The collected stories (45 page)

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Authors: Paul Theroux

BOOK: The collected stories
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'Well, who do you suppose could have done it?'

She said nothing; she lowered her eyes and sniffed.

'Tell me, Miss Clem,' I said, 'does this sort of thing happen to you often?'

'What do you mean "often"?'

'Do you find that when you're alone, in a strange place, people get it in their heads to rape you? Perhaps you have something that drives men wild, some hidden attraction.'

'You don't believe me. I knew you wouldn't.'

'It seems rather extraordinary.'

'It happened again. I'm not making it up.' Then she pulled the top of her dress across one shoulder and showed me, just below her shoulder bone, a plum-colored bruise. I looked closer and saw circling it were the stitch-marks of a full set of teeth.

DIPLOMATIC RELATIONS (i): THE CONSUL'S FILE

'You should have that seen to,' I said.

'I want that man caught,' she insisted.

i thought we had caught him.'

'So did I.'

'So it wasn't The Prince?'

'I don't know,' she said.

'Was it the same man as before?'

'Yes, just like before. He was terrible - he laughed.'

And her story was the same, even the same image as before, about him picking her legs up 'like a wheelbarrow,' a rather chilling caricature of sexuality. Truth is not a saga of alarming episodes; it is a detail, a small clear one, that gives a fiction life. Hers was that horrible item, unusual enough to be a fact and too bizarre to be made up, about the slippery skin of the rapist. He was greasy, slimy - his whole body gleamed. She couldn't fight against him; she couldn't get a grip on him. He had appeared in her room and pounced on her, and she was helpless. This time she said she had resisted and it was only by biting on her that he held on.

I said, 'You'll have to drop your charges against The Prince.'

'I'm afraid to.'

'But don't you see? He's in jail, and if it was the same man as before then it couldn't have been The Prince.'

'I don't know what to do.'

'I suggest you get a telephone installed in your house. If you hear any suspicious noises, ring me or the police. Obviously it's some local person who fancies you.'

But The Prince was not released. Somehow the police had extracted a confession from him, a date was set for the trial and Miss Clem was scheduled to testify. That was weeks away. In the meantime, Miss Clem had her telephone put in. She rang me one evening shortly afterward.

is there anything wrong?' I asked, hearing her voice.

'Everything's fine,' she said, i was just testing it.'

'From now on only ring me in the event of an emergency/ I said.

i think I'm going to be all right,' she said, and rang off.

For a brief period I forgot about Miss Clem, the Flower of Malaya. I had enough to keep me busy - visa matters were a continual headache. It was about this time that the Strangs got their divorce - which is another story - but the speculation at the

THE FLOWER OF MALAYA

Club, up to then concerned with Miss Clem, was centered on what Milly Strang could possibly be doing in Bali. She had sent a gleeful postcard to Angela, but nothing to Lloyd. Miss Clem dropped from view.

My opposite number came down from Penang on a private visit and we had a little reception for him. The invitation specified 'drinks 6-8 p.m.' but at eleven there were still people on the verandah badgering the waiters for fresh drinks. My reaction was tactical: I went into my study and read the cables. Usually it worked - when the host disappears the guests are at sea; they get worried and invariably they take the hint.

The telephone rang. I was not quick and when I picked up the receiver the line went dead. At first I did nothing; then I remembered and was out the door.

Peeraswami had been helping out at the party. As I rushed out the back door I noticed him at the edge of the courtyard, chatting to the kitchen staff. I called to him and told him to get into the car. On the way I explained where we were going, but I did not say why.

Miss Clem's house was in the teachers' compound of the mission school. It was in darkness. I jammed on the brakes and jumped out. Peeraswami was right behind me. From the bungalow I could hear Miss Clem sobbing.

'Go around back,' I said to Peeraswami. 'In those trees. If you see anyone, catch him!'

Peeraswami sprinted away. I went into the house and stumbled in the direction of the sobbing. Miss Clem was alone, sitting on the edge of the bed. I switched on the light and saw her sad fat body on the rumpled bedclothes. She had an odd shine, a gloss on her skin that was lit like a snail's track. But it covered her stomach; it was too viscous to be perspiration and it had the smell of jungle. She was smeared with it, and though she seemed too dazed to notice it, it was like nothing I had ever seen before. She lay down sobbing and pulled a sheet over her.

