Pearl in a Cage (52 page)

‘Shush, now,' Gertrude soothed. ‘You'll put my chooks off the lay for a week with all that noise.'

‘But it's not fair, Granny. And you know Sissy's daffodil dress—Dad gave it to me when they threw it out, and she burned it. She's evil, and I remembered that she was always the same, even before, even when I lived down here. Why does everyone . . . why do you all cover up for her?'

Jenny rarely told tales. She was making up for lost time today, spilling the lot, shedding her every hurt, along with buckets of tears. Her eyes were swollen, her nose blocked by tears, her voice full of tears.

‘You have to stop crying, darlin'. You won't be able to sing tonight.'

‘I can't sing! I'm never singing again. I'm staying down here with you and Elsie and Joey and I'm never seeing anyone ever again.'

‘Vern gave me his old wireless so Elsie and Joey can hear you tonight. You're not going to disappoint them, are you? And who is going to know if you're wearing a prison dress or your nightie if you're singing on the wireless?'

‘We have to sing at the concert first, and Maisy said they could only get tickets right up in the back row because they've all sold out, so thousands of people will know what I'm wearing it, Granny, and I wouldn't wear that brown thing if I was ninety-nine and dying of leprosy—and I'm not wearing anything anyway, because I'm not going anywhere until my hair grows.'

‘It took fourteen years to get this long. Can you live down here until you're twenty-eight?'

‘Yes.'

‘Or will we just cut the rest of it off to match it?'

Jenny sniffed, wiped her eyes with the cloth and looked at her grandmother. ‘Can you?'

‘Elsie and Joey trust me with a pair of scissors.'

‘Will I look stupid?'

‘No more so than you do now.'

Jenny's hand reached for short tufts, shorter now than when they'd been wet. Given their freedom from the dragging length, they'd dried into tight curls.

‘Would it all go like those bits?'

‘It would.'

They took a chair out to the sunlight later and Gertrude found her scissors. She was afraid to begin, unsure of where to begin.

‘It's going to be like harvesting a hundred-acre wheat paddock with a kitchen knife, darlin'. I hate making that first cut.'

‘I made it, Granny. Just . . . just finish it.'

She cut, and bunches of gold fell to the dirt. She snipped until she found a shape she could work with, then her scissors became more selective, while Jenny sat eyes closed, soothed by the sun and her grandmother's touch, calmed by the snip of the scissors shaping her hair. Shaping it in at the nape of her neck, leaving it full at the crown, Gertrude's fingers measuring, matching the mutilated side to the other, her hands very certain.

They'd learnt their skills from a hard taskmaster and she was back with him, standing beneath an earlier sun, snipping enough but not too much. He'd been a vain man. Cut his hair too short and when he washed his curls, they coiled like springs back to his scalp. There were two weeks between a good haircut and a bad. She'd suffered through a couple of bad weeks.

Such familiar hair, the feel of it, the smell of it. She wet her hands, wet the curls, knowing exactly how that hair would behave when given water. She combed it up from the nape of the neck, watched the stubble become tight springs.

A breath held too long, released in a sigh, she stepped back—like a sleepwalker suddenly awakened, and surprised to find herself in her own yard, outside her own front door, Jenny seated on a battered kitchen chair, a cloud of gold spread at her feet. She was surprised too at what she had created.

‘Have a look at yourself,' she said.

Lengths of hair clinging to her skirt, her shoes, Jenny stood, brushing them, kicking them off, while Gertrude brushed more from her back. Inside to the washstand mirror then, and shocked at what she saw.

‘I look like a boy.'

‘But a beautiful boy,' Gertrude said.

‘I feel light-headed.'

Gertrude's own head felt light. Too long standing in the sun, or that was her excuse.

‘Dad will hate me.'

‘It will fluff up when it dries. It will look a lot more. Clean up the mess for me, darlin', while I make us a cup of tea.'

Needed her outside, just for a moment, just until she gathered her wits. She walked to her table to lean a while, her eyes not leaving that girl's head, bobbing about outside as she gathered that fallen hair. The sun had bleached the longer lengths, but close into the scalp the colour was a rich, burnished gold.

