Purity of Blood (6 page)

But at that time I still had no choice but to eat insults without seasoning and without recourse, unless Captain Alatriste determined to take my defense upon himself. Which is precisely what he did, and I must tell you that his actions led me to consider that, despite his often surly ways and silences, the captain held me in esteem. And if Your Mercies will forgive me, I will say that he had good reason,
pardiez,
considering certain pistol shots I had fired on his behalf some time ago at the Gate of Lost Souls.

The fact is that when he heard this dandy debase me, the captain turned, slowly, serenely. On his face was the look of glacial calm that those who know him consider fair notice that it is advisable to take three steps back.

“By God, Íñigo”—the captain seemed to be speaking to me, although he was staring hard at the offender—“I do believe that this caballero has confused you with some rogue of his acquaintance.”

I said nothing, not a word, for it was obvious what was happening. The coxcomb, hearing himself addressed, had stopped, and his companions with him. He was the kind of man who uses his own shadow as a kind of mirror. At the captain’s “By God,” he had placed a white hand displaying a large gold and diamond ring upon the guard of his sword, and with the evident sarcasm of that “caballero,” his fingers drummed a tune on the pommel. His arrogant eyes looked Diego Alatriste up and down. When he had completed the inspection, however—after noting the captain’s sword with the guard scratched and nicked from other blades, the battle scars on his face, the cold eyes beneath the broad-brimmed hat—the arrogance was not quite as noticeable as it had been.

Even so, he replied. “And what happens,” he said disagreeably, “if I am
not
confused and if I
am
certain of what I say…eh?”

His answer had sounded firm, which was in the man’s favor, although that final hesitation had not escaped me, nor the swift glances he threw toward his companion and the two ladies. In those days, a man might well let himself be killed for the sake of his reputation, and the only things that could not be forgiven were cowardice and dishonor. After all, honor was supposed to be the exclusive patrimony of the hidalgo; and the hidalgo, unlike the plebeian who bore all the tributes and taxes, neither worked nor contributed to the royal treasury. The famous plays of Lope, Tirso, and Calderón often made reference to the chivalric tradition of earlier centuries, but what actually set the tone of the society was the prevalence of scoundrels and swindlers of every stripe. Those hyperboles of honor and dishonor glossed over the business—quite serious, of course—of living without working or paying taxes.

Very slowly, taking his time, the captain ran two fingers over his mustache. And then, with the same hand, without ostentation or exaggeration, he pulled back his cape, further exposing, in addition to his sword, the dagger he wore over his kidney, on the left side.

“What happens,” Alatriste replied in measured tones, “if you are not confused? Well, perhaps Your Mercies may find the troublemaker whom I am sure you have mistaken for this lad, if you will come along with me to the de la Vega gate.”

The de la Vega gate, which was not far away, was one of the places on the outskirts of the city where men went to resolve their quarrels. And the gesture of freeing up, without further preamble, the Toledo and Biscay weapons had not gone unnoticed by anyone present. Nor had the plural, “Your Mercies,” which brought his companion into the game.

The women raised their eyebrows, intrigued, for their gender was a guarantee of safe conduct, allowing them to be privileged spectators. For his part, the second individual—another popinjay distinguished by his goatee, large lace collar, and suede gloves—who had witnessed the prologue with a superior smile, suddenly stopped smiling. It was one thing to go for a stroll with a friend and to bluster a bit before the two ladies, but it was a far different matter to find oneself in a confrontation with a fellow who had the look of a soldier and who, out of the blue, was suggesting they bypass formalities and settle the business immediately with their swords. The companion’s expression said,
This is not one of those all-for-show braggarts you see on Calle Montera,
and he communicated this thought further by quietly moving back a few steps. As for the pretty-boy himself, his pallor betrayed that he was thinking exactly the same thing, although his position was more delicate. He had spoken a little too freely, and the problem with words is that once spoken, they cannot find their way back to the speaker alone. Sometimes they have to be returned on the tip of a sword.

“The boy was not to blame,” said the companion.

He had spoken like an hidalgo, voice firm and calm, but conciliation was evident in his words. He wanted to remove himself from the center of things and in addition provide his friend with a way out, giving him a foothold whereby he could end the incident without his doublet slashed as generously as his sleeves.

