Read Selected Poems of Sylvia Plath Online
Authors: Sylvia Plath
SYLVIA PLATH
chosen
by
TED HUGHES
The poems in this selection, like those in
Sylvia
Plath:
Collected
Poems,
are arranged in chronological order of composition rather than of publication. For all of the poems apart from âMiss Drake Proceeds to Supper' (1956) and âResolve' (1956), which have been published only in
Col
lected
Poems,
dates of composition and the collections in which they originally appeared are given below.
  Â
The
Colossus
(London, 1960; New York, 1962): âSpinster' (1956), âMaudlin' (1956), âNight Shift' (1957), âFull Fathom Five' (1958), âSuicide off Egg Rock' (1959), âThe Hermit at Outermost House' (1959), âMedallion' (1959), âThe Manor Garden' (1959), âThe Stones' (1959), âThe Burnt-Out Spa' (1959)
   Â
Ariel
(London and New York, 1965): âYou're' (1960), âMorning Song' (1961), âTulips' (1961), âThe Moon and the Yew Tree' (1961), âLittle Fugue' (1962), âElm' (1962), âPoppies in July' (1962), âA Birthday Present' (1962), âThe Bee Meeting' (1962), âDaddy' (1962), âCut' (1962), âAriel' (1962), âPoppies in October' (1962), âNick and the Candlestick' (1962), âLetter in November' (1962), âDeath & Co.' (1962), âSheep in Fog' (1963), âThe Munich Mannequins' (1963), âWords' (1963), âEdge' (1963)
 Â
Crossing
the
Water
(London and New York, 1971): âFace Lift' (1961), âInsomniac' (1961), âWuthering Heights' (1961), âFinisterre' (1961), âMirror' (1961), âThe Babysitters' (1961), âAn Appearance' (1962), âCrossing the Water' (1962), âAmong the Narcissi' (1962)
 Â
Winter
Trees
(London, 1971; New York, 1972): âLesbos' (1962), âBy Candlelight' (1962), âMary's Song' (1962), âWinter Trees' (1962)
No novice
In those elaborate rituals
Which allay the malice
Of knotted table and crooked chair,
The new woman in the ward
Wears purple, steps carefully
Among her secret combinations of eggshells
And breakable humming birds,
Footing sallow as a mouse
Between the cabbage-roses
Which are slowly opening their furred petals
To devour and drag her down
Into the carpet’s design.
With bird-quick eye cocked askew
She can see in the nick of time
How perilous needles grain the floorboards
And outwit their brambled plan;
Now through her ambushed air,
Adazzle with bright shards
Of broken glass,
She edges with wary breath,
Fending off jag and tooth,
Until, turning sideways,
She lifts one webbed foot after the other
Into the still, sultry weather
Of the patients’ dining room.
Now this particular girl
During a ceremonious April walk
With her latest suitor
Found herself, of a sudden, intolerably struck
By the birds’ irregular babel
And the leaves’ litter.
By this tumult afflicted, she
Observed her lover’s gestures unbalance the air,
His gait stray uneven
Through a rank wilderness of fern and flower.
She judged petals in disarray,
The whole season, sloven.
How she longed for winter then! –
Scrupulously austere in its order
Of white and black
Ice and rock, each sentiment within border,
And heart’s frosty discipline
Exact as a snowflake.
But here – a burgeoning
Unruly enough to pitch her five queenly wits
Into vulgar motley –
A treason not to be borne. Let idiots
Reel giddy in bedlam spring:
She withdrew neatly.
And round her house she set
Such a barricade of barb and check
Against mutinous weather
As no mere insurgent man could hope to break
With curse, fist, threat
Or love, either.
Mud-mattressed under the sign of the hag
In a clench of blood, the sleep-talking virgin
Gibbets with her curse the moon’s man,
Faggot-bearing Jack in his crackless egg:
Hatched with a claret hogshead to swig
He kings it, navel-knit to no groan,
But at the price of a pin-stitched skin
Fish-tailed girls purchase each white leg.
Day of mist: day of tarnish
with hands
unserviceable, I wait
for the milk van
the one-eared cat
laps its gray paw
and the coal fire burns
outside, the little hedge leaves are
become quite yellow
a milk-film blurs
the empty bottles on the windowsill
no glory descends
two water drops poise
on the arched green
stem of my neighbor’s rose bush
o bent bow of thorns
the cat unsheathes its claws
the world turns
today
today I will not
disenchant my twelve black-gowned examiners
or bunch my fist
in the wind’s sneer.
It was not a heart, beating,
That muted boom, that clangor
Far off, not blood in the ears
Drumming up any fever
To impose on the evening.
The noise came from outside:
A metal detonating
Native, evidently, to
These stilled suburbs: nobody
Startled at it, though the sound
Shook the ground with its pounding.
It took root at my coming
Till the thudding source, exposed,
Confounded inept guesswork:
Framed in windows of Main Street’s
Silver factory, immense
Hammers hoisted, wheels turning,
Stalled, let fall their vertical
Tonnage of metal and wood;
Stunned the marrow. Men in white
Undershirts circled, tending
Without stop those greased machines,
Tending, without stop, the blunt
Indefatigable fact.
Old man, you surface seldom.
Then you come in with the tide’s coming
When seas wash cold, foam-
Capped: white hair, white beard, far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long
Extend the radial sheaves
Of your spread hair, in which wrinkling skeins
Knotted, caught, survives
The old myth of origins
Unimaginable. You float near
As keeled ice-mountains
Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:
Your dangers are many. I
Cannot look much but your form suffers
Some strange injury
And seems to die: so vapors
Ravel to clearness on the dawn sea.
The muddy rumors
Of your burial move me
To half-believe: your reappearance
Proves rumors shallow,
For the archaic trenched lines
Of your grained face shed time in runnels:
Ages beat like rains
On the unbeaten channels
Of the ocean. Such sage humor and
Durance are whirlpools
To make away with the ground-
Work of the earth and the sky’s ridgepole.
Waist down, you may wind
One labyrinthine tangle
To root deep among knuckles, shinbones,
Skulls. Inscrutable,
Below shoulders not once
Seen by any man who kept his head,
You defy questions;
You defy other godhood.
I walk dry on your kingdom’s border
Exiled to no good.
Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.
Behind him the hotdogs split and drizzled
On the public grills, and the ochreous salt flats,
Gas tanks, factory stacks – that landscape
Of imperfections his bowels were part of –
Rippled and pulsed in the glassy updraught.
Sun struck the water like a damnation.
No pit of shadow to crawl into,
And his blood beating the old tattoo
I am, I am, I am. Children
Were squealing where combers broke and the spindrift
Raveled wind-ripped from the crest of the wave.
A mongrel working his legs to a gallop
Hustled a gull flock to flap off the sandspit.
He smoldered, as if stone-deaf, blindfold,
His body beached with the sea’s garbage,
A machine to breathe and beat forever.
Flies filing in through a dead skate’s eyehole
Buzzed and assailed the vaulted brainchamber.
The words in his book wormed off the pages.
Everything glittered like blank paper.
Everything shrank in the sun’s corrosive
Ray but Egg Rock on the blue wastage.
He heard when he walked into the water
The forgetful surf creaming on those ledges.