'It was him,' she said.

'The Prince?'

'No, no! Poor Ibrahim,' she sobbed.

'Take a bath,' I said. 'You can come back to my house when you've changed.'

'Where are you going?'

DIPLOMATIC RELATIONS (i): THE CONSUL'S FILE

'I've got to find my peon.'

I found him hurrying back to the house. In the best of times he had a strange face, his dark skin and glittering teeth, his close-set eyes and on his forehead a thumbprint of ashes, the Eye of God. He was terrified - not a rare thing in Peeraswami, but terror on that Tamil face was enough to frighten anyone else.

'TuanV he cried.

'Did you see him?'

'Yes, yes,' he said. 'He had no clothings, no shirtings. Bare-naked!'

'Well, why the hell didn't you catch him?' I snapped.

'Tuan,' said Peeraswami, 'no one can catch Orang Minyak.'

'You knew him?'

'Everyone know him.'

'I don't understand,' I said. 'Orang is man. But Minyak - is that a name?'

'It his name. Minyak - oily, like ghee butter on his body. You try but you cannot catch hold. He trouble the girls, only the girls at night. But he Malay spirit - not Indian, Malay ,' said Peeraswami, as if disclaiming any responsibility for another race's demons.

An incubus, I thought. What a fate for the Flower of Malaya. Peeraswami lingered. He could see I was angry he hadn't caught Orang Minyak. And even then I only half-believed.

'Well, you did your best,' I said, and reached out to shake his hand. I squeezed and his hand shot away from mine, and then my own hand was slippery, slick, and smelling of jungle decay.

'I touch, but I do not catch,' said Peeraswami. He stooped and began wiping his palms on the grass. 'You see? No one can catch Orang Minyak.'

;;s

DIPLOMATIC RELATIONS (i): THE CONSUL'S FILE

'Well, mine was at least that. I'm not exaggerating. When I think of him on top of me - it's ludicrous.'

'It's obscene. Mine kept gaining weight, and finally I said to him, "Look, if this goes on anymore we won't be able to make love." Not that that worried me. By then I'd already taken a lover - not so much a lover as a new way of life. But Erwin said it didn't matter whether you were fat or thin. If you were fat you'd just find a new position.'

'The fat man's position!'

'Exactly. And he got this - this manual. All the positions were listed, with little diagrams and arrows. Arrows! It was like fitting a plug, an electrical manual for beginners. "Here," he said, "I think that one would suit us." They all had names - I forget what that one was, but it was the fat man's position. Can you imagine?'

'Mine had manuals. Well, he called them manuals. They were Swedish I think. You must have seen them. Interesting and disgusting at the same time. He didn't want me to see them - I mean, he hid them from me. Then I found them and he caught me going through them. Honestly, I think I gave him quite a shock. He looked over my shoulder. "Ever see anything like it?" he said. I could hear him breathing heavily. He was getting quite a thrill!'

'Did yours make a fuss over the divorce?'

'No,' said Milly, 'what about yours?'

'He divorced me. Nothing in particular - just a whole series of things. But, God, what a messy business. It dragged on for months and months.'

'Mine was over before I knew it.'

'Lucky,' said Maxine.

'Up till then we'd been fairly happy.'

'Happy marriages so-called turn into really messy divorces,' said Maxine.

'1 think not,' said Milly. 'The best marriages end quickly/

Theirs, the Strangs\ had gone on serenely for years, filling us with envious contempt. It fell to pieces in an afternoon of astonishing abuse. They had pretended politeness for so long only an afternoon was necessary. Then we were friendlier toward the couple, no longer a couple, but Milly alone in the house and Lloyd at the Club. The marriages in Aver Hitam were no frailer than anywhere else, but we expatriates knew each other well and enjoyed a kind of kinship. A divorce was like a death in the family. Threatened

THE AUTUMN DOG

with gloom, we became thoughtful. The joking was nervous: Milly had burned the toast; Lloyd had made a pass at the amah. Afterward, Lloyd clung to the town. He was overrehearsed. One of his lines went, 'It was our ages. Out of the horse latitudes and into the roaring forties.' He was no sailor; he was taking it badly.