I saw the dandy uncurl the fingers of his right hand and then close them again. He hesitated. Things could be worse. By pure arithmetic, it was two against one, and had he discovered the least sign of discomfort or emotion in Diego Alatriste he might have gone forward—on de la Vega hill, or right there. But there was something about the captain’s cool demeanor, an indifference so absolute that it transcended his immobility and his silences that counseled “proceed with great caution.” I knew exactly what was going through his head: a man who challenges a pair of well-armed strangers either is very sure of himself and his sword, or he is mad. And neither of the two possibilities was to be treated lightly. Even so, I have to say that the caballero was not fainthearted. He did not want to fight, but neither did he want to lose face; so for a few instants more he locked eyes with the captain. Then he looked toward me, as if seeing me for the first time.

“I agree that the boy was not to blame,” he said finally.

The women smiled, though not without a little disappointment at being deprived of entertainment. The friend contained a sigh of relief. As for me, it did not matter whether the pretty-boy apologized or not. I was attuned to Captain Alatriste’s profile beneath the brim of his hat, his thick mustache, his chin, badly shaved that morning, his scars, the gray-green, expressionless eyes that had looked into a void only he could contemplate. Then I looked at his worn and mended doublet, the ancient cape, the modest collar washed time and time again by Caridad la Lebrijana, the dull reflection of the sun on the sword guard and dagger grip protruding from his belt. And I was conscious of a dual and magnificent privilege: that man had been my father’s friend, and now he was also mine, ready to fight on my behalf over a mere word.

Or maybe, in truth, he was doing it for himself. Perhaps the king’s wars, the patrons who hired his sword, the friends who embroiled him in dangerous undertakings, the loose-tongued fops and dandies, even I myself, were simply pretexts that allowed Alatriste to fight because—as don Francisco de Quevedo would have said—there was no choice
but
to fight, regardless of God, and against whatever there was to be against. And don Francisco himself was now hurrying to join us, sniffing a conflict, though a bit late.

I would have followed Captain Alatriste to the Gates of Hell at one word, one gesture, one smile. I was far from suspecting that that was precisely where he was leading me.

I believe I have already spoken of Angélica de Alquézar. Over the years, when I was a soldier like Diego Alatriste—and played other roles that will be told in good time—life placed women in my path. I am not given to the bluff and bluster of the tavern, nor to lyrical nostalgia, but since the tale demands some comment, I shall boil the matter down and state that I loved a certain number of them, and that I recall others with tenderness, indifference, or—most often the case—with a happy and complicit smile. That is the highest laurel a man may hope for, to emerge from such sweet embraces unscathed, with his purse little diminished, his health reasonable, and his esteem intact.

That being said, I shall affirm to Your Mercies that of all the women whose paths crossed mine, the niece of the royal secretary, Luis de Alquézar, was without doubt the most beautiful, the most intelligent, the most seductive, and the most evil. You will make the objection, perhaps, that my youth may have made me excessively vulnerable—remember that at the time of this story I was a lad from the Basque country, not yet fourteen, who had been in Madrid no more than a year. But that was not the case. Even later, when I was a man grown and Angélica was in the full bloom of her womanhood, my sentiments were unchanged. It was like loving the Devil, even knowing who he is.

I believe that I have recounted previously that youthful or not, I was obsessively in love with that señorita. Mine was not yet the passion that comes with years and time, when flesh and blood are blended with dreams, and everything takes on a diffuse and dangerous tone. At the time I am referring to, mine was a kind of hypnotic attraction, like peering into an abyss that tempts you and terrifies you at the same time. Only later—the adventure of the convent and of the dead woman was merely a station on that Via Crucis—I learned how misleading the blond curls and blue eyes of that angelic-looking girl could be, the cause of my so often finding myself on the verge of sacrificing my honor and my life. In spite of everything, however, I went on loving her to the end. And even now when Angélica de Alquézar and the others are gone, familiar ghosts in my memory, I swear to God above and to all the demons of Hell—where she is most surely a bright flame today—that I love her still. At times, when memories seem so sweet that I long even for old enemies, I go and stand before the portrait Diego Velázquez painted of her, and stay for hours looking at her in silence, painfully aware that I never truly knew her. But along with the scars that she inflicted, my old heart still holds the conviction that that girl, that woman who inflicted upon me every evil she was capable of, also, in her way, loved me till the day she died.

