Authors: Sharon Olds
    Not Going to Him
Minute by minute, I do not get up and just
go to himâ
by day, twenty blocks away;
by night, due across the city's
woods where night-crowned heron sleep.
It is what I do now: not go, not
see or touch. And after eleven
million six hundred sixty-four thousand
minutes of not, I am a stunned knower
of not. Then I let myself picture him
a moment: the knob that seemed to surface in his
wrist after I had held my father's
hand in coma; then up, over
his arm, with its fold, from which for a friend
he gave his blood. Then a sense of his presence
returns, his flesh which seemed, to me,
made as if before the Christian
God existed, a north-island baby's
body become a man's, with that pent
spirit, its heels dug in, those time-worn
heels, those elegant flat feet;
and then, in a sweep, calf shin knee thigh pelvis
waist, and I run my irises
over his feathered chest, and there,
on his neck, the scar, doll-saucer of tarnish
set in time's throat, and up to the nape and then
dive again, as the swallows fly
at speedâcliff and barn and bank
and treeâat twilight, just over the surface
of a sloping terrain. He is alive, he breathes
and moves! My body may never learn
not to yearn for that one, or this could be
a first farewell to him, a life-do-us-part.
    Pain I Did Not
When my husband left, there was pain I did not
feel, which those who lose the one
who loves them feel. I was not driven
against the grate of a mortal life, but
just the slowly shut gate
of preference. At times I envied themâ
what I saw as the honorable suffering
of one who is thrown against that iron
grille. I think he had come, in private, to
feel he was dying, with me, and if
he had what it took to rip his way out, with his
teeth, then he could be born. And so he went
into another worldâthis
world, where I do not see or hear himâ
and my job is to eat the whole car
of my anger, part by part, some parts
ground down to steel-dust. I like best
the cloth seats, blue-grey, first
car we bought together, long since
marked with the scrubbed stainsâdrool,
tears, ice cream, no wounds, but only
the month's blood of release, and the letting
go when the water broke.
    The Worst Thing
One side of the highway, the waterless hills.
The other, in the distance, the tidal wastes,
estuaries, bay, throat
of the ocean. I had not put it into
words, yetâthe worst thing,
but I thought that I could say it, if I said it
word by word. My friend was driving,
sea-level, coastal hills, valley,
foothills, mountainsâthe slope, for both,
of our earliest years. I had been saying
that it hardly mattered to me now, the pain,
what I minded wasâsay there was
a godâof loveâand I'd givenâI had meant
to giveâmy lifeâto itâand I
had failed, well I could just suffer for thatâ
but what, if I,
had harmed, love? I howled this out,
and on my glasses the salt water pooled, almost
sweet to me, then, because it was named,
the worst thingâand once it was named,
I knew there was no god, there were only
people. And my friend reached over,
to where my fists clutched each other,
and the back of his hand rubbed them, a second,
with clumsiness, with the courtesy
of no eros, the homemade kindness.
   Â
Frontis Nulla Fides
Sometimes, now, I think of the back
of his head as a physiognomy,
blunt, rich as if with facial hair,
the convex stonewall shapes of the skull
like brow nose cheeks, as hard to read
as surfaces of the earth. He was as
mysterious to me as that phrenologyâ
occiput, lamboidâbut known like a home
outcrop of rock, and his quiet had
the truthfulness, for me, of something
older than the human. I knew and did not
know his brain, and its woody mountain
casing, but the sheer familiarness
of his brow was like a kind of knowledge,
I had my favorite pores on its skin,
and the chaos, multiplicity, and
generousness of them was like
the massy stars over the desert.
