Sacred Games (28 page)

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Authors: Vikram Chandra

BOOK: Sacred Games
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The light pressed on her face and she was awake. The courtyard was bright outside, and she knew it was late in the morning, very late. When she saw the time in the clock on the mantelpiece her heart thumped. The first assembly bell would ring in less than ten minutes. She threw herself out of bed and ran through the door. ‘Why didn't you wake me?' she gasped at Mata-ji. ‘It's so late.'

Mata-ji reached out a hand. ‘It's all right, beta,' she said, her voice soft. ‘There's no school today. Or college. Everything is shut.'

‘Why?'

‘There's some trouble in town. Go and wash your face and then eat.' She reached out further and touched Prabhjot Kaur's hand, held her by the wrist a little. ‘Go.'

It was the quietest holiday Prabhjot Kaur had ever had. She stayed inside her room, arranging her books and cleaning out her school-bag, but at eleven she couldn't stand it any more and tiptoed through the house and slipped out of the front door. Standing by the gate, she could feel an absolute lack of motion in the streets, as if everyone had made an agreement and left town simultaneously. And yet she knew they were all there. She went back through the gate and walked around the house, and at the rear all of Ram Pari's brood were huddled together, even Natwar, who was usually bouncing about the lanes on filthy bare feet, rapt in some mysterious secret life Prabhjot Kaur knew absolutely nothing about.

‘Go inside, Nikki,' Ram Pari said. ‘You shouldn't be out here. Stay inside the house.'

‘Why?'

‘Bad things are happening, Nikki.' Ram Pari was looking straight at the rear garden wall, and Prabhjot Kaur saw that what had just been an untidy lane beyond, an insignificant ribbon of parched mud covered by a
perpetual shifting mist of scraps of paper, was now even in bright daylight a darkness from which danger came. Prabhjot Kaur studied the top of the wall, and wondered if it was high enough. She wanted to go and stand at its foot, to measure its height and so its protection. But now the garden seemed a foreign wilderness, and she couldn't make herself step off the brick on to the earth. She nodded and went back inside, and sat herself on her bed, cross-legged. She was waiting now, and didn't know for what.

Lunch was also a hushed affair, with everyone speaking in low tones, and Navneet-bhenji not saying a word at all. Papa-ji and the two brothers sat in a tight little circle and spoke with their heads lowered. Afterwards, it was back to the bed for Prabhjot Kaur, and more sitting, and then lying down with her heels drumming against the bedcover. ‘Will you stop that?' Mani burst out. ‘You're driving me mad.' Madness was what Prabhjot Kaur felt pooling behind her shoulder-blades, in that afternoon that passed like a slow procession of ants crawling up her leg. So when the chain at the front gate rattled, the metal sound of it echoed through the house and into Prabhjot Kaur's head and she felt a violent spasm of fear, but it was also a relief. Mani was twisted up on to her elbows, her mouth wide open and her neck a bunched bundle of thin ropes just under the skin. Prabhjot Kaur leapt from the bed and ran. She reached the door and swung out with a hand on a wall and saw Iqbal-veerji and Alok-veerji going through the gate and Papa-ji stepping out. She ran forward and saw Papa-ji standing at the other side of the lane, craning his neck, and there were running feet and the hubbub of voices. Now there was a quick panting next to her, and she saw that it was Natwar. They leaned together against the gate. He had eyes as bright as black agates. He slipped past her, and was out into the lane. Without a moment's hesitation she went after him, and was instantly in the shelter of a group of running men. She kept her eye on Natwar, and followed his dodges through the crowd, his sudden swerves and cuts amongst the huffing bodies. Now they came to a gathering halt, in a dense crowd. Natwar reached, without looking back, and pulled her through, bumping her head on hips and buttocks. She fell out of the jostle, and forward, stubbing her nose on Natwar's shoulder, and the way was clear before them. A tanga stood, tilted forward at an angle she had never seen. Tangled in the harness and traces lay a horse, its neck craning forward in a taut curve, as if it were trying desperately to inch along the ground, pull itself along. It was Shagufta. Prabhjot Kaur saw this straight away. Shagufta's lips were curled back, exposing the huge teeth in a rictus of effort. The
front legs were curled together. The back ones were splayed out open, and between them and over them spilled fat blue coils from her belly. Prabhjot Kaur could see straight into Shagufta, into the cavity which was the colour of a very ripe winter jamun. The stuff from inside had come out as if with force, and even though it was not moving, Prabhjot Kaur felt it was still forcing itself out from the body, boiling over in oily billows. The road under the tanga was black and wet. On the other side of the tanga, as far away from it as Prabhjot Kaur, was a heaving crowd of men, Muslim men all of them, she knew this somehow, it wasn't the clothes alone, and at their front she could see Daraq Ali. He was shouting something and Prabhjot Kaur could see his teeth. All their mouths were open and she could see the white shine of teeth. That crowd was coming forward in small jerks and then going back. A shove in Prabhjot Kaur's back moved her forward, and she saw that Shagufta's eyes were wide open and moist. She thought now that Shagufta was still alive and was stepping up to her when she was lifted by her arm, twisted and lifted by it, and she cried out in pain. It was Papa-ji. He ran her back through the crowd, held against his side. He ran and ran. All through the lane she felt his fingers hard on her arm. Inside the gate, inside the courtyard, at home again, he took her by the shoulder and shook her, and his own head was moving back and forth and his face was sweaty, and pulled and pushed by his anger, Prabhjot Kaur saw only a blur. ‘Why did you go out?' he said, and slapped her. ‘Why did you go out? Haan? Why?' He slapped her again.

