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Hills, Patricia.
John Singer Sargent.
New York: Harry N. Abrams, 1986.
Hollander, Anne.
Seeing Through Clothes.
Berkeley: University of California Press, 1993.
Hoopes, Donelson F.
The Private World of John Singer Sargent.
Washington, DC: Corcoran Gallery of Art, 1964.
Huysmans, J. K.
Against Nature,
trans. Robert Baldick. Baltimore: Penguin, 1971.
Jennings, Kate F.
John Singer Sargent.
New York: Crescent Books, 1991.
Jordan, David P.
Transforming Paris.
Chicago: University of Chicago Press, 1995.
Joyes, Claire.
Monet’s
Table. New York: Simon & Schuster, 1989.
Jullian, Philippe.
Robert de Montesquiou: A Fin-de-Siècle Prince,
trans. John Haylock and Francis King. London: Secker & Warburg, 1967.
Kimbrough, Sara Dodge.
Drawn from Life.
Jackson: University Press of Mississippi, 1976.
The Last Confessions of Marie Bashkirtseff and Her Correspondence with Guy de Maupassant,
ed. Jeannette L. Gilder. New York: Frederick A. Stokes, 1901.
Lubbock, Percy.
The Letters of Henry James.
New York: Macmillan, 1920.
Lubin, David.
Act of Portrayal: Eakins, Sargent, James.
New Haven, CT: Yale University Press, 1985.
Maillard, Lucien.
Ledoyen.
Paris: L’Avant Mémoire, n.d.
Manson, J. B., and Alice Meynell.
The Work of John Singer Sargent.
New York: Charles Scribner’s Sons, 1927.
Marie Bashkirtseff: The Journal of a Young Artist,
trans. Mary J. Serrano. New York: E. P. Dutton, 1919.
McSpadden, J. Walker.
Famous Painters of America.
New York: Dodd, Mead, 1923.
Miceli, Augusto.
The Pickwick Club of New Orleans.
New Orleans: Pickwick, n.d.
Miller, Michael.
The Bon Marché: Bourgeois Culture and the Department Store.
Princeton, NJ: Princeton University Press, 1981.
Milner, John.
The Studios of Paris.
New Haven, CT: Yale University Press, 1988.
Misia and the Muses: The Memoirs of Misia Sert.
New York: John Day, 1953.
Mount, Charles Merrill.
John Singer Sargent.
New York: W. W. Norton, 1955.
Munhall, Edgar.
The Butterfly and the Bat.
New York: The Frick Collection, 1995.
Olson, Stanley.
John Singer Sargent: His Portrait.
New York: St. Martin’s, 1986.
Olson, Stanley, Warren Adelson, and Richard Ormond.
Sargent at Broadway: The Impressionist Years.
New York: Universe and Coe Kerr Gallery, 1986.
Ormond, Richard, and Elaine Kilmurray,
John Singer Sargent: The Early Portraits.
New Haven, CT, and London: Yale University Press, 1998.
Palffy, Eleanor.
The Lady & the Painter.
New York: Coward-McCann, 1951.
Piper, David.
The English Face.
London: Thames & Hudson, 1957.
Pousette-Dart, Nathaniel.
John Singer Sargent.
New York: Frederick A. Stokes, 1924.
Prettejohn, Elizabeth.
Interpreting Sargent.
New York: Stewart, Tabori & Chang, 1998.
Price, Roger.
A Social History of Nineteenth-Century France.
London: Hutchinson, 1987.
Pringue, Gabriel-Louis.
Portraits et Fantômes.
Paris: Raoul Solar, 1951.
Pringue, Gabriel-Louis.
30 Ans de Dîners en Ville.
Paris: Édition Revue Adam, 1948.
Ratcliff, Carter.
John Singer Sargent.
New York: Abbeville, 1982.
Rearick, Charles.
Pleasures of the Belle Epoque.
New Haven, CT: Yale University Press, 1985.
Reinders, Robert C.
End of an Era.
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Richardson, Joanna.
The Bohemians.
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Richardson, Joanna.
Judith Gautier: A Biography.
New York: Franklin Watts, 1987.