He hardly ever frowned, he seemed
serene, as if above or alien
to anger. Now, I can see that his eyes
were sometimes bleak or sullen, but I saw them
as lakesâone could sound them, and receive
no sense of their bounds or beds. Something in
the paucity of his cheeks, the sunken
cheekbones, always touched me. Bold
Old English cartilage of the nose, wide
eloquent curve of the archer's bow, its
quiver sometimes empty as if languagelessness
was a step up, in evolution,
from the chatter of consciousness. Now
that I travel the land of his sealed mask
of self in memory, again, touching
his contours, as if I am the singing blind,
I feel that ignorant love gave me
a life. But from within my illusion of him
I could not see him, or know him. I did not
have the art or there's no art
to find the mind's construction in the face:
he was a gentleman on whom I built
an absolute trust.
    On the Hearth of the Broken Home
Slowly fitting my pinkie tip down
into the feral eggshell fallen
from inside the chimney, I lift it up
close to my eye, the coracle dome
hung with ashes, rivered with flicks
of chint, robes of the unknownâonly
a sojourner, in our home, where the heart,
after its long, good years,
was sparrow-netted to make its own
cage, jessed with its jesses, limed
with its radiant lime. And above the unclasped
tossed-off cloak of the swift, in the back
reaches of the Puritan oven, on a bed
of sprung traps, the mice in them
long gone to meltdown and to maggotmeal
and to wet dust, and dry dust,
there lies another topped shellâ
next to it, its doffed skull,
tressed with spinneret sludge, speckled with
flue-mash flecks, or the morse of a speciesâ
when I lift it up, its yolk drops out, hard
amber, light coming through it, fringed
in a tonsure of mold and soot. If I ever
prayed, as a child, for everlasting
union, these were its shoes: one dew-licked
kicked-off slipper of a being now flying, one
sunrise-milk-green boot of the dead,
which I wore, as I dreamed.
    Love
I had thought it was something we were in. I had thought we were
in it that day, in the capital
of his early provinceâhow could we
have not been in it, in our hotel bed, in the
cries through the green grass-blade. Then, knees
weak, I thought I was in it when I said
would he mind going out into the town on his own.
I knew there was sorrow there, byways, worn
scrimshaw of a child's isolateness.
And who had pulled us down on the bed for the
second time that day, who had
given-taken the kiss that would not
stop till the cryâit was I, sir, it was I,
my lady, but I thought that all we did
was done in love's sight. So he went out by himself
into the boyhood place of deaths
and icy waters, and I lay in that bowl-of-
cream bed purring. The room was like the bridge of a
ship, windows angled out over the harborâ
through thick, smooth Greenland glass I
saw the port city, I curled and sinuous'd
and slow-flicked my most happy tail, and
farther into cold fog
I let him go, I lay and stretched on love's
fucking stretcher, and let him wander on his
own the haunt salt mazes. I thought
wherever we were, we were in lasting loveâ
even in our separateness and
loneliness, in loveâeven the
iceberg just outside the mouth, its
pallid, tilting, jade-white
was love's, as we were. We had said so. And its inner
cleavings went translucent and opaque,
violet and golden, as the afternoon passed, and there were
feathers of birds inside it preserved, and
nest-down and maybe a bootlace, even
a tern half shell, a baby shoe, love's
tiny dory as if permanent
inside the bright overcast.
    The Healers
When they say,
If there are any doctors aboard,
would they make themselves known,
I remember when my then
husband would rise, and I would get to be
the one he rose from beside. They say now
that it does not work, unless you are equal.
And after those first thirty years,
I was not the one he wanted to rise from
or return toânot I but she who would also
rise, when such were needed. Now I see them,
lifting, side by side, on wide,
medical, wading-bird wingsâlike storks with the
doctor bags of like-loves-like
dangling from their beaks. Oh well. It was the way
it was, he did not feel happy when words
were called for, and I stood.
    Left-Wife Goose
Hoddley, Poddley, Puddles and Fogs,
Cats are to Marry the Poodle Dogs;
Cats in Blue Jackets and Dogs in Red Hats,
What Will Become of the Mice and Rats?
