Shadow Prey (2 page)

Leo turned away as Cuervo's bladder and sphincter control went. There was $2,035 on the desktop. Leo paid it no attention. He wiped the obsidian knife on his pants, put it back in his pocket and pulled his shirt out to cover the gun. Then he walked down the stairs and six blocks back to his apartment. He was splattered with Cuervo's blood, but nobody seemed to notice. The cops got only a very slender description. An Indian male with braids. There were five thousand Indian males with braids in Minneapolis.

A large number of them were delighted to hear the news about Ray Cuervo.

Fuckin' Indians.

John Lee Benton hated them. They were worse than the niggers. You tell a nigger to show up, and if he didn't, he had an excuse. A reason. Even if it was bullshit.

Indians were different. You tell a guy to come in at two o'clock and he doesn't show. Then he comes in at two the next day and thinks that's good enough. He doesn't pretend to think so. He really thinks so.

The shrinks at the joint called it a cultural anomaly. John Lee Benton called it a pain in the ass. The shrinks said the only answer was education. John Lee Benton had developed another approach, all on his own.

Benton had seven Indians on his case load. If they didn't report on schedule, he'd spend the time normally used for an interview to write the papers that would start them back to Stillwater. In two years, he'd sent back nine men. Now he had a reputation. The fuckin' Indians walked wide around him. If you're going out on parole, they told each other, you didn't want to be on John Lee Benton's case load. That was a sure ride back inside.

Benton enjoyed the rep.

John Lee Benton was a small man with a strong nose and mousy hair combed forward over watery blue eyes. He wore a straw-colored mustache, cut square. When he looked at himself in the bathroom mirror in the morning, he thought he looked like somebody, but he couldn't think who. Somebody famous. He'd think of it sooner or later.

John Lee Benton hated blacks, Indians, Mexicans, Jews and Asians, more or less in that order. His hate for blacks and Jews was a family heritage, passed down from his daddy as Benton grew up in a sprawling blue-collar slum in St. Louis. He'd developed his animus for Indians, Mexicans and Asians on his own.

Every Monday afternoon Benton sat in a stifling office in the back of the Indian Center off Franklin Avenue and talked to his assholes. He was supposed to call them clients, but fuck that. They were criminals and assholes, every single one.

"Mr. Benton?"

Benton looked up. Betty Sails stood in the doorway. A tentative, gray-faced Indian woman with a beehive hairdo, she was the office's shared receptionist.

"Is he here?" John Lee spoke sharply, impatiently. He was a man who sweated hate.

"No, he's not," Betty Sails said. "But there's another man to see you. Another Indian man."

Benton frowned. "I didn't have any more appointments today."

"He said it was about Mr. Cloud."

Glory be, an actual excuse. "All right. Give me a couple of minutes, then send him in," Benton said. Betty Sails went away and Benton looked through Cloud's file again. He didn't need to review it but liked the idea of keeping the Indian waiting. Two minutes later, Tony Bluebird appeared at the door. Benton had never seen him before.

"Mr. Benton?" Bluebird was a stocky man with close-set eyes and short-cropped hair. He wore'a gingham shirt over a rawhide thong. A black obsidian knife dangled from the thong and Bluebird could feel it ticking against the skin below his breast bone.

"Yes?" Benton let his anger leak into his tone.

Bluebird showed him a gun. "Put your hands on your lap, Mr. Benton."

Three people saw Bluebird. Betty Sails saw him both coming and going. A kid coming out of the gym dropped a basketball, and Bluebird stopped it with a foot, picked it up and tossed it back, just as Betty Sails started screaming. On the street, Dick Yellow Hand, who was seventeen years old and desperately seeking a taste of crack, saw him walk out the door and called, "Hey, Bluebird."

Bluebird stopped. Yellow Hand sidled over, scratching his thin beard. "You look bad, man," Bluebird said.

Yellow Hand nodded. He was wearing a dirty T-shirt with a fading picture of Mick Jagger on the front. His jeans, three sizes too large, were cinched at the waist with a length of clothesline. His elbow joints and arms looked like cornstalks. He was missing two front teeth. "I feel bad, man. I could use a few bucks, you know?"

