Shadow Prey (10 page)

Her eyes searched his face for a moment. "I don't know," she said finally.

"Look," said Lucas, trying to win her over. "Your killer is driving a junker. If he pushed it as hard as he could, he wouldn't get here until tomorrow night anyway. Not unless he's got a relief driver and they really hammered it out the whole way."

"He was alone in the motel...."

"So we don't lose anything," Lucas said. "And I save my friend's ass, which is a pretty high priority."

"Okay," Lily said. She nodded, her eyes on his face, then stepped past him toward the door. "I'll see you tomorrow, Harmon."

"Yeah." Anderson looked after her as she went through the door. When she was gone, he turned to Lucas, a small smile playing on his face.

"You got the look," he said.

"What's that?"

"Like a bunch of people look after they talk to her. Like you been hit on the forehead with a ball-peen hammer," Anderson said.

Daniel was eating dinner.

"What happened?" he asked when Lucas identified himself.

"We came up with a photo from the StarTribune" Lucas said. He explained the rest of it.

"And Lillian thinks he might be the killer?" Daniel asked.

"Yeah."

"Damn, that's good. We can get some mileage out of this. I'll talk to the people at the Trib," Daniel said. "What do you think about the approach?"

"Tell them we need the rest of the negatives on that roll and any other rolls they have. Argue that the photos were taken at a public news event, that there is no secret film involved-nothing involving sources, nothing confidential. Tell them if they help catch Andretti's killer, we'll give them the story. And they'll already have the exclusive pictures that solved the assassination."

"You don't think they'll pull the confidentiality shit?" Daniel asked.

"I don't see why they should," Lucas said. "The pictures weren't confidential. And we're talking about serial assassination of major political figures, not some kind of horseshit inciting-to-riot thing."

"Okay. I'll call now."

"We need them as early as we can get them."

"Nine o'clock. We'll get them by nine," Daniel said.

Lucas hung up and dialed the StarTribune library. He gave his friend a summary of what had happened and arranged to meet her near the paper's offices.

"It's kind of exciting," she whispered as she leaned over his car. He handed her the manila envelope. "It's like being a mole, in John le Carre."

He left her in a glow and headed home.

Lucas lived in St. Paul. From his front-room window, he could see a line of trees along the Mississippi River gorge and the lights of Minneapolis on the other side. He lived alone, in a house he once thought might be too big. Over ten years, he'd spread out. The double garage took an aging Ford four-wheel-drive that he used for backcountry trips and boat-towing. The basement filled up with weights and workout pads, a heavy bag and a speed bag, shooting gear and a gun safe, tools and a workbench.

Upstairs, the den was equipped with a deep leather chair for dreaming and watching basketball on television. One bedroom was for sleeping, another for guests. He'd converted a third bedroom into a workroom, with an oak drawing table and a bookcase full of references.

Lucas invented games. War games, fantasy games, role-playing games. Games paid for the house and the Porsche and a cabin on a lake in northern Wisconsin. For three months, he had been immersed in a game he called Drorg. "Drorg" was an invented word, inspired by cyborg, which itself was a contraction of the words cybernetics organism. Cyborgs were humans with artificial parts. A drorg, in Lucas' game, was a drug organism, a human altered and enhanced by designer drugs. To see in the dark, to navigate by sonar with enhanced hearing, to have the strength of a gorilla, the reflexes of a cat. The brain of a genius.

Not all at once, of course. That's where the game came in. And the drugs had penalties. Some lingered: Call for su-perstrength and it hung on when you needed superintelli-gence. Call for superintelligence and the drug pushed you to madness and suicide if you couldn't acquire the antidote. Take the pan-effects drug and it flat killed you, period; but not before you achieved superabilities and eventually intolerable pleasure.

It all took work. There was the basic plot to write-Drorg was essentially a quest, like most role-playing games. There were also scoring systems to build, opponents to create, boards to design. The publisher was excited about it and was pressing. He wanted to do a computer version of it.

