Tennessee Williams: Mad Pilgrimage of the Flesh (125 page)

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Authors: John Lahr

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BOOK: Tennessee Williams: Mad Pilgrimage of the Flesh
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594
“second best bed”: William Shakespeare’s Last Will and Testament (1616) contains this stipulation: “Item, I give unto my wife my second best bed with the furniture.”
594
“Suppose both Peter and Tenn were terminally ill?”: Lahr, “Lady and Tennessee,” p. 86.
594
“What do you think?”: Ibid.
595
“ ‘Tell her I’m asleep’ ”: Ibid., p. 92.
595
“I knew that
she
was the one”: Ibid.
595
“BANG, BANG, BANG”: Ibid., p. 90.
595
“the oubliette”: Ibid.
595
“She was engaged in vigorous battles”: Ibid., p. 86.
596
“Maria was the greatest cheerleader”: Ibid., p. 92.
596
“Eastman is perfectly willing”: Ibid.
596
“These are the people”: Ibid., p. 88.
596
“Denying this group of users”: Ibid., p. 89.
596
“Maria wasn’t really interested”: Ibid., p. 96.
597
St. Just wrote: Lady St. Just to Ed Sherin, Mar. 27, 1983, ESC.
597
“I wanted to name”: Lahr, “Lady and Tennessee,” p. 93.
597
disliked because it was “homosexual”: Ibid., p. 89.
597
“She said, ‘The play is not doable’ ”: Ibid., p. 95.
597
“She pretended an awful lot”: Ibid., p. 94.
598
“His personal image”: Ibid., p. 89.
598
“I explained to her”: Ibid.
598
Many biographers were called: A. Scott Berg, Judith Thurman, Virginia Spencer Carr, John Lahr.
598
“She definitely wanted to vet the manuscript”: Lahr, “Lady and Tennessee,” p. 89.
598
“I would never trust you with him”: Ibid.
598
“You have ruined Tennessee Williams!”: Ibid.
598
“full access to my private correspondence and journals”: Ibid., p. 90.
599
“Baby, you write it!”: Ibid.
599
“pirate book”: Ibid.
599
“fit into Maria’s plans”: Ibid., p. 91.
600
“I admired the depth of its research”: Ibid.
600
“As I recall”: Ibid.
600
“The answer is spelled blackmail”: Ibid.
600
“I must remain friends”: Ibid.
600
“I’ve denounced her”: Ibid.
600
“submit for your review and comment”: Ibid.
600
“Maria wreaked havoc”: Ibid.
601
allowed Leverich’s biography to proceed to publication:
The Late Plays of Tennessee Williams
, by the director and theater professor William Prosser, set aside in 1991 because of St. Just’s diktats, was also posthumously published, in 2009.
601
In 2000: The figures were provided and confirmed by the University of the South, which owns the Williams copyrights.
601
“. . . this much will be clear”:
CP
, “Part of a Hero,” p. 34.
601
“I have always depended”: LOA1, p. 563.
601
“Sometimes—there’s God”: Ibid., p. 529.
601
“Nowadays the world is lit”: Ibid., p. 465.
601
“
Make voyages!
”: LOA1, p. 797.
601
“fatal need”: Gilbert Maxwell,
Tennessee Williams and
Friends: An Informal Biography
(Cleveland: World Publishing, 1965), p. 20.
602
“the tragic division of the human spirit”: Williams to Jessica Tandy, undated, as quoted in Mike Steen,
A Look at Tennessee Williams
(New York: Hawthorn Books, 1969), p. 181.
602
“I want to get my goodness back”: Lahr, “Lady and Tennessee,” p. 91.
602
“What implements have we but words”:
NSE
, p. 188.
Sources
ARCHIVES AND SPECIAL COLLECTIONS
Betty Davis Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
Billy Rose Theatre Collection, New York Public Library for the Performing Arts, Lincoln Center, New York, N.Y.
Carson McCullers Papers, David M. Rubenstein Rare Book and Manuscript Library, Duke University, Durham, N.C.
Carter Burden Collection of American Literature, Morgan Library and Museum, New York, N.Y.
Cheryl Crawford Collection, Courtesy of Special Collections, University of Houston Libraries, Houston, Tex.
Chicago Theater Collection, Harold Washington Library Center, Chicago Public Library, Chicago, Ill.
Columbia University Center for Oral History Collection, New York, N.Y.
Elia Kazan Collection, Cinema Archives, Wesleyan University, Middletown, Conn.
Fred W. Todd Tennessee Williams Collection, Williams Research Center, The Historic New Orleans Collection, New Orleans, La.
Irene Mayer Selznick Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
James Laughlin Papers, Houghton Library, Harvard University, Cambridge, Mass.
John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
Katherine Anne Porter Collection, University of Maryland Libraries, College Park, Md.
Lyle Leverich Collection, attached to the John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
Manuscripts Department, Huntington Library, San Marino, Calif.
Papers of the Rev. Walter Dakin, Archives of the University of the South, Sewanee, Tenn.
