body. Emotions are like the muscles of the body and subconscious gossip and all the little mental activities are the circulatory system which feeds and sustains the muscles. So in order to have a completely functioning body we need to have a muscle system and a circulatory system and bones to support them.

We begin meditation practice by dealing with thoughts, the fringe of ego. The practice of meditation is an undoing process. If you want to dissect and examine the body of ego, you start by cutting a slit in the skin and then you cut through the arteries. So the practitioner who is not involved with credentials begins with an operation. Credentials are an illness and you need an operation to remove them. With your sickness you are trying to prove that you exist. “I am sick, therefore I am real, I feel pain.” So the operation is to eliminate the notion of being an important person simply because you are sick. Of course you can attract all kinds of attention if you declare that you are sick. Then you can phone your relatives and friends and tell them that you are sick and they will come and help you.

That is a very wretched way of proving your existence. That is precisely what the credentials do. They prove that you are sick so that you can have attention from your friends. We have to operate on this person to eliminate the credential sickness. But if we give this person an anesthetic, he will not realize how much he has to give up. So we should not use anesthetics at all. It should be like natural childbirth. The mother sees her child being born, how it comes out of her body, how it enters into the outside world. Giving birth to buddhadharma without credentials should be the same; you should see the whole process. You are taken straight to the operating room. Now, in the operating theater, the first step of the operation is to make a little slit in the area of complaint with an extraordinarily sharp surgical knife, the sword of Manjushri, the sword of compassion and wisdom. Just a little slit is made, which is not as painful as we expected.

Sitting and meditation is the little slit in your artery. You may have been told that sitting meditation is extremely boring and difficult to accomplish. But you do not find it all that difficult. In fact it seems quite easy. You just sit. The artery, which is the subconscious gossip in your mind, is cut through by using certain techniques—either working on breathing or walking or whatever. It is a very humble gesture on your part—just sit and cut through your thoughts, just welcome your breathing going out and in, just natural breathing, no special breathing, just sit and develop the watchfulness of your breathing. It is not concentrating on breathing. Concentration involves something to grasp, something to hold on to. You are “here” trying to concentrate on something “there.” Rather than concentration we practice mindfulness. We see what is happening there rather than developing concentration, which is goal-oriented. Anything connected with goals involves a journey toward somewhere from somewhere. In mindfulness practice there is no goal, no journey; you are just mindful of what is happening there.

There is no promise of love and light or visions of any kind—no angels, no devils. Nothing happens: it is absolutely boring. Sometimes you feel silly. One often asks the question, “Who is kidding whom? Am I on to something or not?” You are not on to something. Traveling the path means you get off everything, there is no place to perch. Sit and feel your breath, be with it. Then you begin to realize that actually the slitting of the artery did not take place when you were introduced to the practice. The actual slitting takes place when you begin to feel the boredom of the practice—real boredom. “I’m supposed to get something out of Buddhism and meditation. I’m supposed to attain different levels of realization. I haven’t. I’m bored stiff.” Even your watcher is unsympathetic to you, begins to mock you. Boredom is important because boredom is anti-credential. Credentials are entertaining, always bringing you something new, something lively, something fantastic, all kinds of solutions. When you take away the idea of credentials, then there is boredom.

We had a film workshop in Colorado in which we discussed whether it was important to entertain people or make a good film. And what I said was that perhaps the audience might be bored with what we have to present, but we must raise the intelligence, the standards of the audience, up to the level of what we are presenting, rather than trying to constantly match their expectations, their desire for entertainment. Once you begin to try to satisfy the audience’s desire for entertainment, you constantly bend down and bend down and bend down, until the whole thing becomes absurd. If a filmmaker presents his own ideas with dignity, his work might be ill-received in the beginning but possibly well-received once people begin to catch up to it. The film might raise the audience’s level of sophistication.

Similarly, boredom is important in meditation practice; it increases the psychological sophistication of the practitioners. They begin to appreciate boredom and they develop their sophistication until the boredom begins to become cool boredom, like a mountain river. It flows and flows and flows, methodically and repetitiously, but it is very cooling, very refreshing. Mountains never get tired of being mountains and waterfalls never get tired of being waterfalls. Because of their patience we begin to appreciate them. There is something in that. I don’t want to sound especially romantic about the whole thing, I am trying to paint a black picture, but I slipped a bit. It is a good feeling to be bored, constantly sitting and sitting. First gong, second gong, third gong, more gongs yet to come. Sit, sit, sit, sit. Cut through the artery until the boredom becomes extraordinarily powerful. We have to work hard at it.

At this point we cannot really study the vajrayana or, for that matter, even the mahayana. We are not up to it because we have not actually made a relationship with boredom yet. To begin with we have to relate with the hinayana. If we are to save ourselves from spiritual materialism and from buddhadharma with credentials, if we are to become the dharma without credentials, the introduction of boredom and repetitiousness is extremely important. Without it we have no hope. It is true—no hope.

There are definite styles of boredom. The Zen tradition in Japan creates a definite style of boredom in its monasteries. Sit, cook, eat. Sit zazen and do your walking meditation and so on. But to an American novice who goes to Japan or takes part in traditional Japanese practice in this country, the message of boredom is not communicated properly. Instead, if I may say so, it turns into a militant appreciation of rigidity, or an aesthetic appreciation of simplicity, rather than actually being bored, which is strange. Actually it was not designed to be that way. To the Japanese, Zen practice is an ordinary Japanese life situation in which you just do your daily work and sit a lot of zazen. But Americans appreciate the little details—how you use your bowl and how you eat consciously in zazen posture. This is only supposed to create a feeling of boredom, but to American students it is a work of art. Cleaning your bowl, washing it out, folding your white napkin and so forth, becomes living theater. The black cushion is supposed to suggest no color, complete boredom. But for Americans it inspires a mentality of militant blackness, straightforwardness.

Other books

Breathless by Lurlene Mcdaniel
Surrender by Rhiannon Paille
Unexpected by Lori Foster
Highway Robbery by Franklin W. Dixon
Sidekicks by Palmer, Linda
The Jaguar Knights by Dave Duncan
The Nine Fold Heaven by Mingmei Yip