Authors: Walter Dean Myers
My head is filled with images as I stumble,
Heavy-footed through this endless day.
Terrible images of my mother’s face
Twisted in disbelief, her body trembling
As the realization that her life was finished
Washed over her.
Her mouth was open but all that I could
Hear was the wailing of her soul
As they hustled her from the chaos of the courtroom
Into the chaos of the foreverness
That was to be her punishment.
Guilty of possession and distribution
Twenty-five years to life
How could they know she had never possessed
Anything worth the while
Had never distributed anything except pieces of herself
Which she gave freely
To those in need, or to those who, like
Her, were broken, and needed a fix?
She possessed nothing as they led
Her, handcuffed, away
What she left behind
Forlorn and weeping in the second row of benches
Were not her children,
Lost and desperate in the whirlwind
My head is filled with images
Of Melissa and me on the court steps
She crying and clinging to my skirt
Me crying and clinging to a distant God
As we made our way to the bus terminal
For the long journey home.
My head is filled with images
That mare at night and tear at my flesh
There is no rational corner in my head
Beyond making tea for Melissa
Beyond making conversation with Miss Ruby
Nothing to make my legs move in the
Direction of our apartment as if there
Were sense to moving
If anyone could look into my head
See or feel the dread that has captured
Me or see within this sad, unhappy brain
They would only turn away
Turn away.
Mommy seemed a hundred miles away
In the yellow-light
Courtroom
With all of the people standing at the tables
And Mommy was smaller
Than they were
Even though everybody says
She is so tall
The judge pushed his glasses
Up on his nose when he was talking
But Mommy just looked
Down
When the judge said how
Long Mommy would be in jail
A terrible sound came out of
Junice
A hurt sound
A
Uhhh!
sound
Her body jerked forward
I was so scared
So scared
People were shuffling papers
They
swished
as people
Stood and their feet
Cluffed
across the floor
Mommy turned
Her eyes were dark and
Wild as if she were
Seeing a monster coming
I turned to see what Mommy saw
But all I saw was the people leaving
Through the big doors in the back
When I turned back to Mommy
There was just a little piece of her left
Between the big policemen
My skin was crawling
And my arms were shaking
Miss Ruby called out in the courtroom
She said “Be strong, daughter!”
Junice said I was crying.
I don’t remember crying but afterward
Afterward
My throat was sore
Yeah, it’s hard, baby
It’s hard right down to the bone
I said Oh, it’s hard baby
It’s hard right down to the very bone
It’s hard when you’re a woman
And you find yourself all alone
I’ve been flapping and scrapping
And running from door to door
You know I’ve been flapping and scrapping, honey
Running from door to door
I ain’t what I used to be, ain’t really Miss Ruby anymore
Oh, daughter, daughter, daughter,
Why you chasing White Girl dreams?
Yes, oh, daughter, daughter,
Why you chasing White Girl dreams?
Them rainbows you were finding,
Ain’t really what they seems to be.
I told Junice to get herself on up
We ain’t no trifling women
I been knocked down and flung around
“Junice, why you looking so sad, baby?
You got your Miss Ruby here, ain’t you?
You and Lissa gonna be all right.
Miss Ruby’s been scruffed and roughed
In her day but she don’t lay down.
No sir. You mama will be home ’fore
You know it.”
“She got twenty-five years, Miss Ruby.”
“We Ambers women. We been down and we
Been up. We don’t tip and run. No, we sure
Don’t. I had your mama on a cold day
In December, thirty-some—how old is Leslie?
Never mind, you ask her when she come Home.”
“She got twenty-five years, Miss Ruby.”
“When she come home we got to sit
Down and have a family talk. My
Aunt Louise used to say that once in
A while you had to have a family talk
Get into the Bible. You know Louise was
Always into the Old Testament. Your
Mama come home I’m going to tell her
About the Old Testament. Genesis, and
All that. We ain’t had a family talk for
A while, but when she come home
We need to have us one. Get into the
Bible, and all that.”
“She got twenty-five years, Miss Ruby.”
We drone along the faceless highway
That is the history of my life
Telephone poles, light poles, pretending
Differences, pretending they are not the
Thousand pages etched of who I am
Each episode was written by somebody
With my dark face, my broad back,
Mama, Miss Ruby, how far back do we go?
Did some Bantu gap-toothed woman
Rise one bright morning
And march willingly to the shore?
To the waiting ships?
We are on the Thruway
Miss Ruby, her mind slipping in and out
Of Knowing, chatters on while Melissa,
My sweet Melissa who already
Knows how to weep without
Tears, leans against the hard window
Passing neon lights play across
Her pretty face, her sadness
The trial is over, the sentence read There are no comforts to share
No songs to ease our sorrow
Only the long bus ride home
What are they doing to me? To me?
Groping and groping, reaching to see
If I have hidden my soul somewhere
Between my legs, not seeing it puddle
On the cracked grout floor
Of this steel tomb
They are calling this my forever home
“Hide your body along the green-gray
Walls,” they say
“So we cannot see your crime-ugly face.”
