Picture Perfect (19 page)

“Let's stay here,” Alex said quietly. “Let's just build a hut on the edge of this plain and watch the lions cut across our backyard.”

I smiled at him. “Okay,” I said. “You can accept your Oscar via satellite.”

We picked up our blanket and crawled into the back of the jeep. Alex's leg pressed against mine from hip to ankle. Juma turned on the ignition and began to bump us over the pitted ground toward home.

 

A
T THE SET
, J
OHN HAD LEFT US A JEEP AND A PICNIC BASKET WITH
fried chicken and fresh bread. Alex and I sat in companionable silence for half an hour outside the tent with the setting sun melting into the edges of our collars and heating the ground between us. It was early September, and it was beastly hot. “You know what I miss?” I said. “About Maine?” Alex shook his head. “I miss the seasons. I miss the snow.” I closed my eyes, trying, in this broiling heat, to imagine my fingertips blue with the cold, my eyelashes catching the first flakes of winter.

“One of my houses is in Colorado,” Alex said. “Near Aspen. We'll go this winter. I'll take you to see snow.”

I turned to him. I wondered if I would be with him this winter. My mind flickered back to that lion, striding silently through the bristling grass, his lioness following. “Yes,” I said. “I'd like that.”

I knew he was thinking of the lions too, and of those other animals who had shaken the ground with their footsteps. As the sun dropped behind the edge of the distant hills, he leaned over and kissed me.

It was not the way he had kissed me before—not quiet, not gentle, not testing. He bruised my lips and ground his body against mine, wild and primitive, forbidden. His hand unbuttoned the front placket of my shirt and slipped inside. His palm skimmed over my bra, cupping my breast. “Is it all right?” he whispered.

I had known it was coming to this; I had known from the moment he'd left me at my door at the lodge that first night. And although I didn't have the experience I knew he would expect, or the skill and finesse of other women, I could no more stop him than reverse the flow of my own blood.

I nodded and felt him pull my shirt over my head, but his hands were always on me, running down my back and unhooking my bra and pushing my hair away from my face. He picked me up and half carried, half dragged me inside the tent on the set, laying me down on the narrow cot. Kneeling on the rough wooden floor, he pulled off my sneakers and socks, then wriggled my shorts and my underwear over my hips.

My cheeks were burning, and I reached for the blanket to cover myself, but this was only a movie set and there wasn't any. I tried to cross my hands in front of me, but Alex wrapped them around his neck and kissed me again. “You're beautiful,” he said. He ran his fingertips gently over my body, the way a sightless person learns another's face, and as I opened to his touch I started to think that maybe I was as beautiful as he believed.

I didn't know how to touch him, or what exactly to do, but Alex didn't seem to mind. He stood up to pull off his own clothes, and I stared at the lines of his body. I realized it was like looking into the sun—you shouldn't do it, because you'd turn your face away and be blind to everything else.

When his mouth came over my breast, I heard the sound of my own voice, or maybe the rise of the wind. Darkness slipped inside the tent with us, covering our bodies by degrees until I could just see a sliver of Alex here and there, illuminated by moonlight, and feel his skin sticking to mine. His hand moved between my legs and his words fell at my temples and I closed my eyes.

I saw the Serengeti, filled with animals as it had been ages ago. They chirruped and whistled and cried in the night; they moved in a measured parade. Overhead was a banner of stars that slipped under my skin, swelling and shining and aching for freedom that came only when Alex sank deep inside.

When I finally stopped quivering, Alex began. He called out my name, collapsing on top of me. He looked at me with the eyes of a lion.

“Is that the first time you've ever—you know?” he whispered.

I turned away, mortified. “You can tell?”

Alex smiled. “It's the way you're staring at me. Like I just finished creating the heavens and the earth.”

I tried to push him off me, to put a little space between us. Now that it was over, I wasn't sure it ever should have happened. “I'm sorry,” I murmured. “I don't do this with many men.”