At the time of this story, however, all that lay before me. The morning that I followed her carriage to the Acero fountain, beyond the Manzanares and the Segovia bridge, Angélica de Alquézar was simply a fascinating enigma. I have already written that she used to ride down Calle Toledo on the way between her domicile and the palace, where she served as a
menina,
waiting upon the queen and the princesses. The house where she lived, an old mansion on the corner of La Encomienda and Los Embajadores, belonged to her uncle, Luis de Alquézar. It had been the property of the Marqués de Ortígolas until he—ruined by a well-known actress in La Cruz theater, who choked more life out of him than a hangman his victims—had to sell it to satisfy his creditors. Luis de Alquézar had never married, and his one known weakness, aside from the voracious exercise of power that had earned him his position at court, was his orphaned niece, the daughter of a sister who had perished with her husband, a duke, during the storm that lashed the fleet of the Indies in ’21.

I had watched her pass by, as was my habit, from my post at the door of the Tavern of the Turk. Sometimes I followed her two-mule carriage to the Plaza Mayor, or sometimes to the very flagstones of the palace, where I turned and followed my footsteps home. All for the fleeting reward of one of her disturbingly blue glances—which on occasion she deigned to grant me before focusing on some detail of the landscape, or turning toward the duenna who usually accompanied her: a hypocritical, vinegary old woman as worn and thin as a student’s purse. The duenna was one of those creatures of whom it could honestly be said,

Never without her scapular,

with more herbs and balms and flummery

than all the nostrums that line the shelves

of the city’s most bustling pharmacy.

I had, as you perhaps recall, exchanged a few words with Angélica during the adventure of the two Englishmen, and I always suspected that, knowingly or not, she had contributed to our being attacked in El Príncipe theater, where Captain Alatriste came within a hair of losing his hide. But no one is completely in control of whom he hates or whom he loves; so, even knowing that, the blonde girl continued to bewitch me. And my intuition that it was all a devilishly dangerous game did nothing but spur my imagination.

So I followed her that morning through the Guadalajara gate and de la Villa plaza. It was a brilliant day, but instead of continuing toward the palace, her carriage rolled down the de la Vega hill onto the Segovia bridge and across the river whose thin trickle was the eternal source of burlesque and ridicule from the city’s poets. Even the usually cultured and exquisite don Luis de Góngora—quoted here with an apology to Señor de Quevedo—contributed the pretty lines that follow.

An ass drank you in yesterday,

and today you are the piss it passed.

I learned later that Angélica had during that time fallen quite pale, and her physician had recommended outings among the groves and promenades near El Duque garden and the Casa de Campo. He’d also prescribed the renowned waters of the Acero fountain, widely believed to cure, among other things, ladies suffering from amenorrhea, or interruption of various delicate female functions. A fountain described by Lope in one of his plays:

Take a walk tomorrow,

if you can endure

a good half-dipper of

Acero-laced water,

the miraculous unblocking cure.

Angélica was still very young for that type of problem, but it is true that the cool shade there, the sun and the healing air, were good for her. So that was where she was heading, with carriage, coachman, and duenna, and me following some distance behind. On the other side of the bridge and the river, damas and caballeros were strolling beneath the arching trees. In the Madrid of that day, just as I mentioned in regard to the church of Las Benitas, wherever there were ladies—and the Acero fountain attracted not a few, with or without duennas—there also boiled a pot full of gallants, procurers, amorous rendezvous, and other encounters, any of which, fueled by jealousy, might lead to an exchange of words and insults, drawn swords, and a
paseo
ended with swordplay. In that hypocritical Spain, always a slave to appearances and “What will people say?” where the honor of fathers and husbands was measured by the chastity of their wives and daughters—to the point of not letting them leave the house—activities that were in principle innocent, such as taking the waters or going to mass, engendered a muddle of adventures, intrigues, and liaisons.