‘Do I look that terrible?' Jenny said.

‘You look beautiful.'

‘You're looking at me funny.'

‘I was thinking about Harry working for days on Vern's old wireless, getting a truck battery to connect up to it so we can hear you sing tonight,' she lied.

‘I got nits once. Dad wouldn't let Maisy cut my hair. I can't . . . I can't let him see me like this.' ‘You did what you did, darlin'. You should have thought of that before you did it.'

‘She was pulling my hair. I wanted to get away.'

‘Tell your dad. He'll understand.'

‘You can't tell him things he doesn't want to know! He's like a horse wearing blinkers. He can't look left or right—and anyway, only the finalists will be on the wireless. I won't get into the finals.'

‘You've got a darn good chance, and I'm not the only one in town who's saying so. Mr Cox was talking to me the other day. His son is driving him and his wife down, just to hear you. Vern reckons you've already got it won.'

‘Why does a mother buy a gorgeous dress for one daughter and a prisoner's uniform for the other?'

‘You're fourteen years old, darlin'. Sissy is a grown woman.'

‘That doesn't wash any more, Granny. She came home when Sissy was fourteen. She's been buying her pretty things since. I love pretty things too.'

‘You'll have them when you're older.'

‘I thought I had that blue dress. I tried it on and it was perfect. And she took it back. It's like . . . it's like if someone gave you a whole bar of chocolate and you took one tiny little taste, then they snatched it away and handed you a huge bowl of raw liver. And I can't swallow it, Granny. I just can't.'

‘Don't start crying again. You've done enough of that to last you for twelve months.'

‘You tell me then why she hates me.'

‘She doesn't hate you.'

‘Oh, Granny, you know she does. You know she hates you too.'

‘That's enough now.'

‘You're wearing blinkers too. Every time you see me, you say, “How is your mother?” As if one day when you ask, I'll say, “Oh, we had the priest around last night and he exorcised her devil out of her.” '

‘I don't like that sort of talk.'

‘Then you're lucky you don't hear her talking about you to Sissy. She says worse.'

Gertrude took her teapot outside to empty around the roots of her rose. Jenny picked up the damp rag and blew her nose on it. She was lifting the hot plate to burn it when Gertrude came back.

‘You walk away because you don't want to know anything that's true.'

Gertrude placed the teapot down. ‘I walk away because it's easier on the heart, darlin', easier if I pretend that something isn't what it is. I gave your mother life, and when she was a little girl she loved me.'

‘I love you, Granny, and I always will.'

‘I know that, darlin'.'

‘Do you want to know why?'

‘You tell me why.'

‘Because you're the only other normal person in the family.'

They laughed then, and Gertrude looked at the clock. ‘What time are you leaving?'

‘I'm still not ever leaving, but they're leaving at six. Sissy will have more room to spread her skirt. It's got miles and miles of material in it.'

She stood before the washstand mirror, combing her hair and watching it settle back to where it wanted to settle. ‘Do I look like her with my hair short?'

‘You look like yourself.'

‘I remind myself of someone I've seen.'

‘What are you going to wear tonight if you don't wear your brown dress?'

‘You don't believe me, do you? I'm not going. I'm never even going home. You've got a spare bed now.'

‘Tonight is your big opportunity to show what you can do to more than Woody Creek and you're not missing out on it.'

‘My big opportunity to watch my sister make a fool of herself and to watch Dad cringe. If I don't go, he won't go—more and more room for Sissy's skirt.'

‘If you had a pretty dress to wear, you'd go.'

‘If pigs had wings, we could saddle them and ride up to take tea with the man in the moon.'

Gertrude glanced at her clock. There was a good hour to six—if her clock was right. She glanced towards her bedroom, then back to Jenny, who couldn't get enough of pulling that comb through her short hair, or of the stranger in the mirror. Maybe it was the wrong thing to do, but Gertrude went to her bedroom and took the stranger's gold crepe from her trunk.

‘Try that on.'

‘Elsie's wedding dress?'

‘It should fit you.'

The comb and mirror lost their allure. ‘It's . . . it's too beautiful.'

