Tender is the Night (31 page)

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Authors: F. Scott Fitzgerald

BOOK: Tender is the Night
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“I will leave you to think it over,” said Franz. “I am confident——”

One hundred pair of five-pound boots had begun to clump toward the door, and they joined the press. Outside in the crisp moonlight, Dick saw the girl tying her sled to one of the sleighs ahead. They piled into their own sleigh and at the crisp-cracking whips the horses strained, breasting the dark air. Past them figures ran and scrambled, the younger ones shoving each other from sleds and runners, landing in
the soft snow, then panting after the horses to drop exhausted on a sled or wail that they were abandoned. On either side the fields were beneficently tranquil; the space through which the cavalcade moved was high and limitless. In the country there was less noise as though they were all listening atavistically for wolves in the wide snow.

In Saanen, they poured into the municipal dance, crowded with cow herders, hotel servants, shop-keepers, ski teachers, guides, tourists, peasants. To come into the warm enclosed place after the pantheistic animal feeling without, was to reassume some absurd and impressive knightly name, as thunderous as spurred boots in war, as football cleats on the cement of a locker-room floor. There was conventional yodelling, and the familiar rhythm of it separated Dick from what he had first found romantic in the scene. At first he thought it was because he had hounded the girl out of his consciousness; then it came to him under the form of what Baby had said: “We must think it over carefully—” and the unsaid lines back of that: “We own you, and you'll admit it sooner or later. It is absurd to keep up the pretense of independence.”

It had been years since Dick had bottled up malice against a creature—since freshman year at New Haven when he had come upon a popular essay about “mental hygiene.” Now he lost his temper at Baby and simultaneously tried to coop it up within him, resenting her cold rich insolence. It would be hundreds of years before any emergent Amazons would ever grasp the fact that a man is vulnerable only in his pride, but delicate as Humpty Dumpty once that is meddled with—though some of them paid the fact a cautious lip-service. Doctor Diver's profession of sorting the broken shells of another sort of egg had given him a dread of breakage. But:

“There's too much good manners,” he said on the way back to Gstaad in the smooth sleigh.

“Well, I think that's nice,” said Baby.

“No, it isn't,” he insisted to the anonymous bundle of fur. “Good manners are an admission that everybody is so tender that they have to be handled with gloves. Now,
human respect—you don't call a man a coward or a liar lightly, but if you spend your life sparing people's feelings and feeding their vanity, you get so you can't distinguish what
should
be respected in them.”

“I think Americans take their manners rather seriously,” said the elder Englishman.

“I guess so,” said Dick. “My father had the kind of manners he inherited from the days when you shot first and apologized afterward. Men armed—why, you Europeans haven't carried arms in civil life since the beginning of the eighteenth century——”

“Not actually, perhaps——”

“Not
act
ually. Not really.”

“Dick, you've always had such beautiful manners,” said Baby conciliatingly.

The women were regarding him across the zoo of robes with some alarm. The younger Englishman did not understand—he was one of the kind who were always jumping around cornices and balconies, as if they thought they were in the rigging of a ship—and filled the ride to the hotel with a preposterous story about a boxing match with his best friend in which they loved and bruised each other for an hour, always with great reserve. Dick became facetious.

“So every time he hit you you considered him an even better friend?”

“I respected him more.”

“It's the premise I don't understand. You and your best friend scrap about a trivial matter——”

“If you don't understand, I can't explain it to you,” said the young Englishman coldly.

—This is what I'll get if I begin saying what I think, Dick said to himself.

He was ashamed at baiting the man, realizing that the absurdity of the story rested in the immaturity of the attitude combined with the sophisticated method of its narration.

The carnival spirit was strong and they went with the crowd into the grill, where a Tunisian barman manipulated the illumination in a counterpoint, whose other melody was
the moon off the ice rink staring in the big windows. In that light, Dick found the girl devitalized, and uninteresting—he turned from her to enjoy the darkness, the cigarette points going green and silver when the lights shone red, the band of white that fell across the dancers as the door to the bar was opened and closed.

