You must hide, Arthur. “But where?” He realized he had spoken aloud. The woman in theseat ahead of him turned and glanced back. Three Thousand N Street , the voices whispered. Go there, Arthur.Go in the window again. Think about the closet. The image of the closet in the unused bedroom filled his mind. Hewould be warm and safe concealed behind the rows of shelves in thatcloset. The lights were on in the theater and he stood up quickly. Hemust not draw attention to himself. He would go to another movienow and another after that. By then it would be dark. Where better tospend the hours until the broadcast tomorrow evening than in PatriciaTraymore’s own home? No one would dream of looking for him there. She must have her chance to be exonerated, Arthur. You must notbe too hasty. The words swirled in the air above his head. “Iunderstand,” he said. If there was no reference to Glory on theprogram, Patricia Traymore would never know that he had beenstaying with her. But if Glory was shown and identified, Patricia wouldbe punished by the angels.He would light the avenging torch.
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At one o’clock Lila Thatcher’s maid returned from grocery shopping.Lila was in her study working on a lecture she was planning to give thefollowing week at the University of Maryland. The subject was “HarnessYour Psychic Gift.” Lila bent over the typewriter, her hands clasped.The maid knocked on the door. “Miss Lila, you don’t look toohappy.” The maid spoke with the comfortable familiarity of anemployee who had become a trusted friend.“I’m not, Ouida. For someone who’s trying to teach people to usetheir psychic skills, my own are pretty scrambled today.”“I brought in the Tribune . Do you want to see it now?”“Yes, I think so.”Five minutes later, in angry disbelief, Lila was reading the GinaButterfield spread. Fifteen minutes later, she was ringing Pat’sdoorbell. With dismay she realized Pat had been weeping. “There’ssomething I have to show you,” she explained.They went into the library. Lila laid the paper on the table andopened it. She watched as Pat saw the headline and the color drainedfrom her face.Helplessly Pat skimmed the copy, glanced at the pictures. “MyGod, it makes me sound as though I was blabbing about the break-in,the Senator, this house, everything. Lila, I can’t tell you how upsetthey’ll all be. Luther Pelham had every single picture of my motherand father edited out of the old films. He didn’t want any connectionbetween the Senator and, I quote him, ‘the Adams mess.’ It’s as thoughthere’s a force in action I can’t stop. I don’t know whether to try toexplain, to resign or what.” She tried to hold back angry tears.Lila began to fold the newspaper. “I can’t advise you about thejob, but I can tell you that you must not look at this again, Kerry. I
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had to show it to you, but I’m taking it home with me. It’s not wisefor you to see yourself as you were that day, like a broken doll.”Pat grabbed the older woman’s arm. “Why did you say that?”“Say what? You mean why did I call you Kerry? That just slipped out.”“No, I mean why did you compare me to a broken doll?”Lila stared at her and then looked down at the newspaper. “It’s inhere,” she said. “I just read it. Look.” In the lead column GinaButterfield had reprinted some of the original Tribune story aboutthe murder-suicide.
Police Chief Collins, commenting on the grisly scene,said, “It’s the worst I’ve ever come across. When Isaw that poor little kid like a broken doll, I wonderedwhy he hadn’t shot her too. It would have been easierfor her.”
“A broken doll,” Pat whispered. “Whoever left it knew me then.”“Left what? Pat, sit down. You look as though you’re going tofaint. I’ll get you a glass of water.” Lila hurried from the room.Pat leaned her head against the back of the couch and closed her eyes.When she had looked up the newspaper accounts of the tragedy, she hadseen the pictures of the bodies being carried out; of herself, bandagedand bloody on the stretcher. But seeing them juxtaposed against those ofthe smiling, apparently carefree young couples was worse. She didn’tremember reading that quote from the police chief. Maybe she hadn’tseen the issue in which it appeared. But it proved that whoever hadthreatened her knew who she was, had known her then.Lila came back. She had filled a glass with cold water.“I’m all right,” Pat said. “Lila, the night someone broke in here,he didn’t just leave a note.” She tugged at the carton to try to get itout from under the library table. It was wedged in so tightly that itwouldn’t budge. I can’t believe I jammed it in like this, Pat thought.As she struggled, she told Lila about finding the doll.Shocked, Lila absorbed what she was hearing. The intruder hadleft a bloodied doll against the fireplace? Pat was in danger here. Shehad sensed it all along. She was still in danger.
