Authors: Walter Dean Myers
Melissa wants spaghetti
Miss Ruby wants chicken
But won’t remember what she asked for
We have some beef left over and enough
On the card for onions, cheese, and rolls,
I’ll make sandwiches
And not think of Damien
Who is he? High horsing into my life
And me teetering on the rim of the
Volcano, choking on its fumes
He strews his path with prose
And expects me to skip from verb to noun
Making garlands of his wit
How dare he hi-yo-Silver me when I am so
Needy, my palms turned up in begging
Lágrimas de luna por favor
The onions are perfect. Melissa
Will want to keep one on the kitchen
Table. A nine-year-old romantic
Wanting to be an Old Master
What can Damien want of me?
Once he smells the sulfur pouring
From my life he will run
When he reaches for my hands
And finds them wringing in hopelessness
He will shrink away. What does he know
Of my lips, twisted in cursing and defiance
What does he know of my body
Bent double with the weight of my days?
Won’t he cringe and move away? Isn’t that what
Men do to girls like me?
Cheese wrapped in plastic, colorless Wicca cheese
But good enough on leftover beef with
Fried onions and Goya sauce
Thinking he is a man, he invites me
To coffee. Thinking he is a moment away from the
Rage I have become, I will go
Too soon, or reach too greedily into
Promises neither of us can fulfill
Rolls, I must have rolls
The soft kind that Miss Ruby can manage
Damien appears sweet, as boys go, and offers
An untested heart. He needs a girl
Who thinks of love as June pleasant days
Or shopping
With nothing lost that cannot be replaced
But I am not that girl. I am Street
My needs are fierce. I am hungry
And my teeth are sharp. Where will he
Find the strength to hold me?
What can he bring to the vacant lot
Of my horizons
And whatever he brings
Will it be street enough to keep us safe
Against the storm?
Could it even withstand the voltage of
His mother’s shock?
I was in the living room
Everyone thought my red dress
The one with the neat silk stitches
Was blue and Miss Ruby touched it
With her long fingers and sharp nails
And said I shouldn’t wear locs because my hair
Wasn’t strong enough to wear them
But I wasn’t wearing locs, my hair was up
The way Junice had put it and so I put my
Head against her chest and
Listened to her heart
Ka-thump! Ka-thump! Ka-thump! And I wasn’t as scared
Anymore and then some other people were walking
Around the room, only now the brown and purple
Rug was a wooden floor that sounded shlud-shlud
As people walked and everyone said not to mind
Because I looked so pretty in my blue-green dress
Only Junice knew I was wearing a red dress
Ka-thump! Ka-thump! Ka-thump!
Again and again and again
ERNESTINE BATTLE
Damien is different, a tender
Boy with a heart too forgiving for its own dear sake
Uneasy with the higher way that for him
Is as natural as rain in spring
Not that he pretends to royalty or
Misunderstands his birth although that
Birth should not be denied, my side at least
Has made its mark in three eastern cities
And has been in Who’s Who several times
Not that any of that matters because
It is my son’s bright future that concerns
Me. I don’t want it lost in the slanting
Chasm of this busy concrete forest
With its neon snares and jazzy traps
No, my son has a greater role to
Play than is offered on this
Meager stage.
LESLIE AMBERS
Junice favors me. Something about the mouth
The way she stands to her full height
The arch of her back. The length of those brown
Thighs that men capture in their minds long
Before they glimpse the reality of her womanhood
But she is naïve. Wearing her childhood around
Her neck like a laurel. At her age I had already lost
One child and she was on the way. Some would say
She’s spoiled but I know she just hasn’t
Found the fight in her as yet. We are scufflers
We in the Ambers clan.
We don’t let each other down. She
Will fight by my side as I fought at Miss
Ruby’s side. She knows what family means
And it’s that meaning that concerns me.
No, there is more to her than
These walls, these cells, can stand against.
ERNESTINE
It is not the petty hustlers
Who worry me. He’ll handle them
It’s the unsuspected ones. Bright
And so clever in their come-ons
That he will think that he is the hunter
Not the hunted. Easy money
And easier pleasures waiting
For him to taste, to be enticed
By a pretty face, a quick and
Breathless conquest. He’ll think it’s love.
I know better
LESLIE
It’s not the glaring mornings
That worry me. She’ll handle them
It’s the quiet nights alone, nights
In which she thinks that she is cold
Even as the radiator hiss
Fills the room or the August heat
Makes her sweat drip in the darkness
The nights will make her show herself
In moonlight as the hunter finds
Her in his sights. She’ll think it’s love.
I know there is no such thing.
ERNESTINE
I will not let him fall
In lust with some low child
With legs that run then fall
Apart as if surprised
Upon my solemn oath
As long as life is in
My bosom I will hold
Damien safe. I will!
