Shatter Me (10 page)

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Authors: Tahereh Mafi

BOOK: Shatter Me
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He presses the right buttons.

The doors close.

I turn to speak.

He corners me.

I’m backed into the far edge of this glass receptacle and I’m suddenly nervous. His hands are holding my arms and his lips are dangerously close to my face. His gaze is locked into mine, his eyes flashing; dangerous. He says one word: “Yes.”

It takes me a moment to find my voice. “Yes, what?”

“Yes, from my own soldiers. Yes, at the expense of one man’s life.” He tenses his jaw. Speaks through his teeth. “There is very little you understand about my world, Juliette.”

“I’m trying to understand—”

“No you’re not,” he snaps. His eyelashes are like individual threads of spun gold lit on fire. I almost want to touch them. “You don’t understand that power and control can slip from your grasp at any moment and even when you think you’re most prepared. These two things are not easy to earn. They are even harder to retain.” I try to speak and he cuts me off. “You think I don’t know how many of my own soldiers hate me? You think I don’t know that they’d like to see me fall? You think there aren’t others who would love to have the position I work so hard to have—”

“Don’t
flatter
yourself—”

He closes the last few inches between us and my words fall to the floor. I can’t breathe. The tension in his entire body is so intense it’s nearly palpable and I think my muscles have begun to freeze. “You are naive,” he says to me, his voice harsh, low, a grating whisper against my skin. “You don’t realize that you’re a threat to everyone in this building. They have every reason to harm you. You don’t see that I am trying to help you—”

“By hurting me!” I explode. “By hurting others!”

His laugh is cold, mirthless. He backs away from me, suddenly disgusted. The elevator slides open but he doesn’t step outside. I can see my door from here. “Go back to your room. Wash up. Change. There are dresses in your armoire.”

“I don’t like dresses.”

“I don’t think you like seeing
that,
either,” he says with a tilt of his head. I follow his gaze to see a hulking shadow across from my door. I turn to him for an explanation but he says nothing. He’s suddenly composed, his features wiped clean of emotion. He takes my hand, squeezes my fingers, says, “I’ll be back for you in exactly one hour,” and closes the elevator doors before I have a chance to protest. I begin to wonder if it’s coincidence that the one person most unafraid to touch me is a monster himself.

I step forward and dare to peer closer at the soldier standing in the dark.

Adam
.

Oh Adam.

Adam who now knows exactly what I’m capable of.

My heart is a water balloon exploding in my chest. My lungs are swinging from my rib cage. I feel as though every fist in the world has decided to punch me in the stomach. I shouldn’t care so much, but I do.

He’ll hate me forever now. He won’t even look at me.

I wait for him to open my door but he doesn’t move.

“Adam?” I venture, tentative. “I need your key card.”

I watch him swallow hard and take a tiny breath and immediately I sense something is wrong. I move closer and a quick, stiff shake of his head tells me not to.
I do not touch people I do not get close to people I am a monster
. He doesn’t want me near him. Of course he doesn’t. I should never forget my place.

He opens my door with immense difficulty and I realize someone’s hurt him where I can’t see it. Warner’s words come back to me and I recognize his airy good-bye as a warning. A warning that severs every nerve ending in my body.

Adam will be punished for my mistakes. For my disobedience. I want to bury my tears in a bucket of regret.

I step through the door and glance back at Adam one last time, unable to feel any kind of triumph in his pain. Despite everything he’s done I don’t know if I’m capable of hating him. Not Adam. Not the boy I used to know.

“The purple dress,” he says, his voice broken and a little breathy like it hurts to inhale. I have to wring my hands to keep from running to him. “Wear the purple dress.” He coughs. “Juliette.”

I will be the perfect mannequin.

SIXTEEN

As soon as I’m in the room I open the armoire and yank the purple dress off the hanger before I remember I’m being watched.
The cameras.
I wonder if Adam was punished for telling me about the cameras, too. I wonder if he’s taken any other risks with me. I wonder why he would.

