Shogun (The Asian Saga Chronology) (15 page)

Yes.  But it's very difficult to put away the screams.  Impossible.  The other girls will be just as unhappy, and poor Gyoko-san!  But never mind.  Tomorrow we will all leave Anjiro and go home to our lovely Tea House in Mishima, the biggest city in Izu, which surrounds the
daimyo's
greatest castle in Izu, where life begins and is.

I'm sorry the Lady Midori sent for me.

Be serious, Kiku, she told herself sharply.  You shouldn't be sorry.  You are not sorry,
neh?
  It was an honor to serve our Lord.  Now that you have been honored, your value to Gyoko-san is greater than ever,
neh?
  It was an experience, and now you will be known as the Lady of the Night of the Screams and, if you are lucky, someone will write a ballad about you and perhaps the ballad will even by sung in Yedo itself.  Oh, that would be very good!  Then certainly your lover will buy your contract and you will be safe and content and bear sons.

She smiled to herself.  Ah, what stories the troubadours will make up about tonight that will be told in every Tea House throughout Izu.  About the lord
daimyo
, who sat motionless in the screams, his sweat streaming.  What did he do in the bed?  They will all want to know.  And why the boy?  How was the pillowing?  What did the Lady Kiku do and say and what did Lord Yabu do and say?  Was his Peerless Pestle insignificant or full?  Was it once or twice or never?  Did nothing happen?

A thousand questions.  But none ever directly asked or ever answered.  That's wise, Kiku thought.  The first and last rule of the Willow World was absolute secrecy, never to tell about a client or his habits or what was paid, and thus to be completely trustworthy.  If someone else told, well, that was his affair, but with walls of paper and houses so small and people being what they are, stories always sped from the bed to the ballad—never the truth, always exaggerated, because people are people,
neh?
  But nothing from
the
Lady.  An arched eyebrow perhaps or hesitant shrug, a delicate smoothing of a perfect coiffure or fold of the kimono was all that was allowed.  And always enough, if the girl had wit.

When the screams stopped, Yabu had remained statuelike in the moonlight for what had seemed a further eternity and then he had got up.  At once she had hurried back into the other room, her silk kimono sighing like a midnight sea.  The boy was frightened, trying not to show it, and wiped away the tears that the torment had brought.  She had smiled at him reassuringly, forcing a calm that she did not feel.

Then Yabu was at the door.  He was bathed in sweat, his face taut and his eyes half-closed.  Kiku helped him take off his swords, then his soaking kimono and loin cloth.  She dried him, helped him into a sun-fresh kimono and tied its silken belt.  Once she had begun to greet him but he had put a gentle finger on her lips.

Then he had gone over to the window and looked up at the waning moon, trancelike, swaying slightly on his feet.  She remained quiescent, without fear, for what was there now to fear?  He was a man and she a woman, trained to be a woman, to give pleasure, in whatever way.  But not to give or to receive pain.  There were other courtesans who specialized in that form of sensuality.  A bruise here or there, perhaps a bite, well, that was part of the pleasure-pain of giving and receiving, but always within reason, for honor was involved and she was a Lady of the Willow World of the First Class Rank, never to be treated lightly, always to be honored.  But part of her training was to know how to keep a man tamed, within limits.  Sometimes a man became untamed and then it became terrible.  For the Lady was alone.  With no rights.

Her coiffure was impeccable but for the tiny locks of hair so carefully loosed over her ears to suggest erotic disarray, yet, at the same time, to enhance the purity of the whole.  The red and black checkered outer kimono, bordered with the purest green that increased the whiteness of her skin, was drawn tight to her tiny waist by a wide stiff sash, an obi, of iridescent green.  She could hear the surf on the shore now and a light wind rustled the garden.

Finally Yabu had turned and looked at her, then at the boy.

The boy was fifteen, the son of a local fisherman, apprenticed at the nearby monastery to a Buddhist monk who was an artist, a painter and illustrator of books.  The boy was one of those who was pleased to earn money from those who enjoyed sex with boys and not with women.

Yabu motioned to him.  Obediently the boy, now also over his fear, loosed the sash of his kimono with a studied elegance.  He wore no loincloth but a woman's wrapped underskirt that reached the ground.  His body was smooth and curved and almost hairless.

