Slow Homecoming (6 page)

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Authors: Peter Handke

Tags: #Fiction, #Literary

BOOK: Slow Homecoming
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The wind was so strong that it unbuttoned his coat as he walked, but warm, interspersed with icy gusts that tasted like snow in his mouth. The cat stopped now and then and the movement of its head followed the shadows inside the houses; when Sorger picked it up, it arched its back and blew cold air in his face; it disliked being carried when out of doors.
Followed by the animal, he returned to the riverbank, completing his circuit (at the end, his brisk walk had turned to a run). He thought: Today for the first time I've seen the yards around the houses and discovered that the village has a circular road around it.
The water level had fallen so far of late that a number of small ponds had formed between sandbanks, and the water whirled about in them as though churned up by a captive fish: “Here, too, in a circle.” Though there was no one to be seen on the river, echoes of human voices came to him from all sides (along with the cry of a lone sand martin and the empty scraping of unmanned boats against the gravel bank). And Sorger saw the village population, a Great Water Family, gathered, as it were, head to head at the bend of the river. This whole river valley from source to mouth—“nowhere else but here” was a river valley worth mentioning; this, indeed, was “the only place worth mentioning in the whole world”—and that was the message of the lines which the sinking water seemed to have written in the sand (the opposite shore was already “beyond the last frontier”).
The sounds that echoed from the river were Indian sounds, yet it seemed to Sorger (though he did not understand a single word) that he was listening to his own language, indeed, to the dialect of the region where his
forebears had been at home. He crouched down and looked into the eyes of the cat, which shrank back from him; and when he tried to caress it, it seemed to find this so repellent, here away from the house, that it fled with movements rather like those of a fleeing dog.
The dried shore mud at his feet had broken up into a far-flung network of almost regular polygons (for the most part six-sided). As he examined the cracks, they began little by little to work on him, but instead of fragmenting him like the ground, they joined all his cells (a void that he hadn't noticed until then) into a harmonious whole. Something that rose from the split surface of the earth struck his body and made it warm and heavy. Standing there motionless, looking out over the pattern, he saw himself as a receiver, not of news or a message, but of a twofold force received on the two levels of his head. On his forehead, he felt the bone disappearing, simply because he had no other thought than to expose this obstacle to the air; and the surface of his face from the eyes down seemed once again to acquire the characteristics of a face; human eyes and a human mouth, each for itself but not separated by consciousness; and he actually felt that his lowered lids had become receiving screens. His head bent lower and lower, yet the meaning was not despair but determination: “The decision rests with me.” Raising his eyes, he was prepared for anything; with every look, even into the void, he would have met other looks; indeed, he would have created them.
The murmuring of the stream—and once again the bushes were murmuring as gently as on the summer day when he arrived and gained his first intimation of the river landscape.
The man who rose from the ground was not ecstatic, only appeased. He no longer expected illuminations, only
measure and duration. “My face an unfinished sketch—when will it be complete?” He could say that he enjoyed life, accepted death, and loved the world; and now he saw that, correspondingly, the river flowed more slowly, the clumps of grass shimmered, and the sun-warmed gasoline drums hummed. Beside him he saw a single yellow willow leaf on a flaming-red branch and knew that after his death, after the death of all mankind, he would appear in the depths of this countryside and give form to all the things on which his gaze now rested. The thought gave him a blissful feeling that raised him above the treetops; only his face remained behind, now a mask “representing happiness.” (And then there was even a kind of hope—disguised as a feeling that he knew something.)
Seizing the moment, Sorger, “the hero,” dropped the stone that he had meant to put in his pocket as a memento, and ran through the grassy meadow to the gabled house. The spotted cat, which was sitting out in front, had forgotten him again. Why had Lauffer once said that he would “probably live here for quite a while but go back to Europe to die”?
As Sorger stepped into the house, Lauffer greeted him with an almost mischievous look of superiority—meaning that he was staying in the place his friend was leaving. He was wearing white woolen socks and a bunched-up shirt. A checked handkerchief and a pair of gloves were dangling from his back pocket—he might have been mistaken for a native. All Sorger's ideas dispersed, he would somehow have to take his leave, and that dismayed him. If some people could go away while others were sleeping, why wouldn't it be possible to go away without consciousness, in one's sleep? Then suddenly this thought: Tonight we shall celebrate my departure, and in the gray
of dawn, while you are still lying in bed, I shall take the mail plane.
It was decided that they would work together that day; or rather, one formally invited the other to participate in his activity, and in the end they agreed to take aerial photographs together.
The rented single-engine plane flew so low over the river valley that even the outlines of the dark little ice lentils under the surface vegetation were visible. Though Sorger had often observed the region from the air, it took on a special form for him now that he was about to leave it. He saw the essentially shapeless plain as a body with many limbs and a unique, unmistakable face that was now turned toward him. This face seemed rich, eerie, and surprising—rich not only because its forms were so varied but also because they seemed inexhaustible; eerie because innumerable forms, which always reminded him strangely of (or foreshadowed) a human world and seemed to cry out for names, were in large part nameless; and surprising because every time he looked at it, there was the rolling stream; every pre-vision was a mistake; the wideness of the river was always a new event, even if one had looked away for barely an instant; it was truly unthinkable.
What made Sorger, who soon forgot about photography, regard the river as a feature in a face was the palpable gratitude and even admiration he felt toward the territory that had been his place of work for the last few months. Horseshoe lakes, saucepan springs, trough-shaped valleys, lava cakes, or glacier milk from glacier gardens—looking down on “his” landscape, he understood these conventional terms, which had often struck him as unreasonably childish. If he saw a face here, why
shouldn't other observers, in other parts of the world, see dream edifices with columns, gates, stairways, pulpits, and steeples, furnished with bowls, basins, ladles, sacrificial vessels, situated—why not?—in a trumpet-shaped valley and edged about with flocks of hills; and at the moment he felt like adding friendly epithets to the scientific names of all these formations, for the few names on the map were derived either from the region's brief history as a gold miner's mecca (Phantom Gulch, Hard Luck Lake, Chilblains Hill, Half-Dollar Creek, Four-flusher's Island) or they were mere numbers (Six-Mile Lake, Nine-Mile Lake, Eighty-Mile Swamp). The few Indian names had an archetypal ring: The Great Crazy Mountains to the north of the Little Crazy Mountains, or the Great Unknown Brook that ran through Little Windy Gulch and ended in a nameless swamp.
Although the river was forbiddingly cold even in summer, Sorger suddenly had an image of himself happily bathing in it, swimming and diving under. Hadn't rivers been embodiments of the gods in olden times? “Beautiful Water,” he said, and realized that he had given the river a name. (Down below him, the truncated meander arms danced like garlands.)
He would never have expected to love this landscape, or landscape in general—and along with his surprising affection for the river he felt his own story, felt that it was not ended, as his nightmares and even opinions might have led him to suppose, but was going on as patiently as the flowing water. As he gazed at the richness of this landscape, the realization that he himself was immeasurably rich awakened him like a cannon shot, and urged him to give of his riches now and forever, for if he didn't, he would suffocate.
His next thought was that he would now be able to
handle his long-planned dissertation “On Spatial Configurations,” and he said to Lauffer, who had explained his aerial photography camera to the pilot and to whom the pilot was explaining his flight instruments: “I'm going to treat you to a telephone call to Europe when we land.”
 