“Now tell me, Franz,” he demanded, “do you think after sitting up all night drinking beer, you can go back and convince your patients that you have any character? Don't you think they'll see you're a gastropath?”

“I'm going to bed,” Nicole announced. Dick accompanied her to the door of the elevator.

“I'd come with you but I must show Franz that I'm not intended for a clinician.”

Nicole walked into the elevator.

“Baby has lots of common sense,” she said meditatively.

“Baby is one of——”

The door slashed shut—facing a mechanical hum, Dick finished the sentence in his mind, “—Baby is a trivial, selfish woman.”

But two days later, sleighing to the station with Franz, Dick admitted that he thought favorably upon the matter.

“We're beginning to turn in a circle,” he admitted. “Living on this scale, there's an unavoidable series of strains, and Nicole doesn't survive them. The pastoral quality down on the summer Riviera is all changing anyhow—next year they'll have a Season.”

They passed the crisp green rinks where Wiener waltzes blared and the colors of many mountain schools flashed against the pale-blue skies.

“—I hope we'll be able to do it, Franz. There's nobody I'd rather try it with than you——”

“Good-by, Gstaad! Good-by, fresh faces, cold sweet flowers, flakes in the darkness. Good-by, Gstaad, good-by!”

XIV

D
ICK
awoke at five after a long dream of war, walked to the window and stared out it at the Zugersee. His dream had begun in sombre majesty; navy blue uniforms crossed a dark plaza behind bands playing the second movement of Prokofieff's “Love of Three Oranges.” Presently there were fire engines, symbols of disaster, and a ghastly uprising of the mutilated in a dressing station. He turned on his bed-lamp and made a thorough note of it ending with the half-ironic phrase: “Non-combatant's shell-shock.”

As he sat on the side of his bed, he felt the room, the house and the night as empty. In the next room Nicole muttered something desolate and he felt sorry for whatever loneliness she was feeling in her sleep. For him time stood still and then every few years accelerated in a rush, like the quick re-wind of a film, but for Nicole the years slipped away by clock and calendar and birthday, with the added poignance of her perishable beauty.

Even this past year and a half on the Zugersee seemed wasted time for her, the seasons marked only by the workmen on the road turning pink in May, brown in July, black in September, white again in Spring. She had come out of her first illness alive with new hopes, expecting so much, yet deprived of any subsistence except Dick, bringing up children she could only pretend gently to love, guided orphans. The people she liked, rebels mostly, disturbed her and were bad for her—she sought in them the vitality that had made them independent or creative or rugged, sought in vain—for their secrets were buried deep in childhood struggles they had forgotten. They were more interested in Nicole's exterior harmony and charm, the other face of her illness. She led a lonely life owning Dick who did not want to be owned.

Many times he had tried unsuccessfully to let go his hold on her. They had many fine times together, fine talks between the loves of the white nights, but always when he
turned away from her into himself he left her holding Nothing in her hands and staring at it, calling it many names, but knowing it was only the hope that he would come back soon.

He scrunched his pillow hard, lay down, and put the back of his neck against it as a Japanese does to slow the circulation, and slept again for a time. Later, while he shaved, Nicole awoke and marched around, giving abrupt, succinct orders to children and servants. Lanier came in to watch his father shave—living beside a psychiatric clinic he had developed an extraordinary confidence in and admiration for his father, together with an exaggerated indifference toward most other adults; the patients appeared to him either in their odd aspects, or else as devitalized, over-correct creatures without personality. He was a handsome, promising boy and Dick devoted much time to him, in the relationship of a sympathetic but exacting officer and a respectful enlisted man.

“Why,” Lanier asked, “do you always leave a little lather on the top of your hair when you shave?”

Cautiously Dick parted soapy lips: “I have never been able to find out. I've often wondered. I think it's because I get the first finger soapy when I make the line of my side-burn, but how it gets up on top of my head I don't know.”

“I'm going to watch it all to-morrow.”

“That's your only question before breakfast.”

“I don't really call it a question.”

“That's one on you.”