‘Let her be,' Navneet-bhenji said, and took Prabhjot Kaur to her bed. She laid her down and then climbed on to the bed and held Prabhjot Kaur's head in her lap. She was stroking Prabhjot Kaur's face and shoulders, and Prabhjot Kaur could feel her fluttering heart. Mani was sitting on the floor, her knees up and her back against the wall. Mata-ji came in and shut the door quickly and put up the chain. She sat on the bed, her head covered with her dupatta. In the distance they could hear a confused and continuous shouting, like the steady crackle of a dim fire. ‘Vaheguru, vaheguru,' Mata-ji said. They sat together until dark. And then it was quiet.

After that night none of the women went out. Prabhjot Kaur hardly even left her bed. She came out to eat and ran back to it, went out when called by Mata-ji, but then sidled away as soon as possible. Papa-ji came and sat cross-legged with a pillow over his lap and teased her and made her laugh and tickled the soles of her feet, and she understood that he was apologizing for his moment of panic, and she was able to go out into the
courtyard with her hand in his, but despite herself she grew anxious out in the open, she got a feeling in the middle of her chest as if a hard bubble was expanding to the size of an onion, making it hard to breathe. She came back fast, into her room. The white walls made her feel better, and the bars. She looked out of the window sometimes, to find Ram Pari and Natwar and all the rest huddled below, but she avoided raising her eyes to the garden, and what lay beyond. When she turned around, and she was securely in the room, on her bed, she was all right.

Outside, men and women were killed every night, and every day. Prabhjot Kaur knew what this was called: khoon. Prabhhjot Kaur held the word on her tongue, and to her it felt like a square metal apparatus with a gaping hole in the centre. Dripping with viscous fluids and sharp edges glinting. Manjeet had shown her this thing in a senior class history book once, this engine of death, and now it came back to Prabhjot Kaur. Khoon. Papa-ji and the brothers came into the house laden with the names of those who were already gone. A sardar named Jasjit Singh Ahluwalia on the corner where Pakmara Street ran into Campbell Road, near Tarapore Bakery, slashed to hanging bits by men with swords. Ramesh Kripalani, aged sixteen, found with his throat expertly cut around, head hanging into the gutter so that Ali Jafar Road was not sullied by a drop of blood. ‘They say a butcher from Karsanganj did it,' Alok-veerji said. ‘Caught him on the way home from his Chacha's house.'
Khoon
. There were more, many more. Mata-ji and her daughters listened to the lengthening list. On the day that final exams would have started, Ram Pari's husband was killed. He was one of three looters shot by the police on Larkin Road at six a.m. – Prabhjot Kaur heard about this the next day, first as a rumour, then as a certainty. A wailing rose behind the house, a blurred chorus that rose and fell, and there was nowhere to escape it, and Prabhjot Kaur learnt for the first time his name, Kuldish. All through the day they mourned Kuldish, the bad man who had never come to threaten Ram Pari, and the wails slid under Prabhjot Kaur's skin and made her shiver.

That evening Mata-ji told the brothers to stay at home, not to go out on to the street, and Iqbal-veerji laughed, and the sound fell into the room with a clank like iron. The brothers left anyway, and Alok-veerji glanced back as he shut the door, and Prabhjot-Kaur saw that he looked at her, all of them, his sisters and mother, with anger and something very much like contempt. Mata-ji began to curse Muslims. ‘No one can ever live with these people,' she said. ‘They are incapable of living peacefully with anyone.' Her face
was suffused with blood, flushed and thickened by it. ‘Dirty lying people,' she said. Prabhjot Kaur made lists in her mind, of the Muslims she knew. Daraq Ali, of course; Papa-ji's friend Khudabaksh Shafi, who came to visit always with baskets of strawberries or apples or mangoes, and all his sons and daughters and grandchildren; Parveena and Shaukat Shah, who owned the Excellent Store, from which Prabhjot Kaur and all her brothers and sisters had bought school uniforms and shoes all their lives; all the Muslim girls at school, especially Nikhat Azmi, who was a round-faced girl that the Trio played with whenever they went to Manjeet's house. The list went on and on, and once Prabhjot Kaur started, it seemed to her there was always one more person, one more face that she remembered late at night, before drifting into sleep. But Mata-ji cursed. And Pritam Singh Hansra wrote letters to Papa-ji. He had stopped writing to Navneet-bhenji, and instead wrote letters to Papa-ji begging him to come to Amritsar, to bring the family, all of it, but especially Navneet-bhenji. He had been in Amritsar for a month and a half already. ‘You know yourself what is happening,' he wrote. ‘And things can only get worse.'