The public telephone was in a windowless log cabin built in one corner of a sheet-metal hangar on the side of the airfield. As though meant to be lived in, the cabin was furnished with a table, a reading lamp, a bed covered with wolf hides, a shelf of books, and a small cast-iron stove (it took a long time to put a call through). The telephone, which had a distinctly public look, hung on one of the two sheet-metal walls formed by the hangar; the key to the cabin could be obtained in the market at the other end of the village.
In the early days Sorger had often driven the jeep here, in part because he enjoyed sitting at the table in the dark cabin, waiting. Just before the line was at last opened to him and he could hear the bell ringing far across the seas, a satellite crackling set in and with it an image of oceanic distances. As he was preparing his mind for the conversation, this brief sound threw him into a state of indescribable excitement in which he literally “called” the person “at the other end of the wire.” After that, even in the middle of the conversation, he was often enough merely bewildered; clearly as it might come over, the other voice seemed to recede farther and farther as it spoke, and to make matters worse, there were never any background noises (music, dogs barking, or even a plain voice); at his end of the telephone cable Sorger felt excluded, his own voice echoed in his ear; and his dizziness as he hung up had all the earmarks of unreality.
Consequently Sorger, who was nevertheless attracted
more and more by the strange room, had gradually got into the habit of taking Lauffer to the phone and of drinking wine and playing chess with him while waiting. It had even become customary for Sorger to invite his friend to a phone call, whereupon Lauffer would invite him to come along and listen.
In Europe it had long been day, while here they sat in the little cabin, in the hangar, in the far-flung night. The only sound was an occasional clicking inside the phone, which, however, was meant for someone else in another “township,” another numbered square of wilderness.
When the call came through, Lauffer became absorbed in asking questions, answering, or reporting events; Sorger didn't listen to his words but just saw him wedged into the corner, clutching the phone, all speaker or all listener; at such times his friend cast off his almost bashful one-man-to-another attitude and gave him a hint of who he was.
 