    Had a trust fund, had a thief in,
    Had a husband, could not keep him.
Fiddle-Dee-Dee, Fiddle-Dee-Dee,
The Fly Has Left the Humble-Bee.
They Went to the Court, and Unmarried Was She:
The Fly Has Left the Humble-Bee.
    Had a sow twin, had a reap twin,
    Had a husband, could not keep him.
In Marble Halls as White as Milk,
Lined with a Skin as Soft as Silk,
Within a Fountain Crystal-Clear,
A Golden Apple Doth Appear.
No Doors There Are to This Stronghold
Yet Robbers Break In and Steal the Gold.
    Had an egg cow, had a cream hen,
    Had a husband, could not keep him.
Formed Long Ago, Yet Made Today,
Employed While Others Sleep;
What Few Would Like to Give Away,
Nor Any Wish to Keep.
    Had a nap man, had a neap man,
    Had a flood man, could not keep him.
Ickle, Ockle, Blue Bockle,
Fishes in the Sea.
If You Want a Left Wife,
Please Choose Me.
    Had a safe of 4X sheepskin,
    Had a brook brother, could not keep him.
Inter, Mitzy, Titzy, Tool,
Ira, Dura, Dominee,
Oker, Poker, Dominocker,
Out Goes Me.
    Had a lamb, slung in keepskin,
    Had some ewe-milk, in it seethed him.
There Was an Old Woman Called Nothing-at-All,
Who Lived in a Dwelling Exceedingly Small;
A Man Stretched His Mouth to the Utmost Extent,
And Down at One Gulp House and Old Woman Went.
    Had a rich pen, had a cheap pen,
    Had a husband, could not keep him.
Put him in this nursery shell,
And here you keep him very well.
    Something That Keeps
Heavy on the cupboard the wreath hangs,
the bulbs pouring up their hull withers.
Borne home, from the garlic farm,
it will last a year, she says, not
like one from Lucky's, which could sprout, or rattleâ
they sell the previous season's, she says,
they think of it as something that keeps.
One thing that I did not think
I had to worry about was that
my then husband or I would be willing
that the spirit of the other be taken apart.
Meanwhile, I left minutes of each hour,
hours of each day, days of each week,
untendedâto the whim of mildew, stallor,
and the lonesome tooth of the granary scuttler.
Girdle of curdled pubic roots,
lumped breasts, husk-spouted nipples,
eyeballs with iris gone bazook medusa,
I thought that he and I were in
some sacred precinctâwhich does not exist,
we were in the barn, the store, the bin,
the pan, the bowl, the breath. One two three
four five six seven eight nine ten eleven
thirty-two heads on the succulent throstle.
It is in the past, enough looking back,
it is gone, it is more over with
than the shocks of childhood. Rope of heaven,
ladder of hex, all is in
the tending, and we cannot tend
another's rows. But I did not tend
my knowledge of who he wasânor did he
his of me, nor did he care to.
Braiding of summer, harvest, winter,
moonlight, noon, frost, enough,
lie quiet on the wall that guards the dishes,
honor the clove now gone to ash,
the clove once split at its core by the liquid shoot.
    The Easel
When I build a fire, I feel purposefulâ
proud I can unscrew the wing nuts
from off the rusted bolts, dis-
assembling one of the things my ex
left when he left right left. And laying its
narrow, polished, maple angles
across the kindling, providing for updraftâ
good. Then by flame-light I see: I am burning
his old easel. How can that be,
after the hours and hoursâall told, maybe
weeks, a month of stillnessâmodeling
for him, our first years together,
odor of acrylic, stretch of treated
canvas. I am burning his left-behind craft,
he who was the first to turn
our family, naked, into art.
What if someone had told me, thirty
years ago: If you give up, now,
wanting to be an artist, he might
love you all your lifeâwhat would I
have said? I didn't even have an art,
it would come from out of our family's lifeâ
what could I have said: nothing will stop me.