But Papa-ji was paralysed. He shook his head in the morning at the newspapers' reports of flames and murder and ambushed trains full of refugees, and in the afternoon he was completely still. He sat cross-legged on an armchair in the courtyard, not even shifting in his seat, as if he were bound with tight chains that slowed even his breathing. He stopped changing his clothes then, and sat through the whole day in a banian and pyjamas, his hair loose under a patka and bare feet resting on the brick. Prabhjot Kaur knew he was waiting for something, and saw that he had been emptied of vigour, suddenly drained of volition like an upended bucket. She remembered how he had bounded from one side of the excavation to the other when the foundation was being dug, how he had not minded that his arms were muddied from grasping at the earth, how he had held up handfuls of mud from the bottom of the pit for her to test for moistness, how he had dusted his hands with great slappings of them, with wide sweeps to the sides and sharp cracks that she had jumped at. There was no more motion in him, and even the blinks of his eyes were slow, mournful sweeps, which Prabhjot Kaur could follow down and up. One day, she thought, I'll come out and even that will be stopped, finished, unmoving. She tried not to think this, but it came back as slyly as a persistent fly, this thought, and then its buzzing grew louder and louder until she hit at her forehead with the heels of her hands. I'll go mad, she thought. I will.

Finally Mata-ji took charge. It was now past summer and everyone they knew had gone, Manjeet and Asha and their families also. One evening a Pathan policeman rattled the gate. When Iqbal-veerji cracked the door an inch, the chain still firmly in place, the policeman flicked in an envelope that landed at Alok-veerji's feet. ‘I'll be back in half an hour for an answer,' the policeman whispered, and went down the lane. Inside the envelope was an unsigned letter.

Sardar Saab, I will not sign my name, for this letter may be read. But you know who I am. I am your friend who brings fruits from the mountains. Now listen to me as your friend. You must go. You are being talked about, and today or tomorrow your house will be attacked. Understand what I am saying. Specifically your house. Your sons are known and there is talk about what they have done and they are in danger, much much danger. You must go. I will make arrangements. We have known each other for thirty years and I have sat in your house and you have come to mine. You must go, my friend. I will look after your house.

Papa-ji listened to Iqbal-veerji reading this out, and his face sat still as a lump of slack clay, blurry and softened. Mata-ji took the letter from her son's hand, and she put her dupatta over her head and wrapped it around her face. She waited by the gate, and when the small hollow knock came she put her mouth to the wood. ‘Tell him we'll go,' she said.

‘Be ready tomorrow night at nine,' the policeman said. ‘A tempo will come. It will be a thousand rupees per person. No more, but no less. Understand?'

‘Yes,' Mata-ji said. ‘I understand.'

They packed all night and all day. Prabhjot Kaur was amazed at how many things were in a house. Papers, clothes, books, silver jars, photographs, chairs, more clothes, mattresses, expensive combs, shoes, each person had an array of things that were attached to them with tight knots of many-threaded time, each person had a heavy load of things that couldn't be left behind. Prabhjot Kaur looked at several ranks of dolls she no longer played with, threadbare heads that she hadn't petted in years, but then she tugged and strained at a paper sack trying to fit them all in, filled it with these long-ago companions until the paper gave way and tore with a single sharp rip. By late afternoon the courtyard and the baithak were full of tottering bundles tied in sheets, and staggeringly heavy suitcases, and iron trunks which took four people to lift. Prabhjot
Kaur was trying to decide which books to take when Mata-ji came rushing in. ‘Here, put this on.' It was a blue salwar-kameez with a square geometric print on rather thick cotton, which Prabhjot Kaur had decided three months ago was fit only for everyday house wear. But here was Mata-ji quite impatient. ‘Take, take.' Prabhjot Kaur took it and wondered at the heavy tug of its weight. Mata-ji was gone already, out of the door. The salwar was what was heavy. Prabhjot Kaur turned it over and saw that there were little packets of cloth that had been stitched to the waistline, on the inside, just under the nada. There was metal in these little secret pockets, gold, she could feel the smooth, slippery density of necklaces and bracelets. When she walked out into the courtyard after changing, she saw that Mata-ji and all the sisters were wearing the same loose, rough clothing, ready for a strange kind of travel, and that they were all moving with a care-laden awkwardness, as if they didn't know the edges of their bodies any more. Mani clinked as she walked past Prabhjot Kaur, and yet Prabhjot Kaur was unable to be amused by her attempts to silence herself, her rolling heel-toe walk. Now nobody was saying a word. The sun was gone, sunk, and Prabhjot Kaur sat on a trunk and saw the surfaces of her home recede into dimness. Iqbal-veerji came in, his arms muddy, and washed his hands under the hand-pump. When the water fell on the brick it was very loud, the splatter like an explosion, and Prabhjot Kaur flinched. Then, again, silence.

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