Half an hour later Dick started up to the administration building. He was thirty-eight—still declining a beard he yet had a more medical aura about him than he had worn upon the Riviera. For eighteen months now he had lived at the clinic—certainly one of the best-appointed in Europe. Like Dohmler's it was of the modern type—no longer a single dark and sinister building but a small, scattered, yet deceitfully integrated village—Dick and Nicole had added much in the domain of taste, so that the plant was a thing of beauty, visited by every psychologist passing through Zurich. With the addition of a caddy house it might very well have
been a country club. The Eglantine and the Beeches, houses for those sunk into eternal darkness, were screened by little copses from the main building, camouflaged strong-points. Behind was a large truck farm, worked partly by the patients. The workshops for ergo-therapy were three, placed under a single roof, and there Doctor Diver began his morning's inspection. The carpentry shop, full of sunlight, exuded the sweetness of sawdust, of a lost age of wood; always half a dozen men were there, hammering, planing, buzzing—silent men, who lifted solemn eyes from their work as he passed through. Himself a good carpenter, he discussed with them the efficiency of some tools for a moment in a quiet, personal, interested voice. Adjoining was the book-bindery, adapted to the most mobile of patients who were not always, however, those who had the greatest chance for recovery. The last chamber was devoted to bead-work, weaving and work in brass. The faces of the patients here wore the expression of one who has just sighed profoundly, dismissing something insoluble—but their sighs only marked the beginning of another ceaseless round of ratiocination, not in a line as with normal people but in the same circle. Round, round, and round. Around forever. But the bright colors of the stuffs they worked with gave strangers a momentary illusion that all was well, as in a kindergarten. These patients brightened as Doctor Diver came in. Most of them liked him better than they liked Doctor Gregorovious. Those who had once lived in the great world invariably liked him better. There were a few who thought he neglected them, or that he was not simple, or that he posed. Their responses were not dissimilar to those that Dick evoked in non-professional life, but here they were warped and distorted.

One Englishwoman spoke to him always about a subject which she considered her own.

“Have we got music to-night?”

“I don't know,” he answered. “I haven't seen Doctor Lladislau. How did you enjoy the music that Mrs. Sachs and Mr. Longstreet gave us last night?”

“It was so-so.”

“I thought it was fine—especially the Chopin.”

“I thought it was so-so.”

“When are you going to play for us yourself?”

She shrugged her shoulders, as pleased at this question as she had been for several years.

“Some time. But I only play so-so.”

They knew that she did not play at all—she had had two sisters who were brilliant musicians, but she had never been able to learn the notes when they had been young together.

From the workshop Dick went to visit the Eglantine and the Beeches. Exteriorly these houses were as cheerful as the others; Nicole had designed the decoration and the furniture on a necessary base of concealed grills and bars and immovable furniture. She had worked with so much imagination—the inventive quality, which she lacked, being supplied by the problem itself—that no uninstructed visitor would have dreamed that the light, graceful filagree work at a window was a strong, unyielding end of a tether, that the pieces reflecting modern tubular tendencies were stancher than the massive creations of the Edwardians—even the flowers lay in iron fingers and every casual ornament and fixture was as necessary as a girder in a skyscraper. Her tireless eyes had made each room yield up its greatest usefulness. Complimented, she referred to herself brusquely as a master plumber.

For those whose compasses were not depolarized there seemed many odd things in these houses. Doctor Diver was often amused in the Eglantine, the men's building—here there was a strange little exhibitionist who thought that if he could walk unclothed and unmolested from the Étoile to the Place de la Concorde he would solve many things—and, perhaps, Dick thought, he was quite right.

His most interesting case was in the main building. The patient was a woman of thirty who had been in the clinic six months; she was an American painter who had lived long in Paris. They had no very satisfactory history of her. A cousin had happened upon her all mad and gone and after an unsatisfactory interlude at one of the whoopee cures that
fringed the city, dedicated largely to tourist victims of drug and drink, he had managed to get her to Switzerland. On her admittance she had been exceptionally pretty—now she was a living agonizing sore. All blood tests had failed to give a positive reaction and the trouble was unsatisfactorily catalogued as nervous eczema. For two months she had lain under it, as imprisoned in the Iron Maiden. She was coherent, even brilliant, within the limits of her special hallucinations.

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