"Sorry, man, I got no money," Bluebird said. He stuck his hands in his pockets and pulled them out empty.

"That's okay, then," Yellow Hand said, disappointed.

"I seen your mama last week," Bluebird said. "Out at the res."

"How's she?"

"She's fine. She was fishing. Walleyes."

Sails' hysterical screams became audible as somebody opened an outside door to the Indian Center.

"That's real good about Mama," said Yellow Hand. "Well, I guess I gotta go," Bluebird said, easing away. "Okay, man," said Yellow Hand. "See you."

Bluebird walked, taking his time, his mind in another place. What was her name? It had been years ago. Anna? She was a pretty woman, with deep breasts and warm hazel eyes. She'd liked him, he thought, though they were both married, and nothing ever happened; nothing but a chemistry felt across backyard hedges, deep down in Minneapolis' Indian Country.

Anna's husband, a Chippewa from Nett Lake, had been put in the Hennepin County Jail. Drunk, late at night, he'd seen a Coke machine glowing red-and-white through the window of a gas station. He'd heaved a chunk of concrete through the window, crawled in after it and used the concrete to crack the machine. About a thousand quarters had run out onto the floor, somebody told Bluebird. Anna's husband had still been picking them up, laboriously, one at a time, when the cops arrived. He'd been on parole and the break-in was a violation. He'd gotten six months on top of the remaining time from the previous conviction.

Anna and her husband had never had money. He drank up most of it and she probably helped. Food was short. Nobody had clothes. But they did have a son. He was twelve, a stocky, withdrawn child who spent his evenings watching television. One Saturday afternoon, a few weeks after his daddy was taken to jail, the boy walked down to the Lake Street bridge and jumped into the Mississippi. A lot of people saw him go and the cops had him out of the river in fifteen minutes. Dead.

Bluebird had heard, and he went down to the river. Anna was there, her arms wrapped around the body of her son, and she looked up at him with those deep pain-filled eyes, and... what?

It was all part of being Indian, Bluebird thought. The dying. It was somethin'g they did better than the whites. Or more frequently, anyway.

When Bluebird walked out of the room after slashing Benton's throat, he'd looked down at the man's face and thought he seemed familiar. Like a famous person. Now, on the sidewalk, as he left Yellow Hand behind, as he thought about Anna, Benton's face floated up in his mind's eye.

Hitler, he thought. John Lee Benton looked exactly like a young Adolf Hitler.

A young dead Adolf Hitler.

Chapter
2

Lucas Davenport lounged on a brocaded couch in the back of a used-book store, eating a roast beef sandwich. In his lap was a battered paperback copy of T. Harry Williams' biography of Huey Long.

T. Harry had gotten it right, Lucas reflected. The man in the white suit flashing among the Longites as they stood outside the governor's office. The shot. The Kingfish hit, the screaming, the running. The cops going berserk.

"Roden and Coleman fired at almost the same time, with Coleman's bullet probably reaching the man first," T. Harry wrote. "Several other guards had unholstered their guns and were blazing away. The man crumpled and fell facedown-ward near the wall of the corridor from which he had come. He lay there with his face resting on one arm and did not move and was obviously dead. But this did not satisfy some of the guards. Crazed with rage or grief, they stood over the body and emptied their guns into it. It was later discovered to have thirty bullet holes in the back and twenty-nine in the front (many of these were caused by the same bullet making an entry and exit) and two in the head. The face was partially shot away, and the white suit was cut to ribbons and drenched with blood."

Murder was never as neat as it was on television. No matter how brutal it was on the screen, in real life it was worse. In real life, there was always an empty husk lying there, the spirit departed, the flesh slack, the eyes like ball bearings. And it had to be dealt with. Somebody had to pick up the body, somebody had to mop up the blood. Somebody had to catch the killer.