Ripley, Eliza.
Social Life in Old New Orleans.
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Life Was Worth Living.
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Paintings in the Musée d’Orsay.
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Renoir: Paris and the Belle Époque.
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Spectacular Realities.
Berkeley: University of California Press, 1998.
Shackelford, George T. M., and Mary Tavener Holmes.
A Magic Mirror: The Portrait in France, 1700-1900.
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Shand-Tucci, Douglass.
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Shattuck, Roger.
The Banquet Years.
New York: Vintage, 1968.
Silverman, Willa Z.
The Notorious Life of Gyp: Right-Wing Nationalist and Liberated Anti-Feminist in Fin-de-Siècle France.
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Simmons, Edward.
From Seven to Seventy: Memories of a Painter and a Yankee.
New York: Harper & Brothers, 1922.
Simpson, Marc.
Uncanny Spectacle: The Public Career of the Young John Singer Sargent.
New Haven, CT: Yale University Press, and Williamstown, MA: Sterling and Francine Clark Art Institute, 1997.
Skinner, Cornelia Otis.
Elegant Wits and Grand Horizontals.
Boston: Houghton Mifflin, 1962.
Smith, F. Berkeley.
How Paris Amuses Itself.
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Staffe, Baronne.
My Lady’s Dressing Room.
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Steele, Valerie.
Paris Fashion.
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Stewart, Mary Lynn.
For Health and Beauty: Physical Culture for Frenchwomen 1880s-1930s.
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Mrs. Jack.
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Fashion in Paris.
London: William Heinemann, n.d.
Uzanne, Octave.
The Modern Parisienne.
New York: G. P. Putnam’s Sons, 1912.
Vanderpooten, Claude.
Samuel Pozzi: Chirurgien et Ami des Femmes.
Paris: Éditions In Fine, 1992.
Waddington, Mary King.
Château and Country Life in France.
New York: Charles Scribner’s Sons, 1909.
Waldberg, Patrick.
Eros in La Belle Époque.
New York: Grove, 1969.
Weber, Eugen.
France: Fin de Siècle.
Cambridge, MA, and London: The Belknap Press of Harvard University Press, 1986.
Weinberg, H. Barbara.
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New York: Abbeville, 1991.
Westfeldt, Mettha.
Madame Gautreau.
New Orleans, 1984.
Wilde, Oscar.
The Picture of Dorian Gray.
N.p.: Creative Books, 2000.
Williams, Ellen.
The Historic Restaurants of Paris.
New York: The Little Bookroom, 2001.
Williams, Rosalind.
Dream Worlds: Mass Consumption in Late-Nineteenth-Century France.
Berkeley: University of California Press, 1982.
Wilner, Eli, ed.
The Gilded Edge.
San Francisco: Chronicle Books, 2000.
Zillhardt, Madeleine.
Louise-Catherine Breslau et Ses Amis.
Paris: Éditions des Portiques, 1932.
Zola, Émile.
His Masterpiece,
trans. Ernest Alfred Vizetelly. Strand, Gloucestershire, England: Sutton, 1986.
Zola, Émile.
The Ladies’ Paradise,
trans. Brian Nelson. Oxford, England: Oxford University Press, 1995.
Zola, Émile.
Nana,
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Zola, Émile.
Pot Luck,
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INDEX
Page numbers in italics indicate black-and-white illustrations.
 