Kiku remembered how still the room had been, the three of them locked together by the stillness and the vanished screams, she and the boy waiting for Yabu to indicate that which was required, Yabu standing there between them, swaying slightly, glancing from one to another.

At length he had signed to her.  Gracefully she unknotted the ribbon of her obi, unwound it gently and let it rest.  The folds of her three gossamer kimonos sighed open and revealed the misted underskirt that enhanced her loins.  He lay on the bedding and at his bidding they lay on either side of him.  He put their hands on him and held them equally.  He warmed quickly, showing them how to use their nails in his flanks, hurrying, his face a mask, faster, faster and then his shuddering violent cry of utter pain.  For a moment, he lay there panting, eyes tightly closed, chest heaving, then turned over and, almost instantly, was asleep.

In the quiet they caught their breaths, trying to hide their surprise.  It had been over so quickly.

The boy had arched an eyebrow in wonder.  "Were we inept, Kiku-san?  I mean, everything was so fast," he whispered.

"We did everything he wanted," she said.

"He certainly reached the Clouds and the Rain," the boy said.  "I thought the house was going to fall down."

She smiled.  "Yes."

"I'm glad.  At first I was very frightened.  It's very good to please."

Together they dried Yabu gently and covered him with the quilt.  Then the boy lay back languorously, half propped on one elbow and stifled a yawn.

"Why don't you sleep, too," she said.

The boy pulled his kimono closer and shifted his position to kneel opposite her.  She was sitting beside Yabu, her right hand gently stroking the
daimyo's
arm, gentling his tremored sleep.

"I've never been together with a man and a lady at the same time before, Kiku-san," the boy whispered.

"Neither have I."

The boy frowned.  "I've never been with a girl either.  I mean I've never pillowed with one."

"Would you like me?" she had asked politely.  "If you wait a little, I'm sure our Lord won't wake up."

The boy frowned.  Then he said, "Yes please," and afterwards he said, "That was very strange, Lady Kiku."

She smiled within.  "Which do you prefer?"

The boy thought a long time as they lay at peace, in each other's arms.  "This way is rather hard work."

She buried her head in his shoulder and kissed the nape of his neck to hide her smile.  "You are a marvelous lover," she whispered.  "Now you must sleep after so much hard work."  She caressed him to sleep, then left him and went to the other quilts.

The other bed had been cool.  She did not want to move into Yabu's warmth lest she disturb him.  Soon her side was warm.

The shadows from the shoji were sharpening.  Men are such babies, she thought.  So full of foolish pride.  All the anguish of this night for something so transitory.  For a passion that is in itself but an illusion,
neh?

The boy stirred in his sleep.  Why did you make the offer to him? she asked herself.  For his pleasure—for him and not for me, though it amused me and passed the time and gave him the peace he needed.  Why don't you sleep a little?  Later.  I'll sleep later, she told herself.

When it was time she slipped from the soft warmth and stood up.  Her kimonos whispered apart and the air chilled her skin.  Quickly she folded her robes perfectly and retied her obi.  A deft but careful touch to her coiffure.  And to her makeup.

She made no sound as she left.

The samurai sentry at the veranda entrance bowed and she bowed back and she was in the dawning sunshine.  Her maid was waiting for her.

"Good morning, Kiku-san."

"Good morning."

The sun felt very good and washed away the night.  It's very fine to be alive, she thought.

She slipped her feet into her sandals, opened her crimson parasol, and started through the garden, out onto the path that led down to the village, through the square, to the tea house that was her temporary home.  Her maid followed.

"Good morning, Kiku-san," Mura called out, bowing.  He was resting momentarily on the veranda of his house, drinking cha, the pale green tea of Japan.  His mother was serving him.  "Good morning, Kiku-san," she echoed.

"Good morning, Mura-san.  Good morning, Saiko-san, how well you are looking," Kiku replied.

"How are you?" the mother asked, her old old eyes boring into the girl.  "What a terrible night!  Please join us for cha.  You look pale, child."

"Thank you, but please excuse me, I must go home now.  You do me too much honor.  Perhaps later."

"Of course, Kiku-san.  You honor our village by being here."

Kiku smiled and pretended not to notice their searching stares.  To add spice to their day and to hers, she pretended a slight pain in her nether regions.

