Shivers for Christmas (2 page)

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Joseph Sheridan Le Fanu (1814–73) is now regarded, by general consent, as the greatest 19th century writer of ghost stories. ‘The Dead Sexton’, set in ‘the beautiful little town of Golden Friars’ (a favourite locale of Le Fanu), first appeared in the Christmas Number (entitled ‘Across the Bridge’) of
Once a Week
, 1871, with a full-page illustration by C.O. Murray. It is one of Le Fanu’s most powerful and eerie tales.

T
he sunsets were red, the nights were long, and the weather pleasantly frosty; and Christmas, the glorious herald of the New Year, was at hand, when an event—still recounted by winter firesides, with a horror made delightful by the mellowing influence of years—occurred in the beautiful little town of Golden Friars, and signalized, as the scene of its catastrophe, the old inn known throughout a wide region of the Northumbrian counties as the George and Dragon.

Toby Crooke, the sexton, was lying dead in the old coach-house in the inn yard. The body had been discovered, only half an hour before this story begins, under strange circumstances, and in a place where it might have lain the better part of a week undisturbed; and a dreadful suspicion astounded the village of Golden Friars.

A wintry sunset was glaring through a gorge of the western mountains, turning into fire the twigs of the leafless elms, and all the tiny blades of grass on the green by which the quaint little town is surrounded. It is built of light, grey stone, with steep gables and slender chimneys rising with airy lightness from the level sward by the margin of the beautiful lake, and backed by the grand amphitheatre of the fells at the other side, whose snowy peaks show faintly against the sky, tinged with the vaporous red of the western light. As you descend towards the margin of the lake, and see Golden Friars, its taper chimneys and slender gables, its curious old inn and gorgeous sign, and over all the graceful tower and spire of the ancient church, at this hour or by moonlight, in the solemn grandeur and stillness of the natural scenery that surrounds it, it stands before you like a fairy town.

Toby Crooke, the lank sexton, now fifty or upwards, had passed an hour or two with some village cronies, over a solemn pot of purl, in the kitchen of that cosy hostelry, the night before. He generally turned in there about seven o’clock, and heard the news. This contented him: for he talked little, and looked always surly.

Many things are now raked up and talked over about him.

In early youth, he had been a bit of a scamp. He broke his indentures, and ran away from his master, the tanner of Bryemere; he had got into fifty bad scrapes and out again; and, just as the little world of Golden Friars had come to the conclusion that it would be well for all parties—except, perhaps, himself—and a happy riddance for his afflicted mother, if he were sunk, with a gross of quart pots about his neck, in the bottom of the lake in which the grey gables, the elms, and the towering fells of Golden Friars are mirrored, he suddenly returned, a reformed man at the ripe age of forty.

For twelve years he had disappeared, and no one knew what had become of him. Then, suddenly, as I say, he reappeared at Golden Friars—a very black and silent man, sedate and orderly. His mother was dead and buried; but the ‘prodigal son’ was received good-naturedly. The good Vicar, Doctor Jenner, reported to his wife:

‘His hard heart has been softened, dear Dolly. I saw him dry his eyes, poor fellow, at the sermon yesterday.’

‘I don’t wonder, Hugh darling. I know the part—“There is joy in Heaven.” I am sure it was—wasn’t it? It was quite beautiful. I almost cried myself.’

The Vicar laughed gently, and stooped over her chair and kissed her, and patted her cheek fondly.

‘You think too well of your old man’s sermons,’ he said. ‘I preach, you see, Dolly, very much to the
poor
. If
they
understand me, I am pretty sure everyone else must; and I think that my simple style goes more home to both feelings and conscience—’

‘You ought to have told me of his crying before. You
are
so eloquent,’ exclaimed Dolly Jenner. ‘No one preaches like my man. I have never heard such sermons.’

Not many, we may be sure; for the good lady had not heard more than six from any other divine for the last twenty years.

The personages of Golden Friars talked Toby Crooke over on his return. Doctor Lincote said:

‘He must have led a hard life; he had
dried in
so, and a good deal of hard muscle; and he rather fancied he had been soldiering—he stood like a soldier; and the mark over his right eye looked like a gunshot.’