 
Abbey, Edwin Austin
Académie des Beaux-Arts and portraiture
Académie Goncourt
Académie Julian
Adelson Galleries
Allouard-Jouan, Madame
Alma-Tadema, Lawrence
Armand Barbès
(hot-air balloon)
Arrangement in Black No. 5: Lady Meux
(Whistler)
Art, Parisians and
Art Amateur
Art movements, nineteenth-century
Art students, Paris
women as
and Amélie Gautreau
Artists’ Wives, The
(Tissot)
Astor, Caroline
Ateliers, Paris
of Carolus-Duran
for women
Au Bonheur des Dames
(Zola)
Avegno, Anatole (father of Amélie Gautreau)
and Civil War
Avegno, Catherine Genois (mother of Anatole)
Avegno, Jean-Bernard (brother of Anatole)
Avegno, Marie Virginie Ternant (mother of Amélie Gautreau)
and Civil War
death
and
Madame X
move to France
n
23
in Paris
See also
Ternant, Marie Virginie
Avegno, Philippe (father of Anatole)
Avegno, Valentine Marie (sister of Amélie Gautreau)
n
23
Avegno, Virginie Amélie
appearance
and marriage
social life in Paris
wedding
See also
Gautreau, Virginie Amélie
Avegno
 
Baker, Thomas Madison
Barnard, Frederick
Bashkirtseff, Marie
Bastien-Lepage, Jules
Battle of Shiloh
Baude, Charles
Baudelaire, Charles
Beauty, physical, French women and
Beckford, William
Beckwith, James
Beerbohm, Max
Belle Époque
Madame X
and
Pozzi and
See also
Paris; Society, Paris, 1870s-1880s; Third Republic
Belleroche, Albert de- 36
Benjamin-Constant
Berardinis, Robert de
Bernhardt, Sarah
Binder, George
Birth rate, France, 1880s-1890s
Black clothing
Blanchard (artist)
Blanche, Jacques-Émile
Boit family
Boit, Mrs. Edward Darley, portrait of
Boldini, Giovanni
Bon Marché (Paris)
Bonnat éon
Books, on health and beauty
Booth, Edwin
Boston, Sargent in
Boston Herald
Boston Museum of Fine Arts, murals
Boston Public Library
murals
Boucicaut, Aristide
Bouguereau, William-Adolphe
Youth of Bacchus, The
Brangwyn, Frank
Brisson, Henri
Broadway (England)
Broca, Paul
Brooklyn
(Union warship)
Bülow, Cosima von.
See also
Wagner, Cosima
Bulteau, Augustine
Burckhardt, Charlotte Louise
portrait of
Burckhardt, Mary Elizabeth (Mrs. Edward)
Burckhardt, Valerie
Burne-Jones, Edward
Business, art as
 
Caillaux, Victor-Amédée
Canova, Antonio
Caran d’Ache (Emmanuel Poiré)
Carfax Gallery (London)
Carnation, Lily, Lily, Rose
(Sargent)
exhibition
Carolus-Duran
art principals
atelier of
Portrait of His Excellency M.Z.
and portrait of Madame Gautreau
portrait by Sargent
and Sargent
Carrier-Belleuse, Pierre
Cartier, Jacques
Chantrey Bequest
Chaplin, Charles
Chateau-sur-Mer (Newport, R.I.)
Les Chérifas
(Benjamin-Constant)
Christ in the Tomb
(Henner)
Ciccolella, Ann
Civil War, U.S.
Clark, Kenneth
Collecting, Sargent and
Colorado Springs Fine Arts Center
Colors used by Sargent
Coolidge, Thomas Jefferson
Cormon, Fernand
Cosmetics
Amélie Gautreau’s use of
French women and
Courbet, Gustave
Courtois, Gustave
Creoles
in France
Critics, and Sargent’s works
in Boston
Carnation, Lily, Lily, Rose
Madame X
Crying Nymph
(Henner)
Curtis, Ralph
n
163
 
Daguerre, Louis
Daily Crescent
(New Orleans)
Daily Delta
(New Orleans)
Daily Telegraph
(London)
Daughters of Edward Darley Boit, The
(Sargent)
de la Gandara, Antonio
Death of Siegfried, The
(Wagner)
Degas, Edgar
del Castillo, Ben
Department stores
d’Inverno, Nicola
Dr. Pozzi at Home
(Sargent)
Don Antonio el Inglés
(Velázquez; Sargent copy)
Douglas, Alfred
Dress, for Sargent’s paintings
Dreyfus, Alfred
Dubroca, E. M.
Dubufe, Claude-Marie
Duran, Charles-Auguste-Émile.
See
Carolus-Duran

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