Alex rolled us onto our sides. “I know,” he said. I flushed again, thinking of all the women he must have slept with; of how much more they instinctively knew how to do. He caught my chin, making me look up at him. “I didn't mean it like that. I meant that I like feeling you're mine.” He kissed me softly. “So you won't be doing this with many men, after all.”

He smiled as he said it, but he tightened his grip possessively, as if I might actually have plans of leaving. I hesitantly traced my finger around the muscles of his chest and felt him stir inside me. I pushed my hips closer to his and heard him groan. “Jesus,” he said. “What you do to me…”

I pretended to hold him back. “How do I know you're not acting?” I said.

Alex grinned. “Cassie,” he said, “when I'm acting, I'm never
this
good.”

 

I
F
S
VEN
,
THE STUNT MAN
,
HADN'T COME DOWN WITH THE FLU
, A
LEX
and I wouldn't have had a fight. But that Monday morning—the morning after—I arrived at the set, trying to act as casual as possible, only to find out that the scene scheduled for filming had been changed. Instead of Sven leaping from a low cliff with the infamous black rope, Alex and Janet Eggar would be filming the one love scene in the movie.

Janet Eggar was a young actress who, Alex had said, was doing her very first GLS—Gratuitous Love Scene. Bernie had as much as told me that Janet's role was completely insubstantial; that it had been written into the script simply because if she showed her boobs, people would pay to see the movie. I watched her move jerkily from the costume designer to the makeup crew. She stood with her back to me and opened her robe so that base could be applied to her body.

I kept trying to catch Alex's eye. He had arrived on the set long before I had that morning to catch up with the changes in schedule, so I hadn't had the ride over to the set to see what he made of last night. He had driven me back to the lodge and left me at the door of my room with a sweet goodnight kiss that made my insides hum. But thinking of gossip, he'd gone off to his own room and left me to lie awake all night, naked beneath the bedroom ceiling fan, touching myself in the places he had hours before.

As the sun came up, I told myself once again that I was not going to expect anything. For all I knew, he did this with some member of the cast or crew of every movie. I could think whatever I wanted to, but I realized that any promises I made myself were destined to be broken.

Alex was wearing a pair of jeans and no shirt, and he was in a foul mood. He barked orders to the prop people; he yelled at Charlie, the gaffer, for getting in his way. When Jennifer brought him a copy of his script, apologizing for the coffee stain across one page, I thought he would take her head off.

But when he looked at Janet, white-faced and shaking in front of the camera equipment, he seemed to soften. I watched his eyes travel the length of her robe and then return to her face. He walked over to Bernie and murmured something, and the director held up his hands for quiet. “This is going to be a closed set,” he announced. “Everyone not immediately involved with the filming of this scene can go back to the lodge and meet here after lunch.”

I watched Bernie lead Janet to the tent, to the cot where Alex and I had made love the night before. He spoke to her and gestured with his hands and she nodded and asked a couple of questions. In the distance I heard the last of the jeeps driving away, and I realized only a handful of people were left.

I wasn't in any way connected with the filming of the scene—any technical expertise I could offer wasn't going to help someone like Janet Eggar. But I saw her reclining on the narrow cot, and then her features changed into my own, and I knew that there was no way I was going to leave.

Bernie walked over to me. “You're still here?” he said. “You didn't hear what I said, maybe?”

Before I could open my mouth, Alex was standing beside me, his hand on my shoulder. “She stays,” he said simply.

Bernie took up his position beside the camera, and he walked Alex and Janet through a fully dressed rehearsal of the scene. If I hadn't been so embarrassed about the location, I probably would have laughed: I couldn't imagine taking direction about which side to turn to when you kissed, where you could and where you couldn't put your hands, how to breathe. Janet and Alex each had a little spray of breath freshener under the pillow, and when Bernie had set up the scene to his satisfaction, they squirted some into their mouths and professionally turned to the cot.

Janet removed her robe under the white sheet with Alex chivalrously shielding her from the view of the cameramen. Then, as if he did it all the time, Alex shucked off his jeans and climbed completely naked onto the cot.