People might wonder how he could have survived a gunshot over the eye; but was not Lincote a Doctor—and an army Doctor to boot—when he was young; and who, in Golden Friars, could dispute with him on points of surgery? And I believe the truth is, that this mark had been really made by a pistol bullet.

Mr. Jarlcot, the attorney, would ‘go bail’ he had picked up some sense in his travels; and honest Turnbull, the host of the George and Dragon, said heartily:

‘We must look out something for him to put his hand to.
Now’s
the time to make a man of him.’

The end of it was that he became, among other things, the sexton of Golden Friars.

He was a punctual sexton. He meddled with no other person’s business; but he was a silent man, and by no means popular. He was reserved in company; and he used to walk alone by the shore of the lake, while other fellows played at fives or skittles; and when he visited the kitchen of the George, he had his liquor to himself, and in the midst of the general talk was a saturnine listener. There was something sinister in this man’s face; and when things went wrong with him, he could look dangerous enough.

There were whispered stories in Golden Friars about Toby Crooke. Nobody could say how they got there. Nothing is more mysterious than the spread of rumour. It is like a vial poured on the air. It travels, like an epidemic, on the sightless currents of the atmosphere, or by the laws of a telluric influence equally intangible. These stories treated, though darkly, of the long period of his absence from his native village; but they took no well-defined shape, and no one could refer them to any authentic source.

The Vicar’s charity was of the kind that thinketh no evil; and in such cases he always insisted on proof Crooke was, of course, undisturbed in his office.

On the evening before the tragedy came to light—trifles are always remembered after the catastrophe—a boy, returning along the margin of the mere, passed him by seated on a prostrate trunk of a tree, under the ‘bield’ of a rock, counting silver money. His lean body and limbs were bent together, his knees were up to his chin, and his long fingers were turning the coins over hurriedly in the hollow of his other hand. He glanced at the boy, as the old English saying is, like ‘the devil looking over Lincoln’. But a black and sour look from Mr. Crooke, who never had a smile for a child nor a greeting for a wayfarer, was nothing strange.

Toby Crooke lived in the grey stone house, cold and narrow, that stands near the church porch, with the window of its staircase looking out into the church-yard, where so much of his labour, for many a day, had been expended. The greater part of this house was untenanted.

The old woman who was in charge of it slept in a settle-bed, among broken stools, old sacks, rotten chests and other rattle-traps, in the small room at the rear of the house, floored with tiles.

At what time of the night she could not tell, she awoke, and saw a man, with his hat on, in her room. He had a candle in his hand, which he shaded with his coat from her eye; his back was towards her, and he was rummaging in the drawer in which she usually kept her money.

Having got her quarter’s pension of two pounds that day, however, she had placed it, folded in a rag, in the corner of her tea caddy, and locked it up in the ‘eat-malison’ or cupboard.

She was frightened when she saw the figure in her room, and she could not tell whether her visitor might not have made his entrance from the contiguous church-yard. So, sitting bolt upright in her bed, her grey hair almost lifting her kerchief off her head, and all over in ‘a fit o’ t’ creepins’, as she expressed it, she demanded:

‘In God’s name, what want ye thar?’

‘Whar’s the peppermint ye used to hev by ye, woman? I’m bad wi’ an inward pain.’

‘It’s all gane a month sin’,’ she answered; and offered to make him a ‘het’ drink if he’d get to his room.

But he said:

‘Never mind, I’ll try a mouthful o’ gin.’

And, turning on his heel, he left her.

In the morning the sexton was gone. Not only in his lodging was there no account of him, but, when inquiry began to be extended, nowhere in the village of Golden Friars could he be found.

Still he might have gone off, on business of his own, to some distant village, before the town was stirring; and the sexton had no near kindred to trouble their heads about him. People, therefore, were willing to wait, and take his return ultimately for granted.

At three o’clock the good Vicar, standing at his hall door, looking across the lake towards the noble fells that rise, steep and furrowed, from that beautiful mere, saw two men approaching across the green, in a straight line, from a boat that was moored at the water’s edge. They were carrying between them something which, though not very large, seemed ponderous.