Milly, unexpectedly cheerful, packed her bags and left the compound. Within a week she was in Indonesia. Before she left she had said to Angela Miller, 'I always wanted to go to Bali. Lloyd wouldn't let me.' She went, Lloyd stayed, and it looked as if he expected her back: her early return to Ayer Hitam would have absolved him of all blame.

It did not happen that way. Before long, we all knew her story. Milly saw friends in Djakarta. The friends were uneasy with this divorced woman in their house. They sent their children out to play and treated her the way they might have treated a widow, with a mixture of somberness and high spirits, fearing the whole time that she'd drink too much and burst into tears. Milly found their hospitality exhausting and went to Djokjakarta, for the temples. Though tourists (seeing her eating alone) asked her to join them, she politely refused. How could she explain that she liked eating alone and reading in bed and waking when she wished and doing nothing? Life was so simple, and marriage only a complication. Marriage also implied a place: you were married and lived in a particular house; unmarried, you lived in the world, and there were no answers required of you. Milly changed her status slowly, regaining an earlier state of girlishness from the widowhood of divorce. Ten years was returned to her, and more than that, she saw herself granted a valuable enlightenment, she was wiser and unencumbered, she was free.

The hotel in Bali, which would have been unthinkably expensive for a couple with a land surveyor's income, was really very cheap for one person. She told the manager (Swiss, married - she could tell at a glance) she would stay a month. There was a column in the hotel register headed Destination. She left it blank. The desk clerk indicated this. 'I haven't got one,' she said, and she surprised the man with her natural laugh.

The tourists, the three-day guests at the hotel, the ones with planes to catch were middle-aged; some were elderly, some infirm, making this trip at the end of their lives. But there were other visitors in Bali and they were mostly young. They looked to Milly

DIPLOMATIC RELATIONS (i): THE CONSUL'S FILE

like innocent witches and princelings. They slept on the beach, cooked over fires, played guitars; she saw them strolling barefoot or eating mountains of food or lazing in the sand. There was not a sign of damage on them. She envied them their youth. For a week Milly swam in the hotel's pool, had a nap after lunch, took her first drink at six and went to bed early: it was like a spell of convalescence, and when she saw she had established this routine she was annoyed. One night, drinking in the bar, she was joined by an Australian. He talked about his children in the hurt remote way of a divorced man. At midnight, Milly stood up and snapped her handbag shut. The man said, 'You're not going, are you?'

'I've paid for my share of the drinks,' she said. 'Was there something you wanted?'

But she knew, and she smiled at the fumbling man, almost pitying him.

'Perhaps I'll see you tomorrow,' she said, and was gone.

She left the hotel, crossed by the pool to the beach, and walked toward a fire. It was the makeshift camp of the young people and there they sat, around the fire, singing. She hesitated to go near and she believed that she could not be seen standing in that darkness, listening to the music. But a voice said, 'Hey! Come over here, stranger!'

She went over, and seating herself in the sand, saw the strumming boy. But her joining the group was not acknowledged. The youths sat crosslegged, like monks at prayer, facing the fire and the music. How many times, on a beach or by a roadside, had she seen groups like this and, almost alarmed, looked away! Even now she felt like an impostor. Someone might ask her age and laugh when she disclosed it. She wished she was not wearing such expensive slacks; she wished she looked like these people - and she hoped they would not remind her of her difference. She was glad for the dark.

Someone moved behind her. She started to rise, but he reached out and steadied her with his arm and hugged her. She relaxed and let him hold her. In the firelight she saw his face: twenty years old! She put her head against his shoulder and he adjusted his grip to hold her closer. And she trembled - for the first time since leaving Ayer Hitam - and wondered how she could stop herself from rolling him over on the sand and devouring him. Feeling that hunger, she grew afraid and said she had to go: she didn't want to startle the boy.

*4ยป

THE AUTUMN DOG

Til walk you back to the hotel,' he said.

'I can find the way.' Her voice was insistent; she didn't want to lose control.

The boy tagged along, she heard him trampling the sand; she wanted him to act - but how? Throw her down, fling off her clothes, make love to her? It was mad. Then it was too late, the hotel lights illuminated the beach; and she was relieved it had not happened. / must be careful - she almost spoke it.

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