Lucas rubbed his eyebrow where the scar crossed it. The scar was the product of a fishing accident. A wire leader had snapped back from a snag and buried itself in his face. The scar was not a disfigurement: the women he knew said it made him look friendlier. The scar was fine; it was his smile that was scary.

He rubbed his eyebrow and went back to the book. He did not look like a natural reader, sitting on the couch, squinting in the dim light. He had the air of the street about him. His hands, which were covered with a dark fuzz for three inches below his wrists, seemed too large and blocky as he handled the paperback. His nose had been broken, more than once, and a strong neck was rooted in heavy shoulders. His hair was black, just touched with gray.

He turned the page of the book with one hand and reached under his jacket and adjusted his holster with the other.

" 'Kingfish, what's the matter?'

" 'Jimmie, my boy, I've been shot,' Huey moaned...."

Lucas' handset beeped. He picked it up and thumbed the volume control. A woman's voice said, "Lieutenant Davenport?"

"Go ahead."

"Lucas, Jim Wentz needs you down at the Indian Center on that guy that got cut. He's got a witness he wants you to look at."

"All right," Lucas said. "Ten minutes."

It was a beautiful day, one of the best of a good autumn. A murder would damage it. Murders were usually the result of aggressive stupidity mixed with alcohol and anger. Not always. But almost always. Lucas, given the choice, stayed away from them.

Outside the bookstore, he stood on the sidewalk for a moment, letting his eyes adjust to the sun and finishing the last bite of the sandwich. When he was done, he threw the sandwich bag into a trash barrel and crossed the street to his car. A panhandler was working the sidewalk, saw Lucas and said, "Watched yer car for ya?" and held out his hand. The panhandler was a regular, a schizophrenic pushed out of the state hospital. He couldn't function without his meds but wouldn't take the mind-numbing drugs on his own. Lucas passed him a dollar and dropped into the Porsche.

Downtown Minneapolis is a workbox of modernist architecture, blocks of glass and chrome and white marble. The aging red wart of City Hall hunkers in the middle of it. Lucas shook his head as he rolled past it, took a left and a right and crossed the interstate. The glitter fell behind, giving way to a ramshackle district of old clapboard houses cut into apartments, junker cars and failing businesses. Indian Country. There were a half-dozen squad cars outside the Indian Center and Lucas dumped the 911 at the curb.

"Three witnesses," the Homicide detective told him. Wentz had a flat, pallid Scandinavian face. His lower front teeth had been broken off in a fight, and he wore crowns; their silvery bases glittered when he talked. He counted the three witnesses on his fingers, as if he didn't trust Lucas' arithmetic.

"There's the receptionist," he said. "She saw him twice and says she can identify him. There's a neighborhood kid. He was playing basketball and says this guy had blood all over his pants. I believe it. The office looks like a fuckin' swimming pool."

"Can the kid identify him?" Lucas asked.

"He says he can. He says he looked the guy right in the face. He's seen him around the neighborhood."

"Who's number three?"

"Another kid. A junkie. He saw the killer outside the place, talked to him. We think they know each other, but he's not talking."

"Where is he?" Lucas asked.

"Out in a squad."

"How'd you find him?"

Wentz shrugged. "No problem. The receptionist-the one who found the body-called nine-one-one, then she went over to the window for some fresh air. She was feeling queasy. Anyway, she saw this kid and the killer talking on the sidewalk. When we got here, the kid was up the block. Standing there. Fucked up, maybe. We just put him in the car."

Lucas nodded, walked down the hallway and stepped inside the counseling office. Benton lay faceup on the tile floor in a pool of purplish blood. His hands extended straight out from his sides as though he had been crucified. His legs were spread wide, his blood-flecked wingtips pointing away from each other at forty-five-degree angles. His shirt and sport coat were saturated with blood. There were footprints and kneeholes in the puddle of blood, where the paramedics had tracked through, but no medical debris. Usually the packaging from the syringes, sponges, tape and compresses was all over the place. With Benton, they hadn't bothered.

Lucas sniffed at the coppery smell of the blood as the detective came in behind him.