‘Ye’ll ken this, sir,’ said one of the boatmen as they set down, almost at his feet, a small church bell, such as in old-fashioned chimes yields the treble notes.

‘This won’t be less nor five stean. I ween it’s fra’ the church steeple yon.’

‘What! one of our church bells?’ ejaculated the Vicar—for a moment lost in horrible amazement. ‘Oh, no!—
no
, that can’t possibly be! Where did you find it?’

He had found the boat, in the morning, moored about fifty yards from her moorings where he had left it the night before, and could not think how that came to pass; and now, as he and his partner were about to take their oars, they discovered this bell in the bottom of the boat, under a bit of canvas, also the sexton’s pick and spade— ‘tomspey’ad’, they termed that peculiar, broad-bladed implement.

‘Very extraordinary! We must try whether there is a bell missing from the tower,’ said the Vicar, getting into a fuss. ‘Has Crooke come back yet? Does anyone know where he is?’

The sexton had not yet turned up.

‘That’s odd—that’s provoking,’ said the Vicar. ‘However, my key will let us in. Place the bell in the hall while I get it; and then we can see what all this means.’

To the church, accordingly, they went, the Vicar leading the way, with his own key in his hand. He turned it in the lock, and stood in the shadow of the ground porch, and shut the door.

A sack, half full, lay on the ground, with open mouth, a piece of cord lying beside it. Something clanked within it as one of the men shoved it aside with his clumsy shoe.

The Vicar opened the church door and peeped in. The dusky glow from the western sky, entering through a narrow window, illuminated the shafts and arches, the old oak carvings, and the discoloured monuments, with the melancholy glare of a dying fire.

The Vicar withdrew his head and closed the door. The gloom of the porch was deeper than ever as, stooping, he entered the narrow door that opened at the foot of the winding stair that leads to the first loft; from which a rude ladder-stair of wood, some five and twenty feet in height, mounts through a trap to the ringers’ loft.

Up the narrow stairs the Vicar climbed, followed by his attendants, to the first loft. It was very dark: a narrow bow-slit in the thick wall admitted the only light they had to guide them. The ivy leaves, seen from the deep shadow, flashed and flickered redly, and the sparrows twittered among them.

‘Will one of you be so good as to go up and count the bells, and see if they are all right?’ said the Vicar. ‘There should be—’

‘Agoy! what’s that?’ exclaimed one of the men, recoiling from the foot of the ladder.

‘By Jen!’ ejaculated the other, in equal suprise.

‘Good gracious!’ gasped the Vicar, who, seeing indistinctly a dark mass lying on the floor, had stooped to examine it, and placed his hand upon a cold, dead face.

The men drew the body into the streak of light that traversed the floor.

It was the corpse of Toby Crooke! There was a frightful scar across his forehead.

The alarm was given. Doctor Lincote, and Mr. Jarlcot, and Turnbull, of the George and Dragon, were on the spot immediately; and many curious and horrified spectators of minor importance.

The first thing ascertained was that the man must have been many hours dead. The next was that his skull was fractured, across the forehead, by an awful blow. The next was that his neck was broken.

His hat was found on the floor, where he had probably laid it, with his handkerchief in it.

The mystery now began to clear a little; for a bell—one of the chimes hung in the tower—was found where it had rolled to, against the wall, with blood and hair on the rim of it, which corresponded with the grizzly fracture across the front of his head.

The sack that lay in the vestibule was examined, and found to contain all the church plate; a silver salver that had disappeared, about a month before, from Dr. Lincote’s store of valuables; the Vicar’s gold pencil-case, which he thought he had forgotten in the vestry book; silver spoons, and various other contributions, levied from time to time off a dozen different households, the mysterious disappearance of which spoils had, of late years, begun to make the honest little community uncomfortable. Two bells had been taken down from the chime; and now the shrewd part of the assemblage, putting things together, began to comprehend the nefarious plans of the sexton, who lay mangled and dead on the floor of the tower, where only two days ago he had tolled the holy bell to call the good Christians of Golden Friars to worship.

The body was carried into the yard of the George and Dragon and laid in the old coach-house; and the townsfolk came grouping in to have a peep at the corpse, and stood round, looking darkly, and talking as low as if they were in a church.