‘Quickly then. It's almost five, and that clock could be slow.'

‘God, Granny.'

‘Young ladies don't blaspheme.'

Jenny stripped to her petticoat, tossed her faded navy dress over the back of a chair and slid into golden riches. Her petticoat was too long. The dress came off. Her petticoat came off. She didn't need it anyway; that frock had its own built-in petticoat of gold silk.

‘It's too—'

Lost for words then. It was too everything—the silk against skin accustomed to cotton, the weight of it, and the skirt, almost clinging to her hips but not quite. It was short. It barely reached to mid-knee. It had been longer on Elsie. There was very little of it, but what there was was far too much.

‘It's so pure, unadulterated gorgeous, Granny. Who made it?'

‘It was bought a long way from Woody Creek, many years ago,' Gertrude said, turning her around, needing to see the all-over picture. Its square-cut neckline was wide but not low. It had sleeves, small sleeves, no waist, a lot of beading. It was a woman's frock, but modest enough for a girl.

‘Your neck looks bare.'

‘You just didn't know I had one, that's all.'

‘It hasn't seen much daylight, darlin',' Gertrude said, and she returned to her bedroom.

This time Jenny followed her, stood over her eager to see what else she might whip up with her magic wand or dig out of her trunk. Old garments were lifted out to the floor, most stiff with age, her wedding photograph was placed face down. Jenny pounced on that. She remembered it, remembered its fancy frame.

‘Leave it!'

Too late.

‘It used to hang on your wall with your fly swatter.'

‘A long, long time ago.'

Gertrude removed a large embroidered tablecloth, a wedding present she'd never used. She offered it in exchange for the photograph, but Jenny had returned to the kitchen to stand in the doorway staring at that photograph, or at her grandfather . . . a curly-headed boy!

‘Why didn't you tell me when I asked?'

‘Tell you what?'

Head down in that near empty trunk and Gertrude couldn't find what she knew was in there. A fancy vase, another wedding present came out. Her father's family Bible. A shoe with a turned-up toe.

‘That I'm the image of Itchy-foot.'

Gertrude pounced on a grey leather pouch. ‘I knew it was in here.'

Stepping over old frocks, old shawls, tablecloth, her fingers working hard to untie a leather thong stiffened by age. She lifted back her bedroom curtain and saw Jenny holding that photograph, but staring at her.

‘That's why she hates me. Because I'm the image of her father.'

‘You're nothing like him. You couldn't—'

The gathering of the pouch neck demanded Gertrude's full attention; it didn't want to release its prize, but she got it open and poured a string of amber beads to her palm.

‘I am like him,' Jenny said, uninterested in beads. ‘And why couldn't I be like him?'

‘Because you're a beautiful young girl and all you're looking at is his hair, and the only reason it looks the same is because I used to cut his in the same style. Now turn around.'

The amber beads filled the space nicely, and matched the beadwork of the dress, as she knew they would. Those school shoes and socks didn't match anything. The stranger's shoes were somewhere, and she may as well be hung for a sheep as a lamb. She looked in the bottom of her wardrobe, found them
in the lean-to wardrobe, and Jenny more than willing to swap the photograph for the shoes.

Things like this didn't happen to her. The shoes had high heels. She craved heels. They were a size too large, though.

‘Elsie's sandals will fit you. Get them off,' Gertrude said, again glancing at her clock.

‘Who did they belong to?'

‘Someone left them here, with the dress.'

They were a light tan, more sandal than shoe, the leather straps stiffened by fourteen years, the toes a mote misshapen by the newspaper Gertrude had stuffed into them.

‘They're not that much too big.' She tried walking in them. They made her tall, made her walk tall. ‘We could cut something up and put it in them. Miss Rose is always doing that with shoes at the concerts.'

Gertrude looked at what she'd done, at the shape of her granddaughter's legs. Everything about that girl was class. She was long in the calf, her ankles were slim. She'd done the wrong thing in putting that dress on her, had got more than she expected. Elsie had lent it little shape; it had been longer on her. Jenny was doing something else to it—as her mother may have done something else to it.