Tennessee Williams Collection, Archives of the University of the South, Sewanee, Tenn.
Tennessee Williams Collection, Harry Ransom Center, University of Texas at Austin, Tex.
Tennessee Williams Collection, Special Collections, University of Delaware Library, Newark, Del.
Tennessee Williams Papers, Harvard Theatre Collection, Houghton Library, Harvard University, Cambridge, Mass.
Tennessee Williams Papers, Rare Book and Manuscript Library, Columbia University, New York, N.Y.
Wisconsin Center for Film and Theater Research, Wisconsin Historical Society, Madison, Wisc.
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Songs My Mother Taught Me
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The Girl Who Walked Home Alone: Bette Davis
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Laurette: The Intimate Biography of Laurette Taylor
. New York: Limelight Editions, 1984.
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One Naked Individual: My Fifty Years in the Theatre
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Conversations with Tennessee Williams
. Jackson: University Press of Mississippi, 1986.
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The American Century
. New York: Alfred A. Knopf, 2000.
Foote, Horton.
Beginnings: A Memoir.
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Freud, Anna.
The Writings of Anna Freud
. Vol. 2:
Ego and the Mechanisms of Defense
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It Happened on Broadway: An Oral History of the Great White Way.
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Tallulah
. New York: Holt McDougal, 1972.
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Nannarella: Il romanzo di Anna Magnani.
Rome: Minimum Fax, 2008.
Halberstam, David.
The Fifties
. New York: Villard, 1993.
Hale, Alleane. “The Gnadiges Fraulein: Tennessee Williams’s Clown Show.” In Philip C. Kolin, ed.,
The Undiscovered Country: The Later Plays of Tennessee Williams.
New York: Peter Lang, 2002.
Hall, Peter.
Peter Hall’s Diaries: The Story of a Dramatic Battle
. Edited by John Goodwin. London: Oberon Books, 2000.
Harpham, Geoffrey Galt.
On the Grotesque
. Princeton, N.J.: Princeton University Press, 1982.
Heilpern, John.
John Osborne: A Patriot for Us
. New York: Vintage, 2007.
Hewes, Henry.
Best Plays of 1964–1965
. New York: Dodd, Mead, 1965.
Hunter, Tab, with Eddie Muller.
Tab Hunter Confidential: The Making of a Movie Star
. Chapel Hill, N.C.: Algonquin Books, 2006.
Isaac, Dan, ed. “Introduction.” In Tennessee Williams,
Spring Storm
. New York: New Directions, 1999.
Jay, Kaila, and Allen Young, eds.
Out of the Closet: Voices of Gay Liberation
. New York: New York University Press, 1992.
Kazan, Elia.
An American Odyssey
. Edited by Michel Ciment. London: Bloomsbury, 1988.
———.
Elia Kazan: Interviews
. Edited by William Baer. Jackson: University Press of Mississippi, 2000.
———.
Kazan on Directing
. New York: Alfred A. Knopf, 2009.
———.
A Life
. New York: Alfred A. Knopf, 1988.
Keathley, George. Unpublished, untitled manuscript. John Lahr Collection, Howard Gotlieb Archival Research Center, Boston University, Boston, Mass.
Keith, Thomas. “Introduction: A Mississippi Fun House.” In Tennessee Williams,
A House Not Meant to Stand.
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. London: Karnac Books, 1989.
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. Madison, Conn.: International Universities Press, 1950.
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The Glass Menagerie
.” In Tennessee Williams,
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Lahr, John. “The Lady and Tennessee.”
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, December 19, 1994.
———.
Show and Tell: New Yorker Profiles
. Woodstock, N.Y.: Overlook Press, 2000.
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The Way It Wasn’t: From the Files of James Laughlin
. Edited by Barbara Epler and Daniel Javitch. New York: New Directions, 2006.
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Bette Davis: A Biography
. London: Penguin Books, 1993.
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The World of Tennessee Williams
. New York: G. P. Putnam’s Sons, 1978.
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Tom: The Unknown Tennessee Williams.
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Brando: The Biography.
New York: Hyperion, 1994.
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Night of the Iguana
(audiotape diary). Tennessee Williams Collection, Archives of the University of the South. Sewanee, Tenn.

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