LESLIE
Uh-uh, she won’t fall
Not my Junice—or turn her back
On me when I am stuck
Inside these walls
Miss Ruby’s mind is nearly gone
I got no one but my baby girl
Our destinies will go hand in hand
As long as there’s breath in me
AVERY BATTLE
When I was Damien’s age I was hard
Not that the boy should be as rough as me
But I wish we could talk a little more
He could tell me of his dreams and what part
I might play in them, if I have a part
What with his mother hovering over
Him like a protective vulture. Too harsh—
She means him well, I know she means me well
But still, I sometimes wish he would find time
To talk a little more. That would be good.
ARTHUR WILLIAMS
I heard that Leslie got herself busted
For selling drugs—some heavyweight
Action somewhere upstate. Well, she was
Always sly and fly, chasing that big paper
Hey, that big paper brings some big time
You don’t want the time—don’t do the crime
That’s the way the story goes
You got to check out where you strolling
You can’t tell people how to live their lives.
Junice? Was that her girl’s name?
How old is she? Ten? Eleven? She probably
Hanging with Leslie’s mama.
Now that was a woman who could
Drink some gin. I tell you,
She could drink some gin.
I have to open my sister’s mouth
And fill it with thoughts as hard
As stones so she can practice her lines
She needs to speak clearly
As she lies.
“Melissa,” I will say
“Miss Ruby will run the house
She’ll make fried chicken and okra
Hamburger and broccoli
And when her mental hat flies
Off down some weird and wondrous
Street she will not chase it
Will not ramble as she talks
Or twist fragments of the past
Into a hopeless stew of
Neverwasness. Miss Ruby will
Be our Strength and Center around which
We will build Family
Are you listening, Melissa?
Will you tell them how sure we are
Of our grandmother? Can you understand
That we sell the Shadow to support
The Substance of Miss Ruby?
And dear Melissa, you have to say it all with
Happiness in your voice. You must smile
Sweetly. It is always Miss Ruby
With a tilt of the head, and Mama
With love in your voice and—”
She left!
—Call her Mama!
She left, that’s all to say
—One day we’ll be with her again.
She left!
One day
If we hold on
Hold ourselves together
We’ll find some way to bring her home Again
Never
She walked away
To live in her own world
Junice, I hate her! She left us!
She did!
I know
Baby, I know
We have the same ragged
Steel tearing at our guts, ripping Our lives
I know
Oh look
Into my eyes
There’s fear, but there’s fight, too
We can be more than we should be
We two
Just you and me
Melissa and Junice
Two strong Black women against all
That’s wrong
Junice
I’m filled with scared
My stomach aches with sad
I believe in you, my Junice
I’ll try
I have a job to do, a thing, a chore
To look into, investigate, to know
What is happening, what’s the score
What makes this family tick, what makes them go
And if there is a danger, then it must be seen
Put aside, taken care of, duly filed
With each detail revealed, all secrets seen
With the clear aim that what is intended
Is not some vague desire, no “if I could”
No debate, pointless and open-ended,
But that clear truth we call “the greater good.”
There is no room for maybes when babies
Are involved and they are so young, these two
To be brought into family court
The younger girl crying, the older glares
But I only write the Final Report
I am not the cause of their despair
What they don’t understand
Is that the precise list of regulations
Properly numbered and indented
Is family. They still long for blood and
Flesh although blood and flesh has failed
Them. The mother, Leslie, is my age.
The report says that she has a tattoo on
The side of her neck that says “Kitty.”
I could never imagine myself with a
Tattoo, or selling drugs, or having
Children without a father at least listed
As Divorced.
At sentencing she pleaded that her
Children needed her, would be desperate
Without her. The judge asked her
Where were her children when she was
Out selling drugs? She had no answer.
Now she has given her family to the
State.
The girl is sixteen, and much like the mother
Her hair uncombed, her face looking older
Than it should, her eyes darting back and
Forth as she talks. She is a thinker,
But what does she think? Her mother
Is the kind who doesn’t think, who pushes
Her way through a crowd of days
As if she were in a hurry to get somewhere
And yet turns at every obstacle to start in
A new direction.
My report will be straightforward, to the point.
Should the state intervene, wrap its arms
Around the girl and the sister? The sister
Is almost ten, and shy. I almost caught myself
Reaching out to her. Almost felt myself being
Stirred by her youth, the eyes that looked
Through me as if they could see
The cool marrow of my being.
Once she smiled for no clear
Reason and I felt that she had seen
The little girl in me that once was as
Pretty and hopeful as she is now.
And when she smiled I smiled back
But then…but then I knew I must
Move on and find that
Greater good.
The Final Report will depend on the
Grandmother. Can she care for these
Children? There is already a file on
Her, it is thick with yellowed papers
And the accumulation of forty years
Of dampness. Her Report, 1076-A,
Individual Court Record lists her
As Stokes, Ruby, aka Ambers, Ruby—
Black, two felony convictions.
Assaults, one with a knife, one with a
Bat against a man.
What kind of life
Is defined by felonies, by street
Fights? What can she give these
Girls? What can she contribute
To the greater good?