It was a horrible take. Janet's voice cracked in the middle of her line; she kissed Alex as if she were in bed with a corpse. When Alex went to pull the sheet down to her waist, per Bernie's direction, Janet stiffened and sat upright, clutching her arms over her chest. “I'm sorry,” she said coolly. “Can we try this again?”

But after two more disasters, Alex rubbed his hand over his face and stood up. He turned around, and everyone on the set could see how aroused he'd become. I looked into my lap and traced the hem of my shorts. He'd said he wasn't acting with me. He should have been acting with her.

“Okay,” Alex announced. “Everyone, undress.”

Bernie started muttering in Yiddish, but Alex kept talking, drowning out the sound of the director's voice. “It's only fair that if Janet and I are down to skin, the very least you all could do is strip to your underwear.” He looked over his shoulder, to where Janet was starting to smile.

One of the cameramen was the first to do what Alex had asked, pulling off his T-shirt and pants to reveal a huge belly hanging over Jockey shorts. LeAnne, Janet's assistant, shrugged off her clothes until she stood in her bra and panties. “It's like a bikini,” she said to no one in particular.

Clothes flew into piles at the edges of the set, and by now Janet Eggar was laughing out loud. Alex sat on the cot, talking to her. With a sigh, Bernie unzipped his shorts to reveal purple silk boxers, and that left only me.

Everyone was staring, wondering why I deserved the special treatment, so without even thinking twice I reached for the bottom of my shirt. Alex caught my eye and shook his head very slightly, but I smiled at him. I pulled the shirt over my head and tugged off my shorts, knowing that the entire time, his eyes were on me.

When filming resumed, Janet seemed much better. I watched her fall back against the cot, her hair spread over the pillow. I watched Alex's breath steal over her skin. I wondered how much of her he was touching; how many times he'd have to shoot this; whether the sheets still smelled like us.

After the sixth take, when Janet and Alex were laughing as if they'd been doing this forever, I saw how my nails had cut into the soft wooden armrests of my chair. In the stifling heat, the scene being played before me kept turning into the one I had lived the night before. My throat became so dry I could not swallow. I watched Alex with another woman, holding her the way he should have been holding me, and that's when I realized I had fallen in love.

I knew he would come after me the moment he finished, but I didn't want to see him. I never wanted to see him again. I had tried—I had really tried—but a casual liaison just wasn't my style.

I had spent all last night preparing myself to face the truth, but that didn't keep me from feeling its pain. Alex hadn't felt a whole world open up at my touch. Alex hadn't lain under the circles of a ceiling fan, praying for time to stop before it all went downhill again. To Alex, I had been nothing more than a rehearsal.

I was halfway to the remaining jeeps, planning to get into one and drive myself as far away from this production as possible, when Alex caught up with me and grabbed my arm. “Wait,” he said. “You've got to give me a chance.”

I whirled around and glared at him. “You've got one minute,” I said.

“I didn't know we were going to film this today, Cassie. It's terrible timing. If I had, I never would have brought you back here last night. I didn't want you to watch that, but I didn't want you to think I was sending you away, either.”

“You
enjoyed
it,” I said. “I
saw
you.”

“I didn't enjoy it,” he yelled. “It's my job.”

“Well, what does it matter to you anyway?” I shouted back. “You've already had me. You've got Janet Eggar foaming at the mouth. Why don't you just go on back and finish what you've started while everyone else goes to lunch?”

Alex took a step back. “Is that what you think of me?” he said tersely. His fists were clenched at his sides, white with stress. His eyes flashed, and for a moment I thought he would lash out or push me aside as he stormed back to the set.

I did not say anything for a while, stunned silent by the strength of Alex's checked rage. “I wish I knew what to think of you,” I whispered. “I kept seeing us. The same tent, Alex. The same cot. The same everything, except this time it wasn't me.” When his face started to swim in front of my eyes, I turned away. “Please don't make me watch that again,” I said. I pushed past him, running until I couldn't hear his voice over the hammer of my heart. And I told myself over and over I should have known that someone who could love so hard and so well could also hate, and hurt, as deeply.