This last night in Eight-Mile Village (it was eight miles north of the Arctic Circle) was to prove adventurous for Sorger, though nothing in particular happened. Thoughts rose up which had long been turning over in the back of his mind but now became more distinct. They concerned a duty—not a neglected duty, but one that had gradually fallen due; and because this duty would call for actions that he was still unable to imagine, it seemed to him, though without precise images, that this was the first night of an adventure.
Sorger, who sometimes felt drawn to cooking, made dinner for himself, his friend, and the Indian woman. Afterwards the three of them sat around the table playing cards with a new, fresh-smelling deck that the woman
had brought as a farewell present. The figures on the cards were ravens, eagles, wolves, and foxes; the joker had an Indian face in the middle, and all those animals formed a circle around it.
In the gabled house there was a chandelier with long, thin glass pendants, in the light of which each one examined his bright, tranquil hand of cards. The doors to all the rooms were open, including the one leading to the attic darkroom, and the lights were on all over the house. The cat was sitting glassy-eyed on Sorger's packed suitcase, twitching its ears and from time to time moving its tail from side to side; it displayed its claws, as if they were fingernails, drew in its forepaws, and finally fell asleep.
Lauffer's chin shone. He had on a white silk shirt and a black velvet vest with gilt buttons; elastic armbands gathered in the wide sleeves; and for the first time since his arrival he was wearing the low shoes he had brought from Europe, which could occasionally be heard creaking under the table—up until then they had been occupied only by shoe trees. He had snipped the hairs in his nostrils and was sitting up straight, never throwing cards but always setting them down gently. He took an innocent pleasure in winning, and lost with grim dignity. He seemed perfect, with his inner composure and outward splendor.
Though they were sitting at a table without beginning or end, their circle seemed to start with the Indian woman. She was not to the left or right of the men; no, they were at her sides; the initiative was with her. Her movements in playing resembled those with which she distributed medicines when at work; a deft, nonchalant, continuous, many-handed giving (while the gathering-in of what was coming to her was always done in guise of thanks). The way she had made up and decked herself
out (a jade amulet hanging from her neck), she was no longer an Indian but a dark, dangerous machine in radiant human form; as soon as she lowered her human eyes to a card, the eye of the machine stared from the black-rimmed vault of her eyelid and held the room in its gaze.

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