I touch the stiff, modern material of the plum dress and my fingers find their way to the hem, just as Adam’s did yesterday. I can’t help but wonder why he likes this dress so much. Why it has to be this one. Why I even have to wear a dress.

I am not a doll.

My hand comes to rest on the small wooden shelf beneath the hanging clothes and an unfamiliar texture brushes my skin. It’s rough and foreign but familiar at the same time. I step closer to the armoire and hide between the doors. My fingers feel their way around the surface and a surge of sunshine rushes through my stomach until I’m certain I’m bursting with hope and feeling and a force of stupid happiness so strong I’m surprised there aren’t tears streaming down my face.

My notebook.

He saved my notebook.
Adam saved the only thing I own.

I grab the purple dress and tuck the paper pad into its folds before stealing away to the bathroom.

The bathroom where there are no cameras.

The bathroom where there are no cameras.

The bathroom where there are no cameras.

He was trying to tell me, I realize. Before, in the bathroom. He was trying to tell me something and I was so scared I scared him away.

I scared him away.

I close the door behind me and my hands are shaking as I unfurl the familiar papers bound together by old glue. I flip through the pages to make sure they’re all there and my eyes land on my most recent entry. At the very bottom there is a shift. A new sentence not written in my handwriting.

A new sentence that must’ve come from him.

It’s not what you think.

I stand perfectly still.

Every inch of my skin is taut with tension, fraught with feeling and the pressure is building in my chest, pounding louder and faster and harder, overcompensating for my stillness. I do not tremble when I’m frozen in time. I train my breaths to come slower, I count things that do not exist, I make up numbers I do not have, I pretend time is a broken hourglass bleeding seconds through sand. I dare to believe.

I dare to hope Adam is trying to reach out to me. I’m crazy enough to consider the possibility.

I rip the page out of the small notebook and clutch it close, actively swallowing the hysteria tickling every broken moment in my mind.

I hide the notebook in a pocket of the purple dress. The pocket Adam must’ve slipped it into. The pocket it must’ve fallen out of.
The pocket of the purple dress. The pocket of the purple dress.

Hope is a pocket of possibility.

I’m holding it in my hand.

Warner is not late.

He doesn’t knock, either.

I’m slipping on my shoes when he walks in without a single word, without even an effort to make his presence known. His eyes are falling all over my frame. My jaw tightens on its own.

“You hurt him,” I find myself saying.

“You shouldn’t care,” he says with a tilt of his head, gesturing to my dress. “But it’s obvious you do.”

I zip my lips and pray my hands aren’t shaking too much. I don’t know where Adam is. I don’t know how badly he’s hurt. I don’t know what Warner will do, how far he’ll go in the pursuit of what he wants but the prospect of Adam in pain is like a cold hand clutching my esophagus. I can’t catch my breath. I feel like I’m struggling to swallow a toothpick. If Adam is trying to help me it could cost him his life.

I touch the piece of paper tucked into my pocket.

Breathe.

Warner’s eyes are on my window.

Breathe.

“It’s time to go,” he says.

Breathe.

“Where are we going?”

He doesn’t answer.

We step out the door. I look around. The hallway is abandoned; empty. “Where is
Adam
everyone . . . ?”

“I really like that dress,” Warner says as he slips an arm around my waist. I jerk away but he pulls me along, guiding me toward the elevator. “The fit is spectacular. It helps distract me from all your questions.”

“Your poor mother.”

Warner almost trips over his own feet. His eyes are wide; alarmed. He stops a few feet short of our goal. Spins around. “What do you mean?”

My stomach falls over.

The look on his face: the unguarded strain, the flinching terror, the sudden apprehension in his features.

I was trying to make a joke, is what I don’t say to him. I feel sorry for your poor mother, is what I was going to say to him, that she has to deal with such a miserable, pathetic son. But I don’t say any of it.

He grabs my hands, focuses my eyes. Urgency is pulsing at his temples. “What do you mean?” he insists.

“N-nothing,” I stammer. My voice breaks in half. “I didn’t—it was just a joke—”

Warner drops my hands like they’ve burned him. He looks away. Charges toward the elevator and doesn’t wait for me to catch up.