So five or six nights a week, for three months, Lucas had been in the workroom, sitting in a pool of light, plotting his patterns. He listened to classic rock, drank an occasional beer, but mostly laid out a story of information bureaucracies, corporate warfare, 'luded-out underclasses and drorg warriors. Where the story came from, he didn't know; but every night the words were there.

When he got home, Lucas put the car in the garage, went inside and popped a frozen chicken dinner into the microwave. In the five minutes before it was ready, he checked the house, got the paper off the front porch and washed his hands. He'd eaten all the french fries and three of the four chicken nibbles-he wasn't exactly sure what part they were, but they did have bones-when Lily Rothenburg's face popped into his mind.

She came out of nowhere: he hadn't been thinking about her, but suddenly she was there, like a photograph dropped on a table. A big woman, he thought. A little too heavy, and not his style; he liked the athletes, the small muscular gymnasts, the long sleek runners.

Not his style at all.

Lily.

Chapter
6

Leo Clark was a drunk by the time he was fifteen. At forty, he had been twenty-two years on the street, begging nickels and dimes from the rich burghers of Minneapolis and St. Paul. A lifetime lost.

Then one bitterly cold night in St. Paul, he and another drunk, a white man, were turned out of the mission after an argument with a clerk. They stopped at a liquor store and bought two bottles of rye whiskey. After some argument, they walked down to the railroad tracks. An old tunnel had been boarded up, but the boards were loose. They pried them back and crawled inside.

Late that night, Leo went out, found sticks of creosote-covered scrap lumber along the tracks, dragged it back to the tunnel and started a fire. The two men finished the whiskey in the stinking smoke. Their cheeks, hands and stomachs felt like fire, but their legs and feet were blocks of ice.

The white man had an idea. Up along the bluffs on the Mississippi, he said, were storm sewers that led into the tunnel system under the city. If they could crawl back there, they could lie up on steam pipes. The tunnels would be as warm as the mission and it wouldn't cost them a dime. They could get a Coleman lantern, a few books....

When Leo Clark woke the next morning, the white man was dead. He was lying facedown on the cold ground and had taken a few convulsive bites of the earth as he died: his mouth was half full of oily dirt. Leo Clark could see one of his eyes. It was open, and as flat and silvery and empty as the dime that the steam tunnels wouldn't cost him.

"He died in a fuckin' cave, man; they let him die in a fuckin' hole in the ground," Leo told the cops. The cops didn't give a shit. Nobody else did either: the body went unclaimed, and was eventually dumped in a pauper's grave. Dental X rays were filed with the medical examiner in the improbable case that somebody, someday, showed up looking for the dead man.

After the white man died in the cave, Leo Clark stopped drinking. It didn't happen all at once, but a year later he was sober. He drifted west, back to the res. Became a spiritual man, but with a twist of hate for people who would let men die in holes in the ground. He was forty-six years old, with a face and hands like oak, when he met the Crows.

Leo Clark hid in a corner of a dimly lit parking ramp, between the bumper of a Nissan Maxima and the outer wall of the ramp. He was thirty feet from the locked steel door that led into the apartment building.

A few minutes earlier, he had looped a piece of twelve-pound-test monofilament fishing line around the doorknob. He led the line to the bottom of the door, fastened it with a piece of Magic mending tape and trailed it on to the Maxima. In the low light, the line was invisible. He was waiting for somebody to walk through the door-going in, he hoped, but out would be okay, as long as it wasn't to the Maxima. That would be embarrassing.

Leo Clark lay bathed in the odors of exhaust and oil and thought about his mission. When he had killed Ray Cuervo, the overwhelming emotion had been fear-fear of failure, fear of the cops. He'd known Ray personally, had suffered from his greed, and anger and hate had been there too. But this judge? The judge had been bribed by an oil company in a lawsuit involving the illegal disposal of toxic wastes at the Lost Trees reservation. Leo Clark knew that, but he didn't feel it. All he felt was the space in his chest. A... sadness? Was that what it was?