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Pat freed the carton. She opened it, going through it rapidly. Lilawatched as her expression changed from surprise to alarm. “Pat, whatis it?”“The doll. It’s gone.”“Are you sure . . .”“I put it here myself. I looked at it again just the other day. Lila, Itook its apron off. It was sickening to look at. I shoved it way down.Maybe it’s still here.” Pat fished through the box. “Look, here it is.”Lila stared at the crumpled piece of white cotton, soiled with reddish-brown stains, the strings of the sash hanging limply from the sides.“When was the last time you saw the doll?”“Saturday afternoon. I had it out on the table. The Senator ’schauffeur came with more of her photograph albums. I hid it in thecarton again. I didn’t want him to see it.” Pat paused.“Wait. There was something about Toby when he came in. Hewas brusque and kept eyeing everything in this room. I hadn’tanswered the bell right away and I think he wondered what I’d beenup to. And then he said he’d let himself out. When I heard the doorclose, I decided to slide the bolt, and Lila, the door was openingagain. Toby had something that looked like a credit card in his hand.He tried to pass it off by insinuating that he was just testing the lockfor me, and that I should be sure to keep the bolt on.“He knew me when I was little. Maybe he’s the one who’s beenthreatening me. But why?”It was not yet midafternoon, but the day had turned gray and cloudy.The dark wood paneling and the fading light made Pat seem smalland vulnerable. “We must call the police immediately,” Lila said.“They’ll question the chauffeur.”“I can’t do that. Can you imagine what the Senator would think?And it’s only a possibility. But I do know someone who can haveToby investigated quietly.” Pat saw the distress on Lila’s face. “It’sgoing to be all right,” she assured her. “I’ll keep the bolt on the door—and Lila, if everything that’s happened is an attempt to stop theprogram, it’s really too late. We’re taping the Senator arriving homethis evening. Tomorrow we do some in-studio scenes and tomorrownight it will be aired. After that there won’t be any point in trying to
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scare me. And I’m beginning to think that’s what this is about—justan attempt to scare me off.”Lila left a few minutes later. Pat had to be at the studio at fouro’clock. She promised she would phone her Congressman friend—Sam Kingsley—and ask him to have the chauffeur investigated. ToLila’s consternation, Pat insisted on keeping the newspaper. “I’ll haveto read it carefully and know exactly what it says. If you don’t giveme this, I’ll go out and buy another one.”Lila’s maid had the door open when she came up the steps. “I’vebeen watching for you, Miss Lila,” she explained. “You never finishedyour lunch and you looked real upset when you left.”“You’ve been watching for me, Ouida?” Lila went into the diningroom and walked over to the windows facing the street. From thereshe could see the entire frontage and the right side of Pat’s house andproperty. “It won’t work,” she murmured. “He broke in through thepatio doors and I can’t see them from here.”“What did you say, Miss Lila?”“It’s nothing. I’m going to keep a stillwatch and I had thought ofsetting my typewriter on a table just back from the windows.”“A stillwatch?”“Yes, it’s an expression that means if you believe something iswrong, you keep a vigil.”“You think something is wrong at Miss Traymore’s? You thinkthat prowler may come back again?”Lila stared at the unnatural darkness surrounding Pat’s house. Withan acute sense of foreboding she answered somberly, “That’s justwhat I think.”
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From the moment Father phoned her, Glory had been waiting for thepolice to come. At ten o’clock it happened. The door of the real estateoffice opened and a man in his mid-thirties came in. She looked up andsaw a squad car parked out front. Her fingers dropped from the typewriter.“Detective Barrott,” the visitor said, and held up a badge. “I’d liketo speak with Gloria Stevens. Is she here?”Glory stood up. Already she could hear his questions: Isn’t yourreal name Eleanor Brown? Why did you violate parole? How longdid you think you could get away with it? Detective Barrott came over to her. He had a frank, chubby facewith sandy hair that curled around his ears. His eyes were inquisitivebut not unfriendly. She realized he was about her own age, and somehowhe seemed a little less frightening than the scornful detective who hadquestioned her after the money was found in her storage room.“Miss Stevens? Don’t be nervous. I wonder if I could speak toyou privately?”“We could go in here.” She led the way into Mr. Schuller ’s smallprivate office. There were two leather chairs in front of Mr. Schuller ’sdesk. She sat in one of them and the detective settled in the other.“You looked scared,” he said kindly. “You have nothing to worryabout. We just want to talk to your dad. Do you know where we canreach him?” Talk to her dad Father! She swallowed. “When I left for work hewas home. He probably went to the bakery.”“He didn’t come back. Maybe when he saw the police car in frontof your house, he decided not to. Do you think he might be withsome relatives or friends?”