But I know they see everything
They want me not to see myself
But I must, I am desperate to see
My image, my wild eyes searching
For the high of being me again
Of being Leslie, of evoking
Ambers
On the streets of the city
They have taken my Who-I-Am
As well as my What-I-Was
And now I am desperate for them both
Again
“Hey, Princess 649178,
Time to Bend and Grin!”
“Why she think she a princess?”
“Hey, Princess, you got any children?”
“I have two daughters
The oldest is named Junice.”
“Shut up! We don’t care about your dumb family!”
“But you asked—”
“Yeah, but we don’t care.
And neither do you, or you wouldn’t be in here!”
Where is my daughter? Where is Junice?
Why doesn’t she come flying through the walls
Screaming in rage and fury because of
What they are doing to me, to me.
Why doesn’t she break this darkness into
A thousand crumbling fragments
And lift me over the razor wire cliffs
Of my despair?
Where is Miss Ruby, my mother,
With her roots and spells
Where are the black candles
That spell death to my enemies?
Perhaps they are on their way
Perhaps they are at the gates
“Shut up! We don’t care about your dumb family!”
“But you asked—”
“Yeah, but we don’t care.
And neither do you, or you wouldn’t be in here!”
I care, I have always cared
Really.
There was a time
When I thought of my life as a journey
Knowing somewhere there would be a place
At which I would Arrive and be
Beautiful
On clear days, if I shielded my eyes
Just right and squinted into the distance
I could almost see the station’s sign
Bold and shining on a summer-green hill
But none of that was true
There were no tracks climbing
Like a silver arrow toward a place called
Future. No friendly tower or friendly faces
Eager for my appearance
No, it is all cycle and recycle
What the great-grandmother has done
Is to rut the earth for her children
What the grandmother has done
Is to widen the furrow for her children
What the mother has done
Is to square the pit
Deepening it for the ritual to come
And here I sit, grave deep among the
Waiting worms, staking my claim
As they stake theirs.
What do I want, you ask
What do I whisper to God
In the early mornings?
Only to keep Melissa safe
To hold her close
Away from the past, away from
The expectation in your eyes
Is this too much to ask?
The bench in the office is four feet wide
So when she was there, elbows on her knees
There should have been enough room
Except for someone else’s green backpack
Against the slatted side
Which barely left enough room
For me to sit, but I did
She looked up at me, and I smiled
She looked away
Fran leaning across the ledgers on the counter
Commented on my admission to Brown
“Your mother must be very proud.”
I hear her sigh. Then she was called into
The inner sanctum
I could hear snatches of conversations
Words piled on her.
Must. Responsibility. Days missed from school.
She came out and sat down again
Elbows on knees.
Not noticing our hips touching
Or the current between us
“You want to stop for coffee?” I asked, surprising myself
I anchored myself on the bench
Waiting to be called into the office
The office clerks chirped Damien’s name
Wonderful this, amazing that
The other side of the universe
He came in and sat next to me
Touching me, his legs stretched out
The Lord, waiting for his homage
Me in the office, hearing the words
Wond’ring if most of the world was like me
Listening to the judgments of others
The warnings, the I-Told-You-Sos
The sentences.
On the bench again, waiting for the written
Notification. He speaks.
“Coffee?” He says. “Why?” I ask. He shrugs, our hips are touching
I’m not your kind, I think.
“Some other time?” I say.
“Fine,” He says. I search for words that seem
Softer. “The bench is small,”
I say. “That’s all right,” He says quickly,
His shy smile illuminating the answer.
“Can I call you?” He asks.
“Why?” I ask.
Kev, there’s Junice, I spoke to her yesterday
She strikes me as…
You hit on her?
No, man, we exchanged a few words, and…
And you laid out your line
I’m seeing her differently, you know
She’s sweet, neat, and filet mignon
The best kind of meat
No, what I feel is that
Somehow she’s more real than
I’m used to being around
It’s as if I found something within me.
You’re tripping, bro. She’s a slick chick
I got to admit. She’s as strong as she’s
Long but I don’t get the sudden vision
This heated rush that raises one dark
Flower, lovely as it is, above the
Bush.
Kevin, things are happening around me, man
Things that you expected
Right, and that I’ve never rejected
Things that happen according to a plan
And maybe that’s what makes Junice shine
What makes her seem suddenly fantastic
Why in a garden that for all the world seemed mine
She is the only rose that doesn’t smell of plastic
Look, there, see how she turns, how she touches
Her hair. How she gestures as if writing
Her name in the air.
Ah, new, strange, yes, I see.
A little slip and slide when
Roxanne is not around
A little grip and glide with
Someone new. I’m hip. If you had slipped
Me the 411 from the get-go
Then I wouldn’t have thought you
Were losing it.
Kevin, you’re never going to change
That girl is doing things in my chest
That make my heart happy and
I think that feeling in my stomach is my
Liver laughing to be alive again
If the feeling goes lower
You got my vote. But she’s coming
This way. Now she sees us. She’s smiling
She’s yours, man. Rap her up and
Take her home if you want, but since
I got your back, let me stack some wisdom on
You. Give Junice some serious slack
Or give your mama a heart attack. And
That’s a fact, Jack!