He had thought his years on the street had burned all of that away: that he'd lost all but the most elemental survival emotions. Fear. Hate. Anger. He wasn't sure whether this discovery, this renewal of feeling, this sadness, was a gift or a curse. He would have to think about that: Leo Clark was a careful man.

As for the judge, it would make no difference. He had been weighed and he would die.

Leo Clark had been waiting for twenty minutes when a car pulled into an empty space halfway down the garage. A woman. He could hear her high heels rapping on the concrete. She had her keys in her hand. She opened the door into the building, stepped inside. The door began to swing shut and Leo pulled in the line, popping off the Magic mending tape, putting tension on the line, easing the door shut... but not quite enough to latch. He kept up the tension, waiting, waiting, giving the woman time for the elevator, hoping that nobody else came out....

After three minutes, he slid from beneath the car. Keeping the line tight, he walked to the door and eased it open. Nobody in the elevator lobby. He stepped inside, walked past the elevator to the fire stairs, and went up.

The judge was on the sixth floor, one of three apartments. Leo listened at the fire door, heard nothing. Opened the door, looked through, stepped into the empty hallway. Six C. He found the door, rapped softly, though he was sure it was empty. No answer. After another quick look around, he took a bar from his jacket, slipped it into the crack between the door and the jamb and slowly put his weight to it. The door held, held; then there was a low ripping sound and it popped open. Leo stepped inside, into the dark room. Found a chair, sat down and let the sadness flow through him.

Judge Merrill Ball and his girlfriend, whose name was Cindy, returned a few minutes after one in the morning. The judge had his key in the lock before he noticed the damage to the door.

"Jesus, it looks like..." he started, but the door flew open, freezing him. Leo Clark was there, his long black braids down on his chest, his eyes wide and straining, his mouth half open, his hand driving up. And in his hand, the razor-edged stone knife...

An hour later, in a truck stop off 1-35 north of Oklahoma City, Leo Clark sat at the wheel of his car and wept.

Shadow Love walked into the wind, his shoulders hunched, his running shoes crunching through the fallen maple leaves. The black spot floated out ahead of him.

The black spot.

When Shadow Love was a child, his mother had taken him to a neighbor's home. The house smelled of cooking gas and boiled greens, and he could remember the neighbor's fat white legs as she sat on a kitchen table, sobbing. Her husband had a black spot on his lungs. The size of a dime. Nothing to be done, the woman said. Make him comfortable, the doctors said. Shadow Love remembered his mother, gripping the other woman around the shoulders....

And now he had a name for the thing on his mind. The black spot.

Sometimes the invisible people would talk to his mother, plucking at her arms and face and her dress and even her shoes, to get her attention, to tell her what Shadow Love had done. He couldn't remember doing all those things, but the invisible people said he had. They were never wrong, Rosie Love said. They saw everything, knew everything. His mother would beat him with a broom handle for doing those things. She would chase him and pound him on the back, the shoulders, the legs. Afterward, when the invisible people had gone, she would fall on him weeping, begging forgiveness, trying to rub off the bruises as if they were shoe polish....

The black spot had come with the invisible people. When Shadow Love got angry, the black spot popped up in front of his eyes, a hole in the world. He never told his mother about the black spot: she would tell the invisible people and they would demand a punishment. And he never showed his anger, for the same reason. Defiance was the worst of all sins, and the invisible people would howl for his blood.

At some point, the invisible people stopped coming. His mother killed them with alcohol, Shadow Love thought. Her bouts of drunkenness were bad enough, but nowhere near as bad as the invisible people. Although the invisible people were gone, the black spot stayed....

And now it floated in front of his eyes. The fuckin' cop. Davenport. He treated them like dirt. He came in and pointed his finger. Made them sit. Like a trained dog. Sit, he said. Speak, he said. Arf.