I wonder what he’s not telling me.

Only once we’ve gone down several floors and are making our way down an unfamiliar hall toward an unfamiliar exit does he finally look at me. He offers me 4 words.

“Welcome to your future.”

SEVENTEEN

I’m swimming in sunlight.

Warner is holding open a door that leads directly outside and I’m so unprepared for the experience I can hardly see straight. He grips my elbow to steady my path and I glance back at him.

“We’re going outside.” I say it because I have to say it out loud. Because the outside world is a treat I’m so seldom offered. Because I don’t know if Warner is trying to be nice again. I look from him to what looks like a concrete courtyard and back to him again. “What are we doing outside?”

“We have some business to take care of.” He tugs me toward the center of this new universe and I’m breaking away from him, reaching out to touch the sky like I’m hoping it will remember me. The clouds are gray like they’ve always been, but they’re sparse and unassuming. The sun is high high high, lounging against a backdrop propping up its rays and redirecting its warmth in our general direction. I stand on tiptoe and try to touch it. The wind folds itself into my arms and smiles against my skin. Cool, silky-smooth air braids a soft breeze through my hair. This square courtyard could be my ballroom.

I want to dance with the elements.

Warner grabs my hand. I turn around.

He’s smiling.

“This,” he says, gesturing to the cold gray world under our feet, “this makes you happy?”

I look around. I realize the courtyard is not quite a roof, but somewhere between two buildings. I edge toward the ledge and can see dead land and naked trees and scattered compounds stretching on for miles. “Cold air smells so clean,” I tell him. “Fresh. Brand-new. It’s the most wonderful smell in the world.”

His eyes look amused, troubled, interested, and confused all at once. He shakes his head. Pats down his jacket and reaches for an inside pocket. He pulls out a gun with a gold hilt that glints in the sunlight.

I pull in a sharp breath.

He inspects the gun in a way I wouldn’t understand, presumably to check whether or not it’s ready to fire. He slips it into his hand, his finger poised directly over the trigger. He turns and finally reads the expression on my face.

He almost laughs. “Don’t worry. It’s not for you.”

“Why do you have a gun?” I swallow, hard, gripping my arms tight across my chest. “What are we doing up here?”

Warner slips the gun back into his pocket and walks to the opposite end of the ledge. He motions for me to follow him. I creep closer. Follow his eyes. Peer over the barrier.

Every soldier in the building is standing not 15 feet below.

I distinguish almost 50 lines, each perfectly straight, perfectly spaced, so many soldiers standing single file I lose count.
I wonder if Adam is in the crowd. I wonder if he can see me.

I wonder what he thinks of me now.

The soldiers are standing in a square space almost identical to the one Warner and I occupy, but they’re one organized mass of black: black pants, black shirts, shin-high black boots; not a single gun in sight. Each is standing with his left fist pressed to his heart. Frozen in place.

Black and gray

and

black and gray

and

black and gray

and bleak.

Suddenly I’m acutely aware of my impractical outfit.

Suddenly the wind is too callous, too cold, too painful as it slices its way through the crowd. I shiver and it has nothing to do with the temperature. I look for Warner but he has already taken his place at the edge of the courtyard; it’s obvious he’s done this many times before. He pulls a small square of perforated metal out of his pocket and presses it to his lips; when he speaks, his voice carries over the crowd like it’s been amplified.

“Sector 45.”

One word. One number.

The entire group shifts: left fists released, dropped to their sides; right fists planted in place on their chests. They are an oiled machine, working in perfect collaboration with one another. If I weren’t so apprehensive I think I’d be impressed.

“We have two matters to deal with this morning.” Warner’s voice penetrates the atmosphere: crisp, clear, unbearably confident. “The first is standing by my side.”

Thousands of eyes snap up in my direction. I feel myself flinch.

“Juliette, come here, please.” 2 fingers bend in 2 places to beckon me forward.

I inch into view.

Warner slips his arm around me. I cringe. The crowd starts. My heart careens out of control. I’m too scared to back away from him. His gun is too close to my body.

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