That will sail around the village, she thought happily as she bowed, winced again, and went off as though stoically covering an intensity of pain, the folds of her kimonos swaying to perfection, and her sunshade tilted to give her just that most marvelous light.  She was very glad that she had worn this outer kimono and this parasol.  On a dull day the effect would never have been so dramatic.

"Ah, poor, poor child!  She's so beautiful,
neh?
  What a shame!  Terrible!"  Mura's mother said with a heart-rending sigh.

"What's terrible, Saiko-san?" Mura's wife asked, coming onto the veranda.

"Didn't you see the poor girl's agony?  Didn't you see how bravely she was trying to hide it?  Poor child.  Only seventeen and to have to go through all that!"

"She's eighteen," Mura said dryly.

"All of what, Mistress?" one of the maids said breathlessly, joining them.

The old woman looked around to ensure that everyone was listening and whispered loudly.  "I heard"—she dropped her voice—"I heard that she'll . . . she'll be useless . . . for three months."

"Oh, no!  Poor Kiku-san!  Oh!  But why?"

"He used his teeth.  I have it on the best authority."

"Oh!"

"Oh!"

"But why does he have the boy as well, Mistress?  Surely he doesn't—"

"Ah!  Run along!  Back to your work, good-for-nothings!  This isn't for your ears!  Go on, off with the lot of you.  The Master and I have to talk."

She shooed them all off the veranda.  Even Mura's wife.  And sipped her cha, benign and very content.

Mura broke the silence.  "Teeth?"

"Teeth.  Rumor has it that the screams make him large because he was frightened by a dragon when he was small," she said in a rush.  "He always has a boy there to remind him of himself when he was a boy and petrified, but actually the boy's there only to pillow with, to exhaust himself—otherwise he'd bite everything off, poor girl."

Mura sighed.  He went into the small outhouse beside the front gate and farted involuntarily as he began to relieve himself into the bucket.  I wonder what really happened, he asked himself, titillated.  Why was Kiku-san in pain?  Perhaps the
daimyo
really does use his teeth!  How extraordinary!

He walked out, shaking himself to ensure that he did not stain his loincloth, and headed across the square deep in thought.  Eeeee, how I would like to have one night with the Lady Kiku!  What man wouldn't?  How much did Omi-san have to pay her Mama-san—which we will have to pay eventually?  Two koku?  They say her Mama-san, Gyoko-san, demanded and got ten times the regular fee.  Does she get five koku for one night?  Kiku-san would certainly be worth it,
neh?
  Rumor has it she's as practiced at eighteen as a woman twice her age.  She's supposed to be able to prolong. . . . Eeeee, the joy of her!  If it was me—how would
I
begin?

Absently he adjusted himself into his loincloth as his feet took him out of the square, up the well-worn path to the funeral ground.

The pyre had been prepared.  The deputation of five men from the village was already there.

This was the most delightful place in the village, where the sea breezes were coolest in summer and the view the best.  Nearby was the village Shinto shrine, a tiny thatched roof on a pedestal for the
kami
, the spirit, that lived there, or might wish to live there if it pleased him.  A gnarled yew that had seeded before the village was born leaned against the wind.

Later Omi walked up the path.  With him were Zukimoto and four guards.  He stood apart.  When he bowed formally to the pyre and to the shroud-covered, almost disjointed body that lay upon it, they all bowed with him, to honor the barbarian who had died that his comrades might live.

At his signal Zukimoto went forward and lit the pyre.  Zukimoto had asked Omi for the privilege and the honor had been granted to him.  He bowed a last time.  And then, when the fire was well alight, they went away.

Blackthorne dipped into the dregs of the barrel and carefully measured a half cup of water and gave it to Sonk.  Sonk tried to sip it to make it last, his hand trembling, but he could not.  He gulped the tepid liquid, regretting that he had done so the moment it had passed his parched throat, groped exhaustedly to his place by the wall, stepping over those whose turn it was to lie down.  The floor was now deep ooze, the stench and the flies hideous.  Faint sunlight came into the pit through the slats of the trapdoor.

Vinck was next for water and he took his cup and stared at it, sitting near the barrel, Spillbergen on